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Movie Metropolis (309 KP) rated The Girl on the Train (2016) in Movies
Jun 10, 2019
A Victim of its marketing
It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
Hazel (1853 KP) rated The Second Love of My Life in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Victoria Walters’ debut novel, <i>The Second Love of My Life</i>, is a must read for fans of women’s fiction. Set in a coastal village in Cornwall, Walters explores themes of love, grief and survival in this satisfying narrative.
Rose Walker was once known in her small village for being an up-and-coming artist, however now she is branded as the woman who was widowed at twenty four. The story begins two years after the tragic event involving a car collision between her husband, Lucas, and a drunk driver. Since then Rose has wallowed in her grief and not picked up a paintbrush; therefore the upcoming village fair will be the last time she ever sells her paintings.
A stranger, Robert Green, shocks both Rose and the community by purchasing all of her remaining artwork for an extortionate amount of money. Intrigued by this mysterious man, Rose begins to creep back out of her shell, exploring feelings she has not felt for quite some time. However, just as she believes she cold fall in love again, Robert reveals he is not the man she thought he was.
In a way there are two focuses of this novel. One is Rose’s love life and the other is her artwork. The former is obvious from the title alone. “<i>The Second Love of My Life</i>” suggests that the protagonist has been in love before, and falls in love again. There was a danger of this story becoming predictable: girl is heartbroken, girl meets man, girl falls in love, something bad happens, bad thing is resolved; however the inclusion of Rose’s (former) passion for art gives the book a unique streak.
Many artists will be able to relate to (even if they have never been brokenhearted) the feeling of being unable to produce work – a mental block. <i>The Second Love of My Life</i> reveals the trials Rose goes through in order to get her life back together by forcing herself through the barriers her mind has created in order to deal with her deeper emotions. Although it was Robert that inspired Rose to begin painting again, she does this mostly by herself, showing the reader that she is a strong, capable woman who does not need a man to save her – getting the man is an added bonus.
Whether because this is a first novel, or whether it is Walters’ writing style, there are times when it is difficult to tell what is speech and what is the main character’s internal monologue. Occasionally I found myself wondering whether the lack of speech marks was an editing error or intentional.
<i>The Second Love of My Life</i> has been likened to the works of Cecelia Ahern (author of <i>P.S. I Love You</i>), which is admittedly the reason I chose to read it. Whilst Walters’ writing is not quite up there with the popular authors, there is no doubt that one-day she will be. This is an impressive debut and definitely an author to look out for.
Victoria Walters’ debut novel, <i>The Second Love of My Life</i>, is a must read for fans of women’s fiction. Set in a coastal village in Cornwall, Walters explores themes of love, grief and survival in this satisfying narrative.
Rose Walker was once known in her small village for being an up-and-coming artist, however now she is branded as the woman who was widowed at twenty four. The story begins two years after the tragic event involving a car collision between her husband, Lucas, and a drunk driver. Since then Rose has wallowed in her grief and not picked up a paintbrush; therefore the upcoming village fair will be the last time she ever sells her paintings.
A stranger, Robert Green, shocks both Rose and the community by purchasing all of her remaining artwork for an extortionate amount of money. Intrigued by this mysterious man, Rose begins to creep back out of her shell, exploring feelings she has not felt for quite some time. However, just as she believes she cold fall in love again, Robert reveals he is not the man she thought he was.
In a way there are two focuses of this novel. One is Rose’s love life and the other is her artwork. The former is obvious from the title alone. “<i>The Second Love of My Life</i>” suggests that the protagonist has been in love before, and falls in love again. There was a danger of this story becoming predictable: girl is heartbroken, girl meets man, girl falls in love, something bad happens, bad thing is resolved; however the inclusion of Rose’s (former) passion for art gives the book a unique streak.
Many artists will be able to relate to (even if they have never been brokenhearted) the feeling of being unable to produce work – a mental block. <i>The Second Love of My Life</i> reveals the trials Rose goes through in order to get her life back together by forcing herself through the barriers her mind has created in order to deal with her deeper emotions. Although it was Robert that inspired Rose to begin painting again, she does this mostly by herself, showing the reader that she is a strong, capable woman who does not need a man to save her – getting the man is an added bonus.
