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Darren (1599 KP) rated All the Boys Love Mandy Lane (2006) in Movies
Jun 20, 2019
Story: All the Boys Love Mandy Lane starts with a teenage house party where one of the cool kids tries to hit on the beautiful Mandy Lane (Heard) but when one of the boys chasing her dies in an attempt to impress her we see how close Mandy is to Emmet (Welch). 9 months have passed since the accident and Red (Himelstein) is arranging a party at his family’s ranch which will include the invitation of Mandy Lane.
We watch as a group of high school friends head off to a ranch for a weekend off fun with plenty or drinks, drugs and sex with all the boys after Mandy Lane. We watch as the friend go through the traditional high school relationship issues and adding in the alcohol we get everything elevated to the next level. The weekend away takes twist when somebody starts picking off the friends before we learn that there is a bigger motive behind everything that happens.
All the Boys Love Mandy Lane really is just a bogged standard slasher film for the most part, but it does have an interesting twist you don’t see coming. The characters are very painful generic and the story just follows everything you would expect to see in a slasher film. The film tries something different with the ending which is the only positive about this film otherwise it really is just offer nothing new. (5/10)
Actor Review
Amber Heard: Mandy Lane is the gorgeous girl that all the high school guys want to be with but she is very independent not falling for any of the guys lines. She strikes jealousy between the friends who each believe they are in the driving seat to get her. Amber does a solid job in the role but clearly only works because of how beautiful she is. (6/10)
mandy
Anson Mount: Garth is the ranch hand on the ranch that all the girls fall for but he ends up planning babysitter to all of the high school kids who can’t handle their drinks. Anson does a basic job as the older wise protector of the film but doesn’t do enough with the whole story. (4/10)
Whitney Able: Chloe is the insecure member of the friends who thinks all the girls need a perfect skinny body to impress the guys. Whitney does end up being the very generic character that we are all expecting to get what is coming to her early on. (5/10)
Michael Welch: Emmet is Mandy’s old friend who is the guy picking off the popular kids to make them pay for what happened after the party incident. Michael plays the killer well using no remorse through the film. (6/10)
Support Cast: All the Boys Love Mandy Lane has a supporting cast that is basically there just to be disposable and only become helpful to make Emmet look more crazed.
Director Review: Jonathan Levine – Jonathan does a solid job with the horror film because it follows the same old routine but throws you out of the comfort zone with the ending. (5/10)
Horror: All the Boys Love Mandy Lane follows all the slasher ABC style very easily. (8/10)
Settings: All the Boys Love Mandy Lane puts our characters in an isolated location for the horror to take place where the killer can get away with whatever they wants. (7/10)
Suggestion: All the Boys Love Mandy Lane is one for the horror fans to enjoy otherwise it will just end up being very average. (Horror Fans Try)
Best Part: Final Twist.
Worst Part: Nothing new in the opening part.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Most Slasher films.
Oscar Chances: No
Budget: $750,000
Runtime: 1 Hour 30 Minutes
Tagline: Everyone is dying to be with her. Someone is killing for it.
Overall: Just another slasher that we have seen too many times before.
https://moviesreview101.com/2015/10/02/movie-reviews-101-halloween-midnight-horror-all-the-boys-love-mandy-lane-2006/
We watch as a group of high school friends head off to a ranch for a weekend off fun with plenty or drinks, drugs and sex with all the boys after Mandy Lane. We watch as the friend go through the traditional high school relationship issues and adding in the alcohol we get everything elevated to the next level. The weekend away takes twist when somebody starts picking off the friends before we learn that there is a bigger motive behind everything that happens.
All the Boys Love Mandy Lane really is just a bogged standard slasher film for the most part, but it does have an interesting twist you don’t see coming. The characters are very painful generic and the story just follows everything you would expect to see in a slasher film. The film tries something different with the ending which is the only positive about this film otherwise it really is just offer nothing new. (5/10)
Actor Review
Amber Heard: Mandy Lane is the gorgeous girl that all the high school guys want to be with but she is very independent not falling for any of the guys lines. She strikes jealousy between the friends who each believe they are in the driving seat to get her. Amber does a solid job in the role but clearly only works because of how beautiful she is. (6/10)
mandy
Anson Mount: Garth is the ranch hand on the ranch that all the girls fall for but he ends up planning babysitter to all of the high school kids who can’t handle their drinks. Anson does a basic job as the older wise protector of the film but doesn’t do enough with the whole story. (4/10)
Whitney Able: Chloe is the insecure member of the friends who thinks all the girls need a perfect skinny body to impress the guys. Whitney does end up being the very generic character that we are all expecting to get what is coming to her early on. (5/10)
Michael Welch: Emmet is Mandy’s old friend who is the guy picking off the popular kids to make them pay for what happened after the party incident. Michael plays the killer well using no remorse through the film. (6/10)
Support Cast: All the Boys Love Mandy Lane has a supporting cast that is basically there just to be disposable and only become helpful to make Emmet look more crazed.
Director Review: Jonathan Levine – Jonathan does a solid job with the horror film because it follows the same old routine but throws you out of the comfort zone with the ending. (5/10)
Horror: All the Boys Love Mandy Lane follows all the slasher ABC style very easily. (8/10)
Settings: All the Boys Love Mandy Lane puts our characters in an isolated location for the horror to take place where the killer can get away with whatever they wants. (7/10)
Suggestion: All the Boys Love Mandy Lane is one for the horror fans to enjoy otherwise it will just end up being very average. (Horror Fans Try)
Best Part: Final Twist.
Worst Part: Nothing new in the opening part.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Most Slasher films.
Oscar Chances: No
Budget: $750,000
Runtime: 1 Hour 30 Minutes
Tagline: Everyone is dying to be with her. Someone is killing for it.
Overall: Just another slasher that we have seen too many times before.
https://moviesreview101.com/2015/10/02/movie-reviews-101-halloween-midnight-horror-all-the-boys-love-mandy-lane-2006/
Lee (2222 KP) rated The Mule (2018) in Movies
Jan 29, 2019 (Updated Jan 29, 2019)
A simple, enjoyable story
It appears there's just no stopping Clint Eastwood. Not only does he star in The Mule, a movie 'inspired by a true story', but he's also on producing and directing duties too. Just when you think you've seen him in his last ever role, he's back, 88 years old and still going strong!
Eastwood is Earl Stone, a highly successful horticulturist and Korean war veteran who we first meet in 2005. He arrives at a horticulture convention where he charms the ladies, engages in friendly competitive banter with other exhibitors and sneers at the guy promoting a new way of ordering flowers over the internet, before going on to win first prize for best bloom. But over the years all of this success has been at the expense of his family and while he's buying everyone in the bar a drink to celebrate his win, his daughter is getting married, wondering where her father is while her mother consoles her. A life on the road devoted to work has lost Earl the most important thing in life.
