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Contains spoilers, click to show
So as you'll know if you've followed my last few reviews, that I've been pretty obsessed with this series over the past couple of days. I don't know what it is with these questionable straight guys and the gay/bisexual guys they end up with but I've pretty much devoured them.

This one was all just a bit too strange for me. For these guys to be so obsessed with each other--well Gabriel anyway. Jared was trying to move on but one request from Gabe and he was running back to him like the man in love he was. It was rather unhealthy and maybe a little twisted. I didn't understand it much.

I kinda wanted them to get together but at the same time it didn't seem right. Gabe had a girlfriend and a baby from pretty much the start of the book and...just no. I like my M/M stories to not have children attached unless they're grown up (Or a certain book that I loved by M.J. O'Shea and Piper Vaughn :D)

This has been my least favourite of the series so far but I will read the next book in the series to see what it's like.
  
Promising Young Woman (2020)
Promising Young Woman (2020)
2020 | Crime, Drama, Thriller
Powerful
Emerald Fennell’s feature length motion picture Directing debut, PROMISING YOUNG WOMAN, is a difficult film to categorize. Is it a Dark Comedy? A RomCom? A family drama? A portrait of a character’s descent? A hard critique of sexism and sexual predators? A revenge fantasy?

The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.

PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.

To say anything else would spoil this wonderful film.

At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.

Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.

But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.

Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.

An intriguing film that is sticking with me a few days later…always a mark of quality.

Letter Grade: A

9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
  
The Finisher (Vega Jane #1)
The Finisher (Vega Jane #1)
David Baldacci | 2014 | Fiction & Poetry
6
6.0 (2 Ratings)
Book Rating
Interesting idea and characters (0 more)
Confusing use of vocabulary, poor ending (0 more)
I'm a fan of Fantasy and Sci-fi and, in a recent conversation with a friend on the subject of reading, they recommended and lent me, the 'Vega Jane' Series.

Book one started with great promise. Vega Jane and the rest of the characters were very well formed and I liked the initial underlining feminist message, running throughout the story.

However, I found many problems with this novel. Firstly, the writing was a major problem for me, particularly the vocabulary that was used by the characters.

Wormwood is supposedly a fictional place, on an unknown planet. So it didn't come to surprise, that the characters used a fictional language.

The problem with that was, when a character used a fictional word, as a reader, you had to hazard a guess at to what the characters were talking about. Also, made up words were used, where they weren't particularly necessary. For example, ''Lights' were 'days' and 'slivers' were 'time'. For me, it wasn't entirely necessary to use alternative words for these things and this vocabulary was being thrown in, to try and make the setting of the story, more interesting. I would have preferred the use of fictitious words for some of the more exotic things, found in the environment of Wormwood.

Also to confuse things even further, more modern words like 'bloke' were used, which gave this weird mish mash, between the modern and the fantasy world, the book took place in. I think what David Baldacci was trying to do, was to make the situation and characters more relatable to its predominately teenage audience. What this combination of language actually did, was to cause me to step out of the world that was being created, rather than being drawn into it.

The plot was generally good. Although, as Vega was learning more about her powers, there were no real explanations as to why she had them. I know this is a series and I suppose that during the course of the novels, there will be more explanation, but I felt like something should have been explained.

Also, Vega inexplicably finds weapons at the exact times she needs them, without any explanation about where they came from. It was as if David Baldacci found Vega in a tight spot, so he decided to drop weapons from the sky. For me, that wasn't logical and was a bit lazy on the writer's part.

I did enjoy the tension which ran through the book and that kept me reading until the very end. I was fully prepared, as I neared the end of book one, to continue reading the rest of the series. However, the last three chapters totally put me off reading the rest of the books, for several reasons.

Firstly, Vega Jane was a strong female character, who had guts and fought to survive. So it was totally out of character, at the end, for her to start worrying about what she looked like and what boys thought of her. To me, that totally contradicted the message that the rest of the book was trying to send.

Also the resolution to the novel, like some of the other elements in this book, seemed to come from no where. I felt totally disappointed at the weak ending.

This novel had interesting promise and a great female protagonist, but it missed the mark entirely for me.

If you like reading fantasy novels, with strong female characters, I wouldn't suggest reading this. Read the 'Hunger Games' Trilogy instead.