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Acanthea Grimscythe (300 KP) rated Annabelle: Creation (2017) in Movies
May 12, 2018
I’ve been waiting for quite some time to get the opportunity to watch Annabelle: Creation and thanks to my boyfriend, that chance finally arrived. My interest in the Conjuring universe as a whole began with the introduction of the Warrens in The Conuring. Having been a devout fan of anything paranormal, I knew their names and history long before I watched the fictionalized film. That said, I was definitely curious as to the story behind the doll, Annabelle. (I watched that film shortly after it came out, naturally.)
The plot of Annabelle: Creation is pretty self-explanatory. It delves into the origin of the possessed doll, providing viewers with the history of how it came to be. A la dead girl, Faustian deals, and things going, you guessed it, wrong. This is a bit cliché in the world of hauntings, but I feel Annabelle: Creation pulls it off well enough. Perhaps this is because the film doesn’t rely entirely on creepy sounds and eardrum-bursting music to accentuate creepy occurrences. (Yes, the film does have plenty of those, but that doesn’t mark every eerie happening.)
Keeping to the feel of being part of the Conjuring universe, there is a reference to the upcoming film, The Nun. I liked this, and am, naturally, looking forward to that film.
Of course, rarely do any of my reviews come without a complaint and in this instance, it has to do with character development. One of the things I love most about horror movies is the building need for certain characters to stay alive. In Annabelle: Creation none of the characters felt overly dynamic except for Janice. It’s like all the work went into making her the sort of gal you feel sorry for while nothing else is left for the others – especially Mr. Mullins.
Overall, I really enjoyed watching this film and would likely watch it again. While it wasn’t extremely original in its design, it did manage to catch me a few times and as a result, my heart rate elevated (and I felt some anxiety with at least one of the scenes). For me, this is a good thing. Couple that with the fact that the movie ends precisely where Annabelle begins, and it’s a pretty solid 4/5 for me.
The plot of Annabelle: Creation is pretty self-explanatory. It delves into the origin of the possessed doll, providing viewers with the history of how it came to be. A la dead girl, Faustian deals, and things going, you guessed it, wrong. This is a bit cliché in the world of hauntings, but I feel Annabelle: Creation pulls it off well enough. Perhaps this is because the film doesn’t rely entirely on creepy sounds and eardrum-bursting music to accentuate creepy occurrences. (Yes, the film does have plenty of those, but that doesn’t mark every eerie happening.)
Keeping to the feel of being part of the Conjuring universe, there is a reference to the upcoming film, The Nun. I liked this, and am, naturally, looking forward to that film.
Of course, rarely do any of my reviews come without a complaint and in this instance, it has to do with character development. One of the things I love most about horror movies is the building need for certain characters to stay alive. In Annabelle: Creation none of the characters felt overly dynamic except for Janice. It’s like all the work went into making her the sort of gal you feel sorry for while nothing else is left for the others – especially Mr. Mullins.
Overall, I really enjoyed watching this film and would likely watch it again. While it wasn’t extremely original in its design, it did manage to catch me a few times and as a result, my heart rate elevated (and I felt some anxiety with at least one of the scenes). For me, this is a good thing. Couple that with the fact that the movie ends precisely where Annabelle begins, and it’s a pretty solid 4/5 for me.
BackToTheMovies (56 KP) rated Demon House (2018) in Movies
Jun 21, 2019
Since binge watching Zak Bagan’s Haunted Museum news story tours I stumbled across this documentary. A documentary so chilling that there really isn’t much explanation or way to debunk my sceptical mind. Demon House is without a doubt the most compelling evidence of demonic activity to date.
In Gary, Indiana in 2014 The Ammons House was known as a portal to hell. The case drew media attention and the sheer amount of witnesses to these events is undeniable. Latoya Ammons claimed her and her three children had been possessed by demands. Witnesses from the Department of Child Services, law enforcement and medical professionals all witnessed the unexplained.
Zak Bagans visited the ‘Demon House’ and interviewed those who were involved in these eerie activities. Zak actually went and brought the house to investigate and thus this documentary was born.
