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Tank (Moonshine Task Force #2)
10.0
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Life isn’t promised, love isn’t easy, and relationships aren’t always clean, but everyone has...
The Dragon’s Fake Mate (Bad Dragon's Bride, #4)
10.0
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Marrying her brutal dragon-shifter nemesis is the only way to save her friend. Starla ...
Paranormal Romance Dragons
My Grumpy Sweetheart (Sweetheart Escapes #5)
8.0
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Bailey Rewarding your own accomplishments is important – and if rewarding myself will also get me...
Contemporary MM Romance
Lee (2222 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jan 3, 2018
Superbly acted, funny and emotional
Every so often I head into a movie knowing very little about it. I don't see the trailer, I don't read any detailed reviews. What I do see are a lot of positive headlines in my movie related news feeds and I decide to just go for it. Last year I did the exact same thing with 'Get Out', which turned out to be my favourite movie of 2017. This year, for my first cinema trip of 2018, it's the oddly titled 'Three Billboards Outside Ebbing, Missouri'. Not quite as wonderful as Get Out, but a very enjoyable movie all the same.
The three billboards in question lie, unused since the 80s, on a barely used road leading to the home of Mildred Hayes (Frances McDormand). While driving past them one day, she stops to ponder for a while, before heading into town to the advertising company responsible for the boards and renting them out for a whole year. The message she spreads across the three boards is a simple one, set to shame the local police force who she feels have become a bit slack when it comes to investigating the brutal rape and murder of her daughter seven months earlier. Chief Willoughby (Woody Harrelson) is named on one of the boards, a respected man of the town, who we later discover is suffering from cancer. Officer Dixon (Sam Rockwell) on the other hand is a man with problems, totally inept at his job, living at home with his momma and recently in trouble for beating up a black suspect.
The billboards have the desired effect, bringing the murder case to everyones attention once again and causing uproar around town. But Mildred is a force to be reckoned with, foul mouthed and out for vengeance, and she's brilliant to watch. The movie effortlessly switches between laugh out loud sharp dialogue and gut wrenching emotional drama. Just when you think you've got the whole thing worked out, something major happens to shake things up again. It's a hugely enjoyable rollercoaster ride.
One of the few things I saw before seeing this movie said that if you like Fargo, then you'll enjoy this, and that's a pretty fair assumption. Interesting characters with interesting stories, beautifully told. I loved it.
The three billboards in question lie, unused since the 80s, on a barely used road leading to the home of Mildred Hayes (Frances McDormand). While driving past them one day, she stops to ponder for a while, before heading into town to the advertising company responsible for the boards and renting them out for a whole year. The message she spreads across the three boards is a simple one, set to shame the local police force who she feels have become a bit slack when it comes to investigating the brutal rape and murder of her daughter seven months earlier. Chief Willoughby (Woody Harrelson) is named on one of the boards, a respected man of the town, who we later discover is suffering from cancer. Officer Dixon (Sam Rockwell) on the other hand is a man with problems, totally inept at his job, living at home with his momma and recently in trouble for beating up a black suspect.
The billboards have the desired effect, bringing the murder case to everyones attention once again and causing uproar around town. But Mildred is a force to be reckoned with, foul mouthed and out for vengeance, and she's brilliant to watch. The movie effortlessly switches between laugh out loud sharp dialogue and gut wrenching emotional drama. Just when you think you've got the whole thing worked out, something major happens to shake things up again. It's a hugely enjoyable rollercoaster ride.
One of the few things I saw before seeing this movie said that if you like Fargo, then you'll enjoy this, and that's a pretty fair assumption. Interesting characters with interesting stories, beautifully told. I loved it.
Rachel King (13 KP) rated Carpe Corpus (The Morganville Vampires, #6) in Books
Feb 11, 2019
These book just keep getting better and better. With book six, the series ventures into the world of steampunk with a special Morganville twist. With the very little I have actually read in the genre of Steampunk, I had a hard time visualizing what Ada looks like, but I am hoping these eventually become movies and someone creates this fascinating machine for the movies! Ada's quirkiness and creepiness fit right in with the rest of the Morganville residents, though, so I know that she/it will grow on me, too.
