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Mark @ Carstairs Considers (2395 KP) rated Owl Be Home for Christmas in Books
Dec 21, 2019
White Christmas? Check! But Will Snow and a Killer Keep Meg from Being Home for Christmas?
It’s a few days before Christmas and Meg Langslow and much of her family are at the Caerphilly Inn for Owl Fest 2019, a conference being put on by Meg’s grandfather. Unfortunately, the worst winter storm in decades has also decided to visit, trapping the attendees in the hotel and possibly keeping them from going home for Christmas. As the snow continues to fall, tempers continue to rise. Owls are not without their controversy, but Dr. Frogmore seems to be at the center of much of the arguments breaking out. No one much likes him, but for some, the problems with him go much deeper. However, when Dr. Frogmore drops dead, Meg’s father suspects that it wasn’t natural causes. Are they trapped at the inn with a killer? Can Meg figure out what is really happening before the snow ends so the conference attendees fly home?
This novel uses a classic mystery trope – everyone trapped someplace with a killer. I’m a little disappointed since it’s been used twice in a row in the series now, and the result was me beginning to feel a bit claustrophobic while I was reading. The mystery itself was solid. It’s obvious early on who the victim will be, and we learn about motives and suspects even before he drops dead. The further complications after the murder takes place kept me guessing until the end. As much as I enjoy spending time with Meg’s family, they aren’t as funny as they used to be. The new characters do provide some laughs, but there are some serious issues in the book that dampen some of the humor. All told, this is still a fun entry to the series that will please Meg’s many fans.
This novel uses a classic mystery trope – everyone trapped someplace with a killer. I’m a little disappointed since it’s been used twice in a row in the series now, and the result was me beginning to feel a bit claustrophobic while I was reading. The mystery itself was solid. It’s obvious early on who the victim will be, and we learn about motives and suspects even before he drops dead. The further complications after the murder takes place kept me guessing until the end. As much as I enjoy spending time with Meg’s family, they aren’t as funny as they used to be. The new characters do provide some laughs, but there are some serious issues in the book that dampen some of the humor. All told, this is still a fun entry to the series that will please Meg’s many fans.
Extradited!: The European Arrest Warrant & My Fight for Justice from a Greek Prison Cell
Book
2003: The European Arrest Warrant (EAW) is introduced under the Extradition Act. A mechanism...
Blind Injustice: A Former Prosecutor Exposes the Psychology and Politics of Wrongful Convictions
Book
In this unprecedented view from the trenches, prosecutor turned champion for the innocent Mark...
Leanne Crabtree (480 KP) rated QUEST: First Snow Book 1 in Books
Jan 8, 2021
DNF @ 25%
This starts with Jemma at school, disappointed that her friend is sick and isn't there to keep her company through the day. Instead the rich (mean) girls of her school take notice of her and ask her to join them at lunch. Jemma is wary but goes with them. Fast forward a week or so and she's at the Darkening Ball (I think that's its name anyway) where the rich farmer families get together to celebrate the days getting shorter (or something like that) and is bullied into wearing a ring by the bitchy Veronika, which ends up transporting her to another dimension/world.
This book was almost 400 pages on my kindle. As I've mentioned in previous reviews, long books are not my favourite unless I get pulled into the story. And I really didn't with this one. It was very... slow. I get the world building and getting to know some of the characters but I'll be brutally honest: I was bored. The description made it sound rather intriguing but the pace of it all was dragging along at it's own sweet pace. It was taking way too long for anything to happen and in the end, I just gave up at 25%.
Up to that point, there had been very little romance in the story. Jemma had a crush on Aaron - and had done for a while - but Aaron hadn't really shown any particular feelings for Jemma (yet). As a romance reader, I did feel like it was lacking in that respect.
One thing I feel I should be cheering was that it was set in Yorkshire. Woo! Think this is the first book I've read that's been set in my lovely county.
This starts with Jemma at school, disappointed that her friend is sick and isn't there to keep her company through the day. Instead the rich (mean) girls of her school take notice of her and ask her to join them at lunch. Jemma is wary but goes with them. Fast forward a week or so and she's at the Darkening Ball (I think that's its name anyway) where the rich farmer families get together to celebrate the days getting shorter (or something like that) and is bullied into wearing a ring by the bitchy Veronika, which ends up transporting her to another dimension/world.
This book was almost 400 pages on my kindle. As I've mentioned in previous reviews, long books are not my favourite unless I get pulled into the story. And I really didn't with this one. It was very... slow. I get the world building and getting to know some of the characters but I'll be brutally honest: I was bored. The description made it sound rather intriguing but the pace of it all was dragging along at it's own sweet pace. It was taking way too long for anything to happen and in the end, I just gave up at 25%.
