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Calendars 5 by Readdle
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Calendars 5 is complete re-imagining of what the best mobile calendar experience should be. ...
Micky Barnard (542 KP) rated The Marriage Pact in Books
Dec 12, 2018 (Updated Dec 13, 2018)
Eerie and thought provoking
Wow. I’m a ball of knotted up feelings mixed with adrenaline right now. THE MARRIAGE PACT started as an innocuous, gentle introduction to a newly married couple and turned into a twisted, dark ride. If I could sum it up, I’d describe it as ‘big brother’s stepford wife body snatching cult’ and I mean 1984-esque big brother, not the reality show. I don’t read a lot of suspense these days and this one just compelled me from start to finish, through the good, the bad, the believable and slightly stretched.
Jake and Alice are an opposites attract kind of couple but a match that seems to work. As very newly-weds they’re invited to join The Pact. Alarm bells should have been ringing at 100 decibels but no, Jake and Alice signed up. There was an innocence about their walk into married life, believing the easy road but it was oh, so different. What ensued took my breath away as I got deeper and deeper. I read going to sleep but found myself pumped full of adrenaline and unsettled. The twisty dark nature was unexpected and not in my normal taste, but I couldn’t look away.
It isn’t a perfect read, there are occasional moments of ‘as if’ and the end could have been stronger but I know I am not going to forget this book in a hurry. I enjoyed it, my skin crawled with discomfort and unease, but I enjoyed it. The characters connected with one another and to me, the writing was like a magnet. The storyline was out of the box and I am definitely wanting to try this author again.
So, if you fancy the unusual, you like the bizarre, suspense and married couples, I give you THE MARRIAGE PACT.
A copy of this book was provided by the publisher through netgalley in return for a honest review.
Jake and Alice are an opposites attract kind of couple but a match that seems to work. As very newly-weds they’re invited to join The Pact. Alarm bells should have been ringing at 100 decibels but no, Jake and Alice signed up. There was an innocence about their walk into married life, believing the easy road but it was oh, so different. What ensued took my breath away as I got deeper and deeper. I read going to sleep but found myself pumped full of adrenaline and unsettled. The twisty dark nature was unexpected and not in my normal taste, but I couldn’t look away.
It isn’t a perfect read, there are occasional moments of ‘as if’ and the end could have been stronger but I know I am not going to forget this book in a hurry. I enjoyed it, my skin crawled with discomfort and unease, but I enjoyed it. The characters connected with one another and to me, the writing was like a magnet. The storyline was out of the box and I am definitely wanting to try this author again.
So, if you fancy the unusual, you like the bizarre, suspense and married couples, I give you THE MARRIAGE PACT.
A copy of this book was provided by the publisher through netgalley in return for a honest review.
Mark @ Carstairs Considers (2165 KP) rated Murder Makes Scents in Books
Feb 26, 2020
Stella Returns Home with an Unexpected Souvenir – Danger
Stella Wright is taking a break from the Wick & Flame, her candle shop on Nantucket, to attend a perfume conference in Paris with her mother, Millie, who is one of the speakers. The conference ends abruptly, however, when Stella and Millie are part of a crowd that witnesses a man being stabbed right in front of them. After being questioned by the police, they return home to the island, assuming their only connection to the crime is behind them. Stella quickly begins to think that trouble has followed them home. Is she correct? What might their connection to the murder be?
When I first heard this book was going to start in Paris and move the action to Nantucket, I was worried the author wouldn’t be able to pull it off. From the pacing standpoint, I didn’t have any issues with this book since the story picked up quickly. The book uses a MacGuffin to ignite the plot, and that’s where my issue was. I just couldn’t buy into it. Having said that, I still found the story compelling since the stakes were personal for Stella. I flew through the book in a couple of days because I had to know what was going on. The climax is a bit over the top, but it fits the plot well. Due to the nature of the story, we don’t see as much of the supporting cast from the original, but the new characters more than make up for it. They are perfect at being suspicious without being obviously the villain. Unfortunately, there are also a few timelines issues in the story, but nothing that affects the plot, just stuff that annoys me. We get some tips for making candle molds and a delicious sounding cranberry pie recipe at the end of the book. Even with my issues, I was glad I read this book.
