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Rhonda Koti (2 KP) rated Bitter Orange in Books
Dec 3, 2018
Bittersweet Bitter Orange
Bitter Orange has three main characters and the story is told from their narrative.
Francis Jellico who has never left home, much less her mother's side, until this year when her mother passed. Even after her mother's passing, Francis kept the death a secret for at least a month until the stench got too great.
Francis inherited her mother's eccentricities which included wearing her dead mother's undergarments even tho they did not fit and also a locker her mother wore that had a generic picture in it. Her mother had never put Francis' picture in.
Cara- young, sexy, assertive, self assured, talkative and friendly. Her glaring sin was she had problems with remembering which was truth and which were lies and keeping the truths and the lies straight so basically , she didn't make any sense most of the time.
Peter - older than Cara and very much in love with her but not liking her much on most days. He seemed genuinely caring but also as if he would like to break away from her. He also had a good idea for property value and costs of goods...especially antiques and knew what to sell to whom for what price point.
Basically, these three characters have been hired by an American investor to catalog the items in a mansion the investor had bought as well as to catalog the grounds and flower gardens. It is believed the investor plans to sell the property.
The mansion is large with many spacious rooms and bathrooms but only two of the bathrooms actually work. For some unknown reason ,Frances has been put in the maids quarters in the attic and the couple on the first floor with a mini suite at their disposal,.
As the three begin working together , each performing their job they soon begin hanging out together after hours, eating and smoking together.
This is where the story starts getting twisted. There seems to be a bit of jealousy between Cara and Peter over Francis. Cara gets jealous if Peter spends too much time with her, even if they are working and Francis misinterprets Peter's friendship.
All in all, this was a great read. It really kept me on the edge of my seat and the ending totally surprised me.
Bitter Orange: A bittersweet story set in 1969.
Francis Jellico who has never left home, much less her mother's side, until this year when her mother passed. Even after her mother's passing, Francis kept the death a secret for at least a month until the stench got too great.
Francis inherited her mother's eccentricities which included wearing her dead mother's undergarments even tho they did not fit and also a locker her mother wore that had a generic picture in it. Her mother had never put Francis' picture in.
Cara- young, sexy, assertive, self assured, talkative and friendly. Her glaring sin was she had problems with remembering which was truth and which were lies and keeping the truths and the lies straight so basically , she didn't make any sense most of the time.
Peter - older than Cara and very much in love with her but not liking her much on most days. He seemed genuinely caring but also as if he would like to break away from her. He also had a good idea for property value and costs of goods...especially antiques and knew what to sell to whom for what price point.
Basically, these three characters have been hired by an American investor to catalog the items in a mansion the investor had bought as well as to catalog the grounds and flower gardens. It is believed the investor plans to sell the property.
The mansion is large with many spacious rooms and bathrooms but only two of the bathrooms actually work. For some unknown reason ,Frances has been put in the maids quarters in the attic and the couple on the first floor with a mini suite at their disposal,.
As the three begin working together , each performing their job they soon begin hanging out together after hours, eating and smoking together.
This is where the story starts getting twisted. There seems to be a bit of jealousy between Cara and Peter over Francis. Cara gets jealous if Peter spends too much time with her, even if they are working and Francis misinterprets Peter's friendship.
All in all, this was a great read. It really kept me on the edge of my seat and the ending totally surprised me.
Bitter Orange: A bittersweet story set in 1969.
Acanthea Grimscythe (300 KP) rated 100 Fathoms Below in Books
Jan 31, 2019
Contains spoilers, click to show
I love books that take place under the sea–particularly horror books. If you’ve read my review on Something’s Alive on the Titanic, you probably already know that. (It’s a great book by the way, and its author is Robert Serling–brother to Rod Serling.) It’s only natural that I selected 100 Fathoms Below when I read its nautical, and eerie, description.
And here’s where my spoiler comes in, because I’m about to go on a mini-rant. The synopsis hints at a mysterious, evil monster hunting the crew of the ship, but it does not say what that creature is. Therefore, I feel that revealing this is a book about vampires is, in fact, a spoiler–contrary to popular belief of other reviewers. It’s pretty obvious early on, with the first hint coming in at 8%, however if I’d known this was a vampire book before I chose it, I wouldn’t have taken the time to read it. The key word there is BEFORE. Because I had it spoiled by a straight up summary of the prologue on Goodreads, coupled with a pretty hearty description about the… well, vampires. So, now that you know that overly used trope is here, let’s take a moment to discuss what Kent and Kaufmann do right, shall we?
