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Gareth von Kallenbach (980 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 9, 2019
I was introduced to Scary Stories to Tell in the Dark (the amazing book series written by Alvin Schwartz back in 1981) in my Junior High history class. An odd place for sure to listen to this amazing collection of stories, and yet it displayed how these stories are impactful even if you aren’t reading them around a campfire in the middle of the woods. Schwartz had written two additional sequels to his stories in 1984 and 1991 and the incredibly creepy illustrations (by Stephen Gammell) helped to complete a collection of books that are at home in anyone’s collection both young and old.
The 80’s was a decade obsessed with the occult and works of fiction that parents thought were written to corrupt the minds of the youth of the age. Before video games were blamed for all the evil in the world there was Heavy Metal music, the fantastical role-playing games such as Dungeons and Dragons and books such as these that parents rallied around and attempted to ban from schools and after school functions. Looking back now at the hysteria that this caused is almost laughable, but for those of us growing up in that time it was a very real threat to the imaginations of youth around the globe. Outside of this brief history lesson however, I wondered how the books would translate into a movie.
Our story begins on Halloween night, the year is 1968 and the Vietnam War and the upcoming presidential elections are on everyone’s mind. Stella (Zoe Colletti) and her nerd friends Chuck (Austin Zajur) and Auggie (Gabriel Rush) decide that this will be the year that they get revenge on the local bully Tommy (Austin Abrams) for all his years of stealing candy from them on Halloween. After things go predictably wrong, the young group of kids are pursued to a drive-in theater where they seek refuge in a car that is owned by another out-of-town youngster named Ramon (Michael Garza). As thanks for “saving” them from a certain beating, Stella and the group decide to take Ramon to a real-life haunted house. A place where a young Sarah Bellows would tell stories to frighten children only for them to end up dead days later. While exploring the house the young group discover the hidden room of young Sarah Bellows and come across her book of “Scary Stories”. Unable to contain her own curiosity, Stella takes the book home with her and watches as the words on the pages turn into living nightmares of their own darkest fears.
Produced by Guillermo del Toro, Patrick Melton and Marcus Dunstan, Scary Stories takes a handful of fan favorites and weaves them into a “scary” story of their very own. Instead of simply being a collection of haunting tales, each one serves a purpose, whether it’s the “Red Dot” or “Harold”, each one is used to drive the story even further along. While at first, I was hoping that it would be a collection of short stories featuring these timeless classics, the way in which each individual story progresses the plot leads to a far more interesting experience overall.
Those looking for a movie filled with frightening tales that will have you reaching for the closest shoulder (whether you know who it belongs to or not) will be in for a bit of disappointment. That’s not to take away from the incredible amount of vision needed to bring these classic stories to life, but it takes on a far more contemporary feel, then the dark stories and supernatural visions of the books that came before it. The film comes away feeling more like Goosebumps and less like Freakshow which makes sense given its PG-13 rating and its obvious pre-teen to teen demographic. The movie is still fun however, particularly for those who fondly remember the stories from their youth and is one that will proudly sit beside the likes of Hocus Pocus when it comes to network television down the road as part of its likely Halloween line-up.
4 out of 5 stars
http://sknr.net/2019/08/08/scary-stories-to-tell-in-the-dark/
The 80’s was a decade obsessed with the occult and works of fiction that parents thought were written to corrupt the minds of the youth of the age. Before video games were blamed for all the evil in the world there was Heavy Metal music, the fantastical role-playing games such as Dungeons and Dragons and books such as these that parents rallied around and attempted to ban from schools and after school functions. Looking back now at the hysteria that this caused is almost laughable, but for those of us growing up in that time it was a very real threat to the imaginations of youth around the globe. Outside of this brief history lesson however, I wondered how the books would translate into a movie.