With this book, it is also a relief that Claire has finally turned seventeen. The build-up between her and Shane was driving me crazy. I also like how the author was much more realistic about her first time with Shane than many romance novelists, with much awkwardness and naivety. Her parents' response to the knowledge of this was quite humorous and charming and lent some much-needed humor to the extent of fear with which Morganville is saturated.
Even though these books have much fantasy, they still move along with a certain believability. The one major exception that I found in this book - that I simply had a hard time believing possible - was when Claire almost dies at the end. With the amount of blood loss she suffered from, there is simply no way she could stay conscious for the amount of that she did or stay alive as she did. When books are as entertaining as these are though, I don't mind a little "writer's license" to keep the main character alive and resolve the loose thread of who is responsible for the random murders of girls in the previous books. I am surprised, though, that Claire never made the connection to who Dean is, since I saw it coming quite easily.
Mynin gets more and more entertaining and fascinating from book to book - he is probably one of my favorite characters for his unpredictability. I am thrilled that the disease can no longer get the best of him - it means he could play a more central role in future books. Many of the characters are easy to like, even if their morals often verge into gray area, such as Amelie.
Even though the "book" has suffered its final demise, the bookworm in me still wonders what else was in that book, so I hope future books can tell me more about it.
With this book, it is also a relief that Claire has finally turned seventeen. The build-up between her and Shane was driving me crazy. I also like how the author was much more realistic about her first time with Shane than many romance novelists, with much awkwardness and naivety. Her parents' response to the knowledge of this was quite humorous and charming and lent some much-needed humor to the extent of fear with which Morganville is saturated.
Even though these books have much fantasy, they still move along with a certain believability. The one major exception that I found in this book - that I simply had a hard time believing possible - was when Claire almost dies at the end. With the amount of blood loss she suffered from, there is simply no way she could stay conscious for the amount of that she did or stay alive as she did. When books are as entertaining as these are though, I don't mind a little "writer's license" to keep the main character alive and resolve the loose thread of who is responsible for the random murders of girls in the previous books. I am surprised, though, that Claire never made the connection to who Dean is, since I saw it coming quite easily.
Mynin gets more and more entertaining and fascinating from book to book - he is probably one of my favorite characters for his unpredictability. I am thrilled that the disease can no longer get the best of him - it means he could play a more central role in future books. Many of the characters are easy to like, even if their morals often verge into gray area, such as Amelie.
Even though the "book" has suffered its final demise, the bookworm in me still wonders what else was in that book, so I hope future books can tell me more about it.
Rachel King (13 KP) rated A Heart Most Worthy in Books
Feb 11, 2019
Siri Mitchell's books always seem to have the most beautiful covers, and, like the last one I read, She Walks in Beauty,I was originally attracted to this book for the cover alone. Before I read the book, I skipped to the back and read the "Note to the Reader," which detailed the historical background of the book, referencing the Great Italian Emigration and the Spanish Influenza. This perked my interest in the book even more so, since I did not know anything about these references before this book. The Italian aspect also interested me since I have some Italian blood in me.
One of the first thoughts that occurred to me when I began the book was how little the three girls and their separate subplots had in common. The characters do not seem to intersect at all, and all three girls are very different from one another, with the exception of the dress shop. It felt almost like three different stories that the author took turns telling. As the book progresses, that proves to be incorrect, as the different characters intersect in the most unusual ways, such as one of girl's love interest driving the delivery truck for the shop where another girl's love interest works. This aspect of the book became the most interesting for me, since Mitchell does not make a big deal of pointing out where the connections are, and I enjoyed tracking them.
The owner of the dress shop, Madame Fortier, had her own subplot as well, but I was a bit dissatisfied with how hers played out, since very little about her circumstances changed - even though it was this that made her unhappy in the first place.