Shifting forward 12 years to 2017 and Earl has been forced to close up the flower business, blaming the damn internet for it all. He pays off his farm workers as best he can before heading off to his granddaughters house where she is holding a garden party. His presence only causes tension though - his daughter can't bear to be anywhere near him, while his ex wife takes the opportunity to once again give him a piece of her mind, disappointed that despite a lifelong devotion to work, he now can't even afford to help pay for his granddaughters upcoming wedding.
So when an offer comes his way, working as a mule for the cartel in return for good money, Earl accepts. An old man traveling, with no previous speeding tickets, is less likely to be stopped than the traditional Latinos they usually use, and Earl benefits by continuing his love of traveling the country in his trusty old truck. He tries the charming old man routine with the cartel members he comes into contact with on both sides of his deliveries, with varying degrees of success, but in-between he manages to just enjoy life - driving on the open road, singing along to the radio for hours on end. And the money certainly is good - Earl is able to buy a brand new truck, help pay for his granddaughters wedding and even help prevent a bar he's been going to for the last 50 or so years from closing. He gradually becomes more trusted within the cartel, becoming responsible for transporting increasingly larger quantities of drugs and drawing the attention of the more powerful cartel members. Attending big parties at their lavish houses, dancing with bikini clad girls and engaging in threesomes, this ninety something certainly is making the most of his twilight years! As power shifts within the cartel and Earl gets drawn deeper in, he finds himself having to decide between the cartel and his family. A decision with very different but serious consequences depending on which path he chooses.
All the while Earl is having his fun, the net is closing in on him in the form of a couple of DEA agents played by Bradley Cooper and Michael Peña. Under pressure to secure a bust from boss Lawrence Fishburne, they're getting closer and closer to capturing the cartels top mule. All three of these actors are seriously underused though in what are essentially pretty standard cop roles.
The Mule is a fairly simple movie with no big sense of drama, and certainly no Breaking Bad levels of cartel tension. However, I was never bored at any point and just found myself completely engrossed in it all, swept along by the genial nature of Earl and what was an enjoyable, sentimental story.
Eastwood is Earl Stone, a highly successful horticulturist and Korean war veteran who we first meet in 2005. He arrives at a horticulture convention where he charms the ladies, engages in friendly competitive banter with other exhibitors and sneers at the guy promoting a new way of ordering flowers over the internet, before going on to win first prize for best bloom. But over the years all of this success has been at the expense of his family and while he's buying everyone in the bar a drink to celebrate his win, his daughter is getting married, wondering where her father is while her mother consoles her. A life on the road devoted to work has lost Earl the most important thing in life.
Shifting forward 12 years to 2017 and Earl has been forced to close up the flower business, blaming the damn internet for it all. He pays off his farm workers as best he can before heading off to his granddaughters house where she is holding a garden party. His presence only causes tension though - his daughter can't bear to be anywhere near him, while his ex wife takes the opportunity to once again give him a piece of her mind, disappointed that despite a lifelong devotion to work, he now can't even afford to help pay for his granddaughters upcoming wedding.
So when an offer comes his way, working as a mule for the cartel in return for good money, Earl accepts. An old man traveling, with no previous speeding tickets, is less likely to be stopped than the traditional Latinos they usually use, and Earl benefits by continuing his love of traveling the country in his trusty old truck. He tries the charming old man routine with the cartel members he comes into contact with on both sides of his deliveries, with varying degrees of success, but in-between he manages to just enjoy life - driving on the open road, singing along to the radio for hours on end. And the money certainly is good - Earl is able to buy a brand new truck, help pay for his granddaughters wedding and even help prevent a bar he's been going to for the last 50 or so years from closing. He gradually becomes more trusted within the cartel, becoming responsible for transporting increasingly larger quantities of drugs and drawing the attention of the more powerful cartel members. Attending big parties at their lavish houses, dancing with bikini clad girls and engaging in threesomes, this ninety something certainly is making the most of his twilight years! As power shifts within the cartel and Earl gets drawn deeper in, he finds himself having to decide between the cartel and his family. A decision with very different but serious consequences depending on which path he chooses.
All the while Earl is having his fun, the net is closing in on him in the form of a couple of DEA agents played by Bradley Cooper and Michael Peña. Under pressure to secure a bust from boss Lawrence Fishburne, they're getting closer and closer to capturing the cartels top mule. All three of these actors are seriously underused though in what are essentially pretty standard cop roles.
The Mule is a fairly simple movie with no big sense of drama, and certainly no Breaking Bad levels of cartel tension. However, I was never bored at any point and just found myself completely engrossed in it all, swept along by the genial nature of Earl and what was an enjoyable, sentimental story.
Gareth von Kallenbach (968 KP) rated Tropic Thunder (2008) in Movies
Aug 14, 2019
Deep in the jungles of Vietnam, one of the most expensive films in history is underway. The film is based upon a best seller by war hero Four Leaf Tayback (Nick Nolte), and stars three of the biggest stars in Hollywood so naturally expectations are very high for the film to become a box office blockbuster.
Unfortunately the production is troubled by one gaffe after another and finds itself lost in budget over runs, issues amongst the stars, and more drama than a Shakespeare festival.
The film is “Tropical Thunder” and Director and star Ben Stiller has assembled a talented cast that includes Jack Black and Robert Downey Jr. in a biting satire of the Hollywood machine.
Stiller stars as Tugg Speedman, a declining action star who sees the war film as his big chance to break away from his recent failures and move into more serious work. Tugg is overshadowed by the presence of multiple Oscar winner Kirk Lazarus (Robert Downey Jr.), who prepares for a part so intensely that he literally becomes the character he is portraying. Toward that end, he has undergone a skin pigment procedure in order to portray an African American soldier.
Rounding out the group, literally, is Jeff Portnoy (Jack Black), the star of flatulence based film comedy series and a man wracked by addiction to the point that he hides his drugs in a candy package and refers to them as his jelly beans.
After a staggeringly costly and impressive pyrotechnic display by the sets explosive expert Cody (Danny Mc Bride), the film is in danger of being halted by the money behind the film, an intensely angry Producer named Les Grossman (Tom Cruise).
In an effort to keep his film alive and salvage their careers, Four Leaf and the film’s Director decide to drop the cast in the thick of the jungle and shoot the film gorilla style with hidden cameras and various tricks to produce a grittier film and get the cast to start acting like the soldiers they are supposed to be portraying.
In a hilarious turn of events, the cast ends up trapped in the jungle and surrounded by members of the locale drug cartel. Convinced that it is all part of the film, Tugg and company blindly trudge along thinking all is going as scripted until things go hopelessly wrong, and force the cast to come to grips with the situation as well as their fragile egos and personal issues.