Demon House is a thoroughly enjoyable watch. Filmed in true Ghost Adventures style, the show never forces us to believe what we are seeing, or convince you in any way shape or form. Throughout the documentary, a rollercoaster of emotions comes across the group. From noises, bangs, weird behaviours and the chilling account of past inhabitants of the home.
What I didn’t like about Demon House were the cheesy reenactments of the story told by those involved. I get that its a visual reenactment of the true-life event but it’s so cheesy and detaches me from the gripping and chilling events that I’ve been absorbing for the duration. The story gets stranger and stranger as it goes along and I cannot for the life of me debunk this movie. When the credits rolled I had so many questions.
Zak is usually quite the showman when it comes to Ghost Adventures / Deadly Possessions but even he is out of his element in this film. It’s absolutely incredible watching events unfold on screen. This documentary is irrefutable proof that something dark and unexplainable happened within that house.
Demon House was eventually torn down at Zak’s request and pieces of the house now reside in Zak’s Haunted Museum in Las Vegas. If anyone from the Haunted Museum ever reads this I’d fly all the way to Vegas JUST to review your establishment! Hit me up!
https://backtothemovies.com/spine-chilling-and-compelling-demon-house-review/
In Gary, Indiana in 2014 The Ammons House was known as a portal to hell. The case drew media attention and the sheer amount of witnesses to these events is undeniable. Latoya Ammons claimed her and her three children had been possessed by demands. Witnesses from the Department of Child Services, law enforcement and medical professionals all witnessed the unexplained.
Zak Bagans visited the ‘Demon House’ and interviewed those who were involved in these eerie activities. Zak actually went and brought the house to investigate and thus this documentary was born.
Demon House is a thoroughly enjoyable watch. Filmed in true Ghost Adventures style, the show never forces us to believe what we are seeing, or convince you in any way shape or form. Throughout the documentary, a rollercoaster of emotions comes across the group. From noises, bangs, weird behaviours and the chilling account of past inhabitants of the home.
What I didn’t like about Demon House were the cheesy reenactments of the story told by those involved. I get that its a visual reenactment of the true-life event but it’s so cheesy and detaches me from the gripping and chilling events that I’ve been absorbing for the duration. The story gets stranger and stranger as it goes along and I cannot for the life of me debunk this movie. When the credits rolled I had so many questions.
Zak is usually quite the showman when it comes to Ghost Adventures / Deadly Possessions but even he is out of his element in this film. It’s absolutely incredible watching events unfold on screen. This documentary is irrefutable proof that something dark and unexplainable happened within that house.
Demon House was eventually torn down at Zak’s request and pieces of the house now reside in Zak’s Haunted Museum in Las Vegas. If anyone from the Haunted Museum ever reads this I’d fly all the way to Vegas JUST to review your establishment! Hit me up!
https://backtothemovies.com/spine-chilling-and-compelling-demon-house-review/
Emma @ The Movies (1786 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Dec 8, 2019
I questioned the need for a second film, much like other Disney properties furthering this franchise over producing new content didn't seem all that sensible, but the effects in the trailer had me intrigued enough to want to see it.
Aurora has settled into her life on the Moors, life is a fairy tale and soon it will become even more so. Everyone is elated when Prince Philip proposes to her, everyone but Maleficent.
As she tries to come to terms with the news and be happy for the couple it becomes evident that something more sinister is afoot and that those seeking power will do anything to get it.
Angelina Jolie never seems to disappoint. Here she summons the peak anti-social qualities and refines them into something elegant. All her little reactions and the way she tries to smile create a magnificent second outing for Maleficent and thankfully the story that they wove for her was strong enough to be a worthy sequel.
I am still not a great fan of Elle Fanning, I find her acting style to be rather eerie and on occasion bland. I didn't entirely believe the way her character had been written, and her acting didn't help, even if you take into account the "stroppy child" moments I found the choices that Aurora made to be dubious.
There are a lot of other faces to recognise. Michelle Pfeiffer makes for a formidable foe and she's strong throughout as the Queen. Robert Lindsay's brief reprise of the King is suitably amusing. Chiwetel Ejiofor and Ed Skrein are good additions to the line up and Sam Riley back as Diaval is as entertaining as ever.
