Search
Search results
Movie Metropolis (309 KP) rated Season of the Witch (2011) in Movies
Jun 11, 2019
Nicholas Cage, Warriors, Demons, Witcraft; Season of the Witch really does have it all. However, all that appears interesting is lost in Dominic Sena’s (Whiteout) bland and forgettable biblical road movie.
Whilst it may not be the worst film in the past twelve months, something which still seemingly belongs to Clash of the Titans, there is little here to differentiate it from the frequent blockbuster drivel that Hollywood seems to spit out these days.
Nicholas Cage and Ron Perlman star alongside a host of two dimensional characters which bizzarly includes home grown star Robert Sheehan (Misfits) who perhaps plays the films best role in newfound warrior Kay. Unfortunately, his stellar performance is overshadowed by a script that’s as bland as the special effects.
The saving grace of the film is in its fabulous set pieces which really do shine through, the choice of location and fabulous cinematography especially in the early battle sequences are fantastic and made the film look like it was going to be more of a success than it actually was. It is here that Sena must be given credit as the movie could’ve been much better if it had followed from the quality of the opening.
It is important to note that the CGI and special effects are not being praised here because on a budget of around $40m, the designers could’ve done a whole lot better than some very questionable looking wolves and melting metal.
Cage, who isn’t without his fair share of criticism as an actor is completely miscast in his role, speaking contrived one-liners that won’t shake off those critics who say he cannot act in anything but action movies, but to be fair, this is not entirely his fault, the script leaves much to be desired and poor old Nick is stuck slap bang in the middle, sitting on the fence between his wrongful characterisation and his need to please the critics.
Alongside Cage is Claire Foy, a relatively unknown actress trying to make a big budget breakthrough as ‘the girl’, a rather unfair accreditation at the end of the film. She actually plays the ‘witch’ and does so well, but there isn’t enough dialogue for her to become a central role in the film, so in the end, she sits in a cage for the entire duration and looks menacing; if that’s what you want to call it. This is a problem that blights the entire film, there are only a handful of characters but the alarmingly poor script means that much of what they say is forgotten.
Overall, director Dominic Sena has missed a trick with this biblical tale, unfortunately it doesn’t do enough to make it stand out and therefore it’s lost in a muddle of poor scriptwriting and poor special effects. However, a few standout performances do save it from being a complete disaster and as such, it just about becomes a passable tale.
https://moviemetropolis.net/2011/01/12/season-of-the-witch-2011/
Whilst it may not be the worst film in the past twelve months, something which still seemingly belongs to Clash of the Titans, there is little here to differentiate it from the frequent blockbuster drivel that Hollywood seems to spit out these days.
Nicholas Cage and Ron Perlman star alongside a host of two dimensional characters which bizzarly includes home grown star Robert Sheehan (Misfits) who perhaps plays the films best role in newfound warrior Kay. Unfortunately, his stellar performance is overshadowed by a script that’s as bland as the special effects.
The saving grace of the film is in its fabulous set pieces which really do shine through, the choice of location and fabulous cinematography especially in the early battle sequences are fantastic and made the film look like it was going to be more of a success than it actually was. It is here that Sena must be given credit as the movie could’ve been much better if it had followed from the quality of the opening.
It is important to note that the CGI and special effects are not being praised here because on a budget of around $40m, the designers could’ve done a whole lot better than some very questionable looking wolves and melting metal.
Cage, who isn’t without his fair share of criticism as an actor is completely miscast in his role, speaking contrived one-liners that won’t shake off those critics who say he cannot act in anything but action movies, but to be fair, this is not entirely his fault, the script leaves much to be desired and poor old Nick is stuck slap bang in the middle, sitting on the fence between his wrongful characterisation and his need to please the critics.
Alongside Cage is Claire Foy, a relatively unknown actress trying to make a big budget breakthrough as ‘the girl’, a rather unfair accreditation at the end of the film. She actually plays the ‘witch’ and does so well, but there isn’t enough dialogue for her to become a central role in the film, so in the end, she sits in a cage for the entire duration and looks menacing; if that’s what you want to call it. This is a problem that blights the entire film, there are only a handful of characters but the alarmingly poor script means that much of what they say is forgotten.
