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Connor Sheffield (293 KP) rated Star Wars: Episode IV - A New Hope (1977) in Movies
Apr 20, 2017
The beginning of an era that will last a life time (3 more)
Character
Special Effects
Movie Score that is highly recognizable
Han Shot First!!!
Star Wars...the movie no one believed would become anywhere close to the success it is today. Not even George Lucas believed it would be as big as it is, but that's the beauty of it.
Star Wars wasn't just the beginning of a new fandom, it was also the beginning of a new era for film itself. Skywalker Sound revolutionized special sound effects and and the CGI used in Star Wars (during it's original release) made directors like Steven Spielberg realise they can bring their dreams to life, such as the film Jurassic Park which then revolutionized film even further.
Introducing new and original characters such as Luke Skywalker, Princess Leia, Han Solo, Chewbacca, Darth Vader and so many more! The film introduced the strong female role model in what is actually a kid's film. Carrie Fisher portrayed Princess Leia and there has never been anyone quite as brilliant as her since, because at only 19 years old during the first film, she became an icon and one of the strongest woman on screen.
All 3 of the main cast went on to take on great roles. Mark Hamill is probably most famous for his voice over work in cartoon shows such as Batman the Animated series where he has become the most famous voice for The Joker, taking on the role multiple times including in the Batman Arkham video games. Harrison Ford went on to star in many famous roles in big blockbuster films such as Indiana Jones, Apocalypse Now, Blade Runner and many more. Carrie Fisher went on to star in When Harry Met Sally, Drop Dead Fred, and Scream 3.
The villain of the film quickly became one of the most badass and recognizable villains to ever appear on the big screen...Darth Vader! He was menacing, manipulative, and powerful.
The visuals of this film were incredible for the time, from the space battles to the lightsabers. Not to mention that a lot of the space ships, and the death star trench are all models with actual (mini) explosions.
Star Wars is so popular these days that it has been parodied and praised by countless other films, TV shows, sketches, art, porn and almost anything you can think of.
It even has a holiday after it 'May the 4th be with you' (May the force be with you), now known simply as May the 4th. Along with conventions and celebrations, Star Wars has become more of a way of life for a lot of people and not just a fandom.
Star Wars wasn't just the beginning of a new fandom, it was also the beginning of a new era for film itself. Skywalker Sound revolutionized special sound effects and and the CGI used in Star Wars (during it's original release) made directors like Steven Spielberg realise they can bring their dreams to life, such as the film Jurassic Park which then revolutionized film even further.
Introducing new and original characters such as Luke Skywalker, Princess Leia, Han Solo, Chewbacca, Darth Vader and so many more! The film introduced the strong female role model in what is actually a kid's film. Carrie Fisher portrayed Princess Leia and there has never been anyone quite as brilliant as her since, because at only 19 years old during the first film, she became an icon and one of the strongest woman on screen.
All 3 of the main cast went on to take on great roles. Mark Hamill is probably most famous for his voice over work in cartoon shows such as Batman the Animated series where he has become the most famous voice for The Joker, taking on the role multiple times including in the Batman Arkham video games. Harrison Ford went on to star in many famous roles in big blockbuster films such as Indiana Jones, Apocalypse Now, Blade Runner and many more. Carrie Fisher went on to star in When Harry Met Sally, Drop Dead Fred, and Scream 3.
The villain of the film quickly became one of the most badass and recognizable villains to ever appear on the big screen...Darth Vader! He was menacing, manipulative, and powerful.
The visuals of this film were incredible for the time, from the space battles to the lightsabers. Not to mention that a lot of the space ships, and the death star trench are all models with actual (mini) explosions.
Star Wars is so popular these days that it has been parodied and praised by countless other films, TV shows, sketches, art, porn and almost anything you can think of.
It even has a holiday after it 'May the 4th be with you' (May the force be with you), now known simply as May the 4th. Along with conventions and celebrations, Star Wars has become more of a way of life for a lot of people and not just a fandom.
Movie Metropolis (309 KP) rated Gods Of Egypt (2016) in Movies
Jun 10, 2019
God Awful
Those of you who keep up to date with the goings on in the film world may be thinking Gods of Egypt was released way back in February; and you’d be right for thinking that.
The film, directed by Alex Proyas (I, Robot, Knowing) performed so poorly in America at the start of the year that its UK release was scrapped, until now. But is the resulting film as bad as its figures would suggest? Or are we looking at a future cult classic?
Good god no. From shocking dialogue to laughable special effects; Gods of Egypt is a dreadful dirge of a movie with practically no saving graces. It’s just that bad.