While the premise of the film is solid, and there are a good number of laughs in the film, for the most part “Tropic Thunder” is a hit or miss venture.
Robert Downey Jr. is amazing in his portrayal as he constantly steals his scenes with his expressions and one liners and almost single handled carries the film during some of the more tedious moments.
Stiller plays the patented Stiller character once again, the slow witted loser with a heart of gold, and despite his efforts, he is just not given enough material to fully push his character over the top, despite some funny moments.
The biggest disappointment for me was Jack Black who is sadly underused in the film. Jack is a very gifted and talented actor but he is given very little to work with, and precious few moments to let his talents shine. Owen Wilson was originally supposed to be in the film, and at times it seems that this part was written more with Wilson’s more subdued style of humor in mind.
Aside from the laughs, the film does have an abundance of celebrity cameos, and this truly helps the film. Sadly though, the plot really does not do justice to the premise nor talent in the film, and unfolds in a very unspectacular manner that had me expecting more.
This is not to say it is a bad film as I found myself laughing on more than one occasion, sadly it became fewer and father between laughs as the film unfolded to a very disappointing finale.
Unfortunately the production is troubled by one gaffe after another and finds itself lost in budget over runs, issues amongst the stars, and more drama than a Shakespeare festival.
The film is “Tropical Thunder” and Director and star Ben Stiller has assembled a talented cast that includes Jack Black and Robert Downey Jr. in a biting satire of the Hollywood machine.
Stiller stars as Tugg Speedman, a declining action star who sees the war film as his big chance to break away from his recent failures and move into more serious work. Tugg is overshadowed by the presence of multiple Oscar winner Kirk Lazarus (Robert Downey Jr.), who prepares for a part so intensely that he literally becomes the character he is portraying. Toward that end, he has undergone a skin pigment procedure in order to portray an African American soldier.
Rounding out the group, literally, is Jeff Portnoy (Jack Black), the star of flatulence based film comedy series and a man wracked by addiction to the point that he hides his drugs in a candy package and refers to them as his jelly beans.
After a staggeringly costly and impressive pyrotechnic display by the sets explosive expert Cody (Danny Mc Bride), the film is in danger of being halted by the money behind the film, an intensely angry Producer named Les Grossman (Tom Cruise).
In an effort to keep his film alive and salvage their careers, Four Leaf and the film’s Director decide to drop the cast in the thick of the jungle and shoot the film gorilla style with hidden cameras and various tricks to produce a grittier film and get the cast to start acting like the soldiers they are supposed to be portraying.
In a hilarious turn of events, the cast ends up trapped in the jungle and surrounded by members of the locale drug cartel. Convinced that it is all part of the film, Tugg and company blindly trudge along thinking all is going as scripted until things go hopelessly wrong, and force the cast to come to grips with the situation as well as their fragile egos and personal issues.
While the premise of the film is solid, and there are a good number of laughs in the film, for the most part “Tropic Thunder” is a hit or miss venture.
Robert Downey Jr. is amazing in his portrayal as he constantly steals his scenes with his expressions and one liners and almost single handled carries the film during some of the more tedious moments.
Stiller plays the patented Stiller character once again, the slow witted loser with a heart of gold, and despite his efforts, he is just not given enough material to fully push his character over the top, despite some funny moments.
The biggest disappointment for me was Jack Black who is sadly underused in the film. Jack is a very gifted and talented actor but he is given very little to work with, and precious few moments to let his talents shine. Owen Wilson was originally supposed to be in the film, and at times it seems that this part was written more with Wilson’s more subdued style of humor in mind.
Aside from the laughs, the film does have an abundance of celebrity cameos, and this truly helps the film. Sadly though, the plot really does not do justice to the premise nor talent in the film, and unfolds in a very unspectacular manner that had me expecting more.
This is not to say it is a bad film as I found myself laughing on more than one occasion, sadly it became fewer and father between laughs as the film unfolded to a very disappointing finale.
Gareth von Kallenbach (968 KP) rated Mid90s (2018) in Movies
Jul 2, 2019
It doesn’t take much to remember that Jonah Hill (writer and director) had already acted in one of the greatest coming-of-age movies at the age of 24. A cursory glance at Superbad shows it to be a hilarious and quotable movie. But a deeper look at the film reveals the true story. Two high school friends (Hill and Michael Cera) who realize they are drifting apart because of incoming adulthood and that they are powerless to stop it. Keeping that in mind, Hill was quoted during the production of Mid 90s as saying that coming-of-age films are cliché and what he really wanted was to make a skateboarding movie that avoided the 80s “cowabunga” tropes. The result of that focus is Mid 90s.
Sunny Suljic plays 13-year-old Stevie, a quiet and often confused boy looking to escape his bleak and abusive home life by connecting with a group of local skater kids. While Suljic absolutely steals the show with his superb acting, his (mostly no name) costars deserve massive kudos for this endeavor as well. Lucas Hedges (Manchester by the Sea, Three Billboards outside of Ebbing Missouri) plays Stevie’s abusive older brother Ian. Though he is quickly established in the opening shot as the antagonist, his character arc throughout the film is one of the greatest and you find yourself soon empathetic to his plight nearly as much as Stevie’s. The skater gang is comprised of Ray (Na-kel Smith), Fuckshit (Olan Prenatt), 4th Grade (Ryder McLaughlin) and Ruben (Gio Galicia). These four seem apathetically content to take Stevie under their wing after he begins hanging out at their skate shop. During this time they expose Stevie to a world of drinking, smoking, drugs and sex as well as a complex set of personalities that Stevie struggles to understand but tries desperately to emulate. This reverence begins to lead him down a path that worry not only his mother and brother, but also occasionally members of his new social group. The actors playing his newfound friends all bring a beautiful authenticity to their roles. They certainly aren’t playing “themselves”, but their personalities don’t feel concocted or forced.
The original score for the film was done by Trent Reznor and Atticus Ross as well as a selection of 1990s Hip Hop. And while the original music by Reznor and Ross accents the film perfectly, the 90s throwback songs struggle to do more than remind the viewer of the period and provide the sporadic nostalgia kick. In fact, most of the 90s nostalgia does little to add to the film. Thus, while the opportunity was there to give us a solid examination and social commentary on 1990s culture, Hill seems to fall short of that concept and instead uses the references as a gimmick to tie in smaller plot points.
In addition to the music, there are a few other elements that add to the hipster vintage nature of the film. It was shot entirely on 16mm and is presented in square 1:1 ratio. While this is certainly an unusual choice as more movies are shifted to wide screen formats and square televisions are no longer produced, it pushes the film closer towards the verité genre that is necessary to keep it within the indie style guide.
