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Kristin (149 KP) rated Concealed in the Shadows in Books
Dec 7, 2018
Disclaimer: I received an e-copy of this book in exchange for an honest review.
Sydney's been waiting for her 18th birthday for a long time. It's a special day for her, as it's the day she can apply for guardianship of her sister. The world's different from how we know it after Congress separated the nation and laid down the law on population growth, and all Sydney wants is to reunite with her sister and hopefully escape from Miles County. However, as always happens, there's a kink in the plan, and things go awry fairly quickly for poor Sydney. How will she handle all the new information being thrown at her? What will become of her and her sister? And what is she to do about these strange new feelings for a man she barely knows?
First things first: This cover just grabbed me from the very start. I felt like her eyes were seeing right through me, and I couldn't wait to read about the person depicted in the picture. Sydney's a strong young woman, having been through more in her 18 years than most people see and endure in a couple lifetimes. However, she's done it all to help her sister Evvie survive in this world, and now she's fighting to be her sole guardian. The relationship between the two, and the way the bond is described that Sydney has for Evvie, was a very palpable thing. I could just sit back and picture the two going through life, Sydney always a couple steps ahead, checking to make sure everything was perfect for her little sister. But, the world is a much different place, and Sydney soon learns that things aren't always what they seem. I might consider this book somewhat dystopian, rather similar to Hunger Games, in that it's a futuristic setting (although not too distant) where the government has seized control and divided the nation into much smaller, easier-to-manage portions. It's a very intriguing premise, and I'm anxious to see what happens next for Sydney and Evvie.
4 1/2 stars
Sydney's been waiting for her 18th birthday for a long time. It's a special day for her, as it's the day she can apply for guardianship of her sister. The world's different from how we know it after Congress separated the nation and laid down the law on population growth, and all Sydney wants is to reunite with her sister and hopefully escape from Miles County. However, as always happens, there's a kink in the plan, and things go awry fairly quickly for poor Sydney. How will she handle all the new information being thrown at her? What will become of her and her sister? And what is she to do about these strange new feelings for a man she barely knows?
First things first: This cover just grabbed me from the very start. I felt like her eyes were seeing right through me, and I couldn't wait to read about the person depicted in the picture. Sydney's a strong young woman, having been through more in her 18 years than most people see and endure in a couple lifetimes. However, she's done it all to help her sister Evvie survive in this world, and now she's fighting to be her sole guardian. The relationship between the two, and the way the bond is described that Sydney has for Evvie, was a very palpable thing. I could just sit back and picture the two going through life, Sydney always a couple steps ahead, checking to make sure everything was perfect for her little sister. But, the world is a much different place, and Sydney soon learns that things aren't always what they seem. I might consider this book somewhat dystopian, rather similar to Hunger Games, in that it's a futuristic setting (although not too distant) where the government has seized control and divided the nation into much smaller, easier-to-manage portions. It's a very intriguing premise, and I'm anxious to see what happens next for Sydney and Evvie.
4 1/2 stars
BookblogbyCari (345 KP) rated Vox in Books
Nov 4, 2018
Book review by Cari Mayhew. Rating 7/10.
A country where women can only speak 100 words a day – a novel concept for a dystopian thriller! The protagonist’s bitterness was palpable, and there were huge stakes at play, making for an intense read.
This book is set in the USA in the near future. A religious party is in power which sees women as only caregivers. Every woman and girl wears a counter on their wrist, counting the number of words spoken from midnight to midnight each day, delivering a powerful electric shock if they are one syllable over their 100-word limit. Ironically, the central character, Jean, is a linguist.
The action of the main storyline starts when the president’s brother, develops Wernicke’s aphasia as a result of brain damage following a skiing accident. This condition renders the victim unable to convey meaning in their speech, allowing them to only speak gibberish. With her knowledge of neuro-linguistics, Jean is uniquely placed to be persuaded to return to the lab to develop a remedy. Only, when she does, she discovers there’s a lot more going on behind the scenes – and she’s one of a small few with the power to save the day!
As you’d imagine, the female central character is extremely bitter, bitter with society and bitter with herself. She frequently looks back at how things became this way and wishes she had done more. The author does an excellent job of showing how insidiously the propaganda behind the movement swallowed up the nation. Jean sees it in her sons and daughter.