The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt’s throne and plunges the empire into chaos. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an alliance with the powerful god Horus (Nikolaj Coster-Waldau) to stop Set before he destroys everything.
Thankfully, the plot itself isn’t too bad and has a vaguely interesting premise. The problem is how it is executed. Alex Proyas takes our protagonists on a rollercoaster ride of bland set pieces, populated by cardboard enemies and special effects that manage to look expensive and awful at the same time.
Gold, blood red, sparkling granite and deep, rich blacks all combine for a nauseating colour palate, only worsened by the cinematography. No shot is lingered on for any great amount of time – it’s like Alex Proyas was too terrified of allowing his audience to see the mess up close, shifting from frame to frame every few seconds.
Elsewhere, the acting is fairly inconsistent. Gerard Butler yet again channels his character from 300, while newcomer Brenton Thwaites looks po-faced as he spouts complete and utter drivel, a departure from his promising turn in 2013’s The Giver. The painful attempts at comedy fall flat on every single occasion and ensure no cast member leaves with their dignity intact.
2016 has thrown up some pretty bad films. London Has Fallen, Through the Looking Glass and Zoolander 2 spring immediately to mind, but this manages to outdo them by a country mile.
Overall, Gods of Egypt leaves you with more questions than it answers. Why is the Egyptian god of darkness Scottish? Why is it over two hours long? What on earth was Summit Entertainment thinking pouring $140million into this thing?
There is some good news at the end of this rather murky rainbow however. Your question as to whether you should go and see it may well be the only question that can be answered.
https://moviemetropolis.net/2016/06/18/god-awful-gods-of-egypt-review/
The film, directed by Alex Proyas (I, Robot, Knowing) performed so poorly in America at the start of the year that its UK release was scrapped, until now. But is the resulting film as bad as its figures would suggest? Or are we looking at a future cult classic?
Good god no. From shocking dialogue to laughable special effects; Gods of Egypt is a dreadful dirge of a movie with practically no saving graces. It’s just that bad.
The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt’s throne and plunges the empire into chaos. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an alliance with the powerful god Horus (Nikolaj Coster-Waldau) to stop Set before he destroys everything.
Thankfully, the plot itself isn’t too bad and has a vaguely interesting premise. The problem is how it is executed. Alex Proyas takes our protagonists on a rollercoaster ride of bland set pieces, populated by cardboard enemies and special effects that manage to look expensive and awful at the same time.
Gold, blood red, sparkling granite and deep, rich blacks all combine for a nauseating colour palate, only worsened by the cinematography. No shot is lingered on for any great amount of time – it’s like Alex Proyas was too terrified of allowing his audience to see the mess up close, shifting from frame to frame every few seconds.
Elsewhere, the acting is fairly inconsistent. Gerard Butler yet again channels his character from 300, while newcomer Brenton Thwaites looks po-faced as he spouts complete and utter drivel, a departure from his promising turn in 2013’s The Giver. The painful attempts at comedy fall flat on every single occasion and ensure no cast member leaves with their dignity intact.
2016 has thrown up some pretty bad films. London Has Fallen, Through the Looking Glass and Zoolander 2 spring immediately to mind, but this manages to outdo them by a country mile.
Overall, Gods of Egypt leaves you with more questions than it answers. Why is the Egyptian god of darkness Scottish? Why is it over two hours long? What on earth was Summit Entertainment thinking pouring $140million into this thing?
There is some good news at the end of this rather murky rainbow however. Your question as to whether you should go and see it may well be the only question that can be answered.
https://moviemetropolis.net/2016/06/18/god-awful-gods-of-egypt-review/
Movie Metropolis (309 KP) rated Allied (2016) in Movies
Jun 11, 2019
There's a great film in here somewhere
Director Robert Zemeckis has some impressive film credits to his name. From cult classics like Back to the Future to last year’s nausea inducing The Walk, there hasn’t been a genre his skills haven’t graced over the last four decades.
His most recent effort, Allied, sees the veteran director tackle the war genre with a film that certainly has its moments, but just how good is this wartime romantic drama?
Max Vatan (Brad Pitt) and Marianne Beauséjour (Marion Cotillard) are World War II operatives who never reveal their true identities. After falling in love during a risky mission, they hope to leave all that double-dealing behind them and start new lives. Instead, suspicion and danger envelop their marriage as both husband and wife become pitted against each other in an escalating, potentially lethal test that has global consequences.