The effects that pulled me to the film weren't a disappointment, seeing the way they crafted the different kingdoms and the overall look of everything was stunning. The only thing that really sticks out is the animation on the three fairy godmothers, I didn't like it in the first film and it doesn't change in this one either.
I was entertained through the whole film but since seeing it I don't have much of an urge to see it again or to see a third instalment. It didn't make much of an impression on me but it wasn't boring, on the scale of things I guess that's not bad.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/maleficent-mistress-of-evil-movie-review.html
Aurora has settled into her life on the Moors, life is a fairy tale and soon it will become even more so. Everyone is elated when Prince Philip proposes to her, everyone but Maleficent.
As she tries to come to terms with the news and be happy for the couple it becomes evident that something more sinister is afoot and that those seeking power will do anything to get it.
Angelina Jolie never seems to disappoint. Here she summons the peak anti-social qualities and refines them into something elegant. All her little reactions and the way she tries to smile create a magnificent second outing for Maleficent and thankfully the story that they wove for her was strong enough to be a worthy sequel.
I am still not a great fan of Elle Fanning, I find her acting style to be rather eerie and on occasion bland. I didn't entirely believe the way her character had been written, and her acting didn't help, even if you take into account the "stroppy child" moments I found the choices that Aurora made to be dubious.
There are a lot of other faces to recognise. Michelle Pfeiffer makes for a formidable foe and she's strong throughout as the Queen. Robert Lindsay's brief reprise of the King is suitably amusing. Chiwetel Ejiofor and Ed Skrein are good additions to the line up and Sam Riley back as Diaval is as entertaining as ever.
The effects that pulled me to the film weren't a disappointment, seeing the way they crafted the different kingdoms and the overall look of everything was stunning. The only thing that really sticks out is the animation on the three fairy godmothers, I didn't like it in the first film and it doesn't change in this one either.
I was entertained through the whole film but since seeing it I don't have much of an urge to see it again or to see a third instalment. It didn't make much of an impression on me but it wasn't boring, on the scale of things I guess that's not bad.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/maleficent-mistress-of-evil-movie-review.html
JT (287 KP) rated Chernobyl Diaries (2012) in Movies
Mar 10, 2020
The problem with the horror genre these days is its becoming far too predictable, you almost spend the majority of the film second guessing the writers as to what is going to happen next. This is exactly what happened to me when I watched Chernobyl Diaries.
The premise in itself sounded good, a group of tourists/friends travelling the globe decide upon a little bit of extreme tourism and take a venture out to the site of the Chernobyl disaster.
Finding a picnic spot wasn’t going to be a problem
In particular they head to the city of Pripyat which has become a desolate ghost town since its inhabitants had to drop everything and leave in a hurry, something about a nuclear disaster.
The location provides an eerie setting, empty desolate buildings are submerged by overgrown trees giving off a sinister mood. The group, after getting refused entry by the guards take a back road inside, and spend time wandering about. When the van they are travelling in fails to start they have to spend the night and try to locate a way back out.
Oren Peli wrote the screenplay, but still seems to be living off the success of his debut chiller Paranormal Activity as he reuses the same horror clichés that we have seen too often in the past. Children wandering about aimlessly and shadows in the dark are all present in this, as well as a group of humanoids who give off a similar feel to that in The Descent.
That isn’t too say the film doesn’t have its good points (although rare), and there are some brief moments of tension. But the resulting final act in which the remainder of the party run haplessly about being chased by some unwelcome guests is poor. Slamming doors here, screaming there does little to satisfy the imagination.
The ending falls flat but you could see it coming, if only more had been done to elaborate on the back story it might have given the overall plot a bit more credibility. This was Bradley Parker’s debut directorial role after cutting his teeth in visual effects through-out his career.
While he might have done a credible job with some aspects of this film visually, once again he becomes another director in a long line who fail to deliver on tension and suspense.
The premise in itself sounded good, a group of tourists/friends travelling the globe decide upon a little bit of extreme tourism and take a venture out to the site of the Chernobyl disaster.