Mid 90s, along with Eighth Grade have positioned A24 studios in a fantastic place. They’ve demonstrated their willingness to get behind first time writer/directors and the results have been impressive to say the least. If they can remain on this type of pace I could see how the Academy would take notice come awards season.
So despite his view that they are cliché, Jonah Hill has once again created a poignant and powerful coming-of-age movie and he’s managed to wrap it into just enough skateboarding reality to give us the love letter he was hoping to produce. The film is not without its faults, but it’s not one you should miss.
Sunny Suljic plays 13-year-old Stevie, a quiet and often confused boy looking to escape his bleak and abusive home life by connecting with a group of local skater kids. While Suljic absolutely steals the show with his superb acting, his (mostly no name) costars deserve massive kudos for this endeavor as well. Lucas Hedges (Manchester by the Sea, Three Billboards outside of Ebbing Missouri) plays Stevie’s abusive older brother Ian. Though he is quickly established in the opening shot as the antagonist, his character arc throughout the film is one of the greatest and you find yourself soon empathetic to his plight nearly as much as Stevie’s. The skater gang is comprised of Ray (Na-kel Smith), Fuckshit (Olan Prenatt), 4th Grade (Ryder McLaughlin) and Ruben (Gio Galicia). These four seem apathetically content to take Stevie under their wing after he begins hanging out at their skate shop. During this time they expose Stevie to a world of drinking, smoking, drugs and sex as well as a complex set of personalities that Stevie struggles to understand but tries desperately to emulate. This reverence begins to lead him down a path that worry not only his mother and brother, but also occasionally members of his new social group. The actors playing his newfound friends all bring a beautiful authenticity to their roles. They certainly aren’t playing “themselves”, but their personalities don’t feel concocted or forced.
The original score for the film was done by Trent Reznor and Atticus Ross as well as a selection of 1990s Hip Hop. And while the original music by Reznor and Ross accents the film perfectly, the 90s throwback songs struggle to do more than remind the viewer of the period and provide the sporadic nostalgia kick. In fact, most of the 90s nostalgia does little to add to the film. Thus, while the opportunity was there to give us a solid examination and social commentary on 1990s culture, Hill seems to fall short of that concept and instead uses the references as a gimmick to tie in smaller plot points.
In addition to the music, there are a few other elements that add to the hipster vintage nature of the film. It was shot entirely on 16mm and is presented in square 1:1 ratio. While this is certainly an unusual choice as more movies are shifted to wide screen formats and square televisions are no longer produced, it pushes the film closer towards the verité genre that is necessary to keep it within the indie style guide.
Mid 90s, along with Eighth Grade have positioned A24 studios in a fantastic place. They’ve demonstrated their willingness to get behind first time writer/directors and the results have been impressive to say the least. If they can remain on this type of pace I could see how the Academy would take notice come awards season.
So despite his view that they are cliché, Jonah Hill has once again created a poignant and powerful coming-of-age movie and he’s managed to wrap it into just enough skateboarding reality to give us the love letter he was hoping to produce. The film is not without its faults, but it’s not one you should miss.
Darren (1599 KP) rated Notorious (2009) in Movies
Jul 25, 2019
Story: Notorious starts with the final moments of Christopher ‘Biggie’ Wallace (Woolard) life, before he flashes back to his childhood, raised by his single mother Voletta (Bassett), getting given a chance to start making money from drug dealing where he becomes addicted to make money, until he gets busted.
At 19 he gets a chance to enter the music industry when Puffy Daddy (Luke) gives him a way to escape the life of drug dealing, however difficult it seems. When Biggie finally get the record deal, he soon becomes an international sensation grabbing the attention from another rapper Tupac Shakur (Mackie) who soon becomes a rival with deadly consequences.
Thoughts on Notorious
Characters – Christopher ‘Biggie’ Wallace was a rapper from Brooklyn, he started on the streets as a drug dealer, before showing his rapping skills that saw him become one of the biggest rap stars in the world in the 90’s, we get to see how he has to deal with his vices with women chasing his desire to have too much money. The film doesn’t show him to be a nice man, he cheats on his partners, commits crimes and gets violent when he gets upset, it is a shame for somebody with talent to be such a horrible person. Sean Puffy Combs is the man that takes a chance on Biggie even after losing his position in a record company, he had an eye for talent and knew how to make the most out of it. Tupac is a rival rapper that starts with respect, but because of his continuing side business in drugs, the tension grows and Tupac soon starts a war against Biggie which became a bigger story than any of their music. Faith is Biggie’s wife that has the talent he has though she does become the one that stays with him even if they have an abusive relationship toward each other, well that is what the film shows us.
Performances – Jamal Woolard is brilliant in this leading role, he shows the laidback style Biggie presented himself as, while showing just how easily he can snap. Derek Luke and Anthony Mackie are both strong in the supporting roles, while the rest of the cast give us strong performances too.
Story – The story here follows the life of Biggie one of the biggest rappers of the 90s that wanted to prove music could inspire change only to get drawn into a gang war with another rapper Tupac, one that made the two even more famous. We follow Biggie in and out of the music world, seeing how he was trying to escape a life of crime, but is drawn into relationship problems. The story doesn’t always paint him as a nice guy though, the way he handles the women in his life is getting into the abusive area. Otherwise this shows us how Biggie wasn’t interested in getting involved in the gang war, he just want to make honest money.
Biopic/Crime/Music – The biopic side of the film shows how Biggie was being drawn towards a life of crime or leaving it behind to become a big music sensation and how his life changed with the new, making him part of one of the biggest rap battles in history. The crime world is showing how Biggie was always trying to get out of this world and give you hope to others that are facing it. While I personally wasn’t a fan of the music involved, it will please the fans of his music.
Settings – The film is set in the backdrop Brooklyn shows where he has come from and how he wants to stay loyal to the people who supported him.
Scene of the Movie – Making the choice.
That Moment That Annoyed Me – The film doesn’t show him able to treat his women with respect.
Final Thoughts – This is a biopic that showed how easily a rivalry can start within the business that could end up becoming deadly between two biggest names in the music industry.
Overall: Music biopic that defined a decade.
At 19 he gets a chance to enter the music industry when Puffy Daddy (Luke) gives him a way to escape the life of drug dealing, however difficult it seems. When Biggie finally get the record deal, he soon becomes an international sensation grabbing the attention from another rapper Tupac Shakur (Mackie) who soon becomes a rival with deadly consequences.