Allied is an assured piece of film-making that tackles the claustrophobia of war incredibly well, but considering the talent at both ends of the camera, it lacks depth, harmony and above all; a plot that remains coherent throughout.
Brad Pitt and Marion Cotillard are their usual dependable selves but they lack chemistry until the closing act and as a result, their relationship lacks believability, hampering what is in effect, a love story.
Elsewhere, the cinematography is too often blighted by poorly lit scenes that restrict the talents of Allied’s director. Robert Zemeckis is at his best embarking upon projects that leap off the screen with their vibrancy. Take Back to the Future and Forrest Gump as prime examples of this.
Nevertheless, the film’s final act almost makes up for these shortcomings and turns a plodding romantic drama into a tense, well-acted and above all interesting movie that has a great script; it’s just a shame the first hour lacks any punch.
When it comes to special effects, well, they’re used sparingly, with the upside of this being that they liven up the film nicely. The scenes of London during the blitz are harrowingly beautiful, with one sequence in particular being a standout throughout the entire running time.
Overall, Allied is a decent stab at constructing a meaningful wartime romantic drama, though looking to history should have perhaps sent alarm bells ringing; Pearl Harbour anyone. The story is intriguing most definitely, and it has some nice special effects, but the script it’s crafted around lacks depth until the final hour. It’s probably fair to say that this may slip under the radar when we look back at Robert Zemeckis’s illustrious career.
https://moviemetropolis.net/2016/11/26/theres-a-great-film-in-here-somewhere-allied-review/
His most recent effort, Allied, sees the veteran director tackle the war genre with a film that certainly has its moments, but just how good is this wartime romantic drama?
Max Vatan (Brad Pitt) and Marianne Beauséjour (Marion Cotillard) are World War II operatives who never reveal their true identities. After falling in love during a risky mission, they hope to leave all that double-dealing behind them and start new lives. Instead, suspicion and danger envelop their marriage as both husband and wife become pitted against each other in an escalating, potentially lethal test that has global consequences.
Allied is an assured piece of film-making that tackles the claustrophobia of war incredibly well, but considering the talent at both ends of the camera, it lacks depth, harmony and above all; a plot that remains coherent throughout.
Brad Pitt and Marion Cotillard are their usual dependable selves but they lack chemistry until the closing act and as a result, their relationship lacks believability, hampering what is in effect, a love story.
Elsewhere, the cinematography is too often blighted by poorly lit scenes that restrict the talents of Allied’s director. Robert Zemeckis is at his best embarking upon projects that leap off the screen with their vibrancy. Take Back to the Future and Forrest Gump as prime examples of this.
Nevertheless, the film’s final act almost makes up for these shortcomings and turns a plodding romantic drama into a tense, well-acted and above all interesting movie that has a great script; it’s just a shame the first hour lacks any punch.
When it comes to special effects, well, they’re used sparingly, with the upside of this being that they liven up the film nicely. The scenes of London during the blitz are harrowingly beautiful, with one sequence in particular being a standout throughout the entire running time.
Overall, Allied is a decent stab at constructing a meaningful wartime romantic drama, though looking to history should have perhaps sent alarm bells ringing; Pearl Harbour anyone. The story is intriguing most definitely, and it has some nice special effects, but the script it’s crafted around lacks depth until the final hour. It’s probably fair to say that this may slip under the radar when we look back at Robert Zemeckis’s illustrious career.
https://moviemetropolis.net/2016/11/26/theres-a-great-film-in-here-somewhere-allied-review/
Movie Metropolis (309 KP) rated The Last Witch Hunter (2015) in Movies
Jun 11, 2019
Enjoyable if forgettable
Can you imagine Vin Diesel as a peacekeeper in a time of witch suppression? I admit when I first heard the premise of The Last Witch Hunter I was a little sceptical of just how the Fast & Furious star would cope with such a change of role.
However, my concerns were quickly brushed aside during the first ten minutes of this unusual action adventure. But is the rest of the movie as good as its leading man?
Unfortunately, the short answer is no. Not only does Vin Diesel have to stand-off against supernatural beings, he has to take on a bland script, clichéd side characters, including a terrifically poor performance from Elijah Wood, and a plot that constantly shifts uncomfortably in tone – unable to grasp just what genre it is trying to be.
The Last Witch Hunter follows Diesel’s Kaulder as he tries to keep the peace during a time when witches live among humans in plain sight, bound by laws sworn in after a great war that ravished both sides.
He, alongside the ever-reliable Michael Caine, a wooden Elijah Wood and a lacklustre Rose Leslie fight to save the planet from the torment of a Witch Queen.