Finding a picnic spot wasn’t going to be a problem
In particular they head to the city of Pripyat which has become a desolate ghost town since its inhabitants had to drop everything and leave in a hurry, something about a nuclear disaster.
The location provides an eerie setting, empty desolate buildings are submerged by overgrown trees giving off a sinister mood. The group, after getting refused entry by the guards take a back road inside, and spend time wandering about. When the van they are travelling in fails to start they have to spend the night and try to locate a way back out.
Oren Peli wrote the screenplay, but still seems to be living off the success of his debut chiller Paranormal Activity as he reuses the same horror clichés that we have seen too often in the past. Children wandering about aimlessly and shadows in the dark are all present in this, as well as a group of humanoids who give off a similar feel to that in The Descent.
That isn’t too say the film doesn’t have its good points (although rare), and there are some brief moments of tension. But the resulting final act in which the remainder of the party run haplessly about being chased by some unwelcome guests is poor. Slamming doors here, screaming there does little to satisfy the imagination.
The ending falls flat but you could see it coming, if only more had been done to elaborate on the back story it might have given the overall plot a bit more credibility. This was Bradley Parker’s debut directorial role after cutting his teeth in visual effects through-out his career.
While he might have done a credible job with some aspects of this film visually, once again he becomes another director in a long line who fail to deliver on tension and suspense.
Kristy H (1252 KP) rated The Sea of Lost Girls in Books
Mar 19, 2020
Tessa has started her life over at Haywood, an elite boarding school in coastal Maine. She teaches English there and is married to a well-respected fellow professor, Harmon. Her seventeen-year-old son, Rudy, while troubled in the past, seems to be doing well. This is much in part to his girlfriend, Lila Zeller, a smart and focused teen. But then Tessa gets an early morning text from Rudy, asking her to pick him up. He and Lila had a fight, and Tessa finds him wet and shivering. Later that morning they receive the devastating news that Lila's dead body was found on the beach, not far from where Tessa picked Rudy up. Soon there are whispers of murder surrounding Lila's death, and both Tessa's husband and son find themselves under investigation. And the more she delves into Haywood's past, the more she realizes she isn't the only one keeping secrets.
"When we landed here in this pretty harbor town with its sailboats and white clapboard houses I'd thought we'd come to a place where we'd always be safe. But Rudy has always had a nose for darkness."
I love Carol Goodman's books, and I'm always into a good boarding school book, so picking up this one was a no-brainer. She doesn't disappoint. This is a quick, captivating story that keeps you guessing the entire time. While Tessa isn't always the most likeable character, I was certainly invested in her story.
Goodman deftly weaves two storylines together--the present, featuring Tessa's family and Lila's death and the past, which revolves around the titular lost girls, whom tie back to Haywood in its earlier days. We also learn more about Tessa's past and her long-hidden secrets, many of which also link into Haywood itself. Somehow all of this works together. It's a mysterious, sometimes dark story, and one that keeps you wondering. I changed my mind several times about who could have harmed Lila. I love a book that keeps me on my toes. I also enjoyed the story of the lost girls and the school's eerie stories.
Goodman is a master storyteller, and this book flies by. She brings in links such as "The Crucible," which the Haywood students are performing, and ties to the #metoo movement. They all augment this strong story about the power of lies and hidden secrets. The parallels between the past and present are expertly woven together. 4 stars.
"When we landed here in this pretty harbor town with its sailboats and white clapboard houses I'd thought we'd come to a place where we'd always be safe. But Rudy has always had a nose for darkness."
I love Carol Goodman's books, and I'm always into a good boarding school book, so picking up this one was a no-brainer. She doesn't disappoint. This is a quick, captivating story that keeps you guessing the entire time. While Tessa isn't always the most likeable character, I was certainly invested in her story.
Goodman deftly weaves two storylines together--the present, featuring Tessa's family and Lila's death and the past, which revolves around the titular lost girls, whom tie back to Haywood in its earlier days. We also learn more about Tessa's past and her long-hidden secrets, many of which also link into Haywood itself. Somehow all of this works together. It's a mysterious, sometimes dark story, and one that keeps you wondering. I changed my mind several times about who could have harmed Lila. I love a book that keeps me on my toes. I also enjoyed the story of the lost girls and the school's eerie stories.