Our story begins on Halloween night, the year is 1968 and the Vietnam War and the upcoming presidential elections are on everyone’s mind. Stella (Zoe Colletti) and her nerd friends Chuck (Austin Zajur) and Auggie (Gabriel Rush) decide that this will be the year that they get revenge on the local bully Tommy (Austin Abrams) for all his years of stealing candy from them on Halloween. After things go predictably wrong, the young group of kids are pursued to a drive-in theater where they seek refuge in a car that is owned by another out-of-town youngster named Ramon (Michael Garza). As thanks for “saving” them from a certain beating, Stella and the group decide to take Ramon to a real-life haunted house. A place where a young Sarah Bellows would tell stories to frighten children only for them to end up dead days later. While exploring the house the young group discover the hidden room of young Sarah Bellows and come across her book of “Scary Stories”. Unable to contain her own curiosity, Stella takes the book home with her and watches as the words on the pages turn into living nightmares of their own darkest fears.
Produced by Guillermo del Toro, Patrick Melton and Marcus Dunstan, Scary Stories takes a handful of fan favorites and weaves them into a “scary” story of their very own. Instead of simply being a collection of haunting tales, each one serves a purpose, whether it’s the “Red Dot” or “Harold”, each one is used to drive the story even further along. While at first, I was hoping that it would be a collection of short stories featuring these timeless classics, the way in which each individual story progresses the plot leads to a far more interesting experience overall.
Those looking for a movie filled with frightening tales that will have you reaching for the closest shoulder (whether you know who it belongs to or not) will be in for a bit of disappointment. That’s not to take away from the incredible amount of vision needed to bring these classic stories to life, but it takes on a far more contemporary feel, then the dark stories and supernatural visions of the books that came before it. The film comes away feeling more like Goosebumps and less like Freakshow which makes sense given its PG-13 rating and its obvious pre-teen to teen demographic. The movie is still fun however, particularly for those who fondly remember the stories from their youth and is one that will proudly sit beside the likes of Hocus Pocus when it comes to network television down the road as part of its likely Halloween line-up.
4 out of 5 stars
http://sknr.net/2019/08/08/scary-stories-to-tell-in-the-dark/
Emily (1 KP) rated Emergency Contact in Books
Feb 20, 2020
A great start to 2020!
What a cute start to 2020...
I only got chance to read 30 pages over two days but had such a relaxing NYD, that I managed to read the remaining 95% of this book all in one go. It’s so rare for me to be able to sit down and just devour a book within a day, and I love that feeling when it’s finished and you’ve just found yourself falling in love with even more characters.
<b>Characters:</b>
Penny was so relatable to me as she had only a few friends and had a quiet life. She indulged in her work and was focused on doing things to her best ability — scared of disappointing people. I loved her character because she was just normal. I love normal. Her friendship with Jude was also so heartwarming because both girls were at opposite ends of the spectrum who didn’t care about their differences and made it work.
Sam. <s>Don’t even get me started on Sam.</s> He’s another fictional character to add to my never ending ‘Cute-Not-Real Men’ list. He had the exterior of a tough guy with his tattoos and not wearing anything other than black (stereotypical, I know) but he was such a softie. He worked in a coffee shop and loved baking, he was a little bit of a nerd too. Why don’t people like this really exist?
<b>Plot:</b>
I thought the story started off quite slowly at the beginning, but it needed a build up in order to construct the character backgrounds and introduced events that would essentially come full circle at the end. I liked how the chapters were told from alternating points of view and you got to understand both Penny and Sam's feelings throughout the book. <spoiler>It was a slow burn for both characters to finally get together but it was kind of predictable (in a good way) because you knew that it was inevitable that they were going to end up together.</spoiler>
There were a few little twists that kept popping up here and there that would throw you off and try to convince you that something else would happen, but I liked that because you were constantly thinking what was going to happen next. It kind of pays tribute to real life, as it can throw curveballs at us all the time and we never know what to expect or take for granted.
<b>Style:</b>
I'm such a sucker for books that are broken up with text messages, emails etc. and those that use different formatting as it makes for a much more casual read and it makes it more enjoyable. The way in which the texts were written in 'Emergency Contact' made the story still feel quite soft and light-hearted, and also maybe appealing a little more the YA/teen audience.
<b>Summary:</b>
I loved the story, as it told two separate characters back stories with high maintenance mothers and personal battles. But it also told their own personal stories of growth and development — friendships, relationships and hardships. I’ll definitely have to check out Choi’s newest novel and I’ll probably fall in love with that as much as this.