I’d very much like to believe that nothing like this would ever happen in western society, but sadly there are still some cultures in the world where women are faced with oppression.
I have mixed feelings about this book. In some ways, there was too much going on, such as Jean’s mother’s aphasia, and Jean’s extra-marital affair with her Italian crush. On the other hand, Dalcher could have done more to convey how oppressive the rule was for society at large, rather than concentrating on one woman’s experience – particularly since it was a woman for whom the rule was lifted for.
Book review from Book Blog by Cari.
A country where women can only speak 100 words a day – a novel concept for a dystopian thriller! The protagonist’s bitterness was palpable, and there were huge stakes at play, making for an intense read.
This book is set in the USA in the near future. A religious party is in power which sees women as only caregivers. Every woman and girl wears a counter on their wrist, counting the number of words spoken from midnight to midnight each day, delivering a powerful electric shock if they are one syllable over their 100-word limit. Ironically, the central character, Jean, is a linguist.
The action of the main storyline starts when the president’s brother, develops Wernicke’s aphasia as a result of brain damage following a skiing accident. This condition renders the victim unable to convey meaning in their speech, allowing them to only speak gibberish. With her knowledge of neuro-linguistics, Jean is uniquely placed to be persuaded to return to the lab to develop a remedy. Only, when she does, she discovers there’s a lot more going on behind the scenes – and she’s one of a small few with the power to save the day!
As you’d imagine, the female central character is extremely bitter, bitter with society and bitter with herself. She frequently looks back at how things became this way and wishes she had done more. The author does an excellent job of showing how insidiously the propaganda behind the movement swallowed up the nation. Jean sees it in her sons and daughter.
I’d very much like to believe that nothing like this would ever happen in western society, but sadly there are still some cultures in the world where women are faced with oppression.
I have mixed feelings about this book. In some ways, there was too much going on, such as Jean’s mother’s aphasia, and Jean’s extra-marital affair with her Italian crush. On the other hand, Dalcher could have done more to convey how oppressive the rule was for society at large, rather than concentrating on one woman’s experience – particularly since it was a woman for whom the rule was lifted for.
Book review from Book Blog by Cari.
Hazel (1853 KP) rated Day 21 (The Hundred, #2) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
In Kass Morgan’s bestselling <i>The 100</i> no one had set foot on Earth for centuries after a devastating war that rendered the planet uninhabitable. One hundred teenagers have been sent from the safety of a gigantic spaceship to test out whether or not it is yet safe to repopulate the Earth. <i>Day 21</i> continues on from the first book and the group is about to discover that they may not be alone.
As with the previous book the story is shared from four different points of view: Wells, Clarke, Bellamy and Glass. It has been three weeks since the hundred crash-landed and there appears to be no sign of radiation poisoning, however some people are falling unwell with unidentifiable illnesses and others have become targets of an unseen enemy. Things take a dramatic turn after the capture of a stranger, a girl who was not from their ship. Is it possible that she is an Earthborn, and therefore how did people manage to survive the Cataclysm?
Back on ship Glass and the rest of the Colony face their own life-threatening problems. Oxygen is running out and it will not be long until there is no air left to breathe. In a mad panic the risk of radiation on Earth is forgotten as the civilians scramble to get onto the remaining drop ships. However there will not be room for everyone.
At first this book did not feel as exciting as <i>The 100</i>. The settings are no longer a new concept to the reader and the love triangle involving some of the key characters was already a little tiresome. Nonetheless once the plot begins to climax once again, it becomes really enjoyable.
Although it is not clear, the ending implies that there will be more to come in this series, which is great as there are a lot of unanswered questions about the characters’ futures. This is a must read for lovers of dystopian literature, however make sure you have read the first book before progressing on to <i>Day 21</i>!
In Kass Morgan’s bestselling <i>The 100</i> no one had set foot on Earth for centuries after a devastating war that rendered the planet uninhabitable. One hundred teenagers have been sent from the safety of a gigantic spaceship to test out whether or not it is yet safe to repopulate the Earth. <i>Day 21</i> continues on from the first book and the group is about to discover that they may not be alone.