That pretty much sums up the entire plot and the dialogue doesn’t fare any better with a forced comedic edge stopping the film dead in its tracks.
Elsewhere, the characters are drawn so thinly that only Diesel makes any kind of lasting impression, though the audience is force fed a backstory so emotional, it feels like it’s been brought straight from The X Factor.
Nevertheless, The Last Witch Hunter’s succinct running time does a lot to turn the film around. Thankfully, the thin story just about stretches over the 106 minutes and the set pieces are an enjoyable romp with Diesel doing what he does best.
The special effects too are very good indeed. Considering its lesser-known nature, the production team have crafted some creepy and intriguing sets with the finale looking like it took the majority of the film’s $90million budget.
It’s just a shame that the rest of the movie falls terribly flat. What could have been an unusual and exciting trip to the cinema, ends up being another forgettable and tiresome experience.
Overall, The Last Witch Hunter is an enjoyable if entirely forgettable romp that suffers from the same problems that blight so many Hollywood blockbusters. From bland characters to poor scriptwriting and bad dialogue, only Vin Diesel and some good special effects save it from being a write-off.
https://moviemetropolis.net/2015/10/25/enjoyable-if-forgettable-the-last-witch-hunter-review/
However, my concerns were quickly brushed aside during the first ten minutes of this unusual action adventure. But is the rest of the movie as good as its leading man?
Unfortunately, the short answer is no. Not only does Vin Diesel have to stand-off against supernatural beings, he has to take on a bland script, clichéd side characters, including a terrifically poor performance from Elijah Wood, and a plot that constantly shifts uncomfortably in tone – unable to grasp just what genre it is trying to be.
The Last Witch Hunter follows Diesel’s Kaulder as he tries to keep the peace during a time when witches live among humans in plain sight, bound by laws sworn in after a great war that ravished both sides.
He, alongside the ever-reliable Michael Caine, a wooden Elijah Wood and a lacklustre Rose Leslie fight to save the planet from the torment of a Witch Queen.
That pretty much sums up the entire plot and the dialogue doesn’t fare any better with a forced comedic edge stopping the film dead in its tracks.
Elsewhere, the characters are drawn so thinly that only Diesel makes any kind of lasting impression, though the audience is force fed a backstory so emotional, it feels like it’s been brought straight from The X Factor.
Nevertheless, The Last Witch Hunter’s succinct running time does a lot to turn the film around. Thankfully, the thin story just about stretches over the 106 minutes and the set pieces are an enjoyable romp with Diesel doing what he does best.
The special effects too are very good indeed. Considering its lesser-known nature, the production team have crafted some creepy and intriguing sets with the finale looking like it took the majority of the film’s $90million budget.
It’s just a shame that the rest of the movie falls terribly flat. What could have been an unusual and exciting trip to the cinema, ends up being another forgettable and tiresome experience.
Overall, The Last Witch Hunter is an enjoyable if entirely forgettable romp that suffers from the same problems that blight so many Hollywood blockbusters. From bland characters to poor scriptwriting and bad dialogue, only Vin Diesel and some good special effects save it from being a write-off.
https://moviemetropolis.net/2015/10/25/enjoyable-if-forgettable-the-last-witch-hunter-review/
Darren (1599 KP) rated 47 Meters Down (2017) in Movies
Jun 20, 2019
Story: 47 Meters Down starts as two sisters Lisa (Moore) and Kate (Holt) are holidaying in Mexico with Lisa trying to get over her ex, the two look to have a good time. Two locals Benjamin (Segura), Louis (Gellman) talk the girls into joining Captain Taylor (Modine) on the Sea Esta to swim with sharks.
When the dream experience for the girls turns into a nightmare when the cable holding the cage snaps, sending them both trapped in the cage 47 metres to the bottoms of the ocean, the two must stay calm and wait for rescue but do they have the air to wait that long?
Thoughts on 47 Meters Down
Characters/Performance – Lisa is the stable one of the two sisters, she doesn’t take the risks her sister does and finds herself using this holiday to follow her sisters lead. Kate is the free spirited of the two sisters that enjoys taking risk and will not be saying no to an adventure. We do have a captain and his crew too but we barely see them.
Performance wise, Holt and Moore are fine, you don’t actually believe them to be sisters and the peril they find themselves in doesn’t seem to be anything overly fresh in performance eyes.
