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Size of Relief by Young & Sick
Size of Relief by Young & Sick
7
7.0 (1 Ratings)
Album Rating
Polar Youth is a 24-year-old producer from Ghent, Belgium. Not too long ago, she released a lovely electro-R&B duet, entitled, “Call Out”, featuring WAYI & Lani Rose.

“In a way, you told me lies, in a way you let me go. In a way, you said goodbye, my heart jumped on the floor. Felt it all the way outside the door when you said you didn’t need me anymore. Felt the pain in my heart when you said, ‘let me go’.” – lyrics

‘Call Out’ tells a bittersweet tale of a once budding couple who experience an emotional breakup.

Apparently, the guy is the one who broke off the problematic relationship, and now the woman feels like falling.

The likable tune contains a relatable storyline, ear-welcoming vocals, and mellow instrumentation flavored with atmospheric pop synths and ethereal electronic sounds.

“The main inspiration behind ‘Call Out’ is something everyone has felt at some point in their life. Loving someone so hard but being pushed away, leaving you desperate and heartbroken.” – Polar Youth

Polar Youth prides herself in adding heart & pop melodies in electronic music.

Her recipe has earned her Red Bull Elektropedia’s Most Promising Artist Award, a remix released under Majestic Casual, and a collaboration with DJ Fresh.

For this release, she put the spotlight on WAYI, who is endorsed by BBC 1Xtra and Elton John, and 21-year-old St. Louis-based singer Lani Rose.

‘Call Out’ is featured on her debut EP, entitled, “Lost & Found”. The 6-track project also features Fortress, Trent the HOOLiGAN, Sangstaa, and ËMIA.
  
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Chino Moreno recommended Saturdays=Youth by M83 in Music (curated)

 
Saturdays=Youth by M83
Saturdays=Youth by M83
(0 Ratings)
Album Favorite

"I've liked this band for a long time, and I think this is the best work. I love the sound, the programming he does, the synths he uses, but this record has great songs, he was able to craft these complete songs. The structures of them are really good, and the girl who sings on it, her voice is superb. The production is so big, and reminiscent of 80s music, so it is nostalgic for me, it takes me back to my youth. For just one dude to be making this it's pretty awesome. I've always been a fan of shoegaze, and when I first heard M83 I took it to my friends and said 'you've got to hear this, it's an electronic shoegaze band'."

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Boredom Is Deep and Mysterious by Various
Boredom Is Deep and Mysterious by Various
(0 Ratings)
Album Favorite

"My wife and I had moved back to Britain in 1992 and we were interested in every kind of electronic music. Before we left, we knew people that worked for R&S Records, and they brought around the first white label of Aphex Twin’s Digeridoo. We were just blown away by it. At the time, the space opened up for a lot of small labels like ours [Swim ~]. What was great about that world was that anybody could do it. You didn’t have to be British or American. That’s the great thing about the Boredom Is Deep and Mysterious compilation, which I was introduced to by a journalist. It was all Danish artists and it has the splendidly named Dub Tractor and Double Muffled Dolphin."

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Vince Clarke recommended Led Zeppelin IV by Led Zeppelin in Music (curated)

 
Led Zeppelin IV by Led Zeppelin
Led Zeppelin IV by Led Zeppelin
1971 | Rock
8.0 (1 Ratings)
Album Favorite

"The classic Led Zeppelin record. Again I got into that much later, 1995 or something. A guy who used to work at our studio was really into them. 'Stairway To Heaven' I knew because we used to play that at our guitar club. They were almost a precursor to The Sex Pistols, except they were better musicians, it was just very heavy rock & roll. We never had a synth club at school. What happened was when Depeche started I was playing guitar, Fletcher was playing bass and we had a drum machine. Then all these electronic bands started like Gary Numan and OMD, and we thought, ""you know what, maybe we can enter into that world instead"". Our guitar playing wasn't up to scratch, probably."

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Wilder Woods by Wilder Woods
Wilder Woods by Wilder Woods
8
8.0 (1 Ratings)
Album Rating
Atlantic Records recording artist Wilder Woods is back with a new single and music video to promote his upcoming debut LP. Electric Woman features a retro-soul melody combined with a slinky electronic groove, yielding a raw and understated homage to the female form delivered with a signature throwback-flair.

The music video stars Bear Rinehart’s wife, Mary Reames Rinehart, and gives listeners a peek at what real chemistry looks like between the young and beautiful. The canyons at sunset create a wistful backdrop for this exploration of honeymoon love, while Wilder Woods again joins his love of classic style with modern sounds, extending a perfect moment into the ether of collective experience. We are there also, dancing under the stars with our beloved.
  