Thoughts on Notorious
Characters – Christopher ‘Biggie’ Wallace was a rapper from Brooklyn, he started on the streets as a drug dealer, before showing his rapping skills that saw him become one of the biggest rap stars in the world in the 90’s, we get to see how he has to deal with his vices with women chasing his desire to have too much money. The film doesn’t show him to be a nice man, he cheats on his partners, commits crimes and gets violent when he gets upset, it is a shame for somebody with talent to be such a horrible person. Sean Puffy Combs is the man that takes a chance on Biggie even after losing his position in a record company, he had an eye for talent and knew how to make the most out of it. Tupac is a rival rapper that starts with respect, but because of his continuing side business in drugs, the tension grows and Tupac soon starts a war against Biggie which became a bigger story than any of their music. Faith is Biggie’s wife that has the talent he has though she does become the one that stays with him even if they have an abusive relationship toward each other, well that is what the film shows us.
Performances – Jamal Woolard is brilliant in this leading role, he shows the laidback style Biggie presented himself as, while showing just how easily he can snap. Derek Luke and Anthony Mackie are both strong in the supporting roles, while the rest of the cast give us strong performances too.
Story – The story here follows the life of Biggie one of the biggest rappers of the 90s that wanted to prove music could inspire change only to get drawn into a gang war with another rapper Tupac, one that made the two even more famous. We follow Biggie in and out of the music world, seeing how he was trying to escape a life of crime, but is drawn into relationship problems. The story doesn’t always paint him as a nice guy though, the way he handles the women in his life is getting into the abusive area. Otherwise this shows us how Biggie wasn’t interested in getting involved in the gang war, he just want to make honest money.
Biopic/Crime/Music – The biopic side of the film shows how Biggie was being drawn towards a life of crime or leaving it behind to become a big music sensation and how his life changed with the new, making him part of one of the biggest rap battles in history. The crime world is showing how Biggie was always trying to get out of this world and give you hope to others that are facing it. While I personally wasn’t a fan of the music involved, it will please the fans of his music.
Settings – The film is set in the backdrop Brooklyn shows where he has come from and how he wants to stay loyal to the people who supported him.
Scene of the Movie – Making the choice.
That Moment That Annoyed Me – The film doesn’t show him able to treat his women with respect.
Final Thoughts – This is a biopic that showed how easily a rivalry can start within the business that could end up becoming deadly between two biggest names in the music industry.
Overall: Music biopic that defined a decade.
Darren (1599 KP) rated The Faceless Man (2019) in Movies
Aug 5, 2019
Story: The Faceless Man starts when Emily (Thurling) a recovering cancer survivor who has starting to put her life back together is spending a weekend away with friends, Nina (Kauffeld), Kyle (Pittaway), Brad (Facciolo), Dave (Astifo) and Chad (Walia) are having a weekend away for parties.
It isn’t long before the group of friends have upset the local rednecks who decide to terrorize them, a ruthless drug dealer Viktor Nov (Goikhman) searching for them, while Emily is dealing with her own insecurities about her recover, which manifests itself in a faceless figure haunting her.
Thoughts on The Faceless Man
Characters – Emily is a cancer survivor, she made it with friends, not family and has just started to put her life back together, despite having the fear that one day it would return, which appears to her in living nightmares including a faceless man figure, out of the group of friends this is the only character that gets much outside the generics traits we learn, we have the friend that wants more of a relationship, the one that will push the limits of drugging people, a few jokers and the best friend who can’t handle their substances. Eddie is the owner of the rented house, he comes off creepy to the city slickers as he puts it, he doesn’t want trouble in his property and will deal with anybody that causes it. Viktor Nov is the ruthless drug dealer that has been hunting for his drugs which have a connection to the group of friends, he uses his muscle to kill anybody that disrespects him.
Performances – Sophie Thurling in the leading role is one of the highlights in the film, seeing Sophie balance the mindset of her character through the film will keep us wondering just what will happen next, Albert Goikhman as the ruthless drug dealer is fun to watch, we always know something violent is going to happen when he is on the screen. Andy McPhee does bring the awkward local to life well too.
Story – The story follows a group of friends that want to go on a drink & drug filled party weekend, only to end up in a town that isn’t happy with this lifestyle and that want to send a message to them, while we also see one character haunted by a terrifying looking faceless man. This story does have plenty going on, which works in and against it because you could easily drop one of the side stories and still have an enjoyable horror movie, but mixing them together does add to the mystery of what will happen next, because it does feel like nobody is safe from what is going on. We could have had more development on the group of friends, as it they end up coming off like your usual slasher cast. With the different arcs we do get plenty of violence which is what the film wants to pay respect to the Ozploitation era of cinema, which will help understand the tone of the film.
Horror – The most impressive part of the horror in this film comes from the Faceless Man himself, it comes early in creepy moments, but the reveal of the creature is one of the most terrifying figures in horror this year.
Settings – The film is set in a small town location, with most of the action happening in the one house picked for the party, it shows how things can get out of hand and how uninvited guests can cause more problems in life.
Special Effects – The effects to create the Faceless Man are brilliant, he will scare you, where this film also shines is by letting us imagine the damage being down, with the chainsaw scene being played out longer than needed, which only adds to the horror being inflicted.
Scene of the Movie – The Faceless Man, first full reveal.
That Moment That Annoyed Me – The group of friends are not that interesting.
Final Thoughts – This is a horror film built of paying respect to the Ozploitation era of cinema, it brings us plenty of blood and keeps us guessing along the way.
Overall: Ozploitation has returned.
It isn’t long before the group of friends have upset the local rednecks who decide to terrorize them, a ruthless drug dealer Viktor Nov (Goikhman) searching for them, while Emily is dealing with her own insecurities about her recover, which manifests itself in a faceless figure haunting her.
Thoughts on The Faceless Man
Characters – Emily is a cancer survivor, she made it with friends, not family and has just started to put her life back together, despite having the fear that one day it would return, which appears to her in living nightmares including a faceless man figure, out of the group of friends this is the only character that gets much outside the generics traits we learn, we have the friend that wants more of a relationship, the one that will push the limits of drugging people, a few jokers and the best friend who can’t handle their substances. Eddie is the owner of the rented house, he comes off creepy to the city slickers as he puts it, he doesn’t want trouble in his property and will deal with anybody that causes it. Viktor Nov is the ruthless drug dealer that has been hunting for his drugs which have a connection to the group of friends, he uses his muscle to kill anybody that disrespects him.
Performances – Sophie Thurling in the leading role is one of the highlights in the film, seeing Sophie balance the mindset of her character through the film will keep us wondering just what will happen next, Albert Goikhman as the ruthless drug dealer is fun to watch, we always know something violent is going to happen when he is on the screen. Andy McPhee does bring the awkward local to life well too.
