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White as Silence, Red as Song
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International bestseller White as Milk, Red as Blood, has been called the Italian The Fault in Our...
original title Bianca come il latte rossa come il sangue
Debbiereadsbook (1303 KP) rated A Lady to Treasure in Books
Oct 17, 2023
very much fade to black and I liked that!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is, I think, the first I've read of this author, and I really enjoyed it.
I'm not afraid to say I like my books on the steamier and smexier side, you know I'm not but what I liked the most about this was the fact that there is NO smexy stuff!
Oh, don't get me wrong, there is love and passion and emotions all over the place but it's very much a fade to black book, and I liked that it was.
Louisa is in a tricky spot, having been sent by her father to secure a husband in England with enough money to save his business. Sarah is just trying to keep a head above herself; her sister; her father and stepmother and the waste of space that is her stepbrother.
Several marriage offers later, and a terrible attack on Louisa and the ladies realise that they need each other. But Sarah has been alone for so long and accepting the help and love that Louisa offers is hard and she pushes her away, often. Tragedy strikes and Sarah knows to where he must go for help.
I think the thing I struggled the most with, was how long this book is. There is a huge amount of back story, that seemed to drag on. Back stories are great, but I found myself skipping huge chunks. I didn't feel I missed anything by doing so, so maybe they didn't need to be there.
I loved the supporting cast. Eleanor especially, was a joy, even if she was shunned by most of "polite society" in those days.
I didn't feel anything from either woman about what might happen if they let themselves love on each other, you know? Neither were bothered by their feelings and what might happen. Found that a bit odd, given the time they lived in. The romance element sort of popped up too, there didn't seem to be any build up!
But all in all, a nice read, with some drama and some passion; some love and some danger.
4 stars
*same worded review will appear elsewhere
This is, I think, the first I've read of this author, and I really enjoyed it.
I'm not afraid to say I like my books on the steamier and smexier side, you know I'm not but what I liked the most about this was the fact that there is NO smexy stuff!
Oh, don't get me wrong, there is love and passion and emotions all over the place but it's very much a fade to black book, and I liked that it was.
Louisa is in a tricky spot, having been sent by her father to secure a husband in England with enough money to save his business. Sarah is just trying to keep a head above herself; her sister; her father and stepmother and the waste of space that is her stepbrother.
Several marriage offers later, and a terrible attack on Louisa and the ladies realise that they need each other. But Sarah has been alone for so long and accepting the help and love that Louisa offers is hard and she pushes her away, often. Tragedy strikes and Sarah knows to where he must go for help.
I think the thing I struggled the most with, was how long this book is. There is a huge amount of back story, that seemed to drag on. Back stories are great, but I found myself skipping huge chunks. I didn't feel I missed anything by doing so, so maybe they didn't need to be there.
I loved the supporting cast. Eleanor especially, was a joy, even if she was shunned by most of "polite society" in those days.
I didn't feel anything from either woman about what might happen if they let themselves love on each other, you know? Neither were bothered by their feelings and what might happen. Found that a bit odd, given the time they lived in. The romance element sort of popped up too, there didn't seem to be any build up!
But all in all, a nice read, with some drama and some passion; some love and some danger.
4 stars
*same worded review will appear elsewhere
LeftSideCut (3776 KP) rated Studio 666 (2022) in Movies
Apr 6, 2022
If you like Foo Fighters, if you like metal, if you like The Evil Dead, then Studio 666 will be right up your street.
Considering that none of them are actors, the whole band do a pretty decent job here. Even the more awkward moments are played off nicely with a frequently funny script. The Foos have a well documented history of goofy music videos with a specific brand of humour, and Studio 666 definitely carries the same vibe over its feature length runtime. There are some familiar faces peppered throughout to pad up the cast. Jeff Garlin appears, being very Jeff Garlin. Leslie Grossman from American Horror Story, up-and-coming scream queen Jenna Ortega, and bonafide legend John Carpenter bring the horror credentials. A cameo from Lionel Richie (alongside a legit jump scare) and Slayer's Kerry King cover the music side of things, and the comedy is represented by the likes of Whitney Cummings and Will Forte. It's a pretty decent cast that surround Dave and the boys.