Overall, director Dominic Sena has missed a trick with this biblical tale, unfortunately it doesn’t do enough to make it stand out and therefore it’s lost in a muddle of poor scriptwriting and poor special effects. However, a few standout performances do save it from being a complete disaster and as such, it just about becomes a passable tale.
https://moviemetropolis.net/2011/01/12/season-of-the-witch-2011/
KalJ95 (25 KP) rated Resident Evil 3 (Remake) in Video Games
Apr 10, 2020
Nemesis. Oh, Nemesis. (1 more)
An action focused plot works more for Jill's experience in Racoon City.
Unbelievably short campaign. (2 more)
Cut corners for both the narrative and Nemesis.
Feels like downloadable content for RE2.
Nemesis of their own making.
RE3 is an enigma. After last years remake for RE2, I think the bar was set very high for RE3 to be on par, if not even better due to the introduction of the ultimate weapon in Nemesis. And although the action is amped up significantly, the horror is still here in buckets. So, this is another Resident Evil classic, revamped from the ground up, a classic for the current generation, right?
No, not in the slightest.
RE3 feels rushed, as if Capcom listened to fans begging for their next slice of nostalgia, and wanted to capitalise on the success of RE2. While RE2 felt like a continuous flow of Leon/Claire's story, RE3 feels like segments, all separated within cutscenes. This is more evident when you keep flitting between Jill and Carlos, both of whom don't have as much charisma or emotional weight as Claire or Leon. The opening is a blast of adrenaline and bullets, all contained within the beautifully burning remains of Racoon City. There is just enough exploration, puzzles and zombies to keep you satisfied. That is until Nemesis enters the game. As soon as the indestructible behemoth appears for a second time, the cat and mouse chase begins. Reminiscent of Mr X but on steroids, he simply never lets up, constantly on your back, looking to kill Jill whatever it takes. It's utterly relentless, thrilling, heart-pounding. This section was everything I expected RE3 to be.
Then everything collapsed under sections of nothing more than point and shoot. I know, this is RE, but the fear feels drained from the experience. Nemesis himself becomes a background character, simply added to the story just for boss battles. His pursuit of Jill doesn't feel spontaneous, but scripted, exactly the opposite of Mr X. The realisation of how disappointed I felt towards RE3 was when I discovered sections of the game were simply reused from RE2. The creativity that went into RE2 was so meticulous, crafted and positioned for the players experience. When I entered the Police Station with Carlos, a mass onslaught of zombies gathered in one section, only meant for me to rain bullets upon them. And this is the issue with the entire experience. Its nothing more than a five hour storm of sections of shooting monsters.
I do hate this game though. RE3 is fun, and anything remotely like last years experience I will play and enjoy. The story of Jill's residency in Racoon City being turned upside down over the space of a few days is excellent, and the new sections are all well fleshed out and great to explore, especially Racoon City and the Hospital. Its extremely short, and for a full retail price I think its absolutely scandalous, but there's so much replay value here.
If I had to end the review here, I want to end it on a message solely centred at Capcom. Why, in the name of God did you focus your time on the multiplayer mode, Resistance, rather than properly making RE3 a full experience? The past tells you Resident Evil doesn't work well mixed with multiplayer. For as much fun I had within my four hours and thirty two minute playthrough, this game is nothing more than DLC for RE2. And that hurts.
No, not in the slightest.
RE3 feels rushed, as if Capcom listened to fans begging for their next slice of nostalgia, and wanted to capitalise on the success of RE2. While RE2 felt like a continuous flow of Leon/Claire's story, RE3 feels like segments, all separated within cutscenes. This is more evident when you keep flitting between Jill and Carlos, both of whom don't have as much charisma or emotional weight as Claire or Leon. The opening is a blast of adrenaline and bullets, all contained within the beautifully burning remains of Racoon City. There is just enough exploration, puzzles and zombies to keep you satisfied. That is until Nemesis enters the game. As soon as the indestructible behemoth appears for a second time, the cat and mouse chase begins. Reminiscent of Mr X but on steroids, he simply never lets up, constantly on your back, looking to kill Jill whatever it takes. It's utterly relentless, thrilling, heart-pounding. This section was everything I expected RE3 to be.