The vampires in 100 Fathoms Below are good ol’ classic boys, in the sense that they’re bloodthirsty and want nothing more than to maim and breed more of their kind. They aren’t romanticized, either–and that’s a great thing. In fact, they’re written well enough that, despite having been spoiled by a fellow reviewer, I enjoyed the book enough to finish it. Mostly because I wanted to see how things ended.
Something else Kent and Kaufmann excel at is creating a connection between the readers and characters. I found myself sharing the hopes and dreams of many of the figures we meet. That made some of the deaths a lot more difficult on me.
The plot is quick, making it an easy read; however, the sense of intrigue isn’t really there. The whole discovering a prototype Soviet submarine takes the back burner with an occasional mention and even when it does come back into play toward the end of the book, there’s not exactly any excitement or fear of them being caught. I found that to be a bit disappointing.
Overall, it’s an entertaining read, but I probably wouldn’t take the time to re-read it. I’d like to thank NetGalley and Blackstone Publishing for providing me with a free copy of this book in exchange for an honest review.
And here’s where my spoiler comes in, because I’m about to go on a mini-rant. The synopsis hints at a mysterious, evil monster hunting the crew of the ship, but it does not say what that creature is. Therefore, I feel that revealing this is a book about vampires is, in fact, a spoiler–contrary to popular belief of other reviewers. It’s pretty obvious early on, with the first hint coming in at 8%, however if I’d known this was a vampire book before I chose it, I wouldn’t have taken the time to read it. The key word there is BEFORE. Because I had it spoiled by a straight up summary of the prologue on Goodreads, coupled with a pretty hearty description about the… well, vampires. So, now that you know that overly used trope is here, let’s take a moment to discuss what Kent and Kaufmann do right, shall we?
The vampires in 100 Fathoms Below are good ol’ classic boys, in the sense that they’re bloodthirsty and want nothing more than to maim and breed more of their kind. They aren’t romanticized, either–and that’s a great thing. In fact, they’re written well enough that, despite having been spoiled by a fellow reviewer, I enjoyed the book enough to finish it. Mostly because I wanted to see how things ended.
Something else Kent and Kaufmann excel at is creating a connection between the readers and characters. I found myself sharing the hopes and dreams of many of the figures we meet. That made some of the deaths a lot more difficult on me.
The plot is quick, making it an easy read; however, the sense of intrigue isn’t really there. The whole discovering a prototype Soviet submarine takes the back burner with an occasional mention and even when it does come back into play toward the end of the book, there’s not exactly any excitement or fear of them being caught. I found that to be a bit disappointing.
Overall, it’s an entertaining read, but I probably wouldn’t take the time to re-read it. I’d like to thank NetGalley and Blackstone Publishing for providing me with a free copy of this book in exchange for an honest review.
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Kristy H (1252 KP) rated The Night Swim: A Novel in Books
Sep 17, 2020
Dark, timely and propulsive thriller
Rachel Krall, from the popular Guilty or Not Guilty true crime podcast, finds herself in the town of Neapolis, North Carolina for season three. It's the first time she's covered a live trial, and it's a divisive rape trial no less. A high school girl "K" has accused popular swimmer Scott Blair of raping her. It's set the town on edge and brought up lots of questions about reputations and who can be believed. As Rachel arrives in Neapolis, she's shocked to find a letter on her car--rarely is the radio host recognized in public. But someone in the town wants her help unlocking the mysteries of what happened to her sister over twenty-five years ago. Jenny Stills' death--at sixteen--was ruled a drowning, but the letter writer insists she was murdered, and they want Rachel to help her find the killer. Quickly the past and present intertwine, as Rachel realizes the two cases may be connected.
"That's why I'm writing to you, Rachel. Jenny's killer will be there. In that town. Maybe that courtroom. It's time for justice to be done. You're the only one who can help me deliver it."
Goldin offers us an excellent thriller with a pervasive eerie feel. While, for the most part, I find myself tired of podcast tales, The Night Swim offers an overall fresh take on the genre, weaving in Rachel's episodes about the trial with her own investigation into both the current case and the Stills drowning. We also hear from the past, giving us even more insight into what happened to Jenny all those years ago. The result is a spellbinding, sometimes heartbreaking, read that's nearly impossible to put down.
