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The Poe Shadow
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“I present to you . . . the truth about this man’s death and my life.” Baltimore, 1849. The...
Budget~ Expense Tracker,Bill Reminder,Debt Manager
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Have been on the TOP-1 category in 58 countries such as America, Japan, Russia, Canada, Italy and...
Warsaw Boy: A Memoir of a Wartime Childhood
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Warsaw Boy is the remarkable true story of a sixteen-year old boy soldier in war-torn Poland 'The...
Berlin Marco Polo Spiral Guide
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For advice you can trust, look no further than Marco Polo. The Berlin Marco Polo Spiral Guide is a...
iFax - Send fax from phone
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"EXCEPTIONAL" - PCWorld "I HIGHLY RECOMMEND!" - Macworld ● Send Faxes Quickly - Simple and easy....
Blitzer.de PRO
Navigation and Travel
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Blitzer.de is Europe's biggest traffic community with over 4 million active users. Join us and...
Carma (21 KP) rated A Snowbound Scandal in Books
Jun 17, 2019
Chase Ferguson and Miriam Mimi Andrix knew each other 10 years ago. Very well as a matter of fact, but neither could survive in the others lifestyle. A Snowbound Scandal by Jessica Lemmon tells their story from 10 years later amid a possible mayoral scandal involving Chase and an old picture of activist Mimi.
Chase Ferguson is now Mayor in Dallas Texas. Miriam Mimi Andrix is from Bigfork Montana still an activist in her own right but more teacher than doer these days. They couldnt still be more on the opposite sides of life if they tried. 10 years ago Chase and Mimi started a love affair that lasted all summer, until their social standings and callings got in the way and Chase let Mimi go.
All Chase has wanted to do since that moment was get her back but he knew he couldnt bend her to fit into his life in Dallas, just as he couldnt fit into her life in Montana. He did keep tabs on her and bought the mansion they used to fantasize about living in together one day. He regretted that decision all these years later and when a scandal threatens to expose that relationship and use it for harm, he goes to Bigfork in hopes of making it right.
Mimi has received notice of the scandal threat too, and may have even Googled Chase to see what his life had become. Heading to the grocery store for Thanksgiving supplies she never expected to run into him in Bigfork. He gives her his private number and she later invites him to Thanksgiving dinner, which he declines. She then makes it her mission to give him a piece of her mind and set him straight about just exactly who she is.
Chase and Mimi go round and round about the past and who is responsible or not. An unexpected snowstorm traps Mimi at the Mansion for days and they find they are not quite as over each other as they would want the other to believe.
In the end, they both decide to go their separate ways again to live the lives they are currently living, separate from the other. But will they finally give love a chance to overcome the biggest obstacles in their lives?
I received an advance copy from Netgalley without expectation for review. Any and all opinions expressed are my own.
Chase Ferguson is now Mayor in Dallas Texas. Miriam Mimi Andrix is from Bigfork Montana still an activist in her own right but more teacher than doer these days. They couldnt still be more on the opposite sides of life if they tried. 10 years ago Chase and Mimi started a love affair that lasted all summer, until their social standings and callings got in the way and Chase let Mimi go.
All Chase has wanted to do since that moment was get her back but he knew he couldnt bend her to fit into his life in Dallas, just as he couldnt fit into her life in Montana. He did keep tabs on her and bought the mansion they used to fantasize about living in together one day. He regretted that decision all these years later and when a scandal threatens to expose that relationship and use it for harm, he goes to Bigfork in hopes of making it right.
Mimi has received notice of the scandal threat too, and may have even Googled Chase to see what his life had become. Heading to the grocery store for Thanksgiving supplies she never expected to run into him in Bigfork. He gives her his private number and she later invites him to Thanksgiving dinner, which he declines. She then makes it her mission to give him a piece of her mind and set him straight about just exactly who she is.
Chase and Mimi go round and round about the past and who is responsible or not. An unexpected snowstorm traps Mimi at the Mansion for days and they find they are not quite as over each other as they would want the other to believe.
In the end, they both decide to go their separate ways again to live the lives they are currently living, separate from the other. But will they finally give love a chance to overcome the biggest obstacles in their lives?
I received an advance copy from Netgalley without expectation for review. Any and all opinions expressed are my own.
Thailand Marco Polo Spiral Guide
Book
For advice you can trust, look no further than Marco Polo. The Thailand Marco Polo Spiral Guide is a...
Lee (2222 KP) rated Last Christmas (2019) in Movies
Nov 16, 2019
I guess I’m not exactly the target audience for a Christmas rom-com, but I don’t usually mind them. Providing the leads have believable chemistry, there’s a good story behind it all, a few laughs and something that gives you that Christmas feel good feeling, I’m happy to watch them. Sadly though, for the most part, Last Christmas struggles to tick most of those boxes.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Movie Metropolis (309 KP) rated Logan (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Third time lucky?
The X-Men franchise is as convoluted as Spaghetti Junction. Littered with constantly changing timelines, it has become the epitome of tiring and fans are getting exasperated too. With every great film (X2, X-Men: Days of Future Past), the series has followed it with some truly awful movies (X-Men: Origins Wolverine, X-Men: Apocalypse).
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/