Then everything collapsed under sections of nothing more than point and shoot. I know, this is RE, but the fear feels drained from the experience. Nemesis himself becomes a background character, simply added to the story just for boss battles. His pursuit of Jill doesn't feel spontaneous, but scripted, exactly the opposite of Mr X. The realisation of how disappointed I felt towards RE3 was when I discovered sections of the game were simply reused from RE2. The creativity that went into RE2 was so meticulous, crafted and positioned for the players experience. When I entered the Police Station with Carlos, a mass onslaught of zombies gathered in one section, only meant for me to rain bullets upon them. And this is the issue with the entire experience. Its nothing more than a five hour storm of sections of shooting monsters.
I do hate this game though. RE3 is fun, and anything remotely like last years experience I will play and enjoy. The story of Jill's residency in Racoon City being turned upside down over the space of a few days is excellent, and the new sections are all well fleshed out and great to explore, especially Racoon City and the Hospital. Its extremely short, and for a full retail price I think its absolutely scandalous, but there's so much replay value here.
If I had to end the review here, I want to end it on a message solely centred at Capcom. Why, in the name of God did you focus your time on the multiplayer mode, Resistance, rather than properly making RE3 a full experience? The past tells you Resident Evil doesn't work well mixed with multiplayer. For as much fun I had within my four hours and thirty two minute playthrough, this game is nothing more than DLC for RE2. And that hurts.
Irish Mirror iPad(Ireland)
News and Magazines & Newspapers
App
The iPad edition of the Irish Daily Mirror and Irish Sunday Mirror gives its readers greater levels...
Chris Sawin (602 KP) rated Doomsday (2008) in Movies
Jun 18, 2019
The Reaper Virus has made its way across Great Britain. The uninfected are evacuated while a wall is built in an effort to quarantine the virus and it’s worked up until now. 30 years later, the virus has broken out again. Survivors are discovered on the other side of the wall, which brings hope for a cure. A team of special forces including Eden Sinclair (Rhona Mitra) are sent to the other side of the wall to try to find this cure. The survivors aren’t like normal people though as they’ve become cannibalistic savages and will kill or eat anyone who stands in their way. Even if a cure is found, it’s unlikely Sinclair and her team will be able to make it back in one piece.
Doomsday is probably not the best movie. It has a 6.0/10 on IMDb based off of 66,848 user ratings and a 51 on both Metacritic and Rotten Tomatoes. It’s a jumbled mess of a film, but it’s one where the first time viewing a decade ago triggered some sort of happiness in the cynical brain and barely beating heart attached to the decrepit fingers that type these halfhearted reviews (writing is more important than asthmatic breathing, so just pretend you understood the sarcasm here). There’s still a fondness for Doomsday despite its reputation and a soft spot for Neil Marshall who will hopefully blow us away with his Hellboy film in 2019. So sit back, relax, and enjoy a positive review for what is likely a nonsensical excuse of a film that is fairly enjoyable anyway.
It’s odd that the massive amount of inconsistencies in Dance of the Dead made the film practically unbearable and yet that’s half the charm of Doomsday. Written and directed by Neil Marshall (The Descent, Dog Soldiers), Doomsday is a sci-fi film that has heavy elements of films you likely already love. Judging by the screenshots alone, the film already has a Mad Max and even a Beyond Thunderdome aspect to its post-apocalyptic setting. Doomsday also seems to borrow elements from films such as Aliens, Gladiator, 28 Days Later, and The Warriors.
Sol, played by Craig Conway who was also the main crawler in The Descent, is an extremely violent and hardcore character. Sol is always seething with anger and with that kind of passion and energy he tends to steal nearly every scene he’s in. He pales in comparison to Rhona Mitra’s Sinclair character though. She doesn’t seem to care about anything and always manages to find a way to get out of whatever situation she finds herself in. Back in 2008, Sinclair came off as one of the fiercest and most dominant female on-screen characters that a 24-year-old rookie film critic had ever come across.
