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Bong Mines Entertainment (15 KP) rated Symbolism by Caracol in Music
Jul 10, 2019
Caracol is a bilingual singer-songwriter based in Montreal, Canada. Not too long ago, she released a music video for her “Flooded Field” single featuring Illa J (brother of the late Jay Dilla).
“I could be your island. Headlights in the distance reaching out in silence if you won’t tell me how the water came. How can I really get you out of it? Your heart is a flooded field. Tell me what it means. Don’t know how to get to you.” – lyrics
‘Flooded Field’ tells an interesting tale of a supportive woman who wants to comfort her significant other.
Apparently, he has built a wall, so she doesn’t know how to get to him. But she has patience, therefore, she urges him to open up so she can nurture him with love.
‘Flooded Field’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with an electro-reggae aroma.
‘Flooded Field’ is a featured track on Caracol’s latest album, entitled, “Symbolism”.
The 11-track project sums up her past musical experiences and her beginnings as a percussionist and back-up singer in reggae bands.
Also, it highlights her work as a sound engineer in film music and her presence in the songwriting community and pop music writing camps.
Her “Symbolism” adventure began when she met producer Joey Waronker during a creative trip to Los Angeles.
After falling in love with her demos, he decided to work with her, and during the recording process, Caracol reached new heights.
Caracol was recently nominated at the Canadian Indie Awards in the Electronic Artist of the Year category.
Her music influences include Santigold, Lykke Li, Grimes, Beach House, Wild Belle, and Portishead.
“I could be your island. Headlights in the distance reaching out in silence if you won’t tell me how the water came. How can I really get you out of it? Your heart is a flooded field. Tell me what it means. Don’t know how to get to you.” – lyrics
‘Flooded Field’ tells an interesting tale of a supportive woman who wants to comfort her significant other.
Apparently, he has built a wall, so she doesn’t know how to get to him. But she has patience, therefore, she urges him to open up so she can nurture him with love.
‘Flooded Field’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with an electro-reggae aroma.
‘Flooded Field’ is a featured track on Caracol’s latest album, entitled, “Symbolism”.
The 11-track project sums up her past musical experiences and her beginnings as a percussionist and back-up singer in reggae bands.
Also, it highlights her work as a sound engineer in film music and her presence in the songwriting community and pop music writing camps.
Her “Symbolism” adventure began when she met producer Joey Waronker during a creative trip to Los Angeles.
After falling in love with her demos, he decided to work with her, and during the recording process, Caracol reached new heights.
Caracol was recently nominated at the Canadian Indie Awards in the Electronic Artist of the Year category.
Her music influences include Santigold, Lykke Li, Grimes, Beach House, Wild Belle, and Portishead.
Noel Gallagher recommended The Hacienda Classics by Various Artists in Music (curated)
Jonathan Higgs recommended Electro-Shock Blues by Eels in Music (curated)
Bong Mines Entertainment (15 KP) rated Hypocritical - Single by NOA in Music
Jun 17, 2019
NOA is a 22-year-old singer-songwriter from Toronto, Ontario. Not too long ago, she released a music video for her lovely electro-pop tune, entitled, “Hypocritical”.
“As an artist and songwriter, I want to give others a voice through my writing. With my new single, I want people to know that they’re not alone and we’re only human. ‘Hypocritical’ was inspired by my own breakup aftermath. The realization that everything I didn’t want my ex to be doing, I was doing myself. also, in a post-breakup state, it’s so easy to get hung up on wanting your ex back, or at least not wanting him to move on. But in reality, whether you recognize it or not, you’re likely already moving on.” – NOA
‘Hypocritical’ tells a post-breakup tale of a young woman who struggles to let go of her ex-boyfriend.
Apparently, she has moved on with her personal life, but still wants to be with him, even though he no longer belongs to her.
Also, she doesn’t want to see him with another woman, even though she’s romantically involved with another guy.
‘Hypocritical’ is the first single of a series of songs that NOA will be releasing this year.
The likable tune contains a relatable storyline and ear-welcoming vocals. Also, the song possesses playful instrumentation scented with a dancy indie-pop aroma.
“Seeing my ex’s Instagram stories and Snapchats really highlighted these ‘Hypocritical’ feelings for me. Sometimes it’s okay to go through the motions and have these thoughts. But at the end of the day, we have to face ourselves in the mirror and continue to grow from the ups and downs.” – NOA
NOA’s fans have followed her to sold-out shows from Toronto’s Drake Hotel to Los Angeles’s Hotel Cafe.
