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Movie Metropolis (309 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Goodbye Normal Jean
It would be easy to write off X-Men: Dark Phoenix as a complete and utter disaster. With the departure of Bryan Singer (again) from the franchise, first-time director Simon Kinberg taking his place and rumours of costly reshoots pushing the budget north of $200million, things weren’t looking good for this adaptation of the popular Marvel comic.
Let’s not forget that the last time Fox tried to adapt this storyline we ended up with 2006’s The Last Stand, and the less said about that the better. Looking back over the last 20 years, the X-Men’s film franchise history has been chequered to say the least.
Nevertheless, this particular timeline that started with Matthew Vaughn’s adequate First Class, followed up by the excellent Days of Future Past and the flabby Apocalypse ends with Dark Phoenix. But is it worthy of your consideration?
This is the story of one of the X-Men’s most beloved characters, Jean Grey (Sophie Turner), as she evolves into the iconic Phoenix. During a rescue mission in space, Jean is hit by a cosmic force that transforms her into one of the most powerful mutants of all. Wrestling with this increasingly unstable power as well as her own personal demons, Jean spirals out of control, tearing the X-Men family apart and threatening to destroy the very fabric of our planet.
First things first – this is not a bad film. Yes, you heard me right. Leagues above Apocalypse and much better than The Last Stand, Dark Phoenix is a film that has been let down by catastrophically poor marketing. It’s not perfect, as we’ll discover in this review, but it tries a different approach, and for that it should be applauded.
For this reviewer, the modern day cast of characters has always been a weak spot for the series and that doesn’t really change in Dark Phoenix. James McAvoy remains miscast as Charles Xavier, especially since packing on the muscle for this Glass, but he performs much better here than he did in its predecessor. His transition into egotistical maniac, obsessed by the celebrity status the X-Men have acquired at the outset of the film is an intriguing diversion from where he was at the end of Apocalypse.
The younger cast are more likeable. Kodi Smitt-McPhee’s portrayal of Nightcrawler is fabulous and he gets more to do this time around. Tye Sheridan is great as young Cyclops and Evan Peters’ Quicksilver remains a highlight, though it’s unfortunate he’s cast aside relatively quickly – for fans of his set pieces from the previous two films, you’ll be disappointed here. Michael Fassbender and Nicholas Hoult bring their a-games, but they even seem a little bored by what’s going on. “You’re always sorry, Charles. And there’s always a speech. But nobody cares anymore!” bites Michael Fassbender at one point in the film – perhaps he’s onto something?
The first hour is perhaps the best the series has been since Days of Future Past
Of the female cast, Sophie Turner does her best with the material she’s given, and her Jean Grey is full of anger, angst and melancholy. The script struggles to provide her with any other emotion, but she’s a pleasing protagonist for the most part. Unfortunately, Jennifer Lawrence completely phones in her performance as Mystique and Jessica Chastain’s horrifically underwritten villain wastes a fabulous actor in a thankless role – much like Oscar Issac in Apocalypse.
With reports of heavy reshoots, you’d be forgiven for thinking that the film would end up a royal mess. Thankfully, the first hour is perhaps the best the series has been since Days of Future Past. Focusing on character development rather than all-out action, it’s a pleasing change and one which is more than welcome. Unfortunately, as time ticks away, the film loses all semblance of sanity and becomes muddled as it steamrolls towards an underwhelming climax.
And despite the reported budget of $200million, some of the shot choices and outfits feel cheap. It’s clear director Simon Kinberg is a fan of the series, but the X-Men costumes are bland, ill-fitting and a world away from what we’ve seen before. Closer to the comics they may be, but that’s not always a good thing. Elsewhere, the film feels cut-rate, almost TV-movie like and that’s a real shame because the special effects are top-notch. Mercifully, Hans Zimmer’s score is wonderful. The soaring orchestral soundtrack works brilliantly with the film – it’s probably the best music in the series to date.
Overall, X-Men: Dark Phoenix has been a victim of poor marketing with trailers that spoilt perhaps the most pivotal moment of the film (which we won’t spoil here). Nevertheless, the first hour is great and the special effects provide the film with some thrilling set pieces. It’s a shame then that the film offers up nothing new to the table despite some committed performances – this Phoenix just doesn’t quite rise to the occasion.
https://moviemetropolis.net/2019/06/07/x-men-dark-phoenix-review-goodbye-normal-jean/
Let’s not forget that the last time Fox tried to adapt this storyline we ended up with 2006’s The Last Stand, and the less said about that the better. Looking back over the last 20 years, the X-Men’s film franchise history has been chequered to say the least.