Watching the way the savages live and what they do to survive is disgustingly mesmerizing. Malcolm McDowell puts in a convincing performance as Kane. You hear him more than you see him over the course of the film, but his words are felt rather than just heard. Bob Hoskins is rather tame as Sinclair’s boss Bill Nelson. Neil Marhsall had the intention of having Hoskins mimic his bulldog role from The Long Good Friday, but he mostly sits on the sidelines while Sinclair does all of the dirty work.
Doomsday has an impressive amount of gore and the scenes where all hell breaks loose are the most fun. Witnessing the battle sequences, the deaths, and especially the car chase at the end makes Doomsday a worthwhile experience. One could make the argument that Doomsday is a chaotic mess that can’t pick a genre and stick with it for longer than a few minutes at a time, but it’s also difficult to take that to heart when a film is this much fun. It may have an A.D.D. method of filmmaking, but at least you’re never bored and the film manages to hold your interest and entertain you from beginning to end.
Doomsday won’t be for everyone, but it’s a wild, bloody ride at its core and it’s incredibly easy to enjoy the film as a one hour and 45 minute thrill ride in the vein of Mad Max: Fury Road. Horror, science fiction, and action collide along with a massive amalgamation of outbreak, post-apocalyptic, and medieval storylines in the utterly blood-soaked pandemonium known as Neill Marshall’s Doomsday.
Doomsday is currently available to stream on Amazon Prime, YouTube, Vudu, and Google Play for $2.99 and iTunes for $3.99. It’s also currently free on Amazon Prime with Starz and Prime Video Channels. The Multi-Format Blu-ray is $9.81 on Amazon while a two-disc Blu-ray packaged with Arnold Schwarzenegger’s End of Days will set you back $34.98. The DVD is available in brand new condition with free shipping for $6.02 on eBay while a pre-owned Blu-ray is $4.99 with free shipping.
Doomsday is probably not the best movie. It has a 6.0/10 on IMDb based off of 66,848 user ratings and a 51 on both Metacritic and Rotten Tomatoes. It’s a jumbled mess of a film, but it’s one where the first time viewing a decade ago triggered some sort of happiness in the cynical brain and barely beating heart attached to the decrepit fingers that type these halfhearted reviews (writing is more important than asthmatic breathing, so just pretend you understood the sarcasm here). There’s still a fondness for Doomsday despite its reputation and a soft spot for Neil Marshall who will hopefully blow us away with his Hellboy film in 2019. So sit back, relax, and enjoy a positive review for what is likely a nonsensical excuse of a film that is fairly enjoyable anyway.
It’s odd that the massive amount of inconsistencies in Dance of the Dead made the film practically unbearable and yet that’s half the charm of Doomsday. Written and directed by Neil Marshall (The Descent, Dog Soldiers), Doomsday is a sci-fi film that has heavy elements of films you likely already love. Judging by the screenshots alone, the film already has a Mad Max and even a Beyond Thunderdome aspect to its post-apocalyptic setting. Doomsday also seems to borrow elements from films such as Aliens, Gladiator, 28 Days Later, and The Warriors.
Sol, played by Craig Conway who was also the main crawler in The Descent, is an extremely violent and hardcore character. Sol is always seething with anger and with that kind of passion and energy he tends to steal nearly every scene he’s in. He pales in comparison to Rhona Mitra’s Sinclair character though. She doesn’t seem to care about anything and always manages to find a way to get out of whatever situation she finds herself in. Back in 2008, Sinclair came off as one of the fiercest and most dominant female on-screen characters that a 24-year-old rookie film critic had ever come across.
Watching the way the savages live and what they do to survive is disgustingly mesmerizing. Malcolm McDowell puts in a convincing performance as Kane. You hear him more than you see him over the course of the film, but his words are felt rather than just heard. Bob Hoskins is rather tame as Sinclair’s boss Bill Nelson. Neil Marhsall had the intention of having Hoskins mimic his bulldog role from The Long Good Friday, but he mostly sits on the sidelines while Sinclair does all of the dirty work.