After the initial set up, proceedings do drag a fair bit in the middle, before everything goes full blown batshit. The gore in this movie is pretty ridiculous, and practically done for the most part with some impressive effects work. There's one kill in particular involving a chainsaw which is easily one of the gnarliest I've seen in a while. Even the CG demons don't look too shabby. As mentioned earlier, The Evil Dead has a huge part to play here, and the film is clearly influenced by it and its sequel, from the gratuitous blood sprays (and a blood filled lightbulb) to the way certain shots are framed, to an evil book made of human flesh, the whole project feels like one big homage.
Studio 666 is silly, visceral, gory fun, full of music industry jokes, a clear cut love for the horror genre, and a disgustingly riffy soundtrack. It could have quite easily been 15-20 minutes shorter, but it's a minor qualm that won't stop it from surely becoming a cult classic.
Considering that none of them are actors, the whole band do a pretty decent job here. Even the more awkward moments are played off nicely with a frequently funny script. The Foos have a well documented history of goofy music videos with a specific brand of humour, and Studio 666 definitely carries the same vibe over its feature length runtime. There are some familiar faces peppered throughout to pad up the cast. Jeff Garlin appears, being very Jeff Garlin. Leslie Grossman from American Horror Story, up-and-coming scream queen Jenna Ortega, and bonafide legend John Carpenter bring the horror credentials. A cameo from Lionel Richie (alongside a legit jump scare) and Slayer's Kerry King cover the music side of things, and the comedy is represented by the likes of Whitney Cummings and Will Forte. It's a pretty decent cast that surround Dave and the boys.
After the initial set up, proceedings do drag a fair bit in the middle, before everything goes full blown batshit. The gore in this movie is pretty ridiculous, and practically done for the most part with some impressive effects work. There's one kill in particular involving a chainsaw which is easily one of the gnarliest I've seen in a while. Even the CG demons don't look too shabby. As mentioned earlier, The Evil Dead has a huge part to play here, and the film is clearly influenced by it and its sequel, from the gratuitous blood sprays (and a blood filled lightbulb) to the way certain shots are framed, to an evil book made of human flesh, the whole project feels like one big homage.
Studio 666 is silly, visceral, gory fun, full of music industry jokes, a clear cut love for the horror genre, and a disgustingly riffy soundtrack. It could have quite easily been 15-20 minutes shorter, but it's a minor qualm that won't stop it from surely becoming a cult classic.
LeftSideCut (3776 KP) rated Jurassic World: Dominion (2022) in Movies
Oct 13, 2022
Just to be clear from the get go, a lot of Jurassic World Dominion is pure nonsense, and is yet another entry in this series that is worlds apart from Jurassic Park in terms of quality, and what it's trying to be. It has the courtesy at least, to be slightly better than the garbage fire of it's predecessor, Fallen Kingdom, and even a cynical bastard like me can admit to enjoying the extended presence of some of the legacy characters, but it's not enough to distract from the aspects that drag it down.
Perhaps most prominently, is the promise of dinosaurs rampaging the world with regular society, teased at the end of the last movie. There are parts here and there that show what that would be like, but the main bulk of the plot is focused on a potential famine cause by giant locusts. It's mind boggling why this is the main narrative, when all people want to see is massive dinosaurs fucking shit up in the suburbs or whatever. Jurassic Park is easily in my top 10 films of all time, a movie that I think of fondly, and even more so when Dominion is giving us James Bond style villains. How did we get to this point?
As mentioned, it's nice to have the likes of Alan Grant, Ellie Satler, and Ian Malcolm back in the mix, but it mainly serves as a reminder of how little chemistry Chris Pratt and Bryce Dallas Howard share. It's also ludicrous at this point, how every dinosaur will stop in it's tracks everytime Pratt's character does the dumb hand thing.
It's not all bad, honestly. Some of the action scenes are pretty fun, and a lot of the dinosaurs are puppeteered. When it's time to fall back on CGI, it's as good as it gets, and some of the new dinosaurs introduced are memorable.