Her music contains emo-themes from relationships to female empowerment and self-realization.
https://www.bongminesentertainment.com/noa-hypocritical/
“As an artist and songwriter, I want to give others a voice through my writing. With my new single, I want people to know that they’re not alone and we’re only human. ‘Hypocritical’ was inspired by my own breakup aftermath. The realization that everything I didn’t want my ex to be doing, I was doing myself. also, in a post-breakup state, it’s so easy to get hung up on wanting your ex back, or at least not wanting him to move on. But in reality, whether you recognize it or not, you’re likely already moving on.” – NOA
‘Hypocritical’ tells a post-breakup tale of a young woman who struggles to let go of her ex-boyfriend.
Apparently, she has moved on with her personal life, but still wants to be with him, even though he no longer belongs to her.
Also, she doesn’t want to see him with another woman, even though she’s romantically involved with another guy.
‘Hypocritical’ is the first single of a series of songs that NOA will be releasing this year.
The likable tune contains a relatable storyline and ear-welcoming vocals. Also, the song possesses playful instrumentation scented with a dancy indie-pop aroma.
“Seeing my ex’s Instagram stories and Snapchats really highlighted these ‘Hypocritical’ feelings for me. Sometimes it’s okay to go through the motions and have these thoughts. But at the end of the day, we have to face ourselves in the mirror and continue to grow from the ups and downs.” – NOA
NOA’s fans have followed her to sold-out shows from Toronto’s Drake Hotel to Los Angeles’s Hotel Cafe.
Her music contains emo-themes from relationships to female empowerment and self-realization.
https://www.bongminesentertainment.com/noa-hypocritical/
Bong Mines Entertainment (15 KP) rated The Juice: Vol. 1 by Emotional Oranges in Music
Jun 21, 2019
Emotional Oranges is an enigmatic outfit based in Los Angeles, California. Not too long ago, they released a music video for their “Good to Me” single, which is featured on their “The Juice: Vol. 1” EP.
“I say, what I don’t know. What I don’t know can’t hurt me no more. You play outta control and you never worry about letting me know. The things that you hide, my girls think I’m crazy. Say I’m wasting all my time. Still, I’m hitting up your line.” – lyrics
The Danilo Parra-directed audiovisual explores the artistry of partnership while playing with various mediums from pottery and dance to showcase romanticism.
The narrative tells an interesting tale of a young woman who shares a problematic relationship with her promiscuous young beau.
One day, she catches him involved in an unfaithful sexual act, which prompts her to state in furious anger that she no longer wants to be with him.
But, she’s too in love with him to let go. Also, she has said that she was leaving one too many times, only to return shortly afterward.
Even though he cheats on her, she’s still optimistic about their relationship and hopes he will start being good to her.
“This video deals with the haunting feeling of losing someone you’re truly connected to. When an intimate relationship between two people is very strong, they begin to solidify together. And when that type of tight bond is psychically separated, the spirit is still there and continues to be connected. Pottery and the idea of building something with your hands felt like the perfect visual representation of our message.” – Emotional Oranges
‘Good to Me’ contains a relatable storyline and ear-welcoming vocals. Also, it possesses groovy instrumentation flavored with electro-pop and modern dance elements.
Get acquainted with Emotional Oranges’ music by streaming their “The Juice: Vol. 1” EP.
“I say, what I don’t know. What I don’t know can’t hurt me no more. You play outta control and you never worry about letting me know. The things that you hide, my girls think I’m crazy. Say I’m wasting all my time. Still, I’m hitting up your line.” – lyrics
The Danilo Parra-directed audiovisual explores the artistry of partnership while playing with various mediums from pottery and dance to showcase romanticism.
The narrative tells an interesting tale of a young woman who shares a problematic relationship with her promiscuous young beau.
One day, she catches him involved in an unfaithful sexual act, which prompts her to state in furious anger that she no longer wants to be with him.
But, she’s too in love with him to let go. Also, she has said that she was leaving one too many times, only to return shortly afterward.
Even though he cheats on her, she’s still optimistic about their relationship and hopes he will start being good to her.
“This video deals with the haunting feeling of losing someone you’re truly connected to. When an intimate relationship between two people is very strong, they begin to solidify together. And when that type of tight bond is psychically separated, the spirit is still there and continues to be connected. Pottery and the idea of building something with your hands felt like the perfect visual representation of our message.” – Emotional Oranges
‘Good to Me’ contains a relatable storyline and ear-welcoming vocals. Also, it possesses groovy instrumentation flavored with electro-pop and modern dance elements.
Get acquainted with Emotional Oranges’ music by streaming their “The Juice: Vol. 1” EP.