When I first heard this book was going to start in Paris and move the action to Nantucket, I was worried the author wouldn’t be able to pull it off. From the pacing standpoint, I didn’t have any issues with this book since the story picked up quickly. The book uses a MacGuffin to ignite the plot, and that’s where my issue was. I just couldn’t buy into it. Having said that, I still found the story compelling since the stakes were personal for Stella. I flew through the book in a couple of days because I had to know what was going on. The climax is a bit over the top, but it fits the plot well. Due to the nature of the story, we don’t see as much of the supporting cast from the original, but the new characters more than make up for it. They are perfect at being suspicious without being obviously the villain. Unfortunately, there are also a few timelines issues in the story, but nothing that affects the plot, just stuff that annoys me. We get some tips for making candle molds and a delicious sounding cranberry pie recipe at the end of the book. Even with my issues, I was glad I read this book.
Mark @ Carstairs Considers (2165 KP) rated Murder in Chinatown in Books
Aug 18, 2019
Missing Girl Leads to Murder
After a recent close call, midwife Sarah Brandt has vowed to stay away from solving crimes and getting involved in anything dangerous. However, she is in Chinatown with the Lee family since Cora Lee is about to give birth and gets a front row to the family drama unfolding. Cora’s niece, Angel, is upset that her father has arranged a marriage for her to an older man and runs away. The family is frantic to find her because the city is no place for a fifteen-year-old to be alone. While the family does find her, she turns up dead a few days later. Sarah manages to get NYPD Detective Sergeant Frank Malloy involved in the case because she fears other police won’t care to fully investigate given who the victim was. But can Malloy figure it out? Will Sarah get involved despite her promise to stay away from murder?
Once again, we are expertly transported back to 1890’s New York City. Along with our normal glimpses of life during the time period, we get to see a bit of how the Chinese were treated during the time; unfortunately, it isn’t pretty. However, the book never stops to preach at us, instead working this in during the mystery. The case itself is strong with plenty of twists to keep us entertained until the end. I thought I had a few things figured out, but I discovered I was wrong when I reached the logical ending. Sarah, in her efforts to stay out of the case, isn’t quite as involved as Frank, but she still has plenty to contribute. Both are great lead characters, and I enjoyed spending time with the regular supporting players as well as meeting the new characters introduced here. We get some advancement on a couple of on-going storylines, and it looks like one of them will be the main focus of the next in the series. I’m definitely looking forward to seeing where that leads.
Once again, we are expertly transported back to 1890’s New York City. Along with our normal glimpses of life during the time period, we get to see a bit of how the Chinese were treated during the time; unfortunately, it isn’t pretty. However, the book never stops to preach at us, instead working this in during the mystery. The case itself is strong with plenty of twists to keep us entertained until the end. I thought I had a few things figured out, but I discovered I was wrong when I reached the logical ending. Sarah, in her efforts to stay out of the case, isn’t quite as involved as Frank, but she still has plenty to contribute. Both are great lead characters, and I enjoyed spending time with the regular supporting players as well as meeting the new characters introduced here. We get some advancement on a couple of on-going storylines, and it looks like one of them will be the main focus of the next in the series. I’m definitely looking forward to seeing where that leads.
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Bob Mann (459 KP) rated Avengers: Endgame (2019) in Movies
Sep 28, 2021
The final curtain.
So… thanks again to work and family commitments, I’ve spent 7 days dodging social media to arrive at my showing of “Endgame” spoiler free… and was successful in doing so! It is of course impossible to write just about anything on this film without dropping spoilers. So I will keep this first part of the review short, but add some footnotes (indexed with <#> symbols) to a “spoiler section” below the trailer video. Proceed at your peril if you haven’t yet seen it!