It's another entry in this franchise that will no doubt have kids hitting the ceiling, but I personally think it's a shame that the quality has dipped to make room for crowd pleasing spectacle. Still though, it's better than Fallen Kingdom, so I'll take that as a small victory.
Perhaps most prominently, is the promise of dinosaurs rampaging the world with regular society, teased at the end of the last movie. There are parts here and there that show what that would be like, but the main bulk of the plot is focused on a potential famine cause by giant locusts. It's mind boggling why this is the main narrative, when all people want to see is massive dinosaurs fucking shit up in the suburbs or whatever. Jurassic Park is easily in my top 10 films of all time, a movie that I think of fondly, and even more so when Dominion is giving us James Bond style villains. How did we get to this point?
As mentioned, it's nice to have the likes of Alan Grant, Ellie Satler, and Ian Malcolm back in the mix, but it mainly serves as a reminder of how little chemistry Chris Pratt and Bryce Dallas Howard share. It's also ludicrous at this point, how every dinosaur will stop in it's tracks everytime Pratt's character does the dumb hand thing.
It's not all bad, honestly. Some of the action scenes are pretty fun, and a lot of the dinosaurs are puppeteered. When it's time to fall back on CGI, it's as good as it gets, and some of the new dinosaurs introduced are memorable.
It's another entry in this franchise that will no doubt have kids hitting the ceiling, but I personally think it's a shame that the quality has dipped to make room for crowd pleasing spectacle. Still though, it's better than Fallen Kingdom, so I'll take that as a small victory.
Debbiereadsbook (1303 KP) rated Trust Me in Books
Feb 20, 2022
a bit too much, for ME!
Independent reviewer for Archaeolibrarian, I received my copy of this book via Netgalley.
I'm not 100% how I feel about this book, so I'll try to explain (which is not always possible!)
I liked the premise of this book. Delaney's boyfriend was sent to prison for the manslaughter of her brother. He maintained his innocence throughout. The day of his release, she finds her best friend killed the same way, and Hunter is now prime suspect. What follows is a race to not only prove Hunter's claim, but to prevent any more deaths.
I liked that we hear from more than just Delaney and Hunter. I do like to hear from everyone.
I liked the suspense aspect. I wasn't fully certain whodunnit, til it was revealed in the book.
It is a bit violent, with the death discoveries being described in detail. I did think that was appropriate though, for the most part, for this book.
It is clean. I didn't mind that. I do prefer my books on the more explicit side, but I'm big enough to say when a book does not need it.
It does drag a bit, between about 40 to 70% and I very nearly dumped it, but I wanted to know how it would all turn out.
And we come to my biggest issue. I'm quite happy to read Christian books, religious characters, deeply faithful or mindly thoughtful about higher powers. But this book takes the references to God and faith and belief a little bit too far, FOR ME. It felt like, at least every page had a reference to God or faith. A bit like it was shoving it down my throat. It really was, for ME, too much. I stress this point, this is MY OPINION, and how I felt about it.
This is the first I've read of this author. Will I read more? Probably not. A quick search shows a back list of religious themed books, and if they are anything like this one, I won't like it.
So, because of the major dragging bit, and because of the constant God/faith thing . . .
3 stars
I'm not 100% how I feel about this book, so I'll try to explain (which is not always possible!)
I liked the premise of this book. Delaney's boyfriend was sent to prison for the manslaughter of her brother. He maintained his innocence throughout. The day of his release, she finds her best friend killed the same way, and Hunter is now prime suspect. What follows is a race to not only prove Hunter's claim, but to prevent any more deaths.
I liked that we hear from more than just Delaney and Hunter. I do like to hear from everyone.
I liked the suspense aspect. I wasn't fully certain whodunnit, til it was revealed in the book.
It is a bit violent, with the death discoveries being described in detail. I did think that was appropriate though, for the most part, for this book.
It is clean. I didn't mind that. I do prefer my books on the more explicit side, but I'm big enough to say when a book does not need it.
It does drag a bit, between about 40 to 70% and I very nearly dumped it, but I wanted to know how it would all turn out.