Whether because this is a first novel, or whether it is Walters’ writing style, there are times when it is difficult to tell what is speech and what is the main character’s internal monologue. Occasionally I found myself wondering whether the lack of speech marks was an editing error or intentional.
<i>The Second Love of My Life</i> has been likened to the works of Cecelia Ahern (author of <i>P.S. I Love You</i>), which is admittedly the reason I chose to read it. Whilst Walters’ writing is not quite up there with the popular authors, there is no doubt that one-day she will be. This is an impressive debut and definitely an author to look out for.
Kristy H (1252 KP) rated You Must Not Miss in Books
Jun 21, 2019
Magpie Lewis has been abandoned. Her father left. Then her sister, Eryn, too. Now it's just Magpie and her mom. Who truly isn't really present, as she drowns herself in booze and a haze of alcoholism. Magpie's sister left the same night as Brandon Phipps's party--after which Magpie's longtime friendship with Allison ended, and Magpie was branded a slut and left to be an outcast at school. So she starts writing in a yellow notebook, creating a world called Near. It's Magpie's magical place, where everything is perfect: no cheating father, no drunk mom, no missing sister, and no horrific school experiences. She thinks up Near so clearly, so fully, that she wills it into existence, and Magpie realizes that in Near, she can have it all: even revenge on those who have hurt her.
"There was one month left of her sophomore year of high school, and she had decided, after a mountain of evidence to support it, that the entire world was a joke."
I just love Katrina Leno, and her beautiful writing. You Must Not Miss is no exception: it's a poetic, stark take on high school friendship, rape culture, and the ties that bind us. The story is a clever variation of "One for Sorrow." Magpie is our main character and takes center stage: it's hard not to feel sympathetic for this poor abandoned girl--with no family who cares for her and, for a while, no friends.
"If you give a name to an impossible thing, does it make the impossible thing any less impossible?
But then the story takes a dramatic, dark twist--as Magpie creates Near both in her mind and in reality--and as Magpie's portal to another world takes true shape, we see our character find strength before our very eyes. I won't lie, I'm not sure this book is for everyone. It reminded me in some ways of a Maggie Stiefvater novel. It's true magical realism, and there's a suspension of disbelief to be had, to be sure. But it's a book that I feel like Leno was meant to be write. Her way of eviscerating rape culture, misogyny, and more is so adept, so searing. It is a call to arms to those who are not believed, who are ignored and mocked, who are the ones who see their lives ruined when the attackers run free.
In this way, You Must Not Miss is a strong, complex book tackling a tough topic. It may be difficult for some that this topic is underneath the magical world of Near, but I liked how that was what Magpie needed to deal with all that happened to her. Beware, this book is brutal at times (and yes, there's a trigger warning for rape/sexual assault). But it's beautifully written, too. It's complicated, much like its subject matter and its protagonist, who is still trying to figure herself out, as well. It's a different read, but if you're willing to give it a try, I think you'll be glad you did. 4 stars.
"There was one month left of her sophomore year of high school, and she had decided, after a mountain of evidence to support it, that the entire world was a joke."
I just love Katrina Leno, and her beautiful writing. You Must Not Miss is no exception: it's a poetic, stark take on high school friendship, rape culture, and the ties that bind us. The story is a clever variation of "One for Sorrow." Magpie is our main character and takes center stage: it's hard not to feel sympathetic for this poor abandoned girl--with no family who cares for her and, for a while, no friends.
"If you give a name to an impossible thing, does it make the impossible thing any less impossible?
But then the story takes a dramatic, dark twist--as Magpie creates Near both in her mind and in reality--and as Magpie's portal to another world takes true shape, we see our character find strength before our very eyes. I won't lie, I'm not sure this book is for everyone. It reminded me in some ways of a Maggie Stiefvater novel. It's true magical realism, and there's a suspension of disbelief to be had, to be sure. But it's a book that I feel like Leno was meant to be write. Her way of eviscerating rape culture, misogyny, and more is so adept, so searing. It is a call to arms to those who are not believed, who are ignored and mocked, who are the ones who see their lives ruined when the attackers run free.
In this way, You Must Not Miss is a strong, complex book tackling a tough topic. It may be difficult for some that this topic is underneath the magical world of Near, but I liked how that was what Magpie needed to deal with all that happened to her. Beware, this book is brutal at times (and yes, there's a trigger warning for rape/sexual assault). But it's beautifully written, too. It's complicated, much like its subject matter and its protagonist, who is still trying to figure herself out, as well. It's a different read, but if you're willing to give it a try, I think you'll be glad you did. 4 stars.