☆ ☆ ☆ ☆/5
I only got chance to read 30 pages over two days but had such a relaxing NYD, that I managed to read the remaining 95% of this book all in one go. It’s so rare for me to be able to sit down and just devour a book within a day, and I love that feeling when it’s finished and you’ve just found yourself falling in love with even more characters.
<b>Characters:</b>
Penny was so relatable to me as she had only a few friends and had a quiet life. She indulged in her work and was focused on doing things to her best ability — scared of disappointing people. I loved her character because she was just normal. I love normal. Her friendship with Jude was also so heartwarming because both girls were at opposite ends of the spectrum who didn’t care about their differences and made it work.
Sam. <s>Don’t even get me started on Sam.</s> He’s another fictional character to add to my never ending ‘Cute-Not-Real Men’ list. He had the exterior of a tough guy with his tattoos and not wearing anything other than black (stereotypical, I know) but he was such a softie. He worked in a coffee shop and loved baking, he was a little bit of a nerd too. Why don’t people like this really exist?
<b>Plot:</b>
I thought the story started off quite slowly at the beginning, but it needed a build up in order to construct the character backgrounds and introduced events that would essentially come full circle at the end. I liked how the chapters were told from alternating points of view and you got to understand both Penny and Sam's feelings throughout the book. <spoiler>It was a slow burn for both characters to finally get together but it was kind of predictable (in a good way) because you knew that it was inevitable that they were going to end up together.</spoiler>
There were a few little twists that kept popping up here and there that would throw you off and try to convince you that something else would happen, but I liked that because you were constantly thinking what was going to happen next. It kind of pays tribute to real life, as it can throw curveballs at us all the time and we never know what to expect or take for granted.
<b>Style:</b>
I'm such a sucker for books that are broken up with text messages, emails etc. and those that use different formatting as it makes for a much more casual read and it makes it more enjoyable. The way in which the texts were written in 'Emergency Contact' made the story still feel quite soft and light-hearted, and also maybe appealing a little more the YA/teen audience.
<b>Summary:</b>
I loved the story, as it told two separate characters back stories with high maintenance mothers and personal battles. But it also told their own personal stories of growth and development — friendships, relationships and hardships. I’ll definitely have to check out Choi’s newest novel and I’ll probably fall in love with that as much as this.
☆ ☆ ☆ ☆/5
Bob Mann (459 KP) rated I Care a Lot (2020) in Movies
Feb 27, 2021
Rosamund Pike - what Gone Girl did next (1 more)
Supporting cast: Peter Dinklage, Eiza Gonzáles and Dianne Wiest
An inky black comedy thriller
Maria Grayson (Rosamund Pike) and her colleague-cum-lover Fran (Eiza González) are running an extensive con. Through the manipulation of the Boston legal and medical systems, Maria arranges to be appointed the legal guardian for numerous older people. Packing them away to a drugged up life in a care home, the pair then plunder the estates of their wards, turning a tidy profit. The weatlhy and unattached Jennifer Peterson (Dianne Wiest) appears to be a "cherry" that can take their fortunes to a completely different level. But all is not as it seems, and Maria and Fran's evil but comfortable lives are about to be turned on their heads.
Positives:
- When I say the comedy is inky black, I mean it. It's unusual to find a movie without a single character that you can relate to or even remotely like. For some reason, it reminded me of the Michael Douglas / Kathleen Turner vehicle "The War of the Roses" in that regard. And yet, once you let the evilness of it sink in, it becomes a rip-roaring story that delights to the very end.
- Rosamund Pike delivers yet again another superb performance, making Maria an icy cold villain. The role could be summed up as "What Gone Girl did next".
- Peter Dinklage delights in portraying an evil character which, for reasons of spoiler avoidance, I shall say nothing further about. But it's a cracking performance and brilliant to see a script that steadfastly ignores his physical characteristics.
- Dianne Wiest ("The Mule") and Eiza González ("the sexy one" from "Baby Driver") also deliver strong supporting roles.
