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LeftSideCut (3776 KP) rated Slaughterhouse Rulez (2018) in Movies

Sep 30, 2020

Slaughterhouse Rulez (2018)

2018 | Comedy, Horror

5.1

(15 Ratings)

Movie Rating

Slaughterhouse Rulez is a textbook example of a swing and a miss. It tries to give us a nice slice of comedy horror, but executes it pretty miserably.

A few things I liked...
- The fracking company were moustache twirling type villains, and were fairly amusing in the tiny amount of screentime dedicated to them.
- The CGI for the monsters is pretty decent, and the practical effects for close ups are also good.
- The whole final act when the monsters eventually turned up was effectively entertaining

But....

It takes a painfully long time to get to that bit. The hour plus of runtime preceding the monsters attacking is mostly boring setup, messy pacing and dialogue and a waste of a good cast.
The younger cast are fine, but it's hard not to feel that Simon Pegg, Nick Frost, Margot Robbie and Michael Sheen are just severely under utilised, in a sometimes humorous comedy that is trying ball achingly hard to be an Edgar Wright movie.

Slaughterhouse Rulez isn't awful by any means, more accurately frustrating because it feels like a much better movie is buried somewhere beneath the final product.

Kudos

Awix (3310 KP) rated Terrordactyl (2016) in Movies

May 25, 2020 (Updated May 25, 2020)

Terrordactyl (2016)

2016 | Adventure, Comedy, Fantasy

5.0

(3 Ratings)

Movie Rating

A good example of the phenomenon where people who are clearly competent at their jobs work hard to ensure they make a deliberately bad film. Gardeners, their barmaid friend, her flatmate, and a comedy alcoholic war veteran are caught up in a plague of carnivorous pterosaurs from outer space; the plot is basically bits from Sharknado, The Giant Claw, and Tremors all jumbled up together.

A bit overlong even at only 95 minutes, but there is the odd funny line, a sort-of coherent plot, and various attractive young people, the female ones in tight tops. But neverthless: back when special effects were routinely awful, film-makers worked hard to make their stories and characters seem credible; now any goon with a laptop can do decent CGI, the default mode seems to be 'let's not get caught taking ourselves remotely seriously'. Some kind of creative cowardice is in operation at some point in the making of a film like this one. Sample line of dialogue, after one of the female characters is eaten: 'You reptilian asshole! I was about to get laid!' Casablanca, eat your heart out.