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Viy (Spirit of Evil) (1967)
Viy (Spirit of Evil) (1967)
1967 | Horror
7
7.0 (1 Ratings)
Movie Rating
Soviet horror movie from the 1960s rather unexpectedly turns out to be a close spiritual cousin of the kind of films that Hammer et al were making in the west at the same time. A trainee priest finds himself compelled to spend three nights reading prayers over the body of (supposedly) a wealthy landowner's daughter - but the corpse bears a striking resemblance to that of a witch he earlier killed...

Not the longest of films, which is just as well as the pacing may require patience on the part of the viewer; after a very eerie sequence early on, there's a long wait until the stuff with the protagonist's vigil in the second half. Nevertheless, it's worth it, mainly because the special effects are remarkably good, well up to the standard of equivalent western films of the same period (and probably better). Not particularly scary or graphic by modern standards, but the climax has a creepy sort of power to it and the overall impression is of a classy and well-made film; if there's a political subtext to it, it's very well-hidden.
  
Star Trek: The Motion Picture (1979)
Star Trek: The Motion Picture (1979)
1979 | Action, Mystery, Sci-Fi
Given the longevity of this series, this has never struck me as an auspicious start. Yes, it has its positives…

The much repeated classic score by Jerry Goldsmith never fails to impress.
There’s a striking ‘Deltan’ heroine in the shapely form of Indian model Persis Khambatta (who sadly died very young).
And a twist in Alan Dean Foster’s story is genuinely clever (for those who know their space history).
However, all of this is outweighed by a story that is treacle-like in its telling. It’s a classic example of “look at how clever we are”, with special effects overriding everything else. A scene where Kirk travels to the Enterprise takes 5 minutes and 56 seconds (I looked up the Goldsmith track length): a scene involving nothing more than Scotty’s smug looks and Kirk’s awed reaction shots. Later in the movie, there are ENDLESS shots of the Enterprise travelling towards the centre of the cloud. Yawn! FOR F**CK’S SAKE GET ON WITH IT!!!

If this grand-standing was the quiet interlude between high-octane action sequences, then it might be partly forgiven. But even the action scenes are little less than soporific.