I highly enjoyed putting the pieces together on this one--as they filter in via our various narratives. I had an early guess that proved to be right, but that didn't diminish my enjoyment of the book in any way. The ending was a little different, but overall, I was a big fan of the intersection of the two cases and the dark and timely themes this book brought up--rape, assault, and more. It offers an unflinching look at what women experience: and how rarely they are believed, trusted, or can turn to anyone.
Overall, this is an excellent, fast-paced thriller with two storylines that work well together. It's creepy and dark, with a strong, unforgettable message. 4 stars.
"That's why I'm writing to you, Rachel. Jenny's killer will be there. In that town. Maybe that courtroom. It's time for justice to be done. You're the only one who can help me deliver it."
Goldin offers us an excellent thriller with a pervasive eerie feel. While, for the most part, I find myself tired of podcast tales, The Night Swim offers an overall fresh take on the genre, weaving in Rachel's episodes about the trial with her own investigation into both the current case and the Stills drowning. We also hear from the past, giving us even more insight into what happened to Jenny all those years ago. The result is a spellbinding, sometimes heartbreaking, read that's nearly impossible to put down.
I highly enjoyed putting the pieces together on this one--as they filter in via our various narratives. I had an early guess that proved to be right, but that didn't diminish my enjoyment of the book in any way. The ending was a little different, but overall, I was a big fan of the intersection of the two cases and the dark and timely themes this book brought up--rape, assault, and more. It offers an unflinching look at what women experience: and how rarely they are believed, trusted, or can turn to anyone.
Overall, this is an excellent, fast-paced thriller with two storylines that work well together. It's creepy and dark, with a strong, unforgettable message. 4 stars.
Kristy H (1252 KP) rated To Tell You The Truth in Books
Oct 8, 2020
A twisty thriller with a disappointing ending
Lucy Harper is a famous writer, known for her crime fiction stories featuring her beloved character, Eliza. Her work has made her wealthy, something that particularly pleases her husband, Dan, a once aspiring writer who now "manages" Lucy's career and money. Lucy and Dan's life and marriage look perfect from the outside, but they are anything but. Then Dan suddenly goes missing. His disappearance reminds Lucy of another time someone vanished from her life: her younger brother, Teddy, who was lost in the woods very near the house Lucy and Dan now live in. Soon Lucy finds herself reminded more and more of her past, which seems to be quickly and dangerously colliding with her present.
"After all, what kind of person creates a character who walks right out of their books and into their life? He would think I'd lost my mind."
I absolutely adore Gilly Macmillan and her books, but this was not one of my all-time favorites. It's still good, though, and twisty, and I will admit that I didn't guess the (rather bizarre) outcome. However, the ending leaves much to be desired and does not wrap everything up, which left me frustrated. (And seemed to kick off a trend in my recent thrillers, where things end with plot pieces left hanging--I'm not okay with this.)
Lucy is an unreliable narrator extraordinaire--ever since she was small, she's had a best friend named Eliza. Why yes, Eliza happens to be the name of her fictional character, as well. Lucy talks to her imaginary friend, who seems to have untold power over her. If this sounds weird and creepy, it is, and Macmillan does a good job with the eerie oddity of it all and allowing us to wonder if we can trust anything that Lucy--or Eliza--say. Knowing who and what to believe is certainly a central theme here.
Dan, meanwhile, is absolutely despicable, and I was not too sad when he disappeared, honestly. The story alternates between present-day, with Lucy's point of view, and the past, around the time Teddy disappeared. It's certainly compelling. All in all, I would have probably rated this 4-stars if there had been a better ending, versus one that felt rushed and forced, without tying up all the loose ends. This is still a good, atmospheric thriller, with plenty of twists. 3.5 stars. And if you want to read more from Macmillan, I highly recommend The Perfect Girl or her Jim Clemo series--all books that I adore.
"After all, what kind of person creates a character who walks right out of their books and into their life? He would think I'd lost my mind."
I absolutely adore Gilly Macmillan and her books, but this was not one of my all-time favorites. It's still good, though, and twisty, and I will admit that I didn't guess the (rather bizarre) outcome. However, the ending leaves much to be desired and does not wrap everything up, which left me frustrated. (And seemed to kick off a trend in my recent thrillers, where things end with plot pieces left hanging--I'm not okay with this.)
