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Ivana A. | Diary of Difference (1171 KP) rated Eternal Love in Books
Aug 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2720127654">Eternal Soul</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3275169496">Eternal Love</a> - ★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/04/Book-Review-Banner-37.png"/>;
Eternal Love is the second book in the Eternal Soul series by Karimah Colden. We follow the story of Reign, who recently found out she has some magic powers.
The first book, Eternal Soul, focused on Reign finding herself in this new world, with the new powers she has. It was also an adventure of staying out of danger while also protecting her friends.
Eternal Love continues in the same spirit. Reign is living a normal life, until one day, her neighbour is killed and it seems that Reign was the actual target.
<b><i>I cannot say I enjoyed this book!</i></b>
Reign didn't develop or grow as a character throughout the book. Her powers didn't become stronger and she made some questionable decisions. Sometimes, she didn't make any decisions at all. Torn between two men, one-sided friendships and bad life priorities were a few things that bothered me.
<b><i>"You carry the weight of the world on your shoulders. You can't let the shortcomings that are guaranteed to happen drag you down too. If you did that, you'd never be able to stand."</i></b>
The writing was very inconsistent. Sometimes, I would encounter beautiful paragraphs. Furthermore, I also noticed so many grammar and spelling errors that really annoyed me. On top of this, I could also see a lot of spacing between sentences, as if someone pressed the space button too many times before they continued writing. Like this. And it annoyed me a lot. I am sorry.
<b><i>"We are not the sins of our parents, we are each of our own mind and soul."</i></b>
The ending of Eternal Love didn't have any conclusion of closure to it, apart from solving the mystery behind Reign's family past. Throughout the whole book, Reign is torn between two potential love interests, and we don't get a conclusion to this either. It seems like the ending was a preparation for yet another book.
Eternal Love felt vert unprepared, not edited properly (or at all) and definitely unfinished. I didn't enjoy it and I cannot recommend it to you. I don't think I will be continuing the series, however I will still keep an eye on future releases from the author.
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#1 <a href="https://www.goodreads.com/review/show/2720127654">Eternal Soul</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3275169496">Eternal Love</a> - ★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/04/Book-Review-Banner-37.png"/>;
Eternal Love is the second book in the Eternal Soul series by Karimah Colden. We follow the story of Reign, who recently found out she has some magic powers.
The first book, Eternal Soul, focused on Reign finding herself in this new world, with the new powers she has. It was also an adventure of staying out of danger while also protecting her friends.
Eternal Love continues in the same spirit. Reign is living a normal life, until one day, her neighbour is killed and it seems that Reign was the actual target.
<b><i>I cannot say I enjoyed this book!</i></b>
Reign didn't develop or grow as a character throughout the book. Her powers didn't become stronger and she made some questionable decisions. Sometimes, she didn't make any decisions at all. Torn between two men, one-sided friendships and bad life priorities were a few things that bothered me.
<b><i>"You carry the weight of the world on your shoulders. You can't let the shortcomings that are guaranteed to happen drag you down too. If you did that, you'd never be able to stand."</i></b>
The writing was very inconsistent. Sometimes, I would encounter beautiful paragraphs. Furthermore, I also noticed so many grammar and spelling errors that really annoyed me. On top of this, I could also see a lot of spacing between sentences, as if someone pressed the space button too many times before they continued writing. Like this. And it annoyed me a lot. I am sorry.
<b><i>"We are not the sins of our parents, we are each of our own mind and soul."</i></b>
The ending of Eternal Love didn't have any conclusion of closure to it, apart from solving the mystery behind Reign's family past. Throughout the whole book, Reign is torn between two potential love interests, and we don't get a conclusion to this either. It seems like the ending was a preparation for yet another book.
Eternal Love felt vert unprepared, not edited properly (or at all) and definitely unfinished. I didn't enjoy it and I cannot recommend it to you. I don't think I will be continuing the series, however I will still keep an eye on future releases from the author.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
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Lee (2222 KP) rated Dumbo (2019) in Movies
Mar 31, 2019
It's set to be a busy year for live action Disney remakes, with Aladdin and The Lion King already lined up for release this year. Kicking things off though, is this reimagining of the 1941 classic Dumbo, with Tim Burton directing.