Goodman is a master storyteller, and this book flies by. She brings in links such as "The Crucible," which the Haywood students are performing, and ties to the #metoo movement. They all augment this strong story about the power of lies and hidden secrets. The parallels between the past and present are expertly woven together. 4 stars.
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DaveySmithy (107 KP) rated The Dead Zone (1983) in Movies
Dec 3, 2024
A Chilling and Thoughtful Thriller
David Cronenberg’s The Dead Zone (1983) is a film that quietly lingers with you long after the credits roll. Adapted from Stephen King’s novel, it’s a rare blend of psychological horror, heartfelt drama, and supernatural thriller that doesn’t rely on cheap scares to grip its audience. Instead, it uses its haunting premise, a strong central performance by Christopher Walken, and Cronenberg’s understated direction to craft a deeply unsettling exploration of fate, morality, and the burden of knowing the future.
The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).
Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.
Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.
However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.
Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.
The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).
Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.
Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.
However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.
Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.
Louise (64 KP) rated The Doll-Master and Other Tales of Horror in Books
Jul 2, 2018
I will write a sentence or two about each story in the book but not too much as I don’t want to give anything away and spoil your enjoyment of the book.
The Doll – Master: Robbie’s cousin Amy passes away from Leukemia at a very early age. Stealing Amy’s doll is the start of his obsession and begins collecting more throughout his life. His collection includes china, wooden and even barbie dolls which he keeps in a deserted part of the house, however they are not just any old dolls.
I gave this story 3 stars, it was eerie and disturbing and more of a psychological read but for me this one just wasn’t the best. It seemd too predictable
Soldier: Brendan Schrank is up on trial for shooting a black teenager, his story is that it was self-defence. There are gangs that roam the streets and he has stolen his Uncle’s shotgun for security reasons. This story follows Brendan, the trial and his journey.
I also gave this story 3 stars – I liked this story, it was thought-provoking and I am so glad that gun’s are not really a thing in the UK. It also shows how people can become paranoid about going outside with teenagers and gangs. This story is controversial as it deals with racism.
Gun Accident: This is Hanna’s story told 26 years after the gun accident. Hanna was asked by her teacher to house and cat sit whilst she went to her husband’s bedside. The teacher lives in a well to-do part of town with a large house and pays Hanna generously for her troubles, however not everything goes to plan when she gets an unexpected visitor.
This was a 4 star read for me, I really enjoyed the writing and the story. I would class this more of a thriller than a horror story though. I also felt a connection with the character, who likes being home alone? Especially when it’s not your familiar surroundings and your sense are elevated, you hear every little thing and your imagination runs wild…. Just me? Ok then…moving on.
Equatorial:Audrey is currently on holiday with her husband in the Galapagos islands, the trip involves hiking which she is not so keen on but does it for love. Her husband is older but adventurous and likes to travel. Audrey feels like she is constantly letting her husband down as this isn’t really her thing. During the trip Audrey gets this niggling suspicion her husband doesn’t want her there and that there is a possibility there is another woman
This was a 4 stars for me, I really connected with Audrey – I felt sorry for her, clearly grief stricken that her husband no longer loves her and is having an affair. She was a very likeable character.
Big Momma: Violet is the new girl in town and is trying to make friends, This town has a bit of a reputation for animals and children going missing, however undeterred Violet befriends Rita Mae and starts going round her house for dinner. Violets mum is hardly at home, either working or out drinking so she spends a lot of time with the family. She feels like she fits in and would rather love with them but they are not what they are made up to be.
5 stars – best story in the book for me. It was very creepy, the father in this story made me cringe a lot. Violet just wanted to fit in, being overweight and the new girl in school she was happy to be excepted by Rita Mae’s family.
Mystery Inc: A young tradesman comes across an elegant bookshop with rare books and antiques, he falls in love with the shop and must find a way to be the next proprietor.