Story – The story follows a group of friends that want to go on a drink & drug filled party weekend, only to end up in a town that isn’t happy with this lifestyle and that want to send a message to them, while we also see one character haunted by a terrifying looking faceless man. This story does have plenty going on, which works in and against it because you could easily drop one of the side stories and still have an enjoyable horror movie, but mixing them together does add to the mystery of what will happen next, because it does feel like nobody is safe from what is going on. We could have had more development on the group of friends, as it they end up coming off like your usual slasher cast. With the different arcs we do get plenty of violence which is what the film wants to pay respect to the Ozploitation era of cinema, which will help understand the tone of the film.
Horror – The most impressive part of the horror in this film comes from the Faceless Man himself, it comes early in creepy moments, but the reveal of the creature is one of the most terrifying figures in horror this year.
Settings – The film is set in a small town location, with most of the action happening in the one house picked for the party, it shows how things can get out of hand and how uninvited guests can cause more problems in life.
Special Effects – The effects to create the Faceless Man are brilliant, he will scare you, where this film also shines is by letting us imagine the damage being down, with the chainsaw scene being played out longer than needed, which only adds to the horror being inflicted.
Scene of the Movie – The Faceless Man, first full reveal.
That Moment That Annoyed Me – The group of friends are not that interesting.
Final Thoughts – This is a horror film built of paying respect to the Ozploitation era of cinema, it brings us plenty of blood and keeps us guessing along the way.
Overall: Ozploitation has returned.
Bob Mann (459 KP) rated Promising Young Woman (2020) in Movies
Apr 20, 2021
Writing and directing is pitch perfect (1 more)
Carey Mulligan - awesome acting
Emerald Fennell delivers a real ‘page turner’ of a movie
"Promising Young Woman" sees Cassie (Carrie Mulligan) out to wage war on predatory men sexually asserting themselves on vulnerable woman in bars. But with the chance mention of a name, her mission takes on a whole new level and becomes very personal. How far will Carrie go to right a wrong?
Positives:
- Where to start! This is an astonishingly engrossing story from the multi-talented Emerald Fennell. It's rare to find a movie script where you have no idea in which direction the plot will take you. Some of the twists in this movie (no spoilers) are quite Hitchcockian in their execution. And Fennell cocks a wonderful snook at the 'Hollywood ending' that takes your breath away.
- Fennell also directs superbly, never letting the viewer get bored for an instant (the film doesn't outstay its welcome at only 113 minutes). The "show don't tell" approach shows respect for the audience's intelligence. (What happened after the boozy lunch? Who's voice was it on the video?) The use of 'chapter headings' as well is clever and reminiscent of Quentin Tarantino.
- And Carrie Mulligan! A simply stunning performance. What WAS that 'Variety' critic on about in saying she was "not hot enough" to play this role? Had he not fed his Guide Dog or something that day? Mulligan first drew my attention and respect when she was just 20 years old playing Ada in the BBC's "Bleak House": she had "star" written all over her. And so it has proved. Arguably - since there are so many stunning performances on her CV - this is a career best for her.
- Again reminiscent of Tarantino (and indeed "Killing Eve") is the wonderful use of music (by Anthony Willis). As well as some deliciously 'bubblegum' tracks (for example, one by Paris Hilton) there are some seriously "out there" choices. For example, "Pearl's Dream" (about the "pretty fly") is taken from the 1955 movie "The Night of the Hunter". It's haunting and evocative, reflecting the shattering revelation for Cassie within the story.
- Hair and Make-up (Angela Wells), Costume (Nancy Steiner), Cinematography (Benjamin Kracun), Editing (Frédéric Thoraval): all top-notch.
Negatives:
- For once, not a single one!
Summary Thoughts:
Sex without consent is rape. A woman, intoxicated through drink or drugs, cannot give consent. The rules aren't difficult are they? Anyone who's been to a city centre bar or nightclub late at night will have seen - or suspected they've seen - this sort of slow-motion car crash in progress.
This movie will inevitably be seen as the 'poster-child' for this aspect of the "Me Too" movement, and rightly so. And because the movie is so fabulous, it is inevitably going to have a positive effect in highlighting the issue.
Those woman who have had these experiences (and I'm sure there are a LOT of them out there, many of who will have never gone to the police) will probably not want to be further traumatised by watching the movie. But, for everyone else. If the first five minutes make you feel queasily like "this one's not for me" then it's worth sticking with it. it's all done in good taste.
One of the reasons this movie is so good is because of Emerald Fennell. What a talent she is! In acting mode, she plays Sarah Ferguson in "The Crown" and - in an uncredited cameo - the "blow job make-up" video blog lady in this. In writing mode, she's delivered the brilliant BAFTA-winning script for this as well as series two of "Killing Eve". And now in directing mode, she delivers this stunning directorial debut. She's even writing a musical version of "Cinderella" with Andrew Lloyd-Webber! (Come on love, you're just making us all feel wholly inadequate!)
"Promising Young Woman" is the easiest 10* movie I've rated in a while. And it soars straight to the top of my current long-list for my "Films of the Year 2021".
(For the full graphical review, check out the One Mann's Movies review here https://bob-the-movie-man.com/2021/04/20/promising-young-woman-emerald-fennell-delivers-a-real-page-turner-of-a-movie/. Thanks).
Positives:
- Where to start! This is an astonishingly engrossing story from the multi-talented Emerald Fennell. It's rare to find a movie script where you have no idea in which direction the plot will take you. Some of the twists in this movie (no spoilers) are quite Hitchcockian in their execution. And Fennell cocks a wonderful snook at the 'Hollywood ending' that takes your breath away.
- Fennell also directs superbly, never letting the viewer get bored for an instant (the film doesn't outstay its welcome at only 113 minutes). The "show don't tell" approach shows respect for the audience's intelligence. (What happened after the boozy lunch? Who's voice was it on the video?) The use of 'chapter headings' as well is clever and reminiscent of Quentin Tarantino.
- And Carrie Mulligan! A simply stunning performance. What WAS that 'Variety' critic on about in saying she was "not hot enough" to play this role? Had he not fed his Guide Dog or something that day? Mulligan first drew my attention and respect when she was just 20 years old playing Ada in the BBC's "Bleak House": she had "star" written all over her. And so it has proved. Arguably - since there are so many stunning performances on her CV - this is a career best for her.
- Again reminiscent of Tarantino (and indeed "Killing Eve") is the wonderful use of music (by Anthony Willis). As well as some deliciously 'bubblegum' tracks (for example, one by Paris Hilton) there are some seriously "out there" choices. For example, "Pearl's Dream" (about the "pretty fly") is taken from the 1955 movie "The Night of the Hunter". It's haunting and evocative, reflecting the shattering revelation for Cassie within the story.
- Hair and Make-up (Angela Wells), Costume (Nancy Steiner), Cinematography (Benjamin Kracun), Editing (Frédéric Thoraval): all top-notch.
Negatives:
- For once, not a single one!