The Plot
The MCU has delivered an impressively well-connected movie series. In the case of Thanos, this is a story-arc that started in the mid-credit “monkey” at the end of 2012’s “The Avengers” and, at the conclusion of “Avengers: Infinity War”, saw half the universe’s population drift away – Voldemort-style – into grey ash. This, of course, also wiped out half of our heroes (good trivia question for future years: who was the first we saw drift away? Answer below* ). This included Spider-Man (Tom Holland); Dr Strange (Benedict Cumberbatch); Black Panther (Chadwick Boseman); Nick Fury (Samuel L. Jackson); half of the remaining Guardians; The Wasp (Evangeline Lilly) and Dr Pym (Michael Douglas). Oblivious to all of this is Ant Man (Paul Rudd), still stranded in the ‘quantum realm’ following the demise of his colleagues, and with no one to flick the ‘return’ switch.
After some early action, Endgame’s story revolves around a desperate attempt by the remaining Avengers, led by Black Widow (Scarlett Johansson) and a ‘retired’ Tony Stark (Robert Downey Jnr) to undo the undoable. Can they succeed against all the odds? (With a new Spider-Man film due out in the summer, I’ll give you a guess!). Of more relevance perhaps is whether the team can stay unscathed from their encounter with the scheming and massively powerful Thanos (Josh Brolin)?
Thoughtful
The film will not be to every fan’s taste. After the virtually non-stop rip-roaring action of “Infinity War”, “Endgame” takes a far more contemplative approach to its first hour.
The film starts with a devastating prologue, and a great lesson in statistics: that you need a decent sized population to guarantee getting a 50:50 split! There is also a very surprising twist in the first 15 minutes or so that I didn’t see coming AT ALL.
But then things settle down into a far more sombre section of the film: short on action; long on character development. The world is grieving for its loss, unable to move on past the non-stop counselling sessions that everyone is getting. This first hour was, for me, by far, my favourite part of the film. Seeing how the characters we know and love have been impacted – some for better rather than for worse – was terrific. Mark Ruffalo’s Hulk (with a rather glib plot-point) takes on an hilarious new aspect; and Chris Hemsworth adds hugely comedic value as Thor, setting up in Scotland a “New Asgard” settlement in uncharacteristically laid-back fashion.
Cast
As an ensemble cast, everyone plays their parts extremely well. But it is just the breadth of the cast that astounds in this film: just about everyone who is anyone in the Marvel Universe – at least, those who are still alive (alive!) and not dead (dead!) – pop up for an appearance! This is great fun with, in one particular case, the opportunity to try some more rejuvenation of an old timer as previously done with Samuel L. Jackson in “Captain Marvel”.
Inevitably, some of these appearances are overly brief, and characters that I wanted to see developed more in this film (particularly Brie Larson’s Captain Marvel) get very little screen time. Drax (Dave Bautista) and Mantis (Pom Klementieff) barely get a single line each. So it will depend on where your loyalties lie as to whether you are satisfied with the coverage or not. (I personally find Chris Evans‘ Captain America a bit of a po-faced bore, so I wasn’t keen on the amount of screen time he had).
Stan Lee again gets another cameo in the bag before his demise: will this actually be his last live one?
Overall view
I enjoyed this movie. It could obviously NEVER live up to the over-hyped expectations of the fan base. But as a cinematic spectacle, for me, it delivered on its billing as a blockbuster finale, but one filled with a degree of nuance I was not expecting. The problem with the way that the plot have been structured (no spoilers – <#>) is that it is easy to pick holes in the storyline. Indeed, some dramatic options (that to me seemed obvious ones to ‘mine’) were left ‘unmined’ <##>; others were left inexplicably hanging <###>.
I suspect the reason for some of this is that the initial cut of this film probably ran to 5 hours rather than the – still bladder-testing – 3 hours as released. There were probably a bunch of scenes left on the cutting room floor that might allow things to make more sense in the extended BluRay release.
It’s at times slow, but for me never dull. It does suffer from one significant flaw though: the “Return of the King” disease. It doesn’t know when to quit. There was a natural MCU arc to follow and a perfect time at which to end it: but the directors (the Russo Brothers, Anthony Russo and Joe Russo) kept adding additional scenes that detracted from the natural ending <####>.