Matthew Krueger (10051 KP) rated Clue (1985) in Movies
Nov 3, 2020
The Multiple Endings (2 more)
The Cast
The Humor
All Time Favorites
Ive seen Clue about nine times now and it has become a tradition to watch Clue every October. I remember watching clue the first time and i laughed my ass off and i still do that. The humor is excellent, the cast is excellent, the multiple endings are excellent. Everything about Clue is excellent.
The plot: Based on the popular board game, this comedy begins at a dinner party hosted by Mr. Boddy (Lee Ving), where he admits to blackmailing his visitors. These guests, who have been given aliases, are Mrs. Peacock (Eileen Brennan), Miss Scarlet (Lesley Ann Warren), Mr. Green (Michael McKean), professor Plum (Christopher Lloyd), Mrs. White (Madeline Kahn) and Col. Mustard (Martin Mull). When Boddy turns up murdered, all are suspects, and together they try to figure out who is the killer.
The film was produced by Debra Hill and the story was by John Landis.
In keeping with the nature of the board game, the theatrical release included three possible endings, with different theaters receiving one of the three endings. In the film's home video release, all three endings were included.
The multiple-ending concept was developed by John Landis, who claimed in an interview to have invited playwright Tom Stoppard, writer and composer Stephen Sondheim, and actor Anthony Perkins to write the screenplay. The script was ultimately finished by director Jonathan Lynn.
A fourth ending was filmed, but Lynn removed it because as he later stated, "It really wasn't very good. I looked at it, and I thought, 'No, no, no, we've got to get rid of that.'" In the unused fourth ending, Wadsworth committed all of the murders. He was motivated by his desire for perfection. Having failed to be either the perfect husband or the perfect butler, he decided to be the perfect murderer instead. Wadsworth reports that he poisoned the champagne the guests had drunk earlier so they would soon die, leaving no witnesses. The police and the FBI arrive and Wadsworth is arrested. He breaks free and steals a police car, but his escape is thwarted when three police dogs lunge from the back seat. This ending is documented in Clue: The Storybook, a tie-in book released in conjunction with the film.
Carrie Fisher was originally contracted to portray Miss Scarlet, but withdrew to enter treatment for drug and alcohol addiction. Jonathan Lynn's first choice for the role of Wadsworth was Leonard Rossiter, but he died before filming commenced. The second choice was Rowan Atkinson, but it was decided that he wasn't well known enough at the time, so Tim Curry was eventually cast.
Mrs. White's famous "Flames" speech was improvised by Madeline Kahn.
A documentary about the movie is being made, including interviews already filmed with the director, writer, and several cast members including Lesley Ann Warren, Michael McKean, Colleen Camp, and Lee Ving.
I love Clue, it is one of my all time favorite films. In my top ten best films of all time at number #3 and just excellent.
Happy Halloween everybody.
The plot: Based on the popular board game, this comedy begins at a dinner party hosted by Mr. Boddy (Lee Ving), where he admits to blackmailing his visitors. These guests, who have been given aliases, are Mrs. Peacock (Eileen Brennan), Miss Scarlet (Lesley Ann Warren), Mr. Green (Michael McKean), professor Plum (Christopher Lloyd), Mrs. White (Madeline Kahn) and Col. Mustard (Martin Mull). When Boddy turns up murdered, all are suspects, and together they try to figure out who is the killer.
The film was produced by Debra Hill and the story was by John Landis.
In keeping with the nature of the board game, the theatrical release included three possible endings, with different theaters receiving one of the three endings. In the film's home video release, all three endings were included.
The multiple-ending concept was developed by John Landis, who claimed in an interview to have invited playwright Tom Stoppard, writer and composer Stephen Sondheim, and actor Anthony Perkins to write the screenplay. The script was ultimately finished by director Jonathan Lynn.