-J Blakeson - who did "The Disappearance of Alice Creed" - directs with style, and hopefully his truly novel screenplay will be suitably recognised through awards. There are some clever twists: one near the end which (Smug McSmuggerson from the University of Smugchester) I saw coming, and another one soon after that I didn't!
- Mark Canham - not a composer I know - delivers a really engaging and bouncy score that's top notch. Loved it.
Negatives:
- The plot is just SO inky black at the beginning, that some may get through the first 15 minutes and think "Nope, not for me". You should stick with it: after Peter Dinklage appears, the movie shifts up a gear and changes in tone.
- The plot occasionally stretches credibility beyond breaking point. In particular, all the characters seem to be wholly incompetent at 'dispatching people' when they have the opportunity to do so. The repetition of these failures I found to be a bit tiresome.
Summary: Finding a movie with a novel storyline is an unusual thing these days, and one that combines that with a taut and engrossing screenplay is a gem indeed. It's probably not one recommended for very elderly people to watch.... then again, perhaps with so many evil scammers around in real life, it might be considered required viewing! But, if you have one, you'll probably want to have a chat with your granny after watching this.
(For the full graphical review, check out the full review at One Mann's Movies here - https://bob-the-movie-man.com/2021/02/27/i-care-a-lot-an-inky-black-comedy-thriller/. Thanks).
Positives:
- When I say the comedy is inky black, I mean it. It's unusual to find a movie without a single character that you can relate to or even remotely like. For some reason, it reminded me of the Michael Douglas / Kathleen Turner vehicle "The War of the Roses" in that regard. And yet, once you let the evilness of it sink in, it becomes a rip-roaring story that delights to the very end.
- Rosamund Pike delivers yet again another superb performance, making Maria an icy cold villain. The role could be summed up as "What Gone Girl did next".
- Peter Dinklage delights in portraying an evil character which, for reasons of spoiler avoidance, I shall say nothing further about. But it's a cracking performance and brilliant to see a script that steadfastly ignores his physical characteristics.
- Dianne Wiest ("The Mule") and Eiza González ("the sexy one" from "Baby Driver") also deliver strong supporting roles.
-J Blakeson - who did "The Disappearance of Alice Creed" - directs with style, and hopefully his truly novel screenplay will be suitably recognised through awards. There are some clever twists: one near the end which (Smug McSmuggerson from the University of Smugchester) I saw coming, and another one soon after that I didn't!
- Mark Canham - not a composer I know - delivers a really engaging and bouncy score that's top notch. Loved it.
Negatives:
- The plot is just SO inky black at the beginning, that some may get through the first 15 minutes and think "Nope, not for me". You should stick with it: after Peter Dinklage appears, the movie shifts up a gear and changes in tone.
- The plot occasionally stretches credibility beyond breaking point. In particular, all the characters seem to be wholly incompetent at 'dispatching people' when they have the opportunity to do so. The repetition of these failures I found to be a bit tiresome.
Summary: Finding a movie with a novel storyline is an unusual thing these days, and one that combines that with a taut and engrossing screenplay is a gem indeed. It's probably not one recommended for very elderly people to watch.... then again, perhaps with so many evil scammers around in real life, it might be considered required viewing! But, if you have one, you'll probably want to have a chat with your granny after watching this.
(For the full graphical review, check out the full review at One Mann's Movies here - https://bob-the-movie-man.com/2021/02/27/i-care-a-lot-an-inky-black-comedy-thriller/. Thanks).
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Kristy H (1252 KP) rated Sailing Lessons in Books
Mar 18, 2019
Interesting characters & enjoyable read
The Bailey sisters grew up on Cape Cod--and overall, they are fairly close. The sisters are particularly bonded by the fact that their father, Caleb, left when they were small, after a traumatic incident that affected each sister in their own way. Wren remained on the island and is now raising her daughter, Lucy, while juggling an attempt to open a small business. Her older sister, Shannon, is a perfectionist leading a picture-perfect Cape life with her husband and three children: at least that's how it appears. As for the youngest, Piper, who barely even remembers her father: she fled to Boston, where she's spent years pursuing educational degrees she isn't sure she wants. And her love life? Don't ask. The girls' mother, Lindy, has settled down on the island with her second husband, Hank. All in all, everyone has a routine. But Caleb disturbs all that when he sends a letter, asking to return and see the girls again. Each sister responds differently to his return, and each much confront their own past--and present--in light of Caleb's presence.
