"Generally accepted as Mizoguchi’s greatest work, Ugetsu is based on supernatural Japanese folk tales by the celebrated eighteenth-century author Ueda Akinari. Mizoguchi is most concerned with a compassionate telling of human sorrow, and he finds plenty of substance in Akinari’s short stories. Infamously uncompromising, Mizoguchi was a perfectionist when it came to all aspects of the process. His visual compositions, the production design, the special effects, the lighting, the performances by the actors (especially Machiko Kyo, who adheres in this case to a more traditionally Japanese theatrical style of performance), and the sound design are all so finely tuned and executed, it’s as though Mizoguchi had the ability to be in multiple places at once."

"It seems to me that one thing we should be trying to keep in mind these days is the phrase, “It could be worse.” This book shows us a much-worse time and its tragic effects on a group of tender friends/lovers/artists. We should energetically protect our system, and try to heal the toxic divisiveness afflicting us, and resist the lies being routinely promulgated, from above and on social media, because when a system fails, the victim is human decency – all these dear hearts suddenly living reduced, fearful, degrading lives. We have, as Paul Simon put it, “lived so well, so long” that we may be in danger of forgetting that the results of chaos are real."