A fourth ending was filmed, but Lynn removed it because as he later stated, "It really wasn't very good. I looked at it, and I thought, 'No, no, no, we've got to get rid of that.'" In the unused fourth ending, Wadsworth committed all of the murders. He was motivated by his desire for perfection. Having failed to be either the perfect husband or the perfect butler, he decided to be the perfect murderer instead. Wadsworth reports that he poisoned the champagne the guests had drunk earlier so they would soon die, leaving no witnesses. The police and the FBI arrive and Wadsworth is arrested. He breaks free and steals a police car, but his escape is thwarted when three police dogs lunge from the back seat. This ending is documented in Clue: The Storybook, a tie-in book released in conjunction with the film.
Carrie Fisher was originally contracted to portray Miss Scarlet, but withdrew to enter treatment for drug and alcohol addiction. Jonathan Lynn's first choice for the role of Wadsworth was Leonard Rossiter, but he died before filming commenced. The second choice was Rowan Atkinson, but it was decided that he wasn't well known enough at the time, so Tim Curry was eventually cast.
Mrs. White's famous "Flames" speech was improvised by Madeline Kahn.
A documentary about the movie is being made, including interviews already filmed with the director, writer, and several cast members including Lesley Ann Warren, Michael McKean, Colleen Camp, and Lee Ving.
I love Clue, it is one of my all time favorite films. In my top ten best films of all time at number #3 and just excellent.
Happy Halloween everybody.
Heather Cranmer (2721 KP) rated Local Woman Missing in Books
Jul 28, 2021
I had been after a good thriller for awhile, when I read about Local Woman Missing by Mary Kubica, my interest was piqued very much. I will say that this book certainly filled that thriller sized hole for sure!
As soon as I started reading Local Woman Missing, I was instantly transported inside the book. I kept trying to piece together what happened to Shelby, Delilah, and Meredith just to find out I was totally wrong each time. That's one of the beautiful things about this book, there are so many twists and turns! I loved all the plot twists which there were plenty. Just when it looked like one mystery was solved, the author would through in a twist. I loved how Mary Kubica had us going back and forth between present time to eleven years earlier when Meredith, Shelby, and Delilah all went missing. The world building is done fantastically, and the pacing is spot on. I found myself frantically reading each page to try to guess what would happen. I did like the way all the loose endings were tied up by the ending. There's nothing left to speculate which was a big plus in my book as I hate guessing what happened to each character. I like being told exactly what happens, and Kubica did just so.
I absolutely adored how each character was written. I could imagine each and every character in my mind. It was like I was right in the midst of the action with them. It was easy to imagine Meredith's husband Josh's panic when his wife and 6 year old daughter went missing. As a mother of a 6 year old myself, I think I would just go crazy! I could also feel Meredith's pain when things started to really go wrong for her. I really just wanted to be a friend to her because she seemed really sweet and down to Earth. Bea and Kate were two of my favorite characters. I thought they had such a great relationship, and I thought they were really great people for being so helping and warm towards everyone when things when Meredith and Delilah went missing. I enjoyed reading things from Kate's point of view to piece together everything that was going on after Meredith and Delilah went missing. Reading Leo's point of view was the most interesting for me. It was eye opening to see how having his sister and mom missing affected him. I really wanted to adopt little Leo as my own because reading what he endured really broke my heart at times.
Trigger warnings for Local Woman Missing include profanity, cheating on spouses, child abuse, kidnapping, violence, death, mentions of suicide, and drunk driving.
All in all, Local Woman Missing checks all the boxes to be a successful thriller such as a fascinating plot with a plethora of twists at turns throughout. I would definitely recommend Local Woman Missing by Mary Kubica to those aged 18+ who love to expect the unexpected. This book will not leave you disappointed one bit.
As soon as I started reading Local Woman Missing, I was instantly transported inside the book. I kept trying to piece together what happened to Shelby, Delilah, and Meredith just to find out I was totally wrong each time. That's one of the beautiful things about this book, there are so many twists and turns! I loved all the plot twists which there were plenty. Just when it looked like one mystery was solved, the author would through in a twist. I loved how Mary Kubica had us going back and forth between present time to eleven years earlier when Meredith, Shelby, and Delilah all went missing. The world building is done fantastically, and the pacing is spot on. I found myself frantically reading each page to try to guess what would happen. I did like the way all the loose endings were tied up by the ending. There's nothing left to speculate which was a big plus in my book as I hate guessing what happened to each character. I like being told exactly what happens, and Kubica did just so.
