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Scott (Owatonna U Hockey #2)

RJ Scott and V.L. Locey

8.0 (1 Ratings) Rate It

Book

What happens when you try to fix the past and end up threatening your future? Scott is...

Sports Romance Contemporary M/M

Eyes in the Sky: The Secret Rise of Gorgon Stare and How It Will Watch Us All

Arthur Holland Michel

8.0 (1 Ratings) Rate It

Book

The fascinating history and unnerving future of high-tech aerial surveillance, from its secret...

Western Stars (2019)

(0 Ratings) Rate It

Movie Watch

The incomparable Bruce Springsteen performs his critically acclaimed latest album and muses on life,...

I'm Not in Love (Don't Let Go #1) by Mia Kerick

Mia Kerick

8.0 (1 Ratings) Rate It

Book

I’m not in love… I’m not in love… I will never let myself fall in love with Tristan...

Contemporary MM Romance Adult

LoganCrews (2861 KP) rated 13 Assassins (2011) in Movies

Oct 28, 2021

13 Assassins (2011)

2011 | Action, History, International

7.5

(2 Ratings)

Movie Rating

Competent I suppose - I mean I still liked it and all - but I don't go to Miike to see something just competent, you feel? Gets points exclusively for the insane amount of people that get hacked, blown up, trampled, shot with arrows, and bludgeoned to death in the final act - and a particularly powerful last 20 minutes that wrap things up nicely (the way it touches on how the wealthy fetishize lowly rabble without actually wanting any of the consequences of it floored me ["So death comes for us all."]). It's a surprise to no one that this guy can emulate practically any genre with ease, but did this have to be so traditional? Am I being too much of a pushover to ask for more of that sweet, sweet gore that we only get bits and pieces (no pun intended) of? The final battle (which you guys all oversold) is notable in scope but is almost classical to a fault and lacks the snappiness of better martial arts films like Jet Li's 𝘍𝘦𝘢𝘳𝘭𝘦𝘴𝘴, for example - some of it you can't even see that well either. In fact I think this actually succeeds more in its more disturbing moments rather than its action, with that religiously entertaining villain often swooping in to save the day -I mean the guy's a riot, plain and simple (props to Goro Inagaki for playing him *perfectly*). A lot of the other stuff just feels emulative to me, never bad that's for sure - Miike seldom misses a beat - but I wish there was more of him visible here (he would have crushed some motherfuckers in those wooden spike wall traps). Though on that note, I don't mind at all that this dropped his affinity for drawing out scenes way too long.