Lucy is an unreliable narrator extraordinaire--ever since she was small, she's had a best friend named Eliza. Why yes, Eliza happens to be the name of her fictional character, as well. Lucy talks to her imaginary friend, who seems to have untold power over her. If this sounds weird and creepy, it is, and Macmillan does a good job with the eerie oddity of it all and allowing us to wonder if we can trust anything that Lucy--or Eliza--say. Knowing who and what to believe is certainly a central theme here.
Dan, meanwhile, is absolutely despicable, and I was not too sad when he disappeared, honestly. The story alternates between present-day, with Lucy's point of view, and the past, around the time Teddy disappeared. It's certainly compelling. All in all, I would have probably rated this 4-stars if there had been a better ending, versus one that felt rushed and forced, without tying up all the loose ends. This is still a good, atmospheric thriller, with plenty of twists. 3.5 stars. And if you want to read more from Macmillan, I highly recommend The Perfect Girl or her Jim Clemo series--all books that I adore.
BankofMarquis (1832 KP) rated A Haunting in Venice (2023) in Movies
Sep 30, 2023
Well Crafted
Famed Agatha Christie Belgian Sleuth Hercule Poirot is a familiar figure on the screen - both large and small. He has been played numerous times by numerous performers, each one riffing on the famed mustached Detective and his “little grey cells” and and any performer who takes on this character must bear the weight of those who played the role before him.
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
Kyera (8 KP) rated A Crown of Wishes (The Star-Touched Queen, #2) in Books
Feb 1, 2018
A Crown of Wishes is a companion novel to Roshani Chokshis A Star-Touched Queen, but neither needs to be read to enjoy the other. They can either be read in conjunction or be read as a stand-alone without the story being affected significantly in either case. That being said, A Crown of Wishes takes place later in time than A Star-Touched Queen and if you plan to read both perhaps reading them in chronological order would be best. I personally enjoyed A Crown of Wishes more than A Star-Touched Queen. The writing was equally lyrical and beautiful, but I found it to be more engaging than its predecessor.
I found Gauri and Vikram to be more likable main characters than Maya and Raja, from the other book. Gauri is tough, she had to be to grow up with the cruel Skanda as her brother and King of Bharata. She trained with warriors and keeps her emotions tucked away. Vikram is the adopted son of the King of Ujijian, but despite his mind, his lack of blood relation to the monarch will force him to be a puppet king. He wishes more than anything to be taken seriously and rule his people fairly, not via a corrupt cabinet.
Vikram was definitely my favourite character in this book, he was witty and cheerfully went out of his way to get under Gauris skin. The relationship and interactions between the two of them went from mutual disdain to begrudging respect authentically. It was nice to see them support one another, even if they didnt have any reason to beyond being partners for the Tournament of Wishes.
The story was more engaging than its predecessor, continuing to build the magical Otherworld but including scenes with faster pacing and action. The Tournament of Wishes was intriguing, as each contestants role and journey were different. No two people experienced the same trials or puzzled through the same clues. It was interesting to attempt to discern what each clue referred to before Vikram inevitably worked it out.
The beautiful prose and flowery writing definitely lent itself to the story. It helped to build a magical and unusual world for readers to slip into. Each vibrant fruit, eerie tree, and terrifying creature come to life in vivid detail. As long as you dont mind words that you really must pay attention to in order to absorb, I believe you will enjoy this book. It might not be your style if you tend to skim and breeze through stories, as this does require a degree of concentration to appreciate. Overall, I would recommend this book to fans of Renee Ahdiehs or Laini Taylors style of writing.
I found Gauri and Vikram to be more likable main characters than Maya and Raja, from the other book. Gauri is tough, she had to be to grow up with the cruel Skanda as her brother and King of Bharata. She trained with warriors and keeps her emotions tucked away. Vikram is the adopted son of the King of Ujijian, but despite his mind, his lack of blood relation to the monarch will force him to be a puppet king. He wishes more than anything to be taken seriously and rule his people fairly, not via a corrupt cabinet.
Vikram was definitely my favourite character in this book, he was witty and cheerfully went out of his way to get under Gauris skin. The relationship and interactions between the two of them went from mutual disdain to begrudging respect authentically. It was nice to see them support one another, even if they didnt have any reason to beyond being partners for the Tournament of Wishes.
The story was more engaging than its predecessor, continuing to build the magical Otherworld but including scenes with faster pacing and action. The Tournament of Wishes was intriguing, as each contestants role and journey were different. No two people experienced the same trials or puzzled through the same clues. It was interesting to attempt to discern what each clue referred to before Vikram inevitably worked it out.