I absolutely adored how each character was written. I could imagine each and every character in my mind. It was like I was right in the midst of the action with them. It was easy to imagine Meredith's husband Josh's panic when his wife and 6 year old daughter went missing. As a mother of a 6 year old myself, I think I would just go crazy! I could also feel Meredith's pain when things started to really go wrong for her. I really just wanted to be a friend to her because she seemed really sweet and down to Earth. Bea and Kate were two of my favorite characters. I thought they had such a great relationship, and I thought they were really great people for being so helping and warm towards everyone when things when Meredith and Delilah went missing. I enjoyed reading things from Kate's point of view to piece together everything that was going on after Meredith and Delilah went missing. Reading Leo's point of view was the most interesting for me. It was eye opening to see how having his sister and mom missing affected him. I really wanted to adopt little Leo as my own because reading what he endured really broke my heart at times.
Trigger warnings for Local Woman Missing include profanity, cheating on spouses, child abuse, kidnapping, violence, death, mentions of suicide, and drunk driving.
All in all, Local Woman Missing checks all the boxes to be a successful thriller such as a fascinating plot with a plethora of twists at turns throughout. I would definitely recommend Local Woman Missing by Mary Kubica to those aged 18+ who love to expect the unexpected. This book will not leave you disappointed one bit.
Kaysee Hood (83 KP) rated Fangirl in Books
Oct 3, 2017
Fangirling (2 more)
College Life
Carry On
Oh can I relate!
Rainbow Rowell’s Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms, but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are and who we are meant to be even if sometimes the road is not so easy to travel; however, for Cath she was never alone to experience life with her twin sister. This was until Freshmen year of college when Wren wants to separate herself from Cath because they have done everything together always for their whole lives. Cath does not want this. She’s scared to not have Wren feet away from her. She fearful of the strangeness college will offer. She terrified she’s crazy and people will find her weird for her fanfics of Simon and Baz.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak to one another. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand to keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are and who we are meant to be even if sometimes the road is not so easy to travel; however, for Cath she was never alone to experience life with her twin sister. This was until Freshmen year of college when Wren wants to separate herself from Cath because they have done everything together always for their whole lives. Cath does not want this. She’s scared to not have Wren feet away from her. She fearful of the strangeness college will offer. She terrified she’s crazy and people will find her weird for her fanfics of Simon and Baz.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak to one another. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand to keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
Kaysee Hood (83 KP) rated Fangirl in Books
Nov 16, 2017
Twin Life (4 more)
College Life
Mental Illness
Carry On
Fan Fic
Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
Amanda (96 KP) rated Girl in Pieces in Books
May 29, 2019
ach aberration of my skin is a song. Press your mouth against me. You will hear so much singing.
“Each aberration of my skin is a song. Press your mouth against me. You will hear so much singing.”
That book that I had to step away from so often because it nearly had me tangled up in it, that would be this book. It’s rare for me to be so wrapped up in this book that it feels like I’m tight in its grasp. I want to go on this journey with the character and feel I owe it to them to see it through with them, but I mentally can’t. So, I have to step aside for a moment, but know that I’m going to come back.
Charlotte ‘Charlie’ has gone through SO MUCH before she even gets to the age of eighteen. The title says it straight forward; she is in pieces. So much of her has shattered that it feels like once she’s found a piece or two of herself, it’s almost instantly gone. Whether it be because of a blast from the past, or an uncertain future.
She copes, or tries to, by cutting herself. I just can’t imagine anybody feeling that way about themselves. I just wanted to hug her.
“Cutting is a fence you build upon your own body to keep people out, but then you cry to be touched. But the fence is barged. What then?”
For a time, Charlie stays at a mental health facility, but when insurance runs out, she is forced to relocate with her mother until an opening at a halfway house is available. Her and her mother do not get along at all. When a guy friend (her crush) offers to move her closer to him to help her, expectations are made and hopes are set kind of high. This guy isn’t interested in her romantically and he used to date her best friend (whom has passed away).
What kind of hit me for a bit, while not at the extent or context as with Charlie, she meets this guy named Riley and he’s all wrong for her, but seems right for her at a certain time. She sort of becomes enthralled with him, even though he’s mostly high or drunk, but she can’t help herself. The need for closeness is sometimes just too great. I wanted to yell at Charlie for always going to him, but I can’t because I did the same thing. How can I yell at somebody for doing the same thing I have done?