All three girls were very likable for her own reasons, though each one's subplot ended somewhat differently. Luciana seemed to get the best deal of the three girls, though all were very happy by the end. Annamaria's ending was bittersweet, but it gave the reality of the Spanish Influenza more impact. I did not like Julietta overly much in the beginning, but the lessons she learned made me like her that much more by the end.
Overall, the book was at times intriguing, romantic, suspenseful, and even frustrating, but it was definitely worth the read.
One of the first thoughts that occurred to me when I began the book was how little the three girls and their separate subplots had in common. The characters do not seem to intersect at all, and all three girls are very different from one another, with the exception of the dress shop. It felt almost like three different stories that the author took turns telling. As the book progresses, that proves to be incorrect, as the different characters intersect in the most unusual ways, such as one of girl's love interest driving the delivery truck for the shop where another girl's love interest works. This aspect of the book became the most interesting for me, since Mitchell does not make a big deal of pointing out where the connections are, and I enjoyed tracking them.
The owner of the dress shop, Madame Fortier, had her own subplot as well, but I was a bit dissatisfied with how hers played out, since very little about her circumstances changed - even though it was this that made her unhappy in the first place.
All three girls were very likable for her own reasons, though each one's subplot ended somewhat differently. Luciana seemed to get the best deal of the three girls, though all were very happy by the end. Annamaria's ending was bittersweet, but it gave the reality of the Spanish Influenza more impact. I did not like Julietta overly much in the beginning, but the lessons she learned made me like her that much more by the end.
Overall, the book was at times intriguing, romantic, suspenseful, and even frustrating, but it was definitely worth the read.
Kristy H (1252 KP) rated Carefully Everywhere Descending in Books
Feb 13, 2018
Audrey Anderson is a bright student from a low income family. Audrey spends most of her time focused on school, with college as her ultimate goal. While she's close to her best friend, she isn't that involved with other kids at her school. However, when one of the most popular (and beautiful) girls in school, Scarlett, asks Audrey to tutor her in English, Audrey finds herself caught up in the typical drama of high school - friendship, prom, etc.
Okay, first of all, I probably bumped up this rating a bit because it was just so refreshing to read a YA LGBT novel with a nice, normal protagonist who seemed real. Most of Audrey's friends and family seem fine with her sexuality and other girls at her school go to prom together. It's wonderful to see a LGBT book where the character's sexuality is just part of her life, versus what drives the entire plot.
The book also does a good job of portraying Audrey and Scarlett's romance - Audrey's unrequited love for Scarlett seemed a bit much at first, but remembering back to the angst of teen love, it seemed right on point.
My problem with this book was some of its odd plot twists, which really didn't seem necessary. I won't spoil the book here, but I think Bedford could have stuck with Audrey and Scarlett's love story and been just fine. That being said, I didn't think they were that crazy or out of left field. I found Audrey to be a compelling and realistic character and it was great to see an author use a YA protagonist from a low income background, even if it did seem a bit overused at times. Too often these books focus on the popular kids, driving their parents' cars and living life without a care in the world. Audrey's life is probably far more realistic for many.
Frankly, the book had some holes and issues, but it was still worth the read for its portrayal of a real YA lesbian relationship and Audrey's overall situation. I enjoyed her character and read the entire book in one day - I'll certainly be recommending it to several of my friends.
(I received an ARC of this novel from Netgalley in return for an unbiased review.)
Okay, first of all, I probably bumped up this rating a bit because it was just so refreshing to read a YA LGBT novel with a nice, normal protagonist who seemed real. Most of Audrey's friends and family seem fine with her sexuality and other girls at her school go to prom together. It's wonderful to see a LGBT book where the character's sexuality is just part of her life, versus what drives the entire plot.
The book also does a good job of portraying Audrey and Scarlett's romance - Audrey's unrequited love for Scarlett seemed a bit much at first, but remembering back to the angst of teen love, it seemed right on point.