As with the previous book the story is shared from four different points of view: Wells, Clarke, Bellamy and Glass. It has been three weeks since the hundred crash-landed and there appears to be no sign of radiation poisoning, however some people are falling unwell with unidentifiable illnesses and others have become targets of an unseen enemy. Things take a dramatic turn after the capture of a stranger, a girl who was not from their ship. Is it possible that she is an Earthborn, and therefore how did people manage to survive the Cataclysm?
Back on ship Glass and the rest of the Colony face their own life-threatening problems. Oxygen is running out and it will not be long until there is no air left to breathe. In a mad panic the risk of radiation on Earth is forgotten as the civilians scramble to get onto the remaining drop ships. However there will not be room for everyone.
At first this book did not feel as exciting as <i>The 100</i>. The settings are no longer a new concept to the reader and the love triangle involving some of the key characters was already a little tiresome. Nonetheless once the plot begins to climax once again, it becomes really enjoyable.
Although it is not clear, the ending implies that there will be more to come in this series, which is great as there are a lot of unanswered questions about the characters’ futures. This is a must read for lovers of dystopian literature, however make sure you have read the first book before progressing on to <i>Day 21</i>!
Hazel (1853 KP) rated The Storm (The Rain, #2) in Books
Dec 17, 2018
My rating: 3.5
This eBook was provided by the publisher via NetGalley in return for an honest review.
What would happen if water became fatally harmful to humans? This is what Virginia Bergin continues to explore in the second novel in the young adult, dystopian series, The Storm. Fifteen year old Ruby Morris has been trying to survive by herself only getting through each day by telling herself "everything is going to be OK." With the belief that her Dad is still alive, she sets off to find him whilst trying to dodge violent people, the British army, and, of course, the rain.
As the story develops it is revealed that Ruby may be a key character in ending the global apocalypse, however she does not trust the scientists involved in finding a solution.
Since the first book it appears that Ruby has matured a lot. She is able to take more responsibility and even help other people. Like in the first book, The Rain, Ruby is narrating her experiences to the reader as well as her deceased mother. As her mother disapproved of swearing Ruby blocks out certain words with a symbol. In some ways this makes the story suitable for early teen readers, however it is fairly easy to work out what the missing words are and therefore may not be appropriate for some readers.
The Storm was much more exciting to read than the previous novel. Ruby was less annoying and was much more mature. It is interesting to discover how the situation develops. There is a lot of action to keep the reader on their toes.
One issue with this book is how the ending is written. It almost feels like Bergin tried to end the story quickly. The whole story was carefully planned out and narrated however the end was rushed.
Overall, The Storm is a great continuation of an interesting concept. It is much better than the first part of the story and keeps the reader interested. Although intended for young adults, there is nothing to stop adult readers from enjoying it too.
This eBook was provided by the publisher via NetGalley in return for an honest review.
What would happen if water became fatally harmful to humans? This is what Virginia Bergin continues to explore in the second novel in the young adult, dystopian series, The Storm. Fifteen year old Ruby Morris has been trying to survive by herself only getting through each day by telling herself "everything is going to be OK." With the belief that her Dad is still alive, she sets off to find him whilst trying to dodge violent people, the British army, and, of course, the rain.
As the story develops it is revealed that Ruby may be a key character in ending the global apocalypse, however she does not trust the scientists involved in finding a solution.
Since the first book it appears that Ruby has matured a lot. She is able to take more responsibility and even help other people. Like in the first book, The Rain, Ruby is narrating her experiences to the reader as well as her deceased mother. As her mother disapproved of swearing Ruby blocks out certain words with a symbol. In some ways this makes the story suitable for early teen readers, however it is fairly easy to work out what the missing words are and therefore may not be appropriate for some readers.
The Storm was much more exciting to read than the previous novel. Ruby was less annoying and was much more mature. It is interesting to discover how the situation develops. There is a lot of action to keep the reader on their toes.
One issue with this book is how the ending is written. It almost feels like Bergin tried to end the story quickly. The whole story was carefully planned out and narrated however the end was rushed.
Overall, The Storm is a great continuation of an interesting concept. It is much better than the first part of the story and keeps the reader interested. Although intended for young adults, there is nothing to stop adult readers from enjoying it too.
BookwormLea (3034 KP) rated The Hunger Games in Books
Jun 17, 2020 (Updated Jun 17, 2020)
My favourite series.
