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Pulse (Kairo) (2001)
Pulse (Kairo) (2001)
2001 | Drama, Horror, Mystery
Spine-chilling, fucking exceptional horror. For all intents and purposes, this is the scariest (horror) movie I've ever seen - I couldn't walk around in my own house the same after watching this. Could be personal preference, but this just captures that eerie sense of merging humans and ghosts *just* so to where it's deeply, deeply unsettling. The deliberate lack of any cues as to when the horror is happening, and the vaguely creepy gestural stuff (i.e. moving your arms a little weird, slightly stumbling [almost intentionally so] when you walk) as opposed to outright demon-esque actions makes this feel more real, akin to something like those disturbing LiveLeak types of videos - binding the void between scary movies and snuff films. And this is all not even to mention the emotionally hefty themes and crackerjack dialogue which subvert this even more beyond the pack. Stumbles ever so slightly in its final fifteen or so minutes, but otherwise the work of a genius if you can get past the aged analog about the internet being this mysterious new entity.
  
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Darren Fisher (2454 KP) rated The Boogey Man (1980) in Movies

Dec 12, 2020 (Updated Dec 13, 2020)  
The Boogey Man (1980)
The Boogey Man (1980)
1980 | Horror
5
5.0 (1 Ratings)
Movie Rating
"It begins with a horrifying killing and then starts to get bloody!"
The Boogeyman is an uneven state of affairs.
The first and third parts are enjoyable enough. The beginning sets up a promising menacing vibe which gets totally destroyed in the tedious middle section. Bad pacing means that it never regains the creepy mood it sets out to achieve. The third part goes all out crazy in an attempt to regain some kudos but it's all a little too late.
On the plus side, the kills are pretty good and mostly inventive, and the hokey special effects are certainly fun to watch. But the best thing about the film is Tim Krogs incredibly moody synth score. Using various analogue synthesizers, digital delay and reversed-tape effects, Krogs score is an eerie masterpiece that will stay with you longer than the film will.

The Boogeyman was placed on the UK's DPP list in 1984, but was later re-released on the Vipco label in 1992 in a cut form. In 2000 it was released uncut.
  
Pan's Labyrinth: The Labyrinth of the Faun
Pan's Labyrinth: The Labyrinth of the Faun
Cornelia Funke, Guillermo del Toro | 2019 | Science Fiction/Fantasy
8
8.5 (4 Ratings)
Book Rating
Thrilling and eerie film adaptation
*I received an advance copy of this book from the publisher and NetGalley in exchange for an honest review*
It has been a number of years since I watched Pan's Labyrinth, but remember it as being a dark, twisted fairy tale set during the second world war. The book keeps that feel, we are introduced to Ofelia, a quiet bookish young girl who is moving with her mother to live with her stepfather, as he tries to break a group of Spanish rebels, ahead of the birth of her half-brother.
Ofelia sees some unusual statues and artefacts in the woods and soon meets the Faun, who sets her a mission to return to take her place as the princess of the Underground Kingdom.
There follows a brilliant mix of Ofelia's real life, the despicable exploits of Franco's army, and the fairy tale world she steps into.
This is a very short, immersive fairy tale with lots of nice side-stories that all weave into the book in some form.
  
Manga Classics: The Stories of Edgar Allen Poe
Manga Classics: The Stories of Edgar Allen Poe
Stacy King | 2017 | Comics & Graphic Novels, History & Politics
10
9.0 (2 Ratings)
Book Rating
Know what's better than reading Edgar Allen Poe's stories? Reading them in a Manga format!
Although I am still getting use to manga and the whole reading right to left system, it was a bit of a struggle to read, but honestly, it's so worth it.

The illustrations are beautifully drawn, freakishly eerie, and detailed to a level I wasn't expecting. I love graphic and these were definitely GRAPHIC, but I think that will work well for those who aren't into reading as much as seeing the story unfold.

I have always enjoyed "Tell-Tale Heart", "The Masque of the Red Death", and "The Cask of Amontillado", which is my favorite story, but what I enjoyed most about this version of the stories is that the images to words ratio is balanced perfectly. The spines of the plots are there, but the meat is presented differently, which made these stories both familiar and refreshing to me (as someone who adores Poe).

A huge thank you to Udon Entertainment and Netgalley for giving me the opportunity to read this.