Doomsday has an impressive amount of gore and the scenes where all hell breaks loose are the most fun. Witnessing the battle sequences, the deaths, and especially the car chase at the end makes Doomsday a worthwhile experience. One could make the argument that Doomsday is a chaotic mess that can’t pick a genre and stick with it for longer than a few minutes at a time, but it’s also difficult to take that to heart when a film is this much fun. It may have an A.D.D. method of filmmaking, but at least you’re never bored and the film manages to hold your interest and entertain you from beginning to end.
Doomsday won’t be for everyone, but it’s a wild, bloody ride at its core and it’s incredibly easy to enjoy the film as a one hour and 45 minute thrill ride in the vein of Mad Max: Fury Road. Horror, science fiction, and action collide along with a massive amalgamation of outbreak, post-apocalyptic, and medieval storylines in the utterly blood-soaked pandemonium known as Neill Marshall’s Doomsday.
Doomsday is currently available to stream on Amazon Prime, YouTube, Vudu, and Google Play for $2.99 and iTunes for $3.99. It’s also currently free on Amazon Prime with Starz and Prime Video Channels. The Multi-Format Blu-ray is $9.81 on Amazon while a two-disc Blu-ray packaged with Arnold Schwarzenegger’s End of Days will set you back $34.98. The DVD is available in brand new condition with free shipping for $6.02 on eBay while a pre-owned Blu-ray is $4.99 with free shipping.
Sync.ME - Caller ID & Spam Blocker
Social Networking and Productivity
App
Sync.ME identifies unknown phone calls, warns you from annoying spam calls, and adds a caller...
Statusbrew: Social Media Tools
Social Networking, Productivity and Stickers
App
Share and Schedule posts for Twitter, Instagram, Facebook, LinkedIn and Google+ all from a single...
Mark @ Carstairs Considers (2395 KP) rated Pruning the Dead in Books
Jan 30, 2019
Lilly Must Prune the Suspects Until She Finds a Killer
Lilly Jayne is opening up her garden for a garden party for the first time in years, a first step toward getting back into life in Goosebush, Massachusetts, after the death of her husband. Unfortunately, getting back into life in Goosebush includes dealing with her first husband's current wife. Merilee Frank goes looking for trouble and does a very good job of stirring it up. She makes several scenes at the party, but the real shock comes a few days later when Merilee turns up dead. With the police looking at several people Lilly is certain are innocent, she begins to investigate with the help of her best friends. But can they figure out what really happened?
This is the start of a new series, but I can already tell you I love these characters. Lilly and her "squad" are well drawn, and how much they obviously care for each other made me care for them. I do feel the book could have been a little tighter, especially at the beginning, but it never wandered for too long, and a strong gardening sub-plot helped keep me engaged. I did feel the third person narration head hopped a bit, a personal pet peeve, but that was a minor complaint. I love the setting, a coastal small town. This is exactly the kind of place I'd love to visit if I could. The mystery itself was enjoyable with several strong suspects. I began to suspect where things were going as we got close to the end, but I didn't have everything figured out until Lilly pieced things together for us.
This is the start of a new series, but I can already tell you I love these characters. Lilly and her "squad" are well drawn, and how much they obviously care for each other made me care for them. I do feel the book could have been a little tighter, especially at the beginning, but it never wandered for too long, and a strong gardening sub-plot helped keep me engaged. I did feel the third person narration head hopped a bit, a personal pet peeve, but that was a minor complaint. I love the setting, a coastal small town. This is exactly the kind of place I'd love to visit if I could. The mystery itself was enjoyable with several strong suspects. I began to suspect where things were going as we got close to the end, but I didn't have everything figured out until Lilly pieced things together for us.
The Scarecrow (Jack McEvoy #2)
9.3
Rate It
Book
Jack McEvoy is at the end of the line as a crime reporter. Forced to take a buy-out from the Los...