Up to that point, there had been very little romance in the story. Jemma had a crush on Aaron - and had done for a while - but Aaron hadn't really shown any particular feelings for Jemma (yet). As a romance reader, I did feel like it was lacking in that respect.
One thing I feel I should be cheering was that it was set in Yorkshire. Woo! Think this is the first book I've read that's been set in my lovely county.
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Bob Mann (459 KP) rated The Last Letter from Your Lover (2021) in Movies
Aug 9, 2021
Engaging love story (at least, the one in the 60's) (2 more)
Lush production values, especially production design and cinematography
Great cast - especially Shailene Woodley and Ben Cross
A proper old-fashioned love story that older viewers will appreciate.
Is "chick flick" a phrase that you can use these days? I guess not, since it infers that a movie is only of interest to a particular gender. Perhaps "Sunday afternoon film" is a better phrase. And "The Last Letter From Your Lover" is a real SAF.
Positives:
- "They don't make them like this any more" the saying goes. This is a love story cum melodrama that is well told by director Augustine Frizzell, in only her second feature. The film zips backwards and forwards between different time periods, trusting the audience to keep up with where we are. The dialogue is suitably soupy for a film of this type, based on a Jojo Moyes book (who wrote "Me Before You", also well-filmed). I've seen a critic review in "The Times" where they mocked the sentimentality of the love letters: but part of me would love to say "OK - let's hear what you would have written"!
- The story ticks all the boxes to keep you engaged. Although never moved to tears, a scene towards the end of the movie certainly generated a lump in the throat.
- All the leads are great. Shailene Woodley has been a personal favourite actress since her amazing turn in "The Descendants". And she certainly doesn't disappoint here.
- The production design is lush, particularly with the 60's scenes of London and the Riviera (reminiscent for me of the recent remake of "Rebecca"). This is nicely brought out by the cinematography (by George Steel), with some of the scenes being 'hang on the wall' beautiful to look at.
- It's wonderful to see the late Ben Cross in the movie, and he gives an excellent and touching performance. Cross died of cancer in August 2020 at the age of just 72. This is probably not his last movie, since he was in another - "The Devil's Light" - currently in post-production. Such a sad loss to the industry.
Negatives:
- The movie tries to construct a love story in the 60's and one in the present day 2020's, contrasting the different rules and values at play. The 60's one works; the 20's one really didn't for me. Ellie comes across as a very unlikeable person. The contrast between the lack of communications in the 60's (waiting at a station, not sure if someone will turn up or not) and today's chat/SMS rich 'always on' world could perhaps have been brought out more. With my Dr Bob directorial hat on, I would have ditched the present-day love story entirely and focused in on two professional detectives uncovering the past together: not everything needs to involve love and sex.
- The film has a couple of rain sequences that are highly unconvincing. One Riviera in-car scene particularly made me chuckle. "TURN FIRE HOSE ON!" You can almost see the blue sky and people cavorting on the beach behind them!
Summary Thoughts on "The Last Letter from Your Lover": There are actually few films around these days that feature love stories outside the teenage years. This is an 'old-fashioned' film that will appeal to an older age group, looking for style, romance and escapism. It reminded me in turns of movies like "The Two Faces of January" and "The Age of Adeline" in its mood and presentation. I'm probably not the target audience for this movie and I really enjoyed it. But the illustrious Mrs Movie Man probably is. And she declared that she absolutely loved it!
Ignore the sniffy newspaper and ex-newspaper critics. I'd declare this to be a "recommended".
(For the full graphical review, please check out One Mann's Movies on the web, Facebook or Tiktok. Thanks.)
Positives:
- "They don't make them like this any more" the saying goes. This is a love story cum melodrama that is well told by director Augustine Frizzell, in only her second feature. The film zips backwards and forwards between different time periods, trusting the audience to keep up with where we are. The dialogue is suitably soupy for a film of this type, based on a Jojo Moyes book (who wrote "Me Before You", also well-filmed). I've seen a critic review in "The Times" where they mocked the sentimentality of the love letters: but part of me would love to say "OK - let's hear what you would have written"!
- The story ticks all the boxes to keep you engaged. Although never moved to tears, a scene towards the end of the movie certainly generated a lump in the throat.
- All the leads are great. Shailene Woodley has been a personal favourite actress since her amazing turn in "The Descendants". And she certainly doesn't disappoint here.
- The production design is lush, particularly with the 60's scenes of London and the Riviera (reminiscent for me of the recent remake of "Rebecca"). This is nicely brought out by the cinematography (by George Steel), with some of the scenes being 'hang on the wall' beautiful to look at.
- It's wonderful to see the late Ben Cross in the movie, and he gives an excellent and touching performance. Cross died of cancer in August 2020 at the age of just 72. This is probably not his last movie, since he was in another - "The Devil's Light" - currently in post-production. Such a sad loss to the industry.