And we come to my biggest issue. I'm quite happy to read Christian books, religious characters, deeply faithful or mindly thoughtful about higher powers. But this book takes the references to God and faith and belief a little bit too far, FOR ME. It felt like, at least every page had a reference to God or faith. A bit like it was shoving it down my throat. It really was, for ME, too much. I stress this point, this is MY OPINION, and how I felt about it.
This is the first I've read of this author. Will I read more? Probably not. A quick search shows a back list of religious themed books, and if they are anything like this one, I won't like it.
So, because of the major dragging bit, and because of the constant God/faith thing . . .
3 stars
Purple Phoenix Games (2266 KP) rated Rumpelstiltskin in Tabletop Games
Jun 12, 2019
You know the story: the imp (gnome?) that tricked that one lady into promising him her firstborn child in return for spinning hair into gold? You remember? And then she can get her child back if she can guess his true name? Well this game has nothing to do with most of the story. But, it does center around the name guessing part, so there IS a tie back to the original fable. Guessing names is what it’s all about. But do we like it?
During a game of Rumpelstiltskin the players will be attempting to guess the true name of their opponent. The first one to guess correctly will receive a victory cube. The first player to win three of the five victory cubes is the winner! Each player begins the game with the exact same deck of cards to be shuffled. Place the deck face down in front of you, secretly peek at the card on the bottom of the deck and that is your true name to be guessed. On your turn you will play a card and hopefully be able to guess your opponent’s name. Some cards let you guess when played and some cards let you switch up the cards in your deck or your opponent’s. That’s the game.
Components. So it’s like 20 cards and 5 wooden cubes in a small box. The components are all great, as AEG usually has great components. Nothing super amazing (but that art is pretty pretty pretty good).
Ok so here’s the rub. It’s a game that’s just more of an activity than a game. I see what it’s trying to do, but it’s just not much fun. You can win the game with one card. Or it can drag on for like 3 or even 7 cards… It’s just not any fun for me. I only gave it a 2 rating because the art is great and I chuckle when I hear some people try to pronounce the names on the cards. Other than that I don’t think I will want to play this any more. Let me know if you want to take it off my hands.
Purple Phoenix Games gives this one a woeful 5 / 12.
https://purplephoenixgames.wordpress.com/2019/05/02/rumpelstiltskin-review/
During a game of Rumpelstiltskin the players will be attempting to guess the true name of their opponent. The first one to guess correctly will receive a victory cube. The first player to win three of the five victory cubes is the winner! Each player begins the game with the exact same deck of cards to be shuffled. Place the deck face down in front of you, secretly peek at the card on the bottom of the deck and that is your true name to be guessed. On your turn you will play a card and hopefully be able to guess your opponent’s name. Some cards let you guess when played and some cards let you switch up the cards in your deck or your opponent’s. That’s the game.
Components. So it’s like 20 cards and 5 wooden cubes in a small box. The components are all great, as AEG usually has great components. Nothing super amazing (but that art is pretty pretty pretty good).
Ok so here’s the rub. It’s a game that’s just more of an activity than a game. I see what it’s trying to do, but it’s just not much fun. You can win the game with one card. Or it can drag on for like 3 or even 7 cards… It’s just not any fun for me. I only gave it a 2 rating because the art is great and I chuckle when I hear some people try to pronounce the names on the cards. Other than that I don’t think I will want to play this any more. Let me know if you want to take it off my hands.
Purple Phoenix Games gives this one a woeful 5 / 12.
https://purplephoenixgames.wordpress.com/2019/05/02/rumpelstiltskin-review/
Kristy H (1252 KP) rated The Mothers: A Novel in Books
Feb 8, 2018
Seventeen-year-old Nadia Turner is a beautiful high school senior. An intelligent girl, she's college bound. But Nadia is also reeling from the suicide of her mother and trying to make sense of a life that includes just her and her taciturn Marine father. Nadia founds herself drawn to Luke Sheppard, the son of the Pastor of the Upper Room, the church of her African American community. Twenty-one, Luke is a former football star who was derailed by injury in college. Now working at a local restaurant, he and Nadia embark on a secret romance, and Nadia winds up pregnant. Not ready to have a child, she chooses to have an abortion. But Nadia is unaware of the far reaching impact of her decision and how it will affect Luke, herself, and Nadia's best friend, Aubrey.