It's 1919 and Holt Farrier (Colin Farrell) has returned from World War I, arriving by train to join the Medici Brothers Circus, where he worked before the war as a performer. But Holt has a number of issues to contend with on his return, the least of which being the loss one of his arms while in service. He's greeted at the station by his two young children, Milly and Joe, who lost their mother, Holt's wife, to influenza while he was away. On top of that, he learns that while he was away, the cash strapped circus owner, Max Medici (Danny DeVito) decided to sell the horses that were part of Holt's star act. Holt is put in charge of pregnant elephant Jumbo, with Max hoping that the arrival of a cute baby elephant will bring in the much needed crowds. It's a lot for Holt to come to terms with and adjust to.
Soon after, the baby elephant is born. But with clumsy, oversized ears, he's not quite the cute crowd pleaser they had all hoped for. Attempts to hide his ears only end in disaster, and ridicule from the circus crowds. Milly and Joe fall in love with the new arrival, and when they discover that he has the ability to use those big ears for flying, interest in him is quickly renewed.
The flying elephant not only draws in the crowds, but also the attentions of V.A. Vandevere (Michael Keaton), who offers Max a deal for him and his circus troupe to join his huge fancy theme park. It's at this point that the movie should really begin to soar, having introduced the circus family and their new arrival. Unfortunately, the arrival of Vandevere signals a sharp downward spiral in terms of story telling. The circus cast are all but forgotten, with the story focusing instead on the tired, familiar tale of sleazy, greedy businessman who is only interested in money and success, at the expense of the poor, trusting people who believed him.
The computerised Dumbo is simply oozing cuteness and technical wizardry. The eyes and the facial expressions are wonderful and he manages to steal every scene he is in. Every time he takes flight, it is a joy to watch. Unfortunately though, this version of Dumbo is trying to add a lot more to the original story and ends up becoming bit of a drag at times. The human characters are poorly written and mostly forgettable, and the movie really only soars when Dumbo himself does. While trying to steer clear of being a straight up remake, opting instead for the addition of plot and characters, it ultimately loses a lot of the charm. As with the recent remake of Beauty and the Beast, it's another case of style over substance.
It's 1919 and Holt Farrier (Colin Farrell) has returned from World War I, arriving by train to join the Medici Brothers Circus, where he worked before the war as a performer. But Holt has a number of issues to contend with on his return, the least of which being the loss one of his arms while in service. He's greeted at the station by his two young children, Milly and Joe, who lost their mother, Holt's wife, to influenza while he was away. On top of that, he learns that while he was away, the cash strapped circus owner, Max Medici (Danny DeVito) decided to sell the horses that were part of Holt's star act. Holt is put in charge of pregnant elephant Jumbo, with Max hoping that the arrival of a cute baby elephant will bring in the much needed crowds. It's a lot for Holt to come to terms with and adjust to.
Soon after, the baby elephant is born. But with clumsy, oversized ears, he's not quite the cute crowd pleaser they had all hoped for. Attempts to hide his ears only end in disaster, and ridicule from the circus crowds. Milly and Joe fall in love with the new arrival, and when they discover that he has the ability to use those big ears for flying, interest in him is quickly renewed.
The flying elephant not only draws in the crowds, but also the attentions of V.A. Vandevere (Michael Keaton), who offers Max a deal for him and his circus troupe to join his huge fancy theme park. It's at this point that the movie should really begin to soar, having introduced the circus family and their new arrival. Unfortunately, the arrival of Vandevere signals a sharp downward spiral in terms of story telling. The circus cast are all but forgotten, with the story focusing instead on the tired, familiar tale of sleazy, greedy businessman who is only interested in money and success, at the expense of the poor, trusting people who believed him.
The computerised Dumbo is simply oozing cuteness and technical wizardry. The eyes and the facial expressions are wonderful and he manages to steal every scene he is in. Every time he takes flight, it is a joy to watch. Unfortunately though, this version of Dumbo is trying to add a lot more to the original story and ends up becoming bit of a drag at times. The human characters are poorly written and mostly forgettable, and the movie really only soars when Dumbo himself does. While trying to steer clear of being a straight up remake, opting instead for the addition of plot and characters, it ultimately loses a lot of the charm. As with the recent remake of Beauty and the Beast, it's another case of style over substance.
Movie Metropolis (309 KP) rated The Legend of Tarzan (2016) in Movies
Jun 11, 2019
CPR Needed
As tends to be the case with Hollywood, studios pay very close attention to their rivals release schedules, eyeing up potential competition to pit their films against, maxing box-office returns in the process.
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/