I really enjoyed this book, and I found myself quite enraptured by its characters. I'm a sucker for some island-themed fiction (I'd love to go to the Cape or Nantucket someday, though I'll be so sad when everyone there isn't grappling with family issues and/or falling in love at first sight!). This was one of the books that I read at the right time, as I needed a story I could escape into. I started it while I was on "vacation" (a trip to Great Wolf Lodge with six-year-old twins - you determine if this counts as a vacation), and I found myself wishing I could transport myself to a beach somewhere to finish it.
The characters in this tale are simply interesting and fascinating. I don't know how else to say it, except I liked them, you know? OK, it took a little while to warm up to Shannon, but I could definitely relate to bits of her anxious characteristics. But I especially loved Wren and Hank. I could just picture them so easily, and I was rooting for them the entire way. (I sort of want Hank to be my Dad now.) Even Caleb was an intriguing sort of guy in his own way.
"He'd been given a talent for capturing images and a woman whom he'd loved with a fierceness that he could never seem to capture. And he'd lost it all."
So, yes, there's a bit of predictability to this one, but there's a comfortableness to it that I really liked (and needed). And there were definitely some pieces I didn't always see coming, too. Plus, I was so caught up in the characters that I was along for the ride, no matter what. They were well-written, and I was invested in their lives, which is a sign of good women's fiction, in my opinion. I had a bit of a dysfunctional childhood myself, so maybe I could relate well to this one; it just worked well for me.
"'Memory has weight. We carry it around with us in our baskets.' It had sounded lovely to her ears as a kid, this bountiful collection: a bushel of fruit, a bouquet of flowers. But as she grew, it took on a new meaning. There were days Shannon wished to set her basket of memories down; days she wished to abandon it altogether."
Overall, I really enjoyed this book. Interesting characters, easy-moving plot--it was just a good read. I was actually a little sad to say goodbye to the sisters and their clan by the end.
I really enjoyed this book, and I found myself quite enraptured by its characters. I'm a sucker for some island-themed fiction (I'd love to go to the Cape or Nantucket someday, though I'll be so sad when everyone there isn't grappling with family issues and/or falling in love at first sight!). This was one of the books that I read at the right time, as I needed a story I could escape into. I started it while I was on "vacation" (a trip to Great Wolf Lodge with six-year-old twins - you determine if this counts as a vacation), and I found myself wishing I could transport myself to a beach somewhere to finish it.
The characters in this tale are simply interesting and fascinating. I don't know how else to say it, except I liked them, you know? OK, it took a little while to warm up to Shannon, but I could definitely relate to bits of her anxious characteristics. But I especially loved Wren and Hank. I could just picture them so easily, and I was rooting for them the entire way. (I sort of want Hank to be my Dad now.) Even Caleb was an intriguing sort of guy in his own way.
"He'd been given a talent for capturing images and a woman whom he'd loved with a fierceness that he could never seem to capture. And he'd lost it all."
So, yes, there's a bit of predictability to this one, but there's a comfortableness to it that I really liked (and needed). And there were definitely some pieces I didn't always see coming, too. Plus, I was so caught up in the characters that I was along for the ride, no matter what. They were well-written, and I was invested in their lives, which is a sign of good women's fiction, in my opinion. I had a bit of a dysfunctional childhood myself, so maybe I could relate well to this one; it just worked well for me.
"'Memory has weight. We carry it around with us in our baskets.' It had sounded lovely to her ears as a kid, this bountiful collection: a bushel of fruit, a bouquet of flowers. But as she grew, it took on a new meaning. There were days Shannon wished to set her basket of memories down; days she wished to abandon it altogether."
Overall, I really enjoyed this book. Interesting characters, easy-moving plot--it was just a good read. I was actually a little sad to say goodbye to the sisters and their clan by the end.