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LoganCrews (2861 KP) rated Halloween (1978) in Movies

Oct 29, 2020 (Updated Oct 29, 2020)  
Halloween (1978)
Halloween (1978)
1978 | Horror
7
8.4 (83 Ratings)
Movie Rating Watch
I think this is so good that it actually sort of suffers because of it, if that makes any sense? Starts off phenomenally - exemplifies what the best of horror movies can be and quite honestly does continue most of the way through. The formal precision is just insane, Dean Cundey naturally makes sure this looks nothing short of remarkable and the music is some of the all-time best ever contributed to a horror movie. So simple yet so effective, so suspenseful all these decades later. It never really loses any sort of quality outside of waning some of its tightness near the middle, but despite the fact that it's objectively exemplary it still feels like it lacks something, that oomph that this by all means should have. A huge factor, I think, is that truthfully this overuses a lot of its tricks. I mean Michael Myers, mysterious and intimidating, often framed from below the neck or behind the head is a staggering image in horror history - him disappearing and suddenly reappearing outside of a window or doorway? Truly haunting the first couple times, even a time or two after that. But again, then again, then again? It starts to lose its luster fast and really flattens the eerie wavelength of not really knowing what's going on. Though I think even this movie's fans don't give enough credit to how it (quite obviously and vocally) portrays Laurie, Loomis, and Michael as being tied irreversibly by fate where each attempt at either one getting out is merely one of a never-ending amount of predetermined actions merely to mirror randomness.
  
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Eleanor Luhar (47 KP) rated Batman the Killing Joke in Books

Jun 24, 2019  
Batman the Killing Joke
Batman the Killing Joke
Brian Bolland, Alan Moore | 2008 | Fiction & Poetry
10
7.4 (10 Ratings)
Book Rating
I went to London Super Comic Con on Friday and bought a few image books/graphic novels (I can't wait to read them!) and decided to start taking advantage of my boyfriend's extensive comic/graphic novel collection. As I've been intending to read The Killing Joke for ages now, I decided to start with that.

The edition I read included an introduction by Tim Sales, an afterword by Brian Bolland, and a final scene written and illustrated by Bolland.

This is one of the most famous and successful novels - and I can see why. The story is just fantastic - the Joker tries to prove that anyone can go insane after just one bad day, using Jim Gordon as his example. The colour palettes are so cleverly thought out, giving an eerie, creepy tone to most scenes, while the Joker's (possible) origin story is mostly black and white with just small details in red.

Batman is obviously included, but is not a massive character in this story. The focus is on the Gordons and the Joker.

I really loved this. The origin story for the Joker that's included can be taken as true or false - the Joker makes a comment about not actually remembering his past, and liking it to be "multiple choice". This gives the reader the choice of believing it or not. And the Joker's ways of putting Jim Gordon through hell are definitely in line with his character.

The Joker always fascinates me, and I would love to read all his stories. But whether you're a "fan" of his or not, this book is definitely worth the read. 5 stars; an fantastic novel.
  
    Farm Frenzy 2 HD

    Farm Frenzy 2 HD

    Games and Entertainment

    (0 Ratings) Rate It

    App

    If you think life in the big city is crazy, wait until you get a load of the wild and wacky country...

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JT (287 KP) rated The Boy (2016) in Movies

Mar 2, 2020 (Updated Mar 3, 2020)  
The Boy (2016)
The Boy (2016)
2016 | Horror, Mystery, Thriller
7
6.6 (35 Ratings)
Movie Rating Watch
Moments that will make your hair stand on end (0 more)
Predictable in places (0 more)
Gripping in parts but not a standout
d put off watching this for some time, but when I caught the trailer for Brahms: The Boy II which on the face of it looked quite good, I had to give the original one a go.

Having seen Lauren Cohan as Maggie in The Walking Dead for as many seasons as I could stand before I gave up on it, she always stood out as a talented actress.

Here she plays Greta Evans who is looking to escape an abusive past and finds sanctuary in a small English village as a nanny for a wealthy couple and their 8-year old boy, Brahms.

Turns out that young Brahms is a doll and parents Mr and Mrs Heelshire care for him just like a real boy, as a way to cope with the death of their actual son 20-years earlier.

The Boy is a horror film that does little to ignite the nerves but it does hold a degree of suspense. Greta, unconvinced by Brahms flaunts a set of strict rules set by the parents and it’s only then that things start to get eerie.

With no one to turn to except local deliveryman Malcolm (Rupert Evans), she is convinced there is something more to Brahms than just his creepy blank stare. And she would be right, as the little wooden boy goes full Pinocchio and starts moving about, or does he?

While it’s daft I did find myself gripped in certain parts although I’m not sure it warranted a sequel but a sequel it has got – just don’t expect a standout horror film.
  
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Awix (3310 KP) rated Sapphire and Steel in TV

Apr 2, 2020  
Sapphire and Steel
Sapphire and Steel
1979 | Fantasy, Horror, Sci-Fi
8
7.6 (10 Ratings)
TV Show Rating Watch
It would be easy to mark Sapphire and Steel down just for being so obviously a low-budget, studio-bound TV show, but this would be to overlook just what a startlingly distinctive and uncompromising piece of... well, entertainment doesn't quite cover it, for the programme seemingly sets out to baffle the viewer as well as divert them. It is notionally a fantasy, but elements of SF and horror also appear. Stories mostly take place in out-of-the-way places like remote cottages, junk shops, the tops of tower blocks, disused railway stations and so on. The structure of time seems to be weaker in these places and when it breaks down or is interfered with, operatives such as Sapphire and Steel and their occasional colleagues appear to resolve the situation.

This is pretty much all we are told about the format of the series - who and what Sapphire and Steel are, what the limits of their powers are, and who they answer to, is never made clear (even the nature of their mission seems to change from story to story). The cryptic, often surreal nature of the series is one of its main attractions, along with the chemistry between the stars (occasional ally Silver, played by David Collings, is also a joy to watch).

The bleak and eerie atmosphere of the stories is consistently impressive, as is the clear understanding of visual style possessed by the makers: stories are filled with startling images and symbols, occasionally drawn from the visual arts (one adversary is basically a Magritte painting brought to life). Always memorable, and never more so than in its final episodes: the sheer unexpected bizarreness of Sapphire and Steel's fate makes it all the more shocking and downbeat. A unique and very distinctive series.