4 stars – who doesn’t like a story about books and bookstores? I know I do! It was slow-paced but interesting and gripping read.
These stories were truly gripping, I have never read anything from this author before and was not let down. These are not so much as horror but definitely eerie and individual. The pace of the stories are slow, so if you want something quick with lots of action these are not the stories for you. If you are looking for reads with endings that will shock you this is not the book for you! Oates writing is amazing, as the stories went on I became more accustomed to her style and ended up really enjoying myself. All the stories are open-ended, I am not usually a fan of these sort of stories, I like closure and knowing what’s what. But then I started to think about the story and the characters for myself and realised that I could end the story how I wanted to it to end.
I will definitely be reading some more of Oates works, if anyone has read any that they recommend please let me know as I would be really interested.
Overall I rated this book 4 out of 5 stars.
The Doll – Master: Robbie’s cousin Amy passes away from Leukemia at a very early age. Stealing Amy’s doll is the start of his obsession and begins collecting more throughout his life. His collection includes china, wooden and even barbie dolls which he keeps in a deserted part of the house, however they are not just any old dolls.
I gave this story 3 stars, it was eerie and disturbing and more of a psychological read but for me this one just wasn’t the best. It seemd too predictable
Soldier: Brendan Schrank is up on trial for shooting a black teenager, his story is that it was self-defence. There are gangs that roam the streets and he has stolen his Uncle’s shotgun for security reasons. This story follows Brendan, the trial and his journey.
I also gave this story 3 stars – I liked this story, it was thought-provoking and I am so glad that gun’s are not really a thing in the UK. It also shows how people can become paranoid about going outside with teenagers and gangs. This story is controversial as it deals with racism.
Gun Accident: This is Hanna’s story told 26 years after the gun accident. Hanna was asked by her teacher to house and cat sit whilst she went to her husband’s bedside. The teacher lives in a well to-do part of town with a large house and pays Hanna generously for her troubles, however not everything goes to plan when she gets an unexpected visitor.
This was a 4 star read for me, I really enjoyed the writing and the story. I would class this more of a thriller than a horror story though. I also felt a connection with the character, who likes being home alone? Especially when it’s not your familiar surroundings and your sense are elevated, you hear every little thing and your imagination runs wild…. Just me? Ok then…moving on.
Equatorial:Audrey is currently on holiday with her husband in the Galapagos islands, the trip involves hiking which she is not so keen on but does it for love. Her husband is older but adventurous and likes to travel. Audrey feels like she is constantly letting her husband down as this isn’t really her thing. During the trip Audrey gets this niggling suspicion her husband doesn’t want her there and that there is a possibility there is another woman
This was a 4 stars for me, I really connected with Audrey – I felt sorry for her, clearly grief stricken that her husband no longer loves her and is having an affair. She was a very likeable character.
Big Momma: Violet is the new girl in town and is trying to make friends, This town has a bit of a reputation for animals and children going missing, however undeterred Violet befriends Rita Mae and starts going round her house for dinner. Violets mum is hardly at home, either working or out drinking so she spends a lot of time with the family. She feels like she fits in and would rather love with them but they are not what they are made up to be.
5 stars – best story in the book for me. It was very creepy, the father in this story made me cringe a lot. Violet just wanted to fit in, being overweight and the new girl in school she was happy to be excepted by Rita Mae’s family.
Mystery Inc: A young tradesman comes across an elegant bookshop with rare books and antiques, he falls in love with the shop and must find a way to be the next proprietor.
4 stars – who doesn’t like a story about books and bookstores? I know I do! It was slow-paced but interesting and gripping read.
These stories were truly gripping, I have never read anything from this author before and was not let down. These are not so much as horror but definitely eerie and individual. The pace of the stories are slow, so if you want something quick with lots of action these are not the stories for you. If you are looking for reads with endings that will shock you this is not the book for you! Oates writing is amazing, as the stories went on I became more accustomed to her style and ended up really enjoying myself. All the stories are open-ended, I am not usually a fan of these sort of stories, I like closure and knowing what’s what. But then I started to think about the story and the characters for myself and realised that I could end the story how I wanted to it to end.