Story – The story does offer us something fresh when it comes to the shark attack genre, the film takes place underwater instead of on the surface as the girls are trapped at the bottom of the ocean. The problem using this situation is that the near death moments just don’t come off, for example we have a good 5 minutes sequence with one of the girls trying to drag an oxygen tank closer, now this happens too early in the film for us to believe that she might die. On the surface this is a good idea and does work but puts together the maybes too far apart.
Adventure/Horror – The adventure would be about what the two girls could be experiencing with the horror being how this adventure could go horribly wrong with shark attack happening.
Settings – The bottom of the ocean in a shark cage, well this is a new and brilliant setting for the movie and is easily the highlight of everything.
Special Effects – The effects are used to create the shark attack sequences which are all filled with terror.
Final Thoughts – This is a fresh approach to the shark attack movie, it is smartly created but does lack in the idea of peril which the surface has on the higher levels.
Overall: Shark attack movie with new breath but less teeth.
https://moviesreview101.com/2017/07/03/47-meters-down-2017/
When the dream experience for the girls turns into a nightmare when the cable holding the cage snaps, sending them both trapped in the cage 47 metres to the bottoms of the ocean, the two must stay calm and wait for rescue but do they have the air to wait that long?
Thoughts on 47 Meters Down
Characters/Performance – Lisa is the stable one of the two sisters, she doesn’t take the risks her sister does and finds herself using this holiday to follow her sisters lead. Kate is the free spirited of the two sisters that enjoys taking risk and will not be saying no to an adventure. We do have a captain and his crew too but we barely see them.
Performance wise, Holt and Moore are fine, you don’t actually believe them to be sisters and the peril they find themselves in doesn’t seem to be anything overly fresh in performance eyes.
Story – The story does offer us something fresh when it comes to the shark attack genre, the film takes place underwater instead of on the surface as the girls are trapped at the bottom of the ocean. The problem using this situation is that the near death moments just don’t come off, for example we have a good 5 minutes sequence with one of the girls trying to drag an oxygen tank closer, now this happens too early in the film for us to believe that she might die. On the surface this is a good idea and does work but puts together the maybes too far apart.
Adventure/Horror – The adventure would be about what the two girls could be experiencing with the horror being how this adventure could go horribly wrong with shark attack happening.
Settings – The bottom of the ocean in a shark cage, well this is a new and brilliant setting for the movie and is easily the highlight of everything.
Special Effects – The effects are used to create the shark attack sequences which are all filled with terror.
Final Thoughts – This is a fresh approach to the shark attack movie, it is smartly created but does lack in the idea of peril which the surface has on the higher levels.
Overall: Shark attack movie with new breath but less teeth.
https://moviesreview101.com/2017/07/03/47-meters-down-2017/
Darren (1599 KP) rated A Dark Song (2016) in Movies
Jun 20, 2019
Story: A Dark Song starts as Sophia Howard (Walker) rents a remote house in the countryside, she hires occultist Joseph Solomon (Oram) to perform a yearlong ritual so Sophia can communicate with her late son, one more time.
With the rules set, the ritual begins leaving the two to need to be prepared for anything good or evil that they would summon from the other side.
Thoughts on A Dark Song
Characters – Sophia is the lady that wants to communicate with dead child, she has turned to an occultist to help her, she will go through as many different rituals to achieve her desired outcome. Joseph Solomon is the occultist that reluctant agrees to help Sophia with her ritual, he has plenty of experience and even when he knows she is lying he will help her.
Performances – Steve Oram and Catherine Walker are the main two stars of this movie, their performances need to be strong for this movie to work. They both give us captivating performance where you are wondering where the characters will be going next.
Story – The story dives into the idea of how far would you go to communicate with a dead loved one, would you turn to the occult knowing it wouldn’t be the best idea because of what else you could summon, or would you let the police punish the people responsible, these are the main questions being asked in this movie. When we follow the ritual side of the film doesn’t give us a full scale of the time the two are performing them, but then again the story doesn’t focus on the rituals that much, rather focusing on what would be the correct decision made by the Sophia.
Horror – The horror involved in this movie is mostly about what could happen with rituals are performed, we only get a moment of actual horror late in the film.
Settings – The settings keep the two in one house for up to a year which gives the characters the much-needed isolation for the rituals to happen.
Special Effects – The effects used in the film are save the few moments that need them and seem to be great practical use of them too.
Scene of the Movie – Cross the line.
That Moment That Annoyed Me – While you are left waiting for something to happen, not much does happen.
Final Thoughts – This is a horror that focuses more in the drama of what could happen and following to people that need to focus on letting the past lay over trying to scare us.