My dear Charlie…
“I think you are having a different sort of heartbreak. Maybe a kind of heartbreak of being in the world when you don’t know how to be.”
This is the second novel I’ve read from Kathleen Glasgow. This one certainly had me really mentally involved. It didn’t finish it as quickly as I did her recent novel, but that doesn’t mean it wasn’t a good story. I can’t stress enough. THERE ARE NUMEROUS TRIGGER WARNINGS! Self-harm, mentions of sexual assault, etc. It was difficult for me to finish, so I stress that if these do not bother you, then this is a story worth reading. It’s all told in Charlie’s voice and the pieces she loses and somehow gets them back…one at a time.
“People should know about us. Girls who write their pain on their bodies.”
That book that I had to step away from so often because it nearly had me tangled up in it, that would be this book. It’s rare for me to be so wrapped up in this book that it feels like I’m tight in its grasp. I want to go on this journey with the character and feel I owe it to them to see it through with them, but I mentally can’t. So, I have to step aside for a moment, but know that I’m going to come back.
Charlotte ‘Charlie’ has gone through SO MUCH before she even gets to the age of eighteen. The title says it straight forward; she is in pieces. So much of her has shattered that it feels like once she’s found a piece or two of herself, it’s almost instantly gone. Whether it be because of a blast from the past, or an uncertain future.
She copes, or tries to, by cutting herself. I just can’t imagine anybody feeling that way about themselves. I just wanted to hug her.
“Cutting is a fence you build upon your own body to keep people out, but then you cry to be touched. But the fence is barged. What then?”
For a time, Charlie stays at a mental health facility, but when insurance runs out, she is forced to relocate with her mother until an opening at a halfway house is available. Her and her mother do not get along at all. When a guy friend (her crush) offers to move her closer to him to help her, expectations are made and hopes are set kind of high. This guy isn’t interested in her romantically and he used to date her best friend (whom has passed away).
What kind of hit me for a bit, while not at the extent or context as with Charlie, she meets this guy named Riley and he’s all wrong for her, but seems right for her at a certain time. She sort of becomes enthralled with him, even though he’s mostly high or drunk, but she can’t help herself. The need for closeness is sometimes just too great. I wanted to yell at Charlie for always going to him, but I can’t because I did the same thing. How can I yell at somebody for doing the same thing I have done?
My dear Charlie…
“I think you are having a different sort of heartbreak. Maybe a kind of heartbreak of being in the world when you don’t know how to be.”
This is the second novel I’ve read from Kathleen Glasgow. This one certainly had me really mentally involved. It didn’t finish it as quickly as I did her recent novel, but that doesn’t mean it wasn’t a good story. I can’t stress enough. THERE ARE NUMEROUS TRIGGER WARNINGS! Self-harm, mentions of sexual assault, etc. It was difficult for me to finish, so I stress that if these do not bother you, then this is a story worth reading. It’s all told in Charlie’s voice and the pieces she loses and somehow gets them back…one at a time.
“People should know about us. Girls who write their pain on their bodies.”
Movie Metropolis (309 KP) rated Snow White and the Huntsman (2012) in Movies
Jun 11, 2019
Snow White has certainly been receiving a lot of attention this year and it’s been hard to ignore two films competing with each other to win the accolade of best cinema adaptation.
Julia Roberts has already starred in sickly sweet adaptation Mirror Mirror and here Kristen Stewart of Twilight fame takes on the lead role in the gritty, dramatic adaptation of the fairytale. But is it a good take on a children’s classic?
Snow White & The Huntsman opens as you would expect with a look back at the aforementioned Princess’ traumatic childhood, from the death of her mother, to witnessing the death of her father King Magnus, it seems like any normal child would’ve had a few problems after this but Snow seems a little more reserved.
Snow White’s father is killed at the hands of her wicked stepmother, played wonderfully by Charlize Theron who really gets her teeth into the role she’s been given and plays the character with a nice dose of evil intertwined with brief moments of sincerity. Those of you familiar with the story will no doubt know that Snow White hides with the seven dwarves to escape the clutches of her stepmother, but more on that later.
Chris Hemsworth, who seems to be getting more and more acting jobs these days does a nice job as the widowed, constantly drunk huntsman, though his accent is a little hard to assess, no doubt done to cover his Australian roots.