Gareth von Kallenbach (980 KP) rated Bad Times at the El Royale (2018) in Movies
Jul 2, 2019
The El Royale Hotel sit directly on the California and Nevada border just outside of Lake Tahoe. In its heyday, the novelty hotel, vibrant and bustling with activity. Even getting visits from famous actors, singers and politicians. But by the 1960s those days had gone and now it is rundown and mostly vacant. Then on one fateful day a group of random strangers meet at the El Royale. There is a minister, Father Daniel Flynn (Jeff Bridges), on his way back from Oakland visiting his brother. Singer Darlene Sweet (Cynthia Erivo) who came to the El Royale because her midday casino singing gig in Reno didn’t pay enough for her to stay anywhere else. Then there is Laramie Seymour Sullivan (John Hamm) the vacuum salesman who talks fast and loud. His company does all the hotel bookings so he was stuck with the El Royale, but he is dead set on enjoying the luxurious Honeymoon Suite given the choices. Lastly, there is Emily (Dakota Johnson) she doesn’t say much besides she wants a room far away from the other guests. The mismatched group is all greeted by the bellhop/bar tender/service manager Miles (Lewis Pullman). All seems like a chance meeting of a group of travelers. But nothing is what it seems. By the nights end all manner of secrets will come out and all the guests’ lives will be in jeopardy.
El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.
I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.
I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
Billie Wichkan (118 KP) rated Turning Secrets (Stonechild and Rouleau Mystery, #6) in Books
Mar 15, 2019
Keeping secrets is a very bad idea.
Former teenage runaway and new single mother Nadia Armstrong moves to Kingston to turn her life around. But six months after she rents a low-end apartment, her body is found on a concrete slab at an isolated construction site. Major Crimes begins piecing together her last days, uncertain if this is a case of suicide or murder. To make matters more difficult, a member of the team is leaking information to reporter Marci Stokes, putting Staff Sergeant Rouleau in a precarious position.
Meanwhile, Officer Kala Stonechilds niece, Dawn, is secretly corresponding with her father, whos out on early parole. Dawn isnt sure what he wants, especially when he turns up in town uninvited. Dawns friend Vanessa is also keeping a dangerous secret her relationship with an older man named Leo, who preys on young girls. And its not long before he has Dawn in his sights.
*Disclosure - I received a free copy for purposes of an honest review; Thank you NetGalley and Dundurn for the eARC.*
I have not read any other books in this series and this has not hindered me in any way with how I was able to pick up with the already established characters. The author did a great job of giving me just enough to give the story depth with back story tidbits.
This book has plenty of twists and turns to it to keep you engrossed from the start. I like the story-line of this book and it had relevant topics; sadly things that are happening daily in our world.
I dont want to give too much away to the story-line but will say completely hooked me and a very surprise ending but also sad.
Will be reading the previous ones as really enjoyed this.
Former teenage runaway and new single mother Nadia Armstrong moves to Kingston to turn her life around. But six months after she rents a low-end apartment, her body is found on a concrete slab at an isolated construction site. Major Crimes begins piecing together her last days, uncertain if this is a case of suicide or murder. To make matters more difficult, a member of the team is leaking information to reporter Marci Stokes, putting Staff Sergeant Rouleau in a precarious position.
Meanwhile, Officer Kala Stonechilds niece, Dawn, is secretly corresponding with her father, whos out on early parole. Dawn isnt sure what he wants, especially when he turns up in town uninvited. Dawns friend Vanessa is also keeping a dangerous secret her relationship with an older man named Leo, who preys on young girls. And its not long before he has Dawn in his sights.
*Disclosure - I received a free copy for purposes of an honest review; Thank you NetGalley and Dundurn for the eARC.*
I have not read any other books in this series and this has not hindered me in any way with how I was able to pick up with the already established characters. The author did a great job of giving me just enough to give the story depth with back story tidbits.
This book has plenty of twists and turns to it to keep you engrossed from the start. I like the story-line of this book and it had relevant topics; sadly things that are happening daily in our world.
I dont want to give too much away to the story-line but will say completely hooked me and a very surprise ending but also sad.
Will be reading the previous ones as really enjoyed this.