Overall: A horror that lacks the scares.
https://moviesreview101.com/2018/10/18/a-dark-song-2016/gnree/
With the rules set, the ritual begins leaving the two to need to be prepared for anything good or evil that they would summon from the other side.
Thoughts on A Dark Song
Characters – Sophia is the lady that wants to communicate with dead child, she has turned to an occultist to help her, she will go through as many different rituals to achieve her desired outcome. Joseph Solomon is the occultist that reluctant agrees to help Sophia with her ritual, he has plenty of experience and even when he knows she is lying he will help her.
Performances – Steve Oram and Catherine Walker are the main two stars of this movie, their performances need to be strong for this movie to work. They both give us captivating performance where you are wondering where the characters will be going next.
Story – The story dives into the idea of how far would you go to communicate with a dead loved one, would you turn to the occult knowing it wouldn’t be the best idea because of what else you could summon, or would you let the police punish the people responsible, these are the main questions being asked in this movie. When we follow the ritual side of the film doesn’t give us a full scale of the time the two are performing them, but then again the story doesn’t focus on the rituals that much, rather focusing on what would be the correct decision made by the Sophia.
Horror – The horror involved in this movie is mostly about what could happen with rituals are performed, we only get a moment of actual horror late in the film.
Settings – The settings keep the two in one house for up to a year which gives the characters the much-needed isolation for the rituals to happen.
Special Effects – The effects used in the film are save the few moments that need them and seem to be great practical use of them too.
Scene of the Movie – Cross the line.
That Moment That Annoyed Me – While you are left waiting for something to happen, not much does happen.
Final Thoughts – This is a horror that focuses more in the drama of what could happen and following to people that need to focus on letting the past lay over trying to scare us.
Overall: A horror that lacks the scares.
https://moviesreview101.com/2018/10/18/a-dark-song-2016/gnree/
Darren (1599 KP) rated Abduction (2011) in Movies
Jun 20, 2019
Story: Abduction starts as we meet rebellious high school student Nathan (Lautner) that is under strict training from his parents Kevin (Isaacs) and Mara (Bello) as well as his therapist Dr Bennet (Weaver) helping him control his anger problems. Nathan gets assigned to work with his high school crush Karen (Collins) in the latest project, which involved looking at missing children’s websites only to discover one of the kids looks just like him.
When Nathan learns the truth, he finds himself getting targeted and Nathan is wondering just who to trust with Dr Bennett, Agent Burton (Molina) or Kozlow (Nyqvist) in what will turn into a race against time to find safety.
Thoughts on Abduction
Characters/Performance – Nathan is a rebellious high school student, struggling with girls, studying and generally fitting in. he learns that he is in fact adopted but this opens the doors for people coming to capture him leaving him one option, running. Karen is the crush of Nathan and ends up in the middle of the chase also running for her life. Burton is the CIA operative trying to bring Nathan in before Kozlow can get his hands on him. Kozlow is a European enemy that came to America in search for Nathan for bargaining, nothing overly fancy about this character. Dr Bennett, Mara and Kevin all have a secret about what is going on with Nathan.
Performance wise, we all know Taylor Lautner isn’t known for his acting and it does clearly show here. Lily Collins is similar, while she has come a long way now back here she struggles. When we look at the older respected actors we get good supporting performances without shinning on any levels.
Story – The story follows the idea of a teenager learning his parents are not his parents leaving him on the run from enemies he doesn’t know who to trust. Having two teenagers outsmart CIA, international enemies and normal cops does come off rather farfetched which in places does nothing but disappoint in this film. as for entertainment value, this is simple enough for the fans of the genre.
Action/Mystery – The action is everything you expect with no extra special moments but the mystery about Nathan’s true identity is what is the only interesting part of the film.
Settings – Being on the run leaves us going through a string of generic settings for this type of film.
Special Effects – All the effects are fine without being anything special.
Final Thoughts – This is a film that has its flaws sure, but once it gets going it can become an edge of your seat thriller.
Overall: Simple, average and forgettable action film.
https://moviesreview101.com/2018/01/23/abduction-2011/
When Nathan learns the truth, he finds himself getting targeted and Nathan is wondering just who to trust with Dr Bennett, Agent Burton (Molina) or Kozlow (Nyqvist) in what will turn into a race against time to find safety.