I'm a strange person who is often wary of reading hyped books, so I put off reading this novel for a while. And I certainly did enjoy it; I can't say that I didn't. I basically read it in one day, and I was very much drawn into the story. While Bennett focuses her story on Nadia, Luke, and Aubrey, she also employs a "Greek chorus" of sorts, composed of "the mothers"--the female elders from the church--who tell the story of Nadia from their third person point of view. It's a different sort of method to employ, but Bennett pulls it off. Still, for me, I found a lot of this novel predictable, and I never really became completely attached to any of the characters. What I did enjoy is how much of the tale is rooted in the bits of life that can drag us all down. It some ways, it very well details the mundane aspects of life - making them seem interesting and nuanced. We basically see the entire span of Nadia's life, which was compelling. However, while there is a depth and message to some of Bennett's story, I can't see it sticking with me for the long-term.
Overall, this is well-written novel and certainly worth picking up. Did I find it worth all the hype? Probably not. But I'm no doubt a bit more cynical than most. It's still an intriguing story that I enjoyed reading.
I'm a strange person who is often wary of reading hyped books, so I put off reading this novel for a while. And I certainly did enjoy it; I can't say that I didn't. I basically read it in one day, and I was very much drawn into the story. While Bennett focuses her story on Nadia, Luke, and Aubrey, she also employs a "Greek chorus" of sorts, composed of "the mothers"--the female elders from the church--who tell the story of Nadia from their third person point of view. It's a different sort of method to employ, but Bennett pulls it off. Still, for me, I found a lot of this novel predictable, and I never really became completely attached to any of the characters. What I did enjoy is how much of the tale is rooted in the bits of life that can drag us all down. It some ways, it very well details the mundane aspects of life - making them seem interesting and nuanced. We basically see the entire span of Nadia's life, which was compelling. However, while there is a depth and message to some of Bennett's story, I can't see it sticking with me for the long-term.
Overall, this is well-written novel and certainly worth picking up. Did I find it worth all the hype? Probably not. But I'm no doubt a bit more cynical than most. It's still an intriguing story that I enjoyed reading.
Lee (2222 KP) rated The Festival (2018) in Movies
Aug 29, 2018
Fairly enjoyable comedy
The Festival is directed by Iain Morris, who co-created and wrote The Inbetweeners show and subsequent movies. It feels just like another Inbetweeners movie too, especially as star Joe Thomas plays what appears to be an exact copy of his Inbetweeners character Simon, pining for his girlfriend and obsessing over her throughout the movie. The result is a fairly likeable and enjoyable comedy, still a lot better than most movie comedies these days, and with some laugh out loud moments. But, you can't help comparing it to The Inbetweeners and, unfortunately, it's just nowhere near as good as that.
In The Festival, Joe Thomas plays Nick, preparing to graduate and soon to head off to a festival with best friend Shane and girlfriend Caitlin. After a cringe-worthy ejaculation gag involving his mother, getting dumped by Caitlin and having a breakdown on stage at his graduation ceremony, Nick becomes depressed and it's up to Shane to try and drag him along to the festival and moveon with life. On the train to the festival they meet up with Amy, who's also on her way to the festival, and when they do finally get there they end up camping right next to ex-girlfriend Caitlin and her friends.
Your level of enjoyment throughout The Festival is going to vary depending on how you feel about festivals as a whole. If you're like Nick for much of the movie, then you're going to share his discomfort with the mud, the toilets and the cramped camping arrangements, laughing at him and his frustrations with it all ("I just want to go home and have a nice shower and a poo!"). If you're a festival goer yourself then you'll revel in the whole experience lived out on screen, as the movie was actually filmed during a real festival. Along the way there's drink, drugs, druids(!) and nudity for Nick to endure as he hopes to get back with Caitlin, and then later on a blue smurf girl who he hooks up with for a one night stand.