Contains spoilers, click to show
I've read this book probably about 7 times.... I adore this series. The world that Collins has created is fantastically unique. As horrible as it seems, I would have loved to experience it in real life. It's such a rollercoaster of emotions and I really didn't want it to end. I'm so glad this is a trilogy. And I'm only writing this now because I reread the series in preparation for the newly released Prequel book, A Ballad of Songbirds and Snakes.
In a dystopian future, the city of Panem is split into 12 Districts and a beautiful Capitol. Ran by the horror that is President Snow. Katniss Everdeen is our heroine from the mining District 12. In a tournament known as the Hunger Games, 2 contestants from each district, one male and one female, are chosen at random to compete to the death in an arena. This book is set during the 74th annual Hunger Games. It is also the first year Katniss' younger sister Primrose, can be entered. Unlucky as she is, her name is drawn. Katniss heroically (or stupidly) volunteers asks tribute. The first tribute for District 12. She is to train with neighbour Peeta, the bakers son. Their trainer is District 12s only past winner, Haymitch. A rude, drunk, cynical man who isn't much good for anything. They are brought to the Capitol, which is home to the wealthiest of Panem, and are literally paraded through the city dressed in garments that represent their District. Thank you Cinna, their personal stylist, for the fabulous flaming costumes!
After an extensive training sessions, they begin the games. Watched by every citizen in Panem, bet on and laughed at. The wealthy citizens can become sponsors and send the tributes things to help, but only if you are worth it.
As you imagine, blood, gore and death. In the final moments, we find Peeta and Katniss still alive, along with District 1 (the favourite) Cato. Eventually, they leave the arena, despite only one person having supposed to win. Brought out to be celebrated for not dying. To move into the Victor's Village in District 12 with their families.
In a dystopian future, the city of Panem is split into 12 Districts and a beautiful Capitol. Ran by the horror that is President Snow. Katniss Everdeen is our heroine from the mining District 12. In a tournament known as the Hunger Games, 2 contestants from each district, one male and one female, are chosen at random to compete to the death in an arena. This book is set during the 74th annual Hunger Games. It is also the first year Katniss' younger sister Primrose, can be entered. Unlucky as she is, her name is drawn. Katniss heroically (or stupidly) volunteers asks tribute. The first tribute for District 12. She is to train with neighbour Peeta, the bakers son. Their trainer is District 12s only past winner, Haymitch. A rude, drunk, cynical man who isn't much good for anything. They are brought to the Capitol, which is home to the wealthiest of Panem, and are literally paraded through the city dressed in garments that represent their District. Thank you Cinna, their personal stylist, for the fabulous flaming costumes!
After an extensive training sessions, they begin the games. Watched by every citizen in Panem, bet on and laughed at. The wealthy citizens can become sponsors and send the tributes things to help, but only if you are worth it.
As you imagine, blood, gore and death. In the final moments, we find Peeta and Katniss still alive, along with District 1 (the favourite) Cato. Eventually, they leave the arena, despite only one person having supposed to win. Brought out to be celebrated for not dying. To move into the Victor's Village in District 12 with their families.
Eleanor Luhar (47 KP) rated Anything That Isn't This in Books
Jun 24, 2019
Well this was a surprising read. Not just a typical YA dystopian novel, but a peculiar, artistic novel complete with illustrations throughout.
For some reason, I wasn't expecting the strange world that Priestley created in this book. The Grey is suffocating Frank, the Ministry controlling his every decision. Most people are okay with it, comfortable in the routine provided. But Frank wants more.
First, Frank is obsessed with a girl from his school. Even after they graduate, he is desperate to be with her - he believes they're 'fated'. But after a while, he realises that maybe she's not quite right for him.
This combines two typical YA romance plots - the "unpopular boy gets the cool girl" and also the "childhood friends become lovers" plot. I think it's a bit unusual to mix the two, but I didn't find anything spectacular about this aspect of the novel.
The whole book has a very strange abstract sort of feel to it; I was unsure at times whether to actually take what he was saying at face value or take it as a metaphor. There are loads of weird myths that are thrown around, many of which play a big role later in the book.
The friendship with Scape was interesting; it kind of just happened out of the blue and ended in a similar way. And Mr Vertex was a weird character - it was obvious there was something strange about him, and I felt he really added to the abstract feel created.