Negatives:
- The movie tries to construct a love story in the 60's and one in the present day 2020's, contrasting the different rules and values at play. The 60's one works; the 20's one really didn't for me. Ellie comes across as a very unlikeable person. The contrast between the lack of communications in the 60's (waiting at a station, not sure if someone will turn up or not) and today's chat/SMS rich 'always on' world could perhaps have been brought out more. With my Dr Bob directorial hat on, I would have ditched the present-day love story entirely and focused in on two professional detectives uncovering the past together: not everything needs to involve love and sex.
- The film has a couple of rain sequences that are highly unconvincing. One Riviera in-car scene particularly made me chuckle. "TURN FIRE HOSE ON!" You can almost see the blue sky and people cavorting on the beach behind them!
Summary Thoughts on "The Last Letter from Your Lover": There are actually few films around these days that feature love stories outside the teenage years. This is an 'old-fashioned' film that will appeal to an older age group, looking for style, romance and escapism. It reminded me in turns of movies like "The Two Faces of January" and "The Age of Adeline" in its mood and presentation. I'm probably not the target audience for this movie and I really enjoyed it. But the illustrious Mrs Movie Man probably is. And she declared that she absolutely loved it!
Ignore the sniffy newspaper and ex-newspaper critics. I'd declare this to be a "recommended".
(For the full graphical review, please check out One Mann's Movies on the web, Facebook or Tiktok. Thanks.)
Kristy H (1252 KP) rated Girls' Night Out in Books
Mar 10, 2019
Hokey & irritating, but has its intriguing moments
Natalie, Ashley, and Lauren have been friends since college, but lately their friendship has been showing a lot of strain. In fact, the trio has been estranged from Lauren for a year. So Ashley gets the idea for a girls' trip to Tulum, Mexico to help repair their friendship and mend fences. But once there, they find that fixing things isn't so easy. Each woman brings so much baggage and anger to the friendship. Natalie is angry at Ashley regarding the beauty business, BloMe, that they founded together. Lauren holds a grudge with Ashley relating to the death of her husband, Geoff. Both Natalie and Lauren are angry at themselves for letting their worlds revolve around Ashley. And their anger simmers even more when Ashley starts spending more time with Marco, a man she meets in Mexico, then with them. Suddenly, Ashley disappears. Did she run away with Marco? Was she kidnapped? Or--Natalie and Lauren fear--did they snap in anger at Ashley and harm her?
I had never read anything by the Fenton and Steinke writing team but had heard good things, so decided to try this one out. Its format takes a little getting used to: it switches in both time and narration, so you'll get Ashley, three days before the disappearance, and then the next chapter could be Lauren, two days after the disappearance. Once you get in the groove, it works pretty well, and builds suspense fairly effectively. Pieces of the story are slowly revealed, as we both don't know what happened to divide the friends in their friendship and, of course, don't know what happened to make Ashley disappear.
Honestly, I had just enough curiosity to find out what happened to Ashley that kept me reading. This was an interesting novel and certainly tense and intriguing, but I couldn't muster much interest or sympathy in these characters. Man, these women were just awful! I would not want a single one of them as my friend, that's for sure. Their friendship problems seemed petty, overblown, and childish, and I lost patience and interest with their myriad issues. There was just so much constant bickering. Bickering, drinking, more fighting, drinking, some more fighting. Ugh. They were so overly dramatic and even worse, most of the chapters would end with a sentence that had such an overblown "dramatic flair" to it that I found myself rolling my eyes at times.
A lot of the book just felt hokey, and I found myself wanting them to just go home and get their own lives (although their husbands didn't seem much better, honestly). Still, as mentioned, the reveals are interesting, and there is enough interest in what happened to Ashley to keep you reading. If you can get past the irritating characters, you'll be intrigued, albeit potentially annoyed.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
I had never read anything by the Fenton and Steinke writing team but had heard good things, so decided to try this one out. Its format takes a little getting used to: it switches in both time and narration, so you'll get Ashley, three days before the disappearance, and then the next chapter could be Lauren, two days after the disappearance. Once you get in the groove, it works pretty well, and builds suspense fairly effectively. Pieces of the story are slowly revealed, as we both don't know what happened to divide the friends in their friendship and, of course, don't know what happened to make Ashley disappear.
Honestly, I had just enough curiosity to find out what happened to Ashley that kept me reading. This was an interesting novel and certainly tense and intriguing, but I couldn't muster much interest or sympathy in these characters. Man, these women were just awful! I would not want a single one of them as my friend, that's for sure. Their friendship problems seemed petty, overblown, and childish, and I lost patience and interest with their myriad issues. There was just so much constant bickering. Bickering, drinking, more fighting, drinking, some more fighting. Ugh. They were so overly dramatic and even worse, most of the chapters would end with a sentence that had such an overblown "dramatic flair" to it that I found myself rolling my eyes at times.