Above all, unlike I think all but one film in MCU history, there is NO “MONKEY” in the end credits: either mid-credit or end-credit! So, after the long title crawl (and some rather odd choices for end-title music by Alan Silvestri), if you are not to look bloody stupid as the lights come up, and face a storm of derision from your partner, then leave after the dramatic roll-call sequence of the film’s stars!
(*BTW, the answer to the trivia question is, I believe, Bucky.)
So… thanks again to work and family commitments, I’ve spent 7 days dodging social media to arrive at my showing of “Endgame” spoiler free… and was successful in doing so! It is of course impossible to write just about anything on this film without dropping spoilers. So I will keep this first part of the review short, but add some footnotes (indexed with <#> symbols) to a “spoiler section” below the trailer video. Proceed at your peril if you haven’t yet seen it!
The Plot
The MCU has delivered an impressively well-connected movie series. In the case of Thanos, this is a story-arc that started in the mid-credit “monkey” at the end of 2012’s “The Avengers” and, at the conclusion of “Avengers: Infinity War”, saw half the universe’s population drift away – Voldemort-style – into grey ash. This, of course, also wiped out half of our heroes (good trivia question for future years: who was the first we saw drift away? Answer below* ). This included Spider-Man (Tom Holland); Dr Strange (Benedict Cumberbatch); Black Panther (Chadwick Boseman); Nick Fury (Samuel L. Jackson); half of the remaining Guardians; The Wasp (Evangeline Lilly) and Dr Pym (Michael Douglas). Oblivious to all of this is Ant Man (Paul Rudd), still stranded in the ‘quantum realm’ following the demise of his colleagues, and with no one to flick the ‘return’ switch.
After some early action, Endgame’s story revolves around a desperate attempt by the remaining Avengers, led by Black Widow (Scarlett Johansson) and a ‘retired’ Tony Stark (Robert Downey Jnr) to undo the undoable. Can they succeed against all the odds? (With a new Spider-Man film due out in the summer, I’ll give you a guess!). Of more relevance perhaps is whether the team can stay unscathed from their encounter with the scheming and massively powerful Thanos (Josh Brolin)?
Thoughtful
The film will not be to every fan’s taste. After the virtually non-stop rip-roaring action of “Infinity War”, “Endgame” takes a far more contemplative approach to its first hour.
The film starts with a devastating prologue, and a great lesson in statistics: that you need a decent sized population to guarantee getting a 50:50 split! There is also a very surprising twist in the first 15 minutes or so that I didn’t see coming AT ALL.
But then things settle down into a far more sombre section of the film: short on action; long on character development. The world is grieving for its loss, unable to move on past the non-stop counselling sessions that everyone is getting. This first hour was, for me, by far, my favourite part of the film. Seeing how the characters we know and love have been impacted – some for better rather than for worse – was terrific. Mark Ruffalo’s Hulk (with a rather glib plot-point) takes on an hilarious new aspect; and Chris Hemsworth adds hugely comedic value as Thor, setting up in Scotland a “New Asgard” settlement in uncharacteristically laid-back fashion.
Cast
As an ensemble cast, everyone plays their parts extremely well. But it is just the breadth of the cast that astounds in this film: just about everyone who is anyone in the Marvel Universe – at least, those who are still alive (alive!) and not dead (dead!) – pop up for an appearance! This is great fun with, in one particular case, the opportunity to try some more rejuvenation of an old timer as previously done with Samuel L. Jackson in “Captain Marvel”.
Inevitably, some of these appearances are overly brief, and characters that I wanted to see developed more in this film (particularly Brie Larson’s Captain Marvel) get very little screen time. Drax (Dave Bautista) and Mantis (Pom Klementieff) barely get a single line each. So it will depend on where your loyalties lie as to whether you are satisfied with the coverage or not. (I personally find Chris Evans‘ Captain America a bit of a po-faced bore, so I wasn’t keen on the amount of screen time he had).
Stan Lee again gets another cameo in the bag before his demise: will this actually be his last live one?