The book kind of felt grey, but not in a bad way - as in, I felt how Frank felt about his life. I was pretty shocked by how dark it got at the end, quite suddenly. The ending was a bit of a whirlwind, followed by a moment of calm. The calmness was nice, an interesting ending that left your imagination running wild.
I didn't really enjoy this book at first but I did eventually get into it, and quite liked it. I definitely liked the unique feel it had, almost like Coraline. 3.5 stars.
For some reason, I wasn't expecting the strange world that Priestley created in this book. The Grey is suffocating Frank, the Ministry controlling his every decision. Most people are okay with it, comfortable in the routine provided. But Frank wants more.
First, Frank is obsessed with a girl from his school. Even after they graduate, he is desperate to be with her - he believes they're 'fated'. But after a while, he realises that maybe she's not quite right for him.
This combines two typical YA romance plots - the "unpopular boy gets the cool girl" and also the "childhood friends become lovers" plot. I think it's a bit unusual to mix the two, but I didn't find anything spectacular about this aspect of the novel.
The whole book has a very strange abstract sort of feel to it; I was unsure at times whether to actually take what he was saying at face value or take it as a metaphor. There are loads of weird myths that are thrown around, many of which play a big role later in the book.
The friendship with Scape was interesting; it kind of just happened out of the blue and ended in a similar way. And Mr Vertex was a weird character - it was obvious there was something strange about him, and I felt he really added to the abstract feel created.
The book kind of felt grey, but not in a bad way - as in, I felt how Frank felt about his life. I was pretty shocked by how dark it got at the end, quite suddenly. The ending was a bit of a whirlwind, followed by a moment of calm. The calmness was nice, an interesting ending that left your imagination running wild.
I didn't really enjoy this book at first but I did eventually get into it, and quite liked it. I definitely liked the unique feel it had, almost like Coraline. 3.5 stars.
Suswatibasu (1701 KP) rated Her Body and Other Parties: Stories in Books
Nov 22, 2017 (Updated Nov 22, 2017)
Good writing but fairly disappointing
Her Body and Other Parties is like most short story collections I have read in that some of the stories worked for me far more than others.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Merissa (11787 KP) rated Rook (Bridge & Sword: Awakenings #1) in Books
Sep 18, 2017
Rook (Bridge & Sword: Awakenings #1) by J.C. Andrijeski
Rook has a very interesting premise, with a dystopian world setting. The main character in this is Alyson, or Allie. She is a normal human, and has the tests and the tattoo to prove it. However, this doesn't stop her from being kidnapped by someone, who turns out to be a seer. Not only that but other factions are after her too.
All of this is simple enough to follow, but the book itself becomes quite confusing. You see, Alyson is the Bridge... except, just what this is, is never fully explained. Apart from the fact that she may bring about a further apocalypse that is. The seers don't see the future (that I could tell), but are able to 'see' things differently. However, there are factions within factions within the seers.
Revik plays a major role in this book too. I think he is supposed to also be the love interest, but that didn't work at all for me. There was no communication from him to help Allie find her way in this crazy new world in which she finds herself. Not only that, but when something happens between the two of them, and Allie (and the reader) is left in the dark, not only does he NOT explain anything, but he forbids anyone else to speak of it too! And THEN he gets pissy when she does something 'wrong', but once again, won't tell her what. Not only that, but it is physically painful for these two to be near each other.
Throw in clones, pyramids, and Tibetan monks - sorry, I mean seers - and you get an idea of this book. The description in the book says it is "A psychic end of the world story with romance, a cyberpunk flair and apocalyptic, metaphysical leanings akin to the Matrix." Personally, I don't quite see that, but to each their own.
This book is a Marmite book for me - I can see some people loving it, some people hating it. As for me, I enjoyed it, but I'm not interested in this world or the characters to go any further with it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
All of this is simple enough to follow, but the book itself becomes quite confusing. You see, Alyson is the Bridge... except, just what this is, is never fully explained. Apart from the fact that she may bring about a further apocalypse that is. The seers don't see the future (that I could tell), but are able to 'see' things differently. However, there are factions within factions within the seers.
Revik plays a major role in this book too. I think he is supposed to also be the love interest, but that didn't work at all for me. There was no communication from him to help Allie find her way in this crazy new world in which she finds herself. Not only that, but when something happens between the two of them, and Allie (and the reader) is left in the dark, not only does he NOT explain anything, but he forbids anyone else to speak of it too! And THEN he gets pissy when she does something 'wrong', but once again, won't tell her what. Not only that, but it is physically painful for these two to be near each other.