A lot of the book just felt hokey, and I found myself wanting them to just go home and get their own lives (although their husbands didn't seem much better, honestly). Still, as mentioned, the reveals are interesting, and there is enough interest in what happened to Ashley to keep you reading. If you can get past the irritating characters, you'll be intrigued, albeit potentially annoyed.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Chris Sawin (602 KP) rated S. Darko: A Donnie Darko Tale (2009) in Movies
Jun 22, 2019
Samantha Darko, or Sam as she goes by, just wants to feel like a normal person. Back where she's from, Virginia, she feels like everyone knows everything about her yet that she's invisible at the same time. She'd change places with somebody if she could. Somehow start all over. Nothing has been the same for her since her brother, Donnie, died seven years ago and she is consumed with the same outlandish visions Donnie had. She decides to go on a road trip with her friend, Corey, to California in hopes of working for Corey's dad. Their car breaks down along the way and they wind up in a small town called Conejo Springs. This is where the world will end in four days, seventeen hours, twenty six minutes, and thirty one seconds.
s. Darko wasn't nearly as bad as I thought it would be, but that still isn't saying much. I love Donnie Darko as it seems to be a film that gets better with each viewing. When news that a sequel to the film was being made, the question that plagued me and every other person who was a fan of the first film was, "Why?" Did the original really leave much room for a sequel? Not in my eyes. The sequel does little to add to the story established in the first film. It pretty much treads the same ground. The world is going to end again. An element that is different in the film is that more than one person is having the visions this time around. While it makes sense that Sam is having these visions, it doesn't really add up why these other people are having them as well. The movie does a lot of back tracking. A lot of things are explained only to rewind and have it play out differently, which makes full use of the time travel element of the film but kind of leaves the viewer wondering if the film was nothing more than a waste of time once the ending rolls around. The film just seems to recycle most of the ingredients of the first film (time travel, Frank the Bunny...even though he's not Frank this time around, religion playing a roll in the film, black holes, etc) and is unable to establish itself as a decent sequel, let alone its own film.
The scene in Donnie Darko that has "Head Over Heels" by Tears For Fears playing in the background while we see Donnie arrive at school and the "Mad World" scene are really the first scenes that come to mind when I think of the original film. The soundtrack played a pivotal role in the film. In s. Darko, there isn't really a scene like that and the soundtrack is forgettable, which really only hurt the film in the long run.
s. Darko walks a thin line between paying homage to the original film and complete bastardization. Its plot tries to string the viewer along this intelligent and thought provoking story, but executes doing so in clumsy fashion. It resembles a circus seal waiting for its reward after playing that ensemble with its nose on the horns currently residing in front of it. It'll really only be accessible to people who were fans of the first film, which is ironic since the film will probably just wind up irritating those fans. If you can ignore the first film entirely and have no expectations for this, then you may find yourself with a direct to video release that is...pretty much just that.
s. Darko wasn't nearly as bad as I thought it would be, but that still isn't saying much. I love Donnie Darko as it seems to be a film that gets better with each viewing. When news that a sequel to the film was being made, the question that plagued me and every other person who was a fan of the first film was, "Why?" Did the original really leave much room for a sequel? Not in my eyes. The sequel does little to add to the story established in the first film. It pretty much treads the same ground. The world is going to end again. An element that is different in the film is that more than one person is having the visions this time around. While it makes sense that Sam is having these visions, it doesn't really add up why these other people are having them as well. The movie does a lot of back tracking. A lot of things are explained only to rewind and have it play out differently, which makes full use of the time travel element of the film but kind of leaves the viewer wondering if the film was nothing more than a waste of time once the ending rolls around. The film just seems to recycle most of the ingredients of the first film (time travel, Frank the Bunny...even though he's not Frank this time around, religion playing a roll in the film, black holes, etc) and is unable to establish itself as a decent sequel, let alone its own film.
The scene in Donnie Darko that has "Head Over Heels" by Tears For Fears playing in the background while we see Donnie arrive at school and the "Mad World" scene are really the first scenes that come to mind when I think of the original film. The soundtrack played a pivotal role in the film. In s. Darko, there isn't really a scene like that and the soundtrack is forgettable, which really only hurt the film in the long run.
s. Darko walks a thin line between paying homage to the original film and complete bastardization. Its plot tries to string the viewer along this intelligent and thought provoking story, but executes doing so in clumsy fashion. It resembles a circus seal waiting for its reward after playing that ensemble with its nose on the horns currently residing in front of it. It'll really only be accessible to people who were fans of the first film, which is ironic since the film will probably just wind up irritating those fans. If you can ignore the first film entirely and have no expectations for this, then you may find yourself with a direct to video release that is...pretty much just that.
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