The supporting cast are all fairly funny, particularly Hammed Animashaun and Claudia O'Doherty as friends Shane and Amy. But, it's the brilliant Jemaine Clement as Shanes stepdad who manages to steal every single scene he's in and is just hilarious. Sadly though he's not in it as much as he should be.
In The Festival, Joe Thomas plays Nick, preparing to graduate and soon to head off to a festival with best friend Shane and girlfriend Caitlin. After a cringe-worthy ejaculation gag involving his mother, getting dumped by Caitlin and having a breakdown on stage at his graduation ceremony, Nick becomes depressed and it's up to Shane to try and drag him along to the festival and moveon with life. On the train to the festival they meet up with Amy, who's also on her way to the festival, and when they do finally get there they end up camping right next to ex-girlfriend Caitlin and her friends.
Your level of enjoyment throughout The Festival is going to vary depending on how you feel about festivals as a whole. If you're like Nick for much of the movie, then you're going to share his discomfort with the mud, the toilets and the cramped camping arrangements, laughing at him and his frustrations with it all ("I just want to go home and have a nice shower and a poo!"). If you're a festival goer yourself then you'll revel in the whole experience lived out on screen, as the movie was actually filmed during a real festival. Along the way there's drink, drugs, druids(!) and nudity for Nick to endure as he hopes to get back with Caitlin, and then later on a blue smurf girl who he hooks up with for a one night stand.
The supporting cast are all fairly funny, particularly Hammed Animashaun and Claudia O'Doherty as friends Shane and Amy. But, it's the brilliant Jemaine Clement as Shanes stepdad who manages to steal every single scene he's in and is just hilarious. Sadly though he's not in it as much as he should be.
Gareth von Kallenbach (980 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Jun 19, 2019
Over countless decades the legend of King Arthur has been depicted across a range of mediums. The timeless tale of love, betrayals, action, and adventure has remained a popular and enduring tale ever since it was first introduced.
Director Guy Ritchie has crafted a very different take on the tale as he even contributed to the screenplay for the film. As such “King Arthur: Legend of the Sword”, is brimming with many of his signature elements ranging from a caper story and characters who are filled with quirks and issues.
Charlie Hunnam plays Arthur who is orphaned at an early age when his family is betrayed by his Uncle Vortigern (Jude Law). Arthur is raised in a London brothel with no knowledge of his true lineage.
Arthur learns combat and life on the streets and quickly learns how to make money through various dealings, some of which are not exactly on the level. This is where Ritchie shows his trademark style as there is a caper element to the early part of the story and a scene of Arthur and his pals walking through the aftermath of an event is complete with his signature, start, stop, and rewind moments that made up his recent “Sherlock Holmes” films.
Naturally events put Arthur and Vortigern against each other when Arthur is able to pull the legendary Excalibur from a stone as part of a test imposed on all young men of a certain age.
With his true identity in place, Arthur is marked by his Uncle as he is the only threat to his power and this forces Arthur into the protection of the resistance where he must embrace his past and find his destiny.
The film does take some liberties with the Arthurian Legend and does go a bit heavy on the FX especially with the inclusion of giant creatures which made me think at times I was watching something from the “Lord of the Rings”. The film does drag in parts but does rebound with a finale that seemed very video game esque, but sets up future films well. The cast is strong and there is plenty to like about the film as long as you are willing to be patient with the pacing of the film.
http://sknr.net/2017/05/10/king-arthur-legend-sword/
Director Guy Ritchie has crafted a very different take on the tale as he even contributed to the screenplay for the film. As such “King Arthur: Legend of the Sword”, is brimming with many of his signature elements ranging from a caper story and characters who are filled with quirks and issues.
Charlie Hunnam plays Arthur who is orphaned at an early age when his family is betrayed by his Uncle Vortigern (Jude Law). Arthur is raised in a London brothel with no knowledge of his true lineage.