My problem with this book was some of its odd plot twists, which really didn't seem necessary. I won't spoil the book here, but I think Bedford could have stuck with Audrey and Scarlett's love story and been just fine. That being said, I didn't think they were that crazy or out of left field. I found Audrey to be a compelling and realistic character and it was great to see an author use a YA protagonist from a low income background, even if it did seem a bit overused at times. Too often these books focus on the popular kids, driving their parents' cars and living life without a care in the world. Audrey's life is probably far more realistic for many.
Frankly, the book had some holes and issues, but it was still worth the read for its portrayal of a real YA lesbian relationship and Audrey's overall situation. I enjoyed her character and read the entire book in one day - I'll certainly be recommending it to several of my friends.
(I received an ARC of this novel from Netgalley in return for an unbiased review.)
Debbiereadsbook (1205 KP) rated Forged In Flood in Books
Jul 21, 2018
new favourite from this author!
I had the honour of beta reading this book, so I was gifted my copy of this book.
Ten years ago, a stupid mistake nearly cost 3 young men their lives. It left them all scarred in a multitude of ways. Ivan has shut himself off from everyone, working in his beloved forge, while Rolland and Wes have taken it upon themselves to educate the youth of today on the errors of drink driving. But Wes and Rolly have had enough of waiting for Ivan, their Viking to get over his self inflicted guilt. And they choose the night of the worst flooding in living memory to make Ivan see sense.
This is NOT part of the Sin Bin series, but there are some cross-over characters, mainly Sarah and her husband Remi. You don't NEED to read them, but you SHOULD!
I loved this! I've loved almost all of Ms Donovan's work, and each and every time, the new book becomes my new favourite, and this is no exception!
Ivan makes this book, he really does. His struggle dealing with his guilt. His struggle dealing with becoming like his namesake of a father, and him not really wanting to. Dealing with the destruction of his forge and his home. Dealing with the after effects of the original accident, and a second one too.
But mainly, because watching him deal with his ever growing attraction to Wes and Rolly, and his NEED to be with them, is a joy to behold! He doesn't want it, not at first but they are persistent buggers now they have decided to pursue Ivan, rather than waiting for him to come to them.
There are some lighter moments, written only in a way Ms Donovan can. Her boys do like to play with their food and these three are no exception to that rule. I don't think I can ever look at a pot of honey in the same way, every again!
Because I read it in one sitting, because it made me cry in places, because it made me laugh out loud in others (and not many books can do that with me when I'm reading!) and just bloody well because . . . . .
5 stars
**same worded review will appear elsewhere**
Ten years ago, a stupid mistake nearly cost 3 young men their lives. It left them all scarred in a multitude of ways. Ivan has shut himself off from everyone, working in his beloved forge, while Rolland and Wes have taken it upon themselves to educate the youth of today on the errors of drink driving. But Wes and Rolly have had enough of waiting for Ivan, their Viking to get over his self inflicted guilt. And they choose the night of the worst flooding in living memory to make Ivan see sense.
This is NOT part of the Sin Bin series, but there are some cross-over characters, mainly Sarah and her husband Remi. You don't NEED to read them, but you SHOULD!
I loved this! I've loved almost all of Ms Donovan's work, and each and every time, the new book becomes my new favourite, and this is no exception!
Ivan makes this book, he really does. His struggle dealing with his guilt. His struggle dealing with becoming like his namesake of a father, and him not really wanting to. Dealing with the destruction of his forge and his home. Dealing with the after effects of the original accident, and a second one too.
But mainly, because watching him deal with his ever growing attraction to Wes and Rolly, and his NEED to be with them, is a joy to behold! He doesn't want it, not at first but they are persistent buggers now they have decided to pursue Ivan, rather than waiting for him to come to them.
There are some lighter moments, written only in a way Ms Donovan can. Her boys do like to play with their food and these three are no exception to that rule. I don't think I can ever look at a pot of honey in the same way, every again!
Because I read it in one sitting, because it made me cry in places, because it made me laugh out loud in others (and not many books can do that with me when I'm reading!) and just bloody well because . . . . .