Summary Thoughts:
Sex without consent is rape. A woman, intoxicated through drink or drugs, cannot give consent. The rules aren't difficult are they? Anyone who's been to a city centre bar or nightclub late at night will have seen - or suspected they've seen - this sort of slow-motion car crash in progress.
This movie will inevitably be seen as the 'poster-child' for this aspect of the "Me Too" movement, and rightly so. And because the movie is so fabulous, it is inevitably going to have a positive effect in highlighting the issue.
Those woman who have had these experiences (and I'm sure there are a LOT of them out there, many of who will have never gone to the police) will probably not want to be further traumatised by watching the movie. But, for everyone else. If the first five minutes make you feel queasily like "this one's not for me" then it's worth sticking with it. it's all done in good taste.
One of the reasons this movie is so good is because of Emerald Fennell. What a talent she is! In acting mode, she plays Sarah Ferguson in "The Crown" and - in an uncredited cameo - the "blow job make-up" video blog lady in this. In writing mode, she's delivered the brilliant BAFTA-winning script for this as well as series two of "Killing Eve". And now in directing mode, she delivers this stunning directorial debut. She's even writing a musical version of "Cinderella" with Andrew Lloyd-Webber! (Come on love, you're just making us all feel wholly inadequate!)
"Promising Young Woman" is the easiest 10* movie I've rated in a while. And it soars straight to the top of my current long-list for my "Films of the Year 2021".
(For the full graphical review, check out the One Mann's Movies review here https://bob-the-movie-man.com/2021/04/20/promising-young-woman-emerald-fennell-delivers-a-real-page-turner-of-a-movie/. Thanks).
Heather Cranmer (2721 KP) rated The Weight of Memory in Books
Jul 18, 2021
After reading and loving Shawn Smucker's previous book, These Nameless Things, I was thrilled when I heard he had released his new book The Weight of Memory. After purchasing a copy, I devoured this book!
I enjoyed the way the story seemed to flow so effortlessly and so smoothly. Shawn Smucker did such an excellent job of conveying this story to his readers. It was as if he had painted such a beautiful canvas with his prose and invited us inside. Every word I read left me wanting more.
When I read the synopsis of the The Weight of Memory, it definitely had me intrigued. I had to know how Paul's 11 year old granddaughter, Pearl, knew things about Paul's past and where he grew up with even though Paul had never told her. When Paul and Pearl arrived in Nysa, the town where Paul grew up and had left 40 years prior, I had to know why people in the town were acting so strange and what was causing them to act that way. I kept trying to guess as to why, but I was always wrong. There are quite a few plot twists revealed towards the end of the book which I never would have guessed. Loose ends are all tied up excerpt for one which was left undone on purpose. Smucker leaves this up to the reader to decide what happened. Personally, I would have liked to know more, but I can see why the author left it for the reader to decide. One minor thing for me is I would have liked more about the townspeople of Nysa. They were all acting strange, and I would have liked to know more as to why besides just the drownings (not a spoiler). As for pacing, The Weight of Memory did start out a bit slow in the beginning, and I did find my mind wandering, but I persevered, and I was handsomely rewarded with such an enriching story once the pacing picked up.
For the most part, every character in The Weight of Memory felt fleshed out and realistic. Paul Elias was such a loveable character, and it was so obvious how much he loved and adored his granddaughter. I could feel his worry come off the pages though about how he needed to find someone to take care of Pearl before his death. It was heartbreaking to know that he was so worried about Pearl and what would happen to her after he was gone. I loved little Pearl, but most of the time, she came across as younger than her 11 years. To me, she acted more like a child of 6 than an older one. However, I did enjoy her character, and I admired how much she loved her "Grampy" and how she would do anything for her. Paul's and Pearl's relationship was very special, and it definitely showed throughout the story. I didn't know what to make of Tom throughout the book. He was always so distant. The author does make it known why though towards the end of the book. Tom did come across as a pretty selfless guy considering how rich he was which was refreshing. (Personally, I would have loved to stay at Tom's gigantic mansion!) As for Mary and Shirley, I enjoyed reading about them both. I would have liked to know more about Mary's home life personally due to one scene in the book. Regardless, Mary seemed like such a sweet girl, and Shirley seemed like she was a lot of fun.
Trigger warnings for The Weight of Memory include death, drowning, a few mentions of drugs (Pearl's father was a drug addict), and near death experiences.
All in all, The Weight of Memory is a beautifully enthralling story with loveable selfless character and a plot that will keep you engrossed throughout. I would definitely recommend The Weight of Memory by Shawn Smucker to those aged 16+ who love their books to be heartfelt with a lot of emotion.
I enjoyed the way the story seemed to flow so effortlessly and so smoothly. Shawn Smucker did such an excellent job of conveying this story to his readers. It was as if he had painted such a beautiful canvas with his prose and invited us inside. Every word I read left me wanting more.
When I read the synopsis of the The Weight of Memory, it definitely had me intrigued. I had to know how Paul's 11 year old granddaughter, Pearl, knew things about Paul's past and where he grew up with even though Paul had never told her. When Paul and Pearl arrived in Nysa, the town where Paul grew up and had left 40 years prior, I had to know why people in the town were acting so strange and what was causing them to act that way. I kept trying to guess as to why, but I was always wrong. There are quite a few plot twists revealed towards the end of the book which I never would have guessed. Loose ends are all tied up excerpt for one which was left undone on purpose. Smucker leaves this up to the reader to decide what happened. Personally, I would have liked to know more, but I can see why the author left it for the reader to decide. One minor thing for me is I would have liked more about the townspeople of Nysa. They were all acting strange, and I would have liked to know more as to why besides just the drownings (not a spoiler). As for pacing, The Weight of Memory did start out a bit slow in the beginning, and I did find my mind wandering, but I persevered, and I was handsomely rewarded with such an enriching story once the pacing picked up.
For the most part, every character in The Weight of Memory felt fleshed out and realistic. Paul Elias was such a loveable character, and it was so obvious how much he loved and adored his granddaughter. I could feel his worry come off the pages though about how he needed to find someone to take care of Pearl before his death. It was heartbreaking to know that he was so worried about Pearl and what would happen to her after he was gone. I loved little Pearl, but most of the time, she came across as younger than her 11 years. To me, she acted more like a child of 6 than an older one. However, I did enjoy her character, and I admired how much she loved her "Grampy" and how she would do anything for her. Paul's and Pearl's relationship was very special, and it definitely showed throughout the story. I didn't know what to make of Tom throughout the book. He was always so distant. The author does make it known why though towards the end of the book. Tom did come across as a pretty selfless guy considering how rich he was which was refreshing. (Personally, I would have loved to stay at Tom's gigantic mansion!) As for Mary and Shirley, I enjoyed reading about them both. I would have liked to know more about Mary's home life personally due to one scene in the book. Regardless, Mary seemed like such a sweet girl, and Shirley seemed like she was a lot of fun.