Thoughts on Abduction
Characters/Performance – Nathan is a rebellious high school student, struggling with girls, studying and generally fitting in. he learns that he is in fact adopted but this opens the doors for people coming to capture him leaving him one option, running. Karen is the crush of Nathan and ends up in the middle of the chase also running for her life. Burton is the CIA operative trying to bring Nathan in before Kozlow can get his hands on him. Kozlow is a European enemy that came to America in search for Nathan for bargaining, nothing overly fancy about this character. Dr Bennett, Mara and Kevin all have a secret about what is going on with Nathan.
Performance wise, we all know Taylor Lautner isn’t known for his acting and it does clearly show here. Lily Collins is similar, while she has come a long way now back here she struggles. When we look at the older respected actors we get good supporting performances without shinning on any levels.
Story – The story follows the idea of a teenager learning his parents are not his parents leaving him on the run from enemies he doesn’t know who to trust. Having two teenagers outsmart CIA, international enemies and normal cops does come off rather farfetched which in places does nothing but disappoint in this film. as for entertainment value, this is simple enough for the fans of the genre.
Action/Mystery – The action is everything you expect with no extra special moments but the mystery about Nathan’s true identity is what is the only interesting part of the film.
Settings – Being on the run leaves us going through a string of generic settings for this type of film.
Special Effects – All the effects are fine without being anything special.
Final Thoughts – This is a film that has its flaws sure, but once it gets going it can become an edge of your seat thriller.
Overall: Simple, average and forgettable action film.
https://moviesreview101.com/2018/01/23/abduction-2011/
Darren (1599 KP) rated Aeon Flux (2005) in Movies
Jun 20, 2019
Story: We get a future world where humans have been nearly wiped out by a virus, good start. We have information about a dictator who has taken over because he had the cure of the virus and making sure his family stays in charge, Aeon is hired to kill him so a change can happen, but the first of many twists stops this. We have two people that both sides in a potential war want dead but these two hold the secret that could save mankind forever. We have seen it all before and in the future world we struggle to see a truly original idea, the twists save this from being plain boring but with very little use of supporting characters we don’t get much here. (6/10)
Actor Review
Charlize Theron: Aeon Flux deadly assassin who is assigned to kill Trevor Goodchild, but when she has a past connection with him she helps him uncover a truth that can change the future forever. Solid performance trying to make something out of a little known source material. (7/10)
aeon
Marton Csokas: Trevor Goodchild leader of the people who has cured the remaining people of a deadly virus but he is still working to uncover a truth that could save the peoples real future. Good performance in the supporting scientist role. (7/10)
trvor
Johnny Lee Miller: Oren Goodchild brother of Trevor who has always supported him but when the future could change he plans to take over and keep things running as before. Good villainous role wanting to make sure he can live forever. (7/10)
ohnny
Director Review: Karyn Kusama – Creates a basic entertaining film that never really challenges the audience. (5/10)
Action: Plenty of action but most is the same each time. (7/10)
Sci-Fi: Interesting look at the future after a virus that looks at many different parts of it including improving surviving. (7/10)
Settings: We are in one city for the whole film but it really doesn’t get used as well as it should have been. (6/10)
Special Effects: Basic special effects used in Aeon Flux with most of it being upgraded technology. (7/10)
Suggestion: I think this could be tried, it isn’t as good as it could be but can be entertaining at times. (Try It)
Best Part: Aeon entering a poisonous garden.
Worst Part: Been here seen that.
Action Scene Of The Film: Final battle
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Box Office: $52 Million
Budget: $62 Million
Runtime: 1 Hour 33 Minutes
Tagline: The future is flux.
Overall: Fun but not original action
https://moviesreview101.com/2014/11/16/aeon-flux-2005/
Actor Review
Charlize Theron: Aeon Flux deadly assassin who is assigned to kill Trevor Goodchild, but when she has a past connection with him she helps him uncover a truth that can change the future forever. Solid performance trying to make something out of a little known source material. (7/10)
aeon
Marton Csokas: Trevor Goodchild leader of the people who has cured the remaining people of a deadly virus but he is still working to uncover a truth that could save the peoples real future. Good performance in the supporting scientist role. (7/10)
trvor
Johnny Lee Miller: Oren Goodchild brother of Trevor who has always supported him but when the future could change he plans to take over and keep things running as before. Good villainous role wanting to make sure he can live forever. (7/10)
ohnny
Director Review: Karyn Kusama – Creates a basic entertaining film that never really challenges the audience. (5/10)
Action: Plenty of action but most is the same each time. (7/10)
Sci-Fi: Interesting look at the future after a virus that looks at many different parts of it including improving surviving. (7/10)
Settings: We are in one city for the whole film but it really doesn’t get used as well as it should have been. (6/10)
Special Effects: Basic special effects used in Aeon Flux with most of it being upgraded technology. (7/10)
Suggestion: I think this could be tried, it isn’t as good as it could be but can be entertaining at times. (Try It)
Best Part: Aeon entering a poisonous garden.