Colin Newman recommended The Amateur View by To Rococo Rot in Music (curated)
Bong Mines Entertainment (15 KP) rated Cry Baby (Pt. 1) by Maja Francis in Music
Jun 7, 2019
Maja Francis is an Electro-Pop singer outta Stockholm, Sweden. Not too long ago, she released an excellent EP, entitled, “Cry Baby (Pt. 1)” EP.
I’M NOT A DISCO
Francis sings about being lonely and dancing on the dancefloor with tears in her eyes. She needs human contact from someone she’s currently in love with.
But there’s one problem. That person has his eyes on someone other than Francis.
Also, Francis makes it clear that she’s too real to get caught up in the bright disco lights. What she needs is a kiss under the moonlight around a warm fireplace.
FEEL
Francis recites a poem about her feelings. She urges listeners to wear their feelings like a tiara. Also, she sings about expressing yourself while in public.
STRESSED
Francis realizes her failed relationship started well but has now turned sour. She mentions crying her eyes out when the relationship was over.
Also, deep within, she wants to know why? Why did he leave her stressed out? It’s bad enough feeling lonely, but seeing him on the street is unbearable. Usually, she’s expressive. But when she sees him, she can’t utter a word.
SAVED BY THE SUMMER
Francis shines brightly on our favorite song on the EP. Her warm voice sounds wonderful and expresses the warmth of a summer vacation filled with lots of fun. No longer does Francis think about her ex? She has moved on to bigger and better thing.
BREAK
Francis recites a poem about her mental state of mind after her breakup.
CRY BABY
Francis ends the project with a lovely ballad. During a previous interview, she told us that this was her favorite song on the EP.
Francis sings that it’s therapeutic to cry. Also, crying is a prerequisite for letting go of a hurtful past.
CONCLUSION
Maja Francis’ “Cry Baby (Pt. 1)” EP is an excellent project filled with heartfelt tunes, relatable lyrics, and an evergreen theme. Also, it guides listeners on a recovery path towards achieving happiness after a hurtful breakup.
https://www.bongminesentertainment.com/maja-francis-cry-baby-pt-1/
I’M NOT A DISCO
Francis sings about being lonely and dancing on the dancefloor with tears in her eyes. She needs human contact from someone she’s currently in love with.
But there’s one problem. That person has his eyes on someone other than Francis.
Also, Francis makes it clear that she’s too real to get caught up in the bright disco lights. What she needs is a kiss under the moonlight around a warm fireplace.
FEEL
Francis recites a poem about her feelings. She urges listeners to wear their feelings like a tiara. Also, she sings about expressing yourself while in public.
STRESSED
Francis realizes her failed relationship started well but has now turned sour. She mentions crying her eyes out when the relationship was over.
Also, deep within, she wants to know why? Why did he leave her stressed out? It’s bad enough feeling lonely, but seeing him on the street is unbearable. Usually, she’s expressive. But when she sees him, she can’t utter a word.
SAVED BY THE SUMMER
Francis shines brightly on our favorite song on the EP. Her warm voice sounds wonderful and expresses the warmth of a summer vacation filled with lots of fun. No longer does Francis think about her ex? She has moved on to bigger and better thing.
BREAK
Francis recites a poem about her mental state of mind after her breakup.
CRY BABY
Francis ends the project with a lovely ballad. During a previous interview, she told us that this was her favorite song on the EP.
Francis sings that it’s therapeutic to cry. Also, crying is a prerequisite for letting go of a hurtful past.
CONCLUSION
Maja Francis’ “Cry Baby (Pt. 1)” EP is an excellent project filled with heartfelt tunes, relatable lyrics, and an evergreen theme. Also, it guides listeners on a recovery path towards achieving happiness after a hurtful breakup.
https://www.bongminesentertainment.com/maja-francis-cry-baby-pt-1/
Bong Mines Entertainment (15 KP) rated L.A. - Single by Kyan in Music
Jun 18, 2019
Kyan is a singer-songwriter and producer from Cambridge, England. Not too long ago, he released a music video for his “L.A.” single, which was shot in South Africa.
“I came across an incredible self-portraiture photographer, Danielle Terblance, on Instagram. I had had this video concept in the back of my head for a while to create a narrative around a series of still images. We created it using 500 photographs, edited down from the 4,000 we took over the two shoot days. The piece follows my character as a fallen angel, attempting to navigate his way through the South African landscape back to The City of Angels (L.A.).” – Kyan
‘L.A.’ tells an interesting tale of a young guy with an aching heart who relocates to L.A to get his mind right.
Apparently, he tries his best to cope with life after experiencing an emotional breakup with his ex-girlfriend. Even though L.A. is five thousand miles away from where she stays, he can’t seem to get her out of his mind.
