
David McK (3600 KP) rated Angels and Demons in Books
Jul 4, 2021
And, like, I'm sure, many others, I actually read that sequel first, only later discovering it was such (although, admittedly, not a direct sequel) and going back to read the first on the series.
This is the one largely set in and around Rome, with a high-tech ticking time-bomb counting down in Vatican City as the Cardinals all meet to elect a new Pope following the death of the previous incumbent of that role. It also makes lots of the (supposed?) divide between religion and science, drawing on lots of conspiracy theories and bringing back into the realms of popular culture that old secret society, the illuminati.
I have no problem with any of that, and I do like a bit of derring-do, mystery and romance, but even I found it hard at times to swallow some of the outlandish scenarios and set pieces of this novel - I think, for me, the icing on the cake was the surviving-a-jump-out-of-a-helicopter-without-a-parachute bit towards the end!

LoganCrews (2861 KP) rated Contagion (2011) in Movies
Sep 21, 2020 (Updated Nov 26, 2020)
Totally unrealistic, not even a *single* scene where someone buys out all the toilet paper. In all seriousness, it's interesting to kick this around in terms of the current pandemic really only until this starts to take form of a narrative movie (a fucking bingo drawing for who gets the first vaccines? lmfao) rather than a "what if?" scenario - but it's never any less measured or just plain fun. Soderbergh's sickly, medical-esque digital palette coats a befitting film over a story with absolutely no regard for the sanctity of human life. I wish it retained most of the pure penchant for schadenfreude it did in its first hour before turning toward a more traditional route - characters being viciously snuffed out one after another without warning, paranoia cranked up to 11 (bystanders are the enemy, air is the enemy) but even still it does have a giddy love for the cruelty of dragging this world and its inhabitants through the wringer. Sacrifices depth for pure pacing perfection (favorably, might I add) in what is essentially a seamless series of montages that boast the same kind of uninterrupted inertia of (lesser) films such as ππ’π±π΅πͺπ·π¦ ππ΅π’π΅π¦. And what a bitchin' score, no? Could have ended with more vigor, but very much succeeds as the business-casual ππ’π£πͺπ― ππ¦π·π¦π³.

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