Worst Part: Been here seen that.
Action Scene Of The Film: Final battle
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Box Office: $52 Million
Budget: $62 Million
Runtime: 1 Hour 33 Minutes
Tagline: The future is flux.
Overall: Fun but not original action
https://moviesreview101.com/2014/11/16/aeon-flux-2005/
Darren (1599 KP) rated After Earth (2013) in Movies
Jun 20, 2019
Story: On paper this is a very good idea for a story, but it gets put together so badly it feels messy and confusing from start to finish. The idea that only two people that survive are father and son is a bit farfetched too. The biggest flaw I see is that Kitai is meant to be trained and thinks he is ready but as soon as he is out in the field he makes mistake after mistake even with the so called best helping him through the situations. If I was to give the mark on just how the story unfolds it would only get a 2 but I like the idea and with better performers it could work. (5/10)
Actor Review: Jaden Smith – Kitai trained to become a soldier against creatures that sense fear but doesn’t seem to stop panicking. Poor performance in this film it clearly is too much too soon for the young man. Poor Performance Award, Miscasted Award (4/10)
jaden
Actor Review: Will Smith – Cypher the injured father who spends most of the film telling his son what to do and shouting because he doesn’t follow the instructions. Remember when Will Smith was a selling point for any movie, well this time he just sold out, gets the career back on track and stop working for money. Pay Check Performance Award (2/10)
will
Director Review: M. Night Shyamalan – You have to give this guy credit for being able to create an unusual world but this isn’t his written work, he creates some good scenes but still expect better. (5/10)
Action: Lacklustre action throughout. (5/10)
Adventure: It could have been a great adventure film. It is not. (5/10)
Sci-Fi: With the world creature it is a interesting look at the future. (7/10)
Special Effects: Some good but mostly poor CGI effects. (5/10)
Chemistry: The awkward chemistry between father and son tries to shine but fails. (6/10)
Believability: Anything could happen the future but this is too much to imagine. (1/10)
Chances of Tears: No (0/10)
Settings: Earth in the future is an interesting setting and creates some atmosphere but it could have easily been in a normal jungle with real animals. (5/10)
Suggestion: This is poor it will most likely go down in Will Smith’s career as his worst film. (Avoid)
Best Part: The final battle is you make it that far
Worst Part: The first hour is boring.
Action Scene Of The Film: The final battle
Kill Of The Film: The final creature
Oscar Chances: No
Chances of Sequel: No
Overall: Terrible sci-fi thriller
https://moviesreview101.com/2014/12/02/after-earth-2013/
Actor Review: Jaden Smith – Kitai trained to become a soldier against creatures that sense fear but doesn’t seem to stop panicking. Poor performance in this film it clearly is too much too soon for the young man. Poor Performance Award, Miscasted Award (4/10)
jaden
Actor Review: Will Smith – Cypher the injured father who spends most of the film telling his son what to do and shouting because he doesn’t follow the instructions. Remember when Will Smith was a selling point for any movie, well this time he just sold out, gets the career back on track and stop working for money. Pay Check Performance Award (2/10)
will
Director Review: M. Night Shyamalan – You have to give this guy credit for being able to create an unusual world but this isn’t his written work, he creates some good scenes but still expect better. (5/10)
Action: Lacklustre action throughout. (5/10)
Adventure: It could have been a great adventure film. It is not. (5/10)
Sci-Fi: With the world creature it is a interesting look at the future. (7/10)
Special Effects: Some good but mostly poor CGI effects. (5/10)
Chemistry: The awkward chemistry between father and son tries to shine but fails. (6/10)
Believability: Anything could happen the future but this is too much to imagine. (1/10)
Chances of Tears: No (0/10)
Settings: Earth in the future is an interesting setting and creates some atmosphere but it could have easily been in a normal jungle with real animals. (5/10)
Suggestion: This is poor it will most likely go down in Will Smith’s career as his worst film. (Avoid)
Best Part: The final battle is you make it that far
Worst Part: The first hour is boring.
Action Scene Of The Film: The final battle
Kill Of The Film: The final creature
Oscar Chances: No
Chances of Sequel: No
Overall: Terrible sci-fi thriller
https://moviesreview101.com/2014/12/02/after-earth-2013/
Dieter Polcher (0 KP) Apr 22, 2017