Hemsworth is sent by the wicked Queen to kill Snow White so that her eternal youth isn’t threatened but things run less than smoothly as he realises that he is being tricked, he and Snow then decide to go on the run, bumping into the seven dwarves along the way.
The Kingdom in which they live is beautifully realised in fabulous CGI, from the dark forest, to the towering stone walls of the castle and then further into the ‘sanctuary’ a place where people can go to relax and unwind. Fairies, badgers, foxes, rabbits, mushrooms with beady little eyes and moss covered tortoises are amongst the creatures here and ruling over them all is the spirit of the forest, a fabulous and very real looking white stag.
This is, however, where Snow White & The Huntsman falls short. Yes, the CGI is impeccable and yes the acting is good, but it all feels a little bit soulless. It’s all about the frills rather than creating a deep and meaningful story. It has the basics right but it’s impossible to care about the characters because there isn’t enough back-story. Each set piece is interspersed with a little bit of emotion, but it’s not really enough and because of this, the entire film feels disjointed.
This is made worse by the fact the film is stretched to over two hours when there isn’t really enough story to create a two hour film.
Unfortunately, these points detract from what is a wonderful and beautifully realised adaptation of a classic children’s fairytale. To compare it to Mirror Mirror would be unfair as they are both so different. Snow White & The Huntsman is like last year’s Alice in Wonderland, it all looks and sounds great, but is ultimately; decidedly average.
https://moviemetropolis.net/2012/06/07/snow-white-the-huntsman-review/
Julia Roberts has already starred in sickly sweet adaptation Mirror Mirror and here Kristen Stewart of Twilight fame takes on the lead role in the gritty, dramatic adaptation of the fairytale. But is it a good take on a children’s classic?
Snow White & The Huntsman opens as you would expect with a look back at the aforementioned Princess’ traumatic childhood, from the death of her mother, to witnessing the death of her father King Magnus, it seems like any normal child would’ve had a few problems after this but Snow seems a little more reserved.
Snow White’s father is killed at the hands of her wicked stepmother, played wonderfully by Charlize Theron who really gets her teeth into the role she’s been given and plays the character with a nice dose of evil intertwined with brief moments of sincerity. Those of you familiar with the story will no doubt know that Snow White hides with the seven dwarves to escape the clutches of her stepmother, but more on that later.
Chris Hemsworth, who seems to be getting more and more acting jobs these days does a nice job as the widowed, constantly drunk huntsman, though his accent is a little hard to assess, no doubt done to cover his Australian roots.
Hemsworth is sent by the wicked Queen to kill Snow White so that her eternal youth isn’t threatened but things run less than smoothly as he realises that he is being tricked, he and Snow then decide to go on the run, bumping into the seven dwarves along the way.
The Kingdom in which they live is beautifully realised in fabulous CGI, from the dark forest, to the towering stone walls of the castle and then further into the ‘sanctuary’ a place where people can go to relax and unwind. Fairies, badgers, foxes, rabbits, mushrooms with beady little eyes and moss covered tortoises are amongst the creatures here and ruling over them all is the spirit of the forest, a fabulous and very real looking white stag.
This is, however, where Snow White & The Huntsman falls short. Yes, the CGI is impeccable and yes the acting is good, but it all feels a little bit soulless. It’s all about the frills rather than creating a deep and meaningful story. It has the basics right but it’s impossible to care about the characters because there isn’t enough back-story. Each set piece is interspersed with a little bit of emotion, but it’s not really enough and because of this, the entire film feels disjointed.
This is made worse by the fact the film is stretched to over two hours when there isn’t really enough story to create a two hour film.
Unfortunately, these points detract from what is a wonderful and beautifully realised adaptation of a classic children’s fairytale. To compare it to Mirror Mirror would be unfair as they are both so different. Snow White & The Huntsman is like last year’s Alice in Wonderland, it all looks and sounds great, but is ultimately; decidedly average.
https://moviemetropolis.net/2012/06/07/snow-white-the-huntsman-review/
Kyera (8 KP) rated Wintersong in Books
Jan 31, 2018
Wintersong is a fairytale re-telling based upon the German poem Der Erlkonig and stories of the Goblin King. The author takes a relatively short poem and breathes life into it, translating the dark words into an entire world. Liesl has heard tales of the Goblin King from her grandmother since she was a small child. Even played make-believe in the Goblin Grove with her Goblin King, but as she grew older she lost her faith in the old stories. Even her brother and sister seemed not to heed the old woman’s warnings. She warned Liesl that she must protect both siblings - she would be faced with a choice and mustn’t choose wrong.
