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Natasha Khan recommended Bad by Michael Jackson in Music (curated)

 
Bad by Michael Jackson
Bad by Michael Jackson
1987 | Pop
8.9 (7 Ratings)
Album Favorite

"My first gig I ever went to, when I was nine, was at Wembley Stadium to see the Bad tour. When he died, I was in my bedroom in Brighton and I heard it on the radio and I just spontaneously absolutely burst into tears. Michael Jackson, when I was little, was just this God-like being. You know when you're little and you're singing in the car with your mum and your brother and the sister, the world is so good, there's nothing more fun and nothing better. I don't think I've ever listened to someone singing something with that much joy, he was channelling something so fucking out there and it's like he constantly had a bolt of creativity running through his body, like the way he danced and the way he moved. A consummate dancer, referencing Fred Astaire and Ginger Rogers and James Brown and all these people that he channelled but made completely and uniquely his own. I saw a Spike Lee documentary the other night about Bad. Someone else wrote 'Man In The Mirror' but he took and did all of his - [mimics Michael Jackson] "I'm gonna make a change" - and all of that shit. It's just like, who else would do that? Who else would wear plasters all around their jacket? Who wears white socks with loafers and manages to make it look cool? Nobody was telling him to do that. He's just this fucking eccentric one-off. When he died, I thought the climate of music will never be like that again. It was like he was a child and his brain was a playground and anything he could think of, he bloody manifested that in the world; not many people can do that. The arc of music that he lived through, his education and his training all the way through, coincided with all these revolutions in music, music videos and dance. I just think that that was a one-off thing. I'm getting philosophical now [laughs], but I was watching Brian Cox the other day and his astro-physics thing and he put 50 stones all in a row on a desert floor and he was like "each of these stones represents billions of years in the history of the universe and where it's going to go." Then he went "here's one stone" and he showed about a millimetre of that stone: "in this bit, this is where the conditions were perfectly right for mankind to exist, this is this time, we're here now". When you think about culture and popular music from the 50s through 60s, 70s, 80s, 90s, 00s, it does feel like there has been a bit of a cycle, and I've been lucky that I came in at the end of that cycle. People that were born in the 50s had it amazing, because they got to see fucking David Bowie and punk music, but Michael Jackson was a guy that happened in our lifetime. I get really passionate about music, but music, for some people, it's like a religion and he was like a fucking icon."

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In the Heat of the Night (1967)
In the Heat of the Night (1967)
1967 | Classics, Drama, Mystery
Characters – Virgil Tibbs is one of the best homicide detectives in his home city, he has earnt this position with hard work and higher education. He finds himself stuck in a racial divided town that does require his help, but doesn’t want to accept it. Virgil is strong and creates some of the most iconic scenes in film history. Gillespie is the chief that must reluctantly accept Virgil’s help, he is racist, but knows he needs Virgil’s help when it comes to solving this case, he must learn to be accepting of Virgil while being put under pressure by the supremacist that live in he area to rid the town of Virgil. Sam is the deputy that takes an instant dislike to Virgil, but he is mostly just a lowlife cop that gets past doing the basics of the job. The cast is filled the generic racist characters that don’t want to accept a black man helping with the investigation.

Performances – Sidney Poitier gives us one of the most memorable and powerful performances in any crime film, one that has iconic scenes that will forever stand the test of time. Rod Steiger is brilliant to, he shows us just how conflicted his character is to do the right thing and to keep his backwards mind on racial differences. When we look at the rest of the performances, we see good work from the whole cast.

Story – The story here follows a black detective forced into helping solve a murder in Mississippi while the racial hate between the two whites and blacks still comes off strong. There is two ways to look at this story, first we see how crime takes place and must get solved, which is interesting to keep us guessing throughout because of the large number of potential suspects. That however, isn’t the main story here, the racial divide between the people of town makes this more interesting because seeing how different characters interact with Virgil, some with open smiles, some with gritted smiles and some with pure hate. This shows us how we must witness how America was still filled racial hate in certain states that can point fingers before solving the crimes.

Crime/Mystery – The crime in this movie is murder, though trying to solve this opens up plenty of smaller crimes and deals with the racial hate still going on at the time in Mississippi, the mystery keeps us guessing to just who was the one the committed the crime in the first place.

Settings – The film takes place in Mississippi which for the time was still facing the divide between black and whites, this ups the tension for Virgil trying to solve the crime while also showing us the smaller crimes going on through the town.


Scene of the Movie – They call me Mister.

That Moment That Annoyed Me – The locals can feel too generic.

Final Thoughts – This is one of the greatest crime movies you will ever see, it keeps you guessing from start to finish and deals with the racial hatred that was still going strong in the 1960s America.

 

Overall: Must watch crime mystery.
  
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