Nevertheless, this particular timeline that started with Matthew Vaughn’s adequate First Class, followed up by the excellent Days of Future Past and the flabby Apocalypse ends with Dark Phoenix. But is it worthy of your consideration?
This is the story of one of the X-Men’s most beloved characters, Jean Grey (Sophie Turner), as she evolves into the iconic Phoenix. During a rescue mission in space, Jean is hit by a cosmic force that transforms her into one of the most powerful mutants of all. Wrestling with this increasingly unstable power as well as her own personal demons, Jean spirals out of control, tearing the X-Men family apart and threatening to destroy the very fabric of our planet.
First things first – this is not a bad film. Yes, you heard me right. Leagues above Apocalypse and much better than The Last Stand, Dark Phoenix is a film that has been let down by catastrophically poor marketing. It’s not perfect, as we’ll discover in this review, but it tries a different approach, and for that it should be applauded.
For this reviewer, the modern day cast of characters has always been a weak spot for the series and that doesn’t really change in Dark Phoenix. James McAvoy remains miscast as Charles Xavier, especially since packing on the muscle for this Glass, but he performs much better here than he did in its predecessor. His transition into egotistical maniac, obsessed by the celebrity status the X-Men have acquired at the outset of the film is an intriguing diversion from where he was at the end of Apocalypse.
The younger cast are more likeable. Kodi Smitt-McPhee’s portrayal of Nightcrawler is fabulous and he gets more to do this time around. Tye Sheridan is great as young Cyclops and Evan Peters’ Quicksilver remains a highlight, though it’s unfortunate he’s cast aside relatively quickly – for fans of his set pieces from the previous two films, you’ll be disappointed here. Michael Fassbender and Nicholas Hoult bring their a-games, but they even seem a little bored by what’s going on. “You’re always sorry, Charles. And there’s always a speech. But nobody cares anymore!” bites Michael Fassbender at one point in the film – perhaps he’s onto something?
The first hour is perhaps the best the series has been since Days of Future Past
Of the female cast, Sophie Turner does her best with the material she’s given, and her Jean Grey is full of anger, angst and melancholy. The script struggles to provide her with any other emotion, but she’s a pleasing protagonist for the most part. Unfortunately, Jennifer Lawrence completely phones in her performance as Mystique and Jessica Chastain’s horrifically underwritten villain wastes a fabulous actor in a thankless role – much like Oscar Issac in Apocalypse.
With reports of heavy reshoots, you’d be forgiven for thinking that the film would end up a royal mess. Thankfully, the first hour is perhaps the best the series has been since Days of Future Past. Focusing on character development rather than all-out action, it’s a pleasing change and one which is more than welcome. Unfortunately, as time ticks away, the film loses all semblance of sanity and becomes muddled as it steamrolls towards an underwhelming climax.
And despite the reported budget of $200million, some of the shot choices and outfits feel cheap. It’s clear director Simon Kinberg is a fan of the series, but the X-Men costumes are bland, ill-fitting and a world away from what we’ve seen before. Closer to the comics they may be, but that’s not always a good thing. Elsewhere, the film feels cut-rate, almost TV-movie like and that’s a real shame because the special effects are top-notch. Mercifully, Hans Zimmer’s score is wonderful. The soaring orchestral soundtrack works brilliantly with the film – it’s probably the best music in the series to date.
Overall, X-Men: Dark Phoenix has been a victim of poor marketing with trailers that spoilt perhaps the most pivotal moment of the film (which we won’t spoil here). Nevertheless, the first hour is great and the special effects provide the film with some thrilling set pieces. It’s a shame then that the film offers up nothing new to the table despite some committed performances – this Phoenix just doesn’t quite rise to the occasion.
https://moviemetropolis.net/2019/06/07/x-men-dark-phoenix-review-goodbye-normal-jean/
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Whatchareadin (174 KP) rated As She Fades in Books
Apr 9, 2019
Vale McKinley and her boyfriend Crawford have been together since they were six years old. On the night of their high school graduation they are in a terrible car accident that leaves one of them in a coma. The other does their best to visit everyday, but college is just around the corner and they have to make the decision to either move on together or apart. Vale comes from a large family and their support is very important to her. People come in and out Vale and Crawford's lives as they try to deal with the circumstances they are under. The most notable is Slate Allan, a friend to Vale's brother, Knox, whose reputation is not the most desirable. He reads sports magazines and has a heart of gold. Will Vale and Crawford be able to move forward together or is their life better apart?