Trigger warnings for The Weight of Memory include death, drowning, a few mentions of drugs (Pearl's father was a drug addict), and near death experiences.
All in all, The Weight of Memory is a beautifully enthralling story with loveable selfless character and a plot that will keep you engrossed throughout. I would definitely recommend The Weight of Memory by Shawn Smucker to those aged 16+ who love their books to be heartfelt with a lot of emotion.
Andy K (10821 KP) rated Enter the Void (Soudain le vide) (2010) in Movies
Oct 13, 2019
WOW!
Not many modern filmmakers garner such a reputation for being controversial and are well deserved. Lars von Trier and Ari Aster come to mind, but I am sure there are others. They pull no punches with their work, so most provoke extreme reactions either love or hate. Maybe also appreciate the art form or what they are trying to say, but do not enjoy the extreme sex or violence or shock value from many of their scenes.
From the psychedelic opening credits (which are the complete film credits by the way, meaning no end credits at all) this film grabs your attention and should immediately realize what you are about to watch is going to be different, exciting, revolting and most of all unique in every way from most movies you have seen in your life until now.
The film focuses on the relationship between Oscar and Linda, a brother and sister living in Japan when tragedy strikes. Oscar goes to meet a friend for a drug deal only to have something go very wrong. For some reason, the police are present and pursue Oscar to the bathroom where he tries to dispense the drugs eliminating the evidence down the facilities. Shortly after, Oscar is shot in the chest and dies on the bathroom floor.
It seems as if Oscar's "soul" leaves his body and begins a hallucinatory journey interacting with his former friends, acquaintances and sister in a spiritual and mind blowing way to help make him and the audience understand the events which led to his death.
The siblings have had a rough life including the horrible death of their parents in an automobile accident when they were young. They were in the back seat as well, so not only witnessed the physical and emotional trauma, but also had to endure the subsequent separation from each other through foster care having to grow up without each other. Before they were separated, they made a blood pact and said they would always be there for each other no matter what.
Linda works at a dance/strip club and the forlorn about the death of her brother, but continues her job duties including dancing and having sex. She gets pregnant, then deals with the repercussions of the act. She becomes increasingly despondent with her life and wishes her brother was still with her.
Oscar's spirit meanders through the lives of his former life watching and understanding the emotions of those left on Earth.
The film is hard to explain and therefore maybe hard to understand as well. This seems to be one of those movies that is not only the words that are spoken, but the emotions that are portrayed and not said aloud. Whatever you believe spiritually about the soul and reincarnation, this film is not here to change your religious beliefs. It is shown in "first person" most of the time, so you interact with the characters of Oscar's life just as he is.
The use of neon colors both on the exterior cityscape of Japan and interior shots o the dance club are gorgeous and reminded me of what the world would appear as if life used a blacklight. The sequences of drug use could not be described as anything else other than living artwork. The rainbow kaleidoscope of the "trip" were reminiscent of "2001: A Space Odyssey" and I read afterwards which is where Noe drew some of his inspiration.
Undoubtedly, the multitude of graphic sex scenes and shocking imagery will turn many off as some of it is pretty extreme, but I feel suits this film symbiotically and perfectly. In fact, the second half of the film is more style than substance (which you could probably say for a lot of Noe's films), but somehow you don't mind since you are along for the ride and enjoy the spectacle anyways.
After reading about the film after my viewing, I discovered there is a "director's cut" including around 20 minutes of additional scenes bring the running time to over 2 1/2 hours.
It looks like I'll be getting the Blu-Ray and watching again in a few weeks!
From the psychedelic opening credits (which are the complete film credits by the way, meaning no end credits at all) this film grabs your attention and should immediately realize what you are about to watch is going to be different, exciting, revolting and most of all unique in every way from most movies you have seen in your life until now.
The film focuses on the relationship between Oscar and Linda, a brother and sister living in Japan when tragedy strikes. Oscar goes to meet a friend for a drug deal only to have something go very wrong. For some reason, the police are present and pursue Oscar to the bathroom where he tries to dispense the drugs eliminating the evidence down the facilities. Shortly after, Oscar is shot in the chest and dies on the bathroom floor.
It seems as if Oscar's "soul" leaves his body and begins a hallucinatory journey interacting with his former friends, acquaintances and sister in a spiritual and mind blowing way to help make him and the audience understand the events which led to his death.
The siblings have had a rough life including the horrible death of their parents in an automobile accident when they were young. They were in the back seat as well, so not only witnessed the physical and emotional trauma, but also had to endure the subsequent separation from each other through foster care having to grow up without each other. Before they were separated, they made a blood pact and said they would always be there for each other no matter what.
Linda works at a dance/strip club and the forlorn about the death of her brother, but continues her job duties including dancing and having sex. She gets pregnant, then deals with the repercussions of the act. She becomes increasingly despondent with her life and wishes her brother was still with her.
Oscar's spirit meanders through the lives of his former life watching and understanding the emotions of those left on Earth.
The film is hard to explain and therefore maybe hard to understand as well. This seems to be one of those movies that is not only the words that are spoken, but the emotions that are portrayed and not said aloud. Whatever you believe spiritually about the soul and reincarnation, this film is not here to change your religious beliefs. It is shown in "first person" most of the time, so you interact with the characters of Oscar's life just as he is.
The use of neon colors both on the exterior cityscape of Japan and interior shots o the dance club are gorgeous and reminded me of what the world would appear as if life used a blacklight. The sequences of drug use could not be described as anything else other than living artwork. The rainbow kaleidoscope of the "trip" were reminiscent of "2001: A Space Odyssey" and I read afterwards which is where Noe drew some of his inspiration.
Undoubtedly, the multitude of graphic sex scenes and shocking imagery will turn many off as some of it is pretty extreme, but I feel suits this film symbiotically and perfectly. In fact, the second half of the film is more style than substance (which you could probably say for a lot of Noe's films), but somehow you don't mind since you are along for the ride and enjoy the spectacle anyways.
After reading about the film after my viewing, I discovered there is a "director's cut" including around 20 minutes of additional scenes bring the running time to over 2 1/2 hours.
It looks like I'll be getting the Blu-Ray and watching again in a few weeks!
BankofMarquis (1832 KP) rated All That Jazz (1979) in Movies
Oct 1, 2020
Full Blown Fosse (and that's a good thing)
After THE FRENCH CONNECTION, JAWS, MARATHON MAN and SORCERER (and, if I'm honest, JAWS II), my brother and I thought Roy Scheider was just about the toughest son-of-a-gun on the planet, so when he asked if I wanted to check out the latest "Roy Scheider flick", I jumped at the chance.
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)