Throw in clones, pyramids, and Tibetan monks - sorry, I mean seers - and you get an idea of this book. The description in the book says it is "A psychic end of the world story with romance, a cyberpunk flair and apocalyptic, metaphysical leanings akin to the Matrix." Personally, I don't quite see that, but to each their own.
This book is a Marmite book for me - I can see some people loving it, some people hating it. As for me, I enjoyed it, but I'm not interested in this world or the characters to go any further with it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Quinn Blackburn (3 KP) rated Unwind (Unwind, #1) in Books
May 14, 2018
Render Unto Cesar
Shusterman takes dystopian futures a step above the ordinary in this dark coming of age tale. In the not too distant future a war was fought in the U.S. over abortion, the 2nd Civil War. To appease all sides an unthinkable accord was reached. Instead of abortion, between the ages of 13 and 18 you can choose to send your child to a Harvest camp to be unwound, taken apart and all their body parts donated to others. We are given three characters with differing perspectives through which we see the workings of this world.
One angry young man always in fights whose parents have given up reaching him. One orphan, a Stork, left on someone's doorstep years ago who doesn't make the necessary grades to keep her off the Harvest camp bus. And Lev, who was conceived and raised by his devoutly religious parents as a Tithe, someone specifically born to be unwound in the church's name. This unlikely trio meet on their way to be unwound and all three are at a loss as to what to do when a resistance movement effort frees them from the bus.
What about Lev's glorious destiny to be unwound for God; is he still chosen, still a willing sacrifice? Where do you go when society says you no longer have the right to live? Who will help you survive in secret until you are too old to be unwound? How can you avoid the bounty hunters who live to capture escapees? What happens to the soul of an Unwound? Do they live on, a second conscience, a wisp of memories, within the body of their new host? Does anyone have the right to decide who in society has the right to live and who would be more useful unwound?
The writer immerses us completely in this bizarre yet oh so familiar society giving us plenty of perspectives from every level. He even included tv and radio commercials to help us understand how normal it has become to consider unwinding another human being. The creep factor is high and sustains itself through all three books in this set. Unwind introduces us to the world of the unwound in a well told thought provoking tale that may have you questioning everything you thought you ever knew about yourself.
One angry young man always in fights whose parents have given up reaching him. One orphan, a Stork, left on someone's doorstep years ago who doesn't make the necessary grades to keep her off the Harvest camp bus. And Lev, who was conceived and raised by his devoutly religious parents as a Tithe, someone specifically born to be unwound in the church's name. This unlikely trio meet on their way to be unwound and all three are at a loss as to what to do when a resistance movement effort frees them from the bus.
What about Lev's glorious destiny to be unwound for God; is he still chosen, still a willing sacrifice? Where do you go when society says you no longer have the right to live? Who will help you survive in secret until you are too old to be unwound? How can you avoid the bounty hunters who live to capture escapees? What happens to the soul of an Unwound? Do they live on, a second conscience, a wisp of memories, within the body of their new host? Does anyone have the right to decide who in society has the right to live and who would be more useful unwound?
The writer immerses us completely in this bizarre yet oh so familiar society giving us plenty of perspectives from every level. He even included tv and radio commercials to help us understand how normal it has become to consider unwinding another human being. The creep factor is high and sustains itself through all three books in this set. Unwind introduces us to the world of the unwound in a well told thought provoking tale that may have you questioning everything you thought you ever knew about yourself.
Rachel King (13 KP) rated Wither (The Chemical Garden, #1) in Books
Feb 11, 2019
The world that Lauren DeStefano builds in this book combines several dystopian concepts - genetic engineering and reproduction, a virus of epic proportions, anarchy and survival of the fittest. 70 years ago mankind finds a way to make "perfect" babies, and then their babies suffer the consequences - death at 25 for men and 20 for women - with no cure on the horizon. Prostitution, polygamy, human experimentation, wide-scale murder, the prevalence of orphanages, and a country divided on whether mankind is worth saving are all issues in the plot. Plus, all of this takes place after a world war has destroyed all but North America - or so the history goes.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.