The beautiful prose and flowery writing definitely lent itself to the story. It helped to build a magical and unusual world for readers to slip into. Each vibrant fruit, eerie tree, and terrifying creature come to life in vivid detail. As long as you dont mind words that you really must pay attention to in order to absorb, I believe you will enjoy this book. It might not be your style if you tend to skim and breeze through stories, as this does require a degree of concentration to appreciate. Overall, I would recommend this book to fans of Renee Ahdiehs or Laini Taylors style of writing.
365Flicks (235 KP) rated Leopard (2016) in Movies
Nov 20, 2019
A Beautiful, Twisted, Dark, Intense and Mesmerizing tale of Betrayal, Violence and Heart Breaking Brotherly Love..
Anyone who listens to ourleopard5-1 Podcast knows that while Chris and myself love the fanfare of the Huge Blockbuster Marvel/DC/Star Wars releases. Well nothing can quite compare to the
smaller Independent Films that you just know every second of screen time came straight from one persons passion to make a piece of Cinema that is all there’s. A movie that can display such mastery of there craft and hit you square in the heart (or balls) and make you feel something that… In my opinion Capes and Spandex just cant do.
Leopard is available On Demand this month from Osiris Entertainment.
Leopard is exactly that type of movie. A true passion piece that is driven by the wonderfully carefully calculated mind of its Writer/Director/Actor, BUT smashed out of the park by his outstanding team of Actors. Most revleopard6iews and articles I have read liken this movie to the wonderful Paris,Texas but I personally thought it had a feeling of Shane Meadows Dead Man Shoes.
Leopard tells the story of Jack (Eoin Macken. Merlin, NBCs Night Shift Also the Writer/Director) and his brother Tom (Tom Hopper. Merlin, Black Sails). Jack is returning to his home town in Ireland after a prolonged absence and it is clear from the outset he is not all that welcome. We find that his father has passed away and he is back for the reading of the Will along with his brother Tom who is not all there (Think Lenny from Mice and Men). There relationship is fairly strained and we spend the course of the movie figuring out what happened 5 years ago and where that has left the two brothers now. Throw in some Hostile locals, A left for Dead girl to become the point of Toms fixation and a creepy Strip Club, you have leopard.
Chris and I cannot speak highly enough of this movie it ticks all of our boxes when looking for something a little bit different. The Irish setting not only makes for a great backdrop but also becomes a character within itself. The score to this movie is often hopeful and optimistic but full of eerie dread at the same time, truly wonderful. Eoin and Tom bring a level of chemistry you would hope for after there time together on Merlin. However I am going to say it here and now Tom Hopper is a Brit star to watch out for he smashed this out of the park. There is also a damn fine supporting cast in Jack Reynor (Transformers: Age of Extinction) Rebecca Night (Sky 1s The Starlings) and Helen Pearson (Mrs O from Hollyoaks).
Anyone who listens to ourleopard5-1 Podcast knows that while Chris and myself love the fanfare of the Huge Blockbuster Marvel/DC/Star Wars releases. Well nothing can quite compare to the
smaller Independent Films that you just know every second of screen time came straight from one persons passion to make a piece of Cinema that is all there’s. A movie that can display such mastery of there craft and hit you square in the heart (or balls) and make you feel something that… In my opinion Capes and Spandex just cant do.
Leopard is available On Demand this month from Osiris Entertainment.
Leopard is exactly that type of movie. A true passion piece that is driven by the wonderfully carefully calculated mind of its Writer/Director/Actor, BUT smashed out of the park by his outstanding team of Actors. Most revleopard6iews and articles I have read liken this movie to the wonderful Paris,Texas but I personally thought it had a feeling of Shane Meadows Dead Man Shoes.
Leopard tells the story of Jack (Eoin Macken. Merlin, NBCs Night Shift Also the Writer/Director) and his brother Tom (Tom Hopper. Merlin, Black Sails). Jack is returning to his home town in Ireland after a prolonged absence and it is clear from the outset he is not all that welcome. We find that his father has passed away and he is back for the reading of the Will along with his brother Tom who is not all there (Think Lenny from Mice and Men). There relationship is fairly strained and we spend the course of the movie figuring out what happened 5 years ago and where that has left the two brothers now. Throw in some Hostile locals, A left for Dead girl to become the point of Toms fixation and a creepy Strip Club, you have leopard.