Later, he admits that he’s been lying on a sofa for a week. Also, in his mind, she’s everywhere he goes and in everything he knows. Therefore, he realizes that he needs her in his life.
‘L.A.’ contains a bittersweet storyline, ear-welcoming vocals, and lush instrumentation flavored with sentimental elements.
“The narrative concept came from my personal experience of traveling to L.A. after a breakup with my long-term girlfriend and record label. I’d always viewed L.A. as this distant, shining beacon of dreams and opportunity. Then, all of a sudden, I was going there under really difficult circumstances. Due to the breakups, the trip had switched from being something I was running to, to something I was running from. In the weeks before the trip, L.A. became an escape, a chance for air amongst the intense emotional claustrophobia I was experiencing inside.” – Kyan
Since releasing his debut EP, entitled, “The Purple Experiment” in 2014, Kyan has toured with the critically acclaimed trio, London Grammar.
Also, he has had a series of collaborations with the likes of Cedric Gervais & Just Kiddin, Duke Dumont, electro-pop king Madeon, Benga, and Knox Brown.
https://www.bongminesentertainment.com/kyan-la/
“I came across an incredible self-portraiture photographer, Danielle Terblance, on Instagram. I had had this video concept in the back of my head for a while to create a narrative around a series of still images. We created it using 500 photographs, edited down from the 4,000 we took over the two shoot days. The piece follows my character as a fallen angel, attempting to navigate his way through the South African landscape back to The City of Angels (L.A.).” – Kyan
‘L.A.’ tells an interesting tale of a young guy with an aching heart who relocates to L.A to get his mind right.
Apparently, he tries his best to cope with life after experiencing an emotional breakup with his ex-girlfriend. Even though L.A. is five thousand miles away from where she stays, he can’t seem to get her out of his mind.
Later, he admits that he’s been lying on a sofa for a week. Also, in his mind, she’s everywhere he goes and in everything he knows. Therefore, he realizes that he needs her in his life.
‘L.A.’ contains a bittersweet storyline, ear-welcoming vocals, and lush instrumentation flavored with sentimental elements.
“The narrative concept came from my personal experience of traveling to L.A. after a breakup with my long-term girlfriend and record label. I’d always viewed L.A. as this distant, shining beacon of dreams and opportunity. Then, all of a sudden, I was going there under really difficult circumstances. Due to the breakups, the trip had switched from being something I was running to, to something I was running from. In the weeks before the trip, L.A. became an escape, a chance for air amongst the intense emotional claustrophobia I was experiencing inside.” – Kyan
Since releasing his debut EP, entitled, “The Purple Experiment” in 2014, Kyan has toured with the critically acclaimed trio, London Grammar.
Also, he has had a series of collaborations with the likes of Cedric Gervais & Just Kiddin, Duke Dumont, electro-pop king Madeon, Benga, and Knox Brown.
https://www.bongminesentertainment.com/kyan-la/
Nick McCabe recommended EPs 1991-2002 by Autechre in Music (curated)
Kyera (8 KP) rated Rise of the Elgen (Michael Vey, #2) in Books
Feb 1, 2018
Michael is a 14-year-old who has electrical powers and is joined in this novel by his fellow Electro-Clan members. In this book, Michael and his friends must battle the Elgen again in order to save his mother from their clutches. It was nice to see the world we had come to inhabit in the first book expanded in the second. We got a deeper look into the Elgen, their plans and one of their other secret locations. If you haven't read the first book, this may spoil you so please read that (or my first review) before you read the second book's review.
I felt the same way about the second book as I did the first. The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
There was a little more character development in this novel than the first, as I found myself connecting to the characters more. Although I still don't find that they are three-dimensional enough, I do care if they succeed or not. The relationship between Michael and Taylor was very insta-love-y in the first book, but I liked seeing more support for it in this book. It is starting to feel more authentic and less like an overused trope.
As there are five other books in the series, I hope that the character development and world building will be improved upon. It definitely continued from the first to the second book and I felt more knowledgeable about the world as the story continued. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
I felt the same way about the second book as I did the first. The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
There was a little more character development in this novel than the first, as I found myself connecting to the characters more. Although I still don't find that they are three-dimensional enough, I do care if they succeed or not. The relationship between Michael and Taylor was very insta-love-y in the first book, but I liked seeing more support for it in this book. It is starting to feel more authentic and less like an overused trope.
As there are five other books in the series, I hope that the character development and world building will be improved upon. It definitely continued from the first to the second book and I felt more knowledgeable about the world as the story continued. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.