Overall view
I enjoyed this movie. It could obviously NEVER live up to the over-hyped expectations of the fan base. But as a cinematic spectacle, for me, it delivered on its billing as a blockbuster finale, but one filled with a degree of nuance I was not expecting. The problem with the way that the plot have been structured (no spoilers – <#>) is that it is easy to pick holes in the storyline. Indeed, some dramatic options (that to me seemed obvious ones to ‘mine’) were left ‘unmined’ <##>; others were left inexplicably hanging <###>.
I suspect the reason for some of this is that the initial cut of this film probably ran to 5 hours rather than the – still bladder-testing – 3 hours as released. There were probably a bunch of scenes left on the cutting room floor that might allow things to make more sense in the extended BluRay release.
It’s at times slow, but for me never dull. It does suffer from one significant flaw though: the “Return of the King” disease. It doesn’t know when to quit. There was a natural MCU arc to follow and a perfect time at which to end it: but the directors (the Russo Brothers, Anthony Russo and Joe Russo) kept adding additional scenes that detracted from the natural ending <####>.
Above all, unlike I think all but one film in MCU history, there is NO “MONKEY” in the end credits: either mid-credit or end-credit! So, after the long title crawl (and some rather odd choices for end-title music by Alan Silvestri), if you are not to look bloody stupid as the lights come up, and face a storm of derision from your partner, then leave after the dramatic roll-call sequence of the film’s stars!
(*BTW, the answer to the trivia question is, I believe, Bucky.)
Haley Mathiot (9 KP) rated Along Came a Spider (Alex Cross, #1) in Books
Apr 27, 2018
where to start.
I fell in love with J.Pat after reading his Maximum Ride series in about... a week. then i read his other kids book, the dangerous days of Daniel X. very good.
but Along Came a Spider surprised me.
he continued his style that i love-- not being afraid to write from anyone's perspective, good guy, bad guy, minor or random character that he'll never mention again.
his characters, as always, are very defined and specific immediately. i had an understanding of Alex Cross right away. i could see how he thought, how Samson thought, how the other characters thought. except Jezzie.
i didn't expect the twists he put in here. Jezzie being a double agent, Michael Goldberg being killed. and I still don't know for sure about the Soneji/Murphey. multiple personality disorder, or not? idk. but whatever he really was, he was a genius.
at the end of the book, when i found out about Jezzie and when i saw Soneji escape, and when Jezzie died, it left my mind reeling. my heart was beating hard from chapter 80 on up, and i really couldn't stop reading this.
J.Pat is a good writer. not just a creative and fearless genius, but his writing is good. i could associate with the characters, i could see what was happening. his words sounded good (save the occasional foul language, which did tick me off quiet a bit.)
and about that-- honestly, does he have to use so much language? because really it isn't necessary. i took a pen to my copy of the book. good thing i bought it used and i wasn't afraid to mark it up-- because i did a lot of marking. more than i'd have preferred.
I can't wait to see what happens to Alex Cross.
I fell in love with J.Pat after reading his Maximum Ride series in about... a week. then i read his other kids book, the dangerous days of Daniel X. very good.
but Along Came a Spider surprised me.
he continued his style that i love-- not being afraid to write from anyone's perspective, good guy, bad guy, minor or random character that he'll never mention again.
his characters, as always, are very defined and specific immediately. i had an understanding of Alex Cross right away. i could see how he thought, how Samson thought, how the other characters thought. except Jezzie.
i didn't expect the twists he put in here. Jezzie being a double agent, Michael Goldberg being killed. and I still don't know for sure about the Soneji/Murphey. multiple personality disorder, or not? idk. but whatever he really was, he was a genius.
at the end of the book, when i found out about Jezzie and when i saw Soneji escape, and when Jezzie died, it left my mind reeling. my heart was beating hard from chapter 80 on up, and i really couldn't stop reading this.
J.Pat is a good writer. not just a creative and fearless genius, but his writing is good. i could associate with the characters, i could see what was happening. his words sounded good (save the occasional foul language, which did tick me off quiet a bit.)
and about that-- honestly, does he have to use so much language? because really it isn't necessary. i took a pen to my copy of the book. good thing i bought it used and i wasn't afraid to mark it up-- because i did a lot of marking. more than i'd have preferred.
I can't wait to see what happens to Alex Cross.
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