Chris and I cannot speak highly enough of this movie it ticks all of our boxes when looking for something a little bit different. The Irish setting not only makes for a great backdrop but also becomes a character within itself. The score to this movie is often hopeful and optimistic but full of eerie dread at the same time, truly wonderful. Eoin and Tom bring a level of chemistry you would hope for after there time together on Merlin. However I am going to say it here and now Tom Hopper is a Brit star to watch out for he smashed this out of the park. There is also a damn fine supporting cast in Jack Reynor (Transformers: Age of Extinction) Rebecca Night (Sky 1s The Starlings) and Helen Pearson (Mrs O from Hollyoaks).
Jesters_folly (230 KP) rated Color Out of Space (2019) in Movies
Nov 10, 2020
Contains spoilers, click to show
Color out of Space Is a film based on a H.P. Lovecraft staring Nicholas Cage so you know it's going to be weird.
So, tell me if you've heard this one before. A meteor lands on an isolated farm and the farmer and his family have to fight off what it brought with it. If this sound familiar then that because it's been used so often it's become a common Sci-Fi trope but, all tropes have to come from somewhere and the works of Lovecraft have interwoven themselves into many modern works. I mention this because, as well as it's main premise, there are a lot of familiar scenes and concepts. You see creatures that remind you of the 'Thing' and transformations reminiscent of the original 'Quatermass Experiment' as well as creepy kids and a well but you have to remember that Color out of Space is most likely the source material and not the other way round (The Thing it's self is filled with Lovecraftian ideas even though it's based on a story by different author.)
As the films title hints, the actual creature is a color (or Colour if you're English) which is a strange concept in its self and the effects it has on the world around it only unfold slowly but, like in the other films I've mentioned, they end in horror (and body horror).
The theme of colour, even in it's strange use here, leads to the film being pretty in parts and as the film goes on the landscape takes on eerie life of it's own very much like the Martian weed taking over London in 'War of the Worlds'.
The film it's self is odd, you keep expecting the main family to be one of those stereotypical dysfunctional family's but, every time they seem to falling apart they pull together and, even their decent into madness doesn't pull them apart. The whole thing is made even strange by Nicholas Cage who is his usual, over the top self; Throwing tantrums and monologing to people who aren't really there, although, I'm happy to say his performance is not as OTT as it was in 'Mandy' where he went full Cage (which was great for that film but Color out of space is slightly more subdued, slightly but not much.)
There is blood but most of the horror either happens off screen or is just implied and even the monsters are just there just to be seen, although they do have a point to the story.
Color out of Space is a good but slightly strange cosmic horror with Nicholas Cage being as strange as usual aided in his strangeness by Madeleine Arthur, playing his daughter, Lavinia. with the exception of Tommy Chong's Ezra the rest of the cast play it mostly straight.
So, tell me if you've heard this one before. A meteor lands on an isolated farm and the farmer and his family have to fight off what it brought with it. If this sound familiar then that because it's been used so often it's become a common Sci-Fi trope but, all tropes have to come from somewhere and the works of Lovecraft have interwoven themselves into many modern works. I mention this because, as well as it's main premise, there are a lot of familiar scenes and concepts. You see creatures that remind you of the 'Thing' and transformations reminiscent of the original 'Quatermass Experiment' as well as creepy kids and a well but you have to remember that Color out of Space is most likely the source material and not the other way round (The Thing it's self is filled with Lovecraftian ideas even though it's based on a story by different author.)
As the films title hints, the actual creature is a color (or Colour if you're English) which is a strange concept in its self and the effects it has on the world around it only unfold slowly but, like in the other films I've mentioned, they end in horror (and body horror).
The theme of colour, even in it's strange use here, leads to the film being pretty in parts and as the film goes on the landscape takes on eerie life of it's own very much like the Martian weed taking over London in 'War of the Worlds'.
The film it's self is odd, you keep expecting the main family to be one of those stereotypical dysfunctional family's but, every time they seem to falling apart they pull together and, even their decent into madness doesn't pull them apart. The whole thing is made even strange by Nicholas Cage who is his usual, over the top self; Throwing tantrums and monologing to people who aren't really there, although, I'm happy to say his performance is not as OTT as it was in 'Mandy' where he went full Cage (which was great for that film but Color out of space is slightly more subdued, slightly but not much.)
There is blood but most of the horror either happens off screen or is just implied and even the monsters are just there just to be seen, although they do have a point to the story.
