"This was made before George died and released shortly after, so you can’t watch it without a lump in your throat. He’s such a brilliant musician, an effortless singer, but also just an ordinary, interesting guy with a natural gift. I used to have this unhealthy habit of playing his songs when I was drunk and maudlin. I love how this film shows how he took control of his image early on, and how we see the lyrics to Freedom as being so astute, not vacuous at all. He’s also funny and filthy – the kind of person you’d love to have a drink with. It’s so sad that he’s not here."

"This is a wild farce, it’s shocking that he got away with it in the middle of World War II. Betty Hutton gets drunk saying goodbye to soldiers going off to fight, and she gets knocked up. You never know what happened but everyone says let’s get married, because she’s pregnant. She has no idea who the father is. How he got away with this in the middle of the production code in the middle of World War II, I have no idea. Eddie Bracken plays a guy who’s so madly in love with her, he agrees to be the father. It’s a great comedy, really a farce."

"I’ll start with 25th Hour, the Spike Lee movie. It was actually written by David Benioff, who writes Game of Thrones. It was my favorite movie before I met David, and when I found out that he had written it, I proceeded to — when drunk in a bar once — to give him my version of the Edward Norton monologue that happens during the movie. Really embarrassing. I cringe to this day that I did that and gave him my rendition of it. It’s just an amazing movie. I love Edward Norton, I love Philip Seymour Hoffman in it, Barry Pepper, you know. It’s a fantastic movie."