Selected Ambient Works 85-92 by Aphex Twin
Selected Ambient Works 85-92 by Aphex Twin
1992 | Rhythm And Blues, Techno
7.7 (7 Ratings)
Album Favorite

"I remember first hearing 'Xtal' - that is the sexiest ambient electronic song for me. I remember being in my first year of university in Brighton and moving away from home and being a bit lost and lonely in some ways, in this tiny little halls of residence room. This album, Ambient Works, was just constantly on my Walkman and I'd been exploring Björk, The Black Dog, Aphex Twin and Boards Of Canada, all this electronic music, this world that was opening up to me from the early to mid-nineties, which I was discovering it a bit later. I'd actually at that point bought a QY-70, which is a Yamaha sequencer - I remember reading Björk had written Debut on it and Tricky had one. Listening to Ambient Works, for the first time it seemed possible that I understood how those things were layered up - beats and beautiful little melodies and there was no singing on it, which for me at the time was great because I was very shy about singing. I remember just hearing that and then going to my QY and hearing little synth sounds that sounded similar. Although Aphex Twin's synth sounds were, in hindsight, put through loads of pedals - I can hear that he's got field recordings layered on top of stuff and probably synths he's made himself - but it made sense to me and encouraged me to go and make my own ambient songs. I remember meeting Aphex Twin around that time at a Björk Vespertine concert. I'd met him once before and I went up to him with my MiniDisc player, which I used to put things I'd produced on, and I played him a song at the bar. I kind of knew him at the time a little bit by face, I think we'd met at some nights he was doing at a warehouse in London and me and my boyfriend at the time liked dancing and going out, and I played it to him and he said: ""I think it's really good. The production's quite good for a girl"". [laughs] That's what he said to me! I didn't take it as a bad thing. I was just like, ""cool"". I mean, Aphex Twin liked my production skills, so whether I'm a girl or not, it's fine. But I just remember thinking how funny that was - but I took it like ""that's a real stamp of approval for me"". I do think he's been a really pivotal figure and an important person in my life, because he does electronic music and it's really sexy and emotional. It wasn't cold like some of the other people, like Stockhausen, but I felt like he understood the dance movement and got the loved-up aspect to ambient music. There's a darkness to it, and a light, but a real twisted, disgustingness in what he does, like 'Come To Daddy' and 'Windowlicker', this rank Englishness, [adopts croaky drawl] ""come to daddddyyyy!"", all that weird shit. He's got a sense of humour and just seems to be one of the modern day composers of our time that understood emotionalism in electronic music. Dirty, disgustingness and kind of surreal, how to fuck with your mind, and his body of work is huge. So, yeah, I think he's a dude."

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Moby recommended Silver Apples by Silver Apples in Music (curated)

 
Silver Apples by Silver Apples
Silver Apples by Silver Apples
1968 | Electronic, Psychedelic
8.0 (1 Ratings)
Album Favorite

"I did an Apple iTunes show at the Roundhouse, and they asked me 'if you could have anybody in the world playing with you, who would it be?' And I said 'oh, Silver Apples'. I'd seen him play the Knitting Factory in New York, and I thought that if I asked him to play with me his response would be a resounding 'no', but he was really enthusiastic and happy to do it, he's just this cool guy with a nice hippy girlfriend. Everything about them, the fact that he invented his own equipment, and he did kind of single-handedly invent electronic dance music. You listen to 'Oscillations' and maybe someone would challenge me on this, but I think that's the moment when... before that, electronic dance music didn't exist. It's got the four on the floor kick, all the different synth textures, even the subject matter, singing about technology. That's techno in 1968. Silver Apples came out of that Lower Manhattan performance art scene, starting as them playing music for artists on LSD dancing in lofts. There's one song that they've done that I've always wanted to cover, the song 'I Have Known Love', and every couple of years I go back to it and try and cover it, but every version I've tried to do of it is terrible. At some point in my life I want to try and find someone to do it with because it's a really beautiful song... Maybe I should just accept the fact that the original is perfect and it doesn't need to be covered."

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Pleasures by DIRTY RADIO
Pleasures by DIRTY RADIO
8
8.0 (1 Ratings)
Album Rating
DIRTY RADIO is a DJ, producing, and songwriting duo from Canada. Not too long ago, they released their long-awaited third studio album, entitled, “Pleasures”.