Color out of Space is a good but slightly strange cosmic horror with Nicholas Cage being as strange as usual aided in his strangeness by Madeleine Arthur, playing his daughter, Lavinia. with the exception of Tommy Chong's Ezra the rest of the cast play it mostly straight.
Matthew Krueger (10051 KP) rated Creepshow 2 (1987) in Movies
Sep 27, 2019
More Scary Stories To Tell In The Dark
Creepshow 2- is also a very good movie, with its three stories. That are horrorfyed and terrorfyed. Each one of them of are scary.
The Plot: This second horror anthology presents more eerie tales based on Stephen King stories. One episode finds a cigar-store Native American statue coming to life to avenge the death of the shop owner (George Kennedy) and his wife (Dorothy Lamour). Another features a group of teens menaced by a blob-like creature. The final installment follows a wealthy and callous woman (Lois Chiles) who hits a hitchhiker with her car and decides to flee the scene, but the victim isn't inclined to remain dead.
It features three more horror segments consisting of Old Chief Wooden Head, The Raft and The Hitchhiker.
Originally, the film was planned to have five stories much like the first film, two of these consisted of Pinfall and Cat from Hell. These two segments, however, were cut from the film due to the film's budget. "Cat from Hell", which would later be used in Tales from the Darkside: The Movie, focused on a wealthy old man hiring a hitman for $100,000 to kill a black cat, which was believed to killed three other people inside the residence he lives in and fears to be next. Unbeknownst to them, the cat soon exacts cosmic revenge on the two.
Pinfall", which was set to appear after Old Chief Wood'nhead, told the story of two rivalry teams consisted of the Regi-Men and the Bad News Boors competing in a bowling alley owned by an aged millionaire; the owner is soon killed in a freak accident and the teams found out afterwards that he would award one of them $5 million for whoever got the highest score. Soon, things turn up for the worst of the Regi-Team when the Boors, after they were killed in a fiery car-crash purposely caused by the Regi-Team, return as burnt-up revenants and soon get their revenge on their killers. Unlike Cat from Hell which managed to be brought onto the screen through a different film, Pinfall was never shot and never appeared outside of the film's original script.
During "The Raft" segment, actor Daniel Beer cited that he had almost died from hypothermia due to the water being very cold. While the crew wanted him to continue working with his role, the director Michael Gornick brought him to the hospital as he feared the actor would leave the set and never return if they get him to keep working during his cold condition. After a full recovery, he managed to finish the segment.
Again i would highly reccordmend this movie.
The Plot: This second horror anthology presents more eerie tales based on Stephen King stories. One episode finds a cigar-store Native American statue coming to life to avenge the death of the shop owner (George Kennedy) and his wife (Dorothy Lamour). Another features a group of teens menaced by a blob-like creature. The final installment follows a wealthy and callous woman (Lois Chiles) who hits a hitchhiker with her car and decides to flee the scene, but the victim isn't inclined to remain dead.
It features three more horror segments consisting of Old Chief Wooden Head, The Raft and The Hitchhiker.
Originally, the film was planned to have five stories much like the first film, two of these consisted of Pinfall and Cat from Hell. These two segments, however, were cut from the film due to the film's budget. "Cat from Hell", which would later be used in Tales from the Darkside: The Movie, focused on a wealthy old man hiring a hitman for $100,000 to kill a black cat, which was believed to killed three other people inside the residence he lives in and fears to be next. Unbeknownst to them, the cat soon exacts cosmic revenge on the two.
Pinfall", which was set to appear after Old Chief Wood'nhead, told the story of two rivalry teams consisted of the Regi-Men and the Bad News Boors competing in a bowling alley owned by an aged millionaire; the owner is soon killed in a freak accident and the teams found out afterwards that he would award one of them $5 million for whoever got the highest score. Soon, things turn up for the worst of the Regi-Team when the Boors, after they were killed in a fiery car-crash purposely caused by the Regi-Team, return as burnt-up revenants and soon get their revenge on their killers. Unlike Cat from Hell which managed to be brought onto the screen through a different film, Pinfall was never shot and never appeared outside of the film's original script.
During "The Raft" segment, actor Daniel Beer cited that he had almost died from hypothermia due to the water being very cold. While the crew wanted him to continue working with his role, the director Michael Gornick brought him to the hospital as he feared the actor would leave the set and never return if they get him to keep working during his cold condition. After a full recovery, he managed to finish the segment.
Again i would highly reccordmend this movie.