I will definitely be reading some more of Oates works, if anyone has read any that they recommend please let me know as I would be really interested.
Overall I rated this book 4 out of 5 stars.
Kristy H (1252 KP) rated The Death of Mrs Westaway in Books
Mar 10, 2019
Spooky & fun read
Things aren't going well for Hal, who has been struggling financially and emotionally since her mother passed away. So when she receives a letter stating that she's a beneficiary to a well-sized inheritance, she thinks it may be the answer to her prayers. She also quickly realizes that the letter was sent to the wrong person, but she hopes to use her abilities as a tarot-card reader to claim the money. Once at the funeral of her supposed "grandmother," Hal finds herself drawn to her fake new family, something she never had growing up. She also starts to feel like something is off about the supposed situation and the odd, imposing home where they are all residing.
This novel wasn't what I was expecting, but that wasn't necessarily a bad thing. It's a creepy, almost gothic book--not your typical whodunit--but more a slow-burning thriller in a Agatha Christie type style. The star of the show is Harriet, aka Hal, whom the book focuses on and who is our narrator for the majority of the novel. We get most of the story from her point of view, with the exception of excerpts of diary entries from the 1990s. Luckily Hal is an interesting character, even if she's in a bit of trouble, having borrowed money from some disreputable sources, and basically just being over her head since the death of her mom a few years ago. She's young and while it seems insane that she'd go off on this quest to claim an inheritance that isn't hers, you can sense and understand her desperation.
Once Hal arrives at Trespassen, the imposing yet decreipt mansion of the woman who is supposed to be her grandmother, the gothic style of the novel ratchets up, and it is really quite eerie at times. We get introduced to a trio of men who should be Hal's uncles, if she was who she claimed. The cast of characters is limited and the story isn't fast-paced, per se, but I found it quite compelling, as the reader, along with Hal, is trying to work out a variety of things. We realize that Hal does have ties to this family, but nothing is truly as it seems, and all is creepy and foreboding.
Overall, I enjoyed this one. It's a bit slow at times, but still quite interesting, and I enjoyed Hal's character. It's spooky and a fun read.
This novel wasn't what I was expecting, but that wasn't necessarily a bad thing. It's a creepy, almost gothic book--not your typical whodunit--but more a slow-burning thriller in a Agatha Christie type style. The star of the show is Harriet, aka Hal, whom the book focuses on and who is our narrator for the majority of the novel. We get most of the story from her point of view, with the exception of excerpts of diary entries from the 1990s. Luckily Hal is an interesting character, even if she's in a bit of trouble, having borrowed money from some disreputable sources, and basically just being over her head since the death of her mom a few years ago. She's young and while it seems insane that she'd go off on this quest to claim an inheritance that isn't hers, you can sense and understand her desperation.
Once Hal arrives at Trespassen, the imposing yet decreipt mansion of the woman who is supposed to be her grandmother, the gothic style of the novel ratchets up, and it is really quite eerie at times. We get introduced to a trio of men who should be Hal's uncles, if she was who she claimed. The cast of characters is limited and the story isn't fast-paced, per se, but I found it quite compelling, as the reader, along with Hal, is trying to work out a variety of things. We realize that Hal does have ties to this family, but nothing is truly as it seems, and all is creepy and foreboding.
Overall, I enjoyed this one. It's a bit slow at times, but still quite interesting, and I enjoyed Hal's character. It's spooky and a fun read.
Kristy H (1252 KP) rated The Broken Girls in Books
Mar 20, 2018
Captivating, ghostly thriller
Idlewild Hall has been abandoned since 1979. Until then, it was a boarding school of last resort, where parents sent the daughters they'd sooner rather forget. Now someone is looking to restore it, bringing back all of journalist Fiona Sheridan's memories of her teenage sister, Deb. Deb was murdered and her body left in the fields of Idlewild. A rich teen--her sister's boyfriend--named Tim Christopher was charged with Deb's murder. But it never seemed quite right to Fiona. So, she decides to write a story about the restoration, but encounters more than she bargained for as she begins to uncover years of long-buried secrets.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.