Arthur learns combat and life on the streets and quickly learns how to make money through various dealings, some of which are not exactly on the level. This is where Ritchie shows his trademark style as there is a caper element to the early part of the story and a scene of Arthur and his pals walking through the aftermath of an event is complete with his signature, start, stop, and rewind moments that made up his recent “Sherlock Holmes” films.
Naturally events put Arthur and Vortigern against each other when Arthur is able to pull the legendary Excalibur from a stone as part of a test imposed on all young men of a certain age.
With his true identity in place, Arthur is marked by his Uncle as he is the only threat to his power and this forces Arthur into the protection of the resistance where he must embrace his past and find his destiny.
The film does take some liberties with the Arthurian Legend and does go a bit heavy on the FX especially with the inclusion of giant creatures which made me think at times I was watching something from the “Lord of the Rings”. The film does drag in parts but does rebound with a finale that seemed very video game esque, but sets up future films well. The cast is strong and there is plenty to like about the film as long as you are willing to be patient with the pacing of the film.
http://sknr.net/2017/05/10/king-arthur-legend-sword/
Phil Leader (619 KP) rated Out of the Silence in Books
Nov 21, 2019
This book tackles a difficult subject without compromise but still manages to be a gripping and powerful read. In rural Pakistan a woman is found badly injured after a horrific attack. Sure she is about to die she tells the nurse tending her the story of her life.
She is called Afra and was courted by a boy called Jameel in her village. But her family only see profit in Afra and sell her to a rich businessman from a distant city to be his wife. Jameel leaves the village in shame. Their lives take very different paths from there.
Ralph Buchanan used to be the toast of the journalistic world, exposing corruption and scandal, his work earning him awards and fame. However too many corners cut and too many regrets have left him washed up in Lahore, a has-been drinking his life away. He is told the story of Afra and realises he could make a difference, but before that he needs to drag himself up from rock bottom.
The first part of the book, telling the story of Afra and Jameel is relatively slow paced. It is also a pretty grim read as Mullen describes the reality of life for many women who are still treated as property in Pakistan. There is much that is hard to read, but sometimes the truth can be very ugly. This is nothing like anything Mullen has written before. But he is a writer of considerable talent and weaves the tale expertly. Naturally there is a murder mystery woven into the story, so it is not a complete departure from his normal subject matter.
Once Buchanen enters, the pace picks up and something of the style of his other books returns, with Ralph being very much in the mould of a 'noir journalist'. The story from this point forward is not only his ongoing investigation into Afra's story and the murderer, but also his own personal journey. Mullen has a fabulously light touch with both characters and language that mean the reader is drawn into the events, even more so for having read the shocking story that kicks this book into life.
Owen Mullen has tried something different here, and has sought to expose a deep injustice in the world. He has succeeded on both counts. An author that deserves a wider audience
She is called Afra and was courted by a boy called Jameel in her village. But her family only see profit in Afra and sell her to a rich businessman from a distant city to be his wife. Jameel leaves the village in shame. Their lives take very different paths from there.
Ralph Buchanan used to be the toast of the journalistic world, exposing corruption and scandal, his work earning him awards and fame. However too many corners cut and too many regrets have left him washed up in Lahore, a has-been drinking his life away. He is told the story of Afra and realises he could make a difference, but before that he needs to drag himself up from rock bottom.
The first part of the book, telling the story of Afra and Jameel is relatively slow paced. It is also a pretty grim read as Mullen describes the reality of life for many women who are still treated as property in Pakistan. There is much that is hard to read, but sometimes the truth can be very ugly. This is nothing like anything Mullen has written before. But he is a writer of considerable talent and weaves the tale expertly. Naturally there is a murder mystery woven into the story, so it is not a complete departure from his normal subject matter.
Once Buchanen enters, the pace picks up and something of the style of his other books returns, with Ralph being very much in the mould of a 'noir journalist'. The story from this point forward is not only his ongoing investigation into Afra's story and the murderer, but also his own personal journey. Mullen has a fabulously light touch with both characters and language that mean the reader is drawn into the events, even more so for having read the shocking story that kicks this book into life.
Owen Mullen has tried something different here, and has sought to expose a deep injustice in the world. He has succeeded on both counts. An author that deserves a wider audience