Thank you to NetGalley and Feiwel & Friends for the opportunity to read and review this book.
Let me say, this book held my attention from the very beginning. Vale is a very interesting character and you immediately want to be her friend and a part of her family. I read this book in 2 days. Wherever I went, I was reading it. There was a huge twist a little more than half way through the book, that made me yell and curse!!
This is a YA Romance book. The characters are all 21 or under and it made me feel a bit nostalgic. Took my back to my college days with roommates and friends all over campus. How much life changes when you get to college.
Vale and Crawford have a lot on their plates. The accident has changed them and made Vale, especially think about her life with and without Crawford. Everything has always been the way he wanted, even the college they both decided to go to was his idea. It's not too bad, though because her brother is there too.
Will this relationship last? Will the past 12 years of their life come to an end after this accident? Will they be able to push through and continue the relationship through college? Will Slate Allan be able to prove to the world what a great guy he is or will his reputation as a playboy be all that anyone will see?
This is the first book I have read by Abbi Glines, but it will not be my last. This book held and kept my attention from the very start until THE END!!
Thank you to NetGalley and Feiwel & Friends for the opportunity to read and review this book.
Let me say, this book held my attention from the very beginning. Vale is a very interesting character and you immediately want to be her friend and a part of her family. I read this book in 2 days. Wherever I went, I was reading it. There was a huge twist a little more than half way through the book, that made me yell and curse!!
This is a YA Romance book. The characters are all 21 or under and it made me feel a bit nostalgic. Took my back to my college days with roommates and friends all over campus. How much life changes when you get to college.
Vale and Crawford have a lot on their plates. The accident has changed them and made Vale, especially think about her life with and without Crawford. Everything has always been the way he wanted, even the college they both decided to go to was his idea. It's not too bad, though because her brother is there too.
Will this relationship last? Will the past 12 years of their life come to an end after this accident? Will they be able to push through and continue the relationship through college? Will Slate Allan be able to prove to the world what a great guy he is or will his reputation as a playboy be all that anyone will see?
This is the first book I have read by Abbi Glines, but it will not be my last. This book held and kept my attention from the very start until THE END!!
Darren (1599 KP) rated 3 Days To Kill (2014) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 3 Days to Kill starts as we meet CIA agent Ethan Renner (Costner) who along with his team is about to take down one of the biggest threats in the world The Wolf (Sammel) by eliminating his closest associate The Albino (Lemarquis) only the mission gets compromised when Ethan’s health catches up with him as he learns he only has 3 months to live.
Released by the CIA Ethan sets out on cleaning up his own personal affairs wanting to build a relationship with daughter Zooey (Steinfeld) through his ex-wife Christine (Nielsen) after years of times apart working. With everything going badly Ethan knows that it will become difficult but when fellow agent Vivi Delay (Heard) offers him a chance to live longer Ethan comes out of retirement for one last assignment.
Thoughts on 3 Days to Kill
Story – The story for this film tries to balance a dying man’s final months with his family and his CIA life that he has meant to have walked away from. The CIA story does feel very generic of this modern day slick hitman style which is all fine. The dying man’s wish story ends up feeling like an awkward comedy in places. The story also feels very long and doesn’t seem to end up deciding if it wants to be serious or not.
Action/Thriller – The action is all very good and entertaining with the opening sequence looking like it set the tone but in the end if just turns into another slick hitman film.
Characters/Performance – I can’t find anything wrong with Costner’s performance as well as Steinfeld or Neilsen, it is the Heard performance that doesn’t make sense because she doesn’t suit the character and the character doesn’t suit the movie. The movie tries to make all the characters fit into everyday experiences but for some reason Vivi character is wildly over the top for no apparent reason.
Settings – The settings are mostly all in Paris which all works for the film which is trying to make us have a location we want to visit but showing that crime can happen there I guess.
Special Effects – The Special effects are mostly used for the action sequences and they all come off to the level you need them too.
Final Thoughts –This is an overlong action thriller that ends up getting caught up in the middle of comedy too often for its own good.
Overall: Solid action film that starts too strong for its own benefits.
Released by the CIA Ethan sets out on cleaning up his own personal affairs wanting to build a relationship with daughter Zooey (Steinfeld) through his ex-wife Christine (Nielsen) after years of times apart working. With everything going badly Ethan knows that it will become difficult but