5 stars
**same worded review will appear elsewhere**
<i>I received this book for free through Goodreads First Reads.</i>
<i>Mrs B</i> is a contemporary novel by lecturer and writer Elizabeth Walcott-Hackshaw. Whilst loosely based on Gustave Flaubert’s <i>Madame Bovary</i>, it is set in Trinidad and contains a number of themes. Beginning in June 2009 it spans the course of a year before finishing in July 2010.
The titular character <i>Mrs B</i> is a middle-aged woman named Mrs Elena Butcher who, due to dislike of her husband’s surname, is always referred to as Mrs B. At the beginning of the book Mrs B and her husband, Charles, are driving to the airport to collect their daughter, Ruthie, who has flown home from Boston University. It is revealed that Ruthie suffered a nervous breakdown a couple of months before hand, but what is yet to be discovered is that she is pregnant. Whilst in Boston, Ruthie had developed an intimate relationship with a man dubbed the Professor. Mrs B’s daughter was once her pride and joy but the result of Ruthie’s down fall begins to have a negative effect on Mrs B’s life and sours her relationships with those previously close to her, particularly her husband.
Pregnancy and romantic affairs are not the only themes of the novel. Trinidad is becoming a dangerous place with crimes, such as murders, becoming a daily occurrence. Politics plays its hand in these everyday occurrences, so it is not very reassuring when Mrs B’s ex-lover becomes involved with the government. However the events in Trinidad seem more normal than the emotions Mrs B feels within her own family.
The story line jumps around a lot from character to character and also from past to present. Whilst not exactly confusing it is difficult to understand what the actual plot line is. There was not much of climax and the reader does not really get a chance to connect with the characters and so the conclusion feels neither disappointing nor satisfactory.
For readers unfamiliar with the Caribbean and life in Trinidad this book is quite educational, providing descriptions of the culture and customs of the islands inhabitants. So despite the lack of a strong story line, Walcott-Hackshaw writes effectively to make this an interesting read.
<i>Mrs B</i> is a contemporary novel by lecturer and writer Elizabeth Walcott-Hackshaw. Whilst loosely based on Gustave Flaubert’s <i>Madame Bovary</i>, it is set in Trinidad and contains a number of themes. Beginning in June 2009 it spans the course of a year before finishing in July 2010.
The titular character <i>Mrs B</i> is a middle-aged woman named Mrs Elena Butcher who, due to dislike of her husband’s surname, is always referred to as Mrs B. At the beginning of the book Mrs B and her husband, Charles, are driving to the airport to collect their daughter, Ruthie, who has flown home from Boston University. It is revealed that Ruthie suffered a nervous breakdown a couple of months before hand, but what is yet to be discovered is that she is pregnant. Whilst in Boston, Ruthie had developed an intimate relationship with a man dubbed the Professor. Mrs B’s daughter was once her pride and joy but the result of Ruthie’s down fall begins to have a negative effect on Mrs B’s life and sours her relationships with those previously close to her, particularly her husband.
Pregnancy and romantic affairs are not the only themes of the novel. Trinidad is becoming a dangerous place with crimes, such as murders, becoming a daily occurrence. Politics plays its hand in these everyday occurrences, so it is not very reassuring when Mrs B’s ex-lover becomes involved with the government. However the events in Trinidad seem more normal than the emotions Mrs B feels within her own family.
The story line jumps around a lot from character to character and also from past to present. Whilst not exactly confusing it is difficult to understand what the actual plot line is. There was not much of climax and the reader does not really get a chance to connect with the characters and so the conclusion feels neither disappointing nor satisfactory.
For readers unfamiliar with the Caribbean and life in Trinidad this book is quite educational, providing descriptions of the culture and customs of the islands inhabitants. So despite the lack of a strong story line, Walcott-Hackshaw writes effectively to make this an interesting read.
Kirk Bage (1775 KP) rated Black Mirror - Season 5 in TV
Mar 3, 2020 (Updated Mar 3, 2020)
Contains spoilers, click to show
Striking Vipers - 5.5
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.