"This is Eisenberg's first collection of stories — and many of them hinge on how our perception of the world can be irrevocably changed. In the title story, a character answers the phone, and as she talks to the caller, a former lover, she glances toward the man she's having a drink with: "He seemed like a scrap of paper, or the handle from a broken cup, or a single rubber band — a thing that has become dislodged from its rightful place." I so responded to this wonderful notion that you can lose yourself in one moment, and afterward see everything in a totally different way."

"This was made before George died and released shortly after, so you can’t watch it without a lump in your throat. He’s such a brilliant musician, an effortless singer, but also just an ordinary, interesting guy with a natural gift. I used to have this unhealthy habit of playing his songs when I was drunk and maudlin. I love how this film shows how he took control of his image early on, and how we see the lyrics to Freedom as being so astute, not vacuous at all. He’s also funny and filthy – the kind of person you’d love to have a drink with. It’s so sad that he’s not here."