This dire warning and her later choices set her on a journey to the Underworld. It is dark, earthy and primal, full of creatures that Liesl does not understand or trust. The land itself is well-described and forms itself within the reader’s mind. Though you would never hope to call it home, it has its own ancient and crude form of beauty.
The characters are unique, although generally not faceted or well-developed in their personalities. Perhaps our main character just does not know them as well as she believes, for her view is quite flat. Her sister, Kathe is beautiful and cares only about similarly pretty and frivolous things. Her brother, Josef is a talented musician who fears his music is a “gift” from the Devil. Her grandmother is superstitious, her mother hard-working and aloof, and her father a drunk. Sadly, we don’t get to see or experience any depth of personality, nor are they given the chance to develop over the course of the novel. As our main character is in the Underworld, the lack of development is understandable which is why I wish they were more fleshed out initially.
Liesl herself is a strange mix of traits with her love of music and composition, intense lack of confidence and anger stemming from her belief that she is ugly and unwanted. Her choices are both selfish and selfless. She is a mass of contradictions and broken beliefs. While she is an interesting character, I don’t find her to be particularly relatable. I didn’t connect with any of the characters in the novel, although I enjoyed the story itself. I’m sure there are others who would find similarities between themselves and one of the characters, making this book more impactful.
Finally, the Goblin King himself – who seems to be like two people in one. At times, we see the younger, more open man that he was and could be again while at others the cold, quick to anger Trickster of the Underworld is at the forefront. More intriguing than his present is his story, you wonder how did he become the Erlkonig? For he is not the first, nor shall he be the last. He is more human than his subjects and thus this difference is what fascinated me. I wanted that story, more than him demanding Liesl in her “entire” and her being unable to give of herself, fully, yet.
It was an interesting story even though I didn’t particularly care for the characters. I recommend this book for older young adult/teen readers who enjoy fantasy and fairytale books. The writing is very poetic and beautifully descriptive. I don’t regret reading this book, but I also wouldn’t personally go out and buy a physical copy of it for my shelf.
This dire warning and her later choices set her on a journey to the Underworld. It is dark, earthy and primal, full of creatures that Liesl does not understand or trust. The land itself is well-described and forms itself within the reader’s mind. Though you would never hope to call it home, it has its own ancient and crude form of beauty.
The characters are unique, although generally not faceted or well-developed in their personalities. Perhaps our main character just does not know them as well as she believes, for her view is quite flat. Her sister, Kathe is beautiful and cares only about similarly pretty and frivolous things. Her brother, Josef is a talented musician who fears his music is a “gift” from the Devil. Her grandmother is superstitious, her mother hard-working and aloof, and her father a drunk. Sadly, we don’t get to see or experience any depth of personality, nor are they given the chance to develop over the course of the novel. As our main character is in the Underworld, the lack of development is understandable which is why I wish they were more fleshed out initially.
Liesl herself is a strange mix of traits with her love of music and composition, intense lack of confidence and anger stemming from her belief that she is ugly and unwanted. Her choices are both selfish and selfless. She is a mass of contradictions and broken beliefs. While she is an interesting character, I don’t find her to be particularly relatable. I didn’t connect with any of the characters in the novel, although I enjoyed the story itself. I’m sure there are others who would find similarities between themselves and one of the characters, making this book more impactful.
Finally, the Goblin King himself – who seems to be like two people in one. At times, we see the younger, more open man that he was and could be again while at others the cold, quick to anger Trickster of the Underworld is at the forefront. More intriguing than his present is his story, you wonder how did he become the Erlkonig? For he is not the first, nor shall he be the last. He is more human than his subjects and thus this difference is what fascinated me. I wanted that story, more than him demanding Liesl in her “entire” and her being unable to give of herself, fully, yet.
It was an interesting story even though I didn’t particularly care for the characters. I recommend this book for older young adult/teen readers who enjoy fantasy and fairytale books. The writing is very poetic and beautifully descriptive. I don’t regret reading this book, but I also wouldn’t personally go out and buy a physical copy of it for my shelf.