“Our primary goal was to collaborate with all our favorite musicians and producers and then see what would happen. In writing and producing our past albums, we remained pretty introverted during the writing and recording process, only inviting a few key people to assist. For this record, we wanted to push ourselves creatively to write the best songs we could while remaining open to other ideas. Geographically speaking, we recruited collaborators on this record from Berlin, Brighton, L.A., Australia, Las Vegas, and here in Vancouver.” – DIRTY RADIO

‘Pleasures’ contains a diverse, interwoven array of singles which display DIRTY RADIO’s musical evolution through the lens of their irresistible R&B-infused electronic beats.

The likable project offers a delightfully diverse assortment of music ranging from future-house, garage, soul, and electro-infused R&B.

Also, the 16-track album contains relatable storylines, ear-welcoming vocals, and groovy instrumentations flavored with an electro-dance aroma.

“This album is much more focused than our previous records. We really wanted to hone in on creating music we would be excited to perform live while also exploring and improving on our style (House/R&B). Although we have focused on releasing singles for the past few years. We wanted this album to be something you could listen to from beginning to end.” – DIRTY RADIO

Since 2010, DIRTY RADIO has been crafting a satisfying synthesis of progressive soul, R&B, and electronic music.

With their diverse musical influences, the multi-instrumentalists and producers have been working tirelessly in their studio.

Also, they’ve been racking up impressive Soundcloud and Spotify numbers. Plus, releasing tracks for iconic labels such as Spinnin’, Partyfine, Majestic Casual, and Mad Decent.

https://www.bongminesentertainment.com/dirty-radio-pleasures/
  
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Vince Clarke recommended Hotel California by Eagles in Music (curated)

 
Hotel California by Eagles
Hotel California by Eagles
1976 | Rock
8.0 (4 Ratings)
Album Favorite

"I've never seen them live, but I've seen loads of footage of them performing live. 'Hotel California' is an incredible track, or at least I think so. It's like a best of American rock, or country rock or whatever you want to call it, it's the perfect example of that genre. It's got perfect harmonies, really good songs. I love watching them with their double necked guitars and shit like that, it's just really professional, really impressive, something that I could never do. It's an admiration thing. I got into The Eagles late, about 1990 or something. I started hearing them a lot on the radio, I'd known their songs but hadn't paid any attention to them in any detail. Then when I started listening to them properly, I thought, ""Yeah man, that's pretty damn cool"". Living in America it's been interesting to discover that there's a much bigger alternative scene here than I imagined there was. I live in Brooklyn and there's a big electronic scene here, lots of people doing experimental music. The whole thing started with electroclash really, I loved that [chuckles], it was so cheeky. Since I did that record [VCMG] with Martin Gore I've been listening to a lot of techno stuff, it's not one particular artist, but I'm on Beatport every day. It's quite a revelation, I was quite out of touch with electronic music, but now I'm finding loads of new stuff. I'm working on another collaboration record, with various DJs and mixers, it's quite a long project, but I thought that rather than work with an individual it'd be interesting to get different people, get different angles on the music. Hopefully when Martin comes off tour and has a bit of time we could do another record together, because I really enjoyed doing the last one."

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Rainbow in Curved Air by Terry Riley
Rainbow in Curved Air by Terry Riley
1969 | Rock
(0 Ratings)
Album Favorite

"The avant-garde comes to the mainstream. At the time, Terry Riley was an avant-garde composer. He still is, but he's probably more so known for his work in the late '60s. Indian music at the time was coming into focus because of The Beatles and psychedelic music. So his compositions - especially this one - were really hypnotic, very mantra-esque. I think Terry Riley influenced more in a pop sense than in a rock sense, and I think A Rainbow In Curved Air has probably equal influence to Sgt. Pepper's. And you can quote me on that! It's obviously where The Who got the name 'Baba O'Riley', where the band used synthesisers - that's from Terry Riley. We cut our teeth in Buffalo, NY, in the early '80s and in that time the place was at the height of avant-garde. They opened a music school where they featured all the greats - Terry Riley, Steve Reich and Tony Conrad - just a ton of avant-garde composers, who later became more famous. It was such a central point for the electronic avant-garde movement, one that hadn't been around since San Francisco in the late '60s. It influences everything that Grasshopper and I do. We have strange polarities of the melancholy, romantic side of us. Then we also have the avant-garde side of us. The rock & roll side of us is probably the least prominent in our music. One of our albums, Snowflake Midnight, is also our homage to that bygone era of electronic music. Once you put it on, you think, ""Oh that's where all that William Orbit and Moby stuff comes from."" If you look all the way back, that's Terry Riley. It was the beginning of synthesisers, arpeggio synths also, which eventually became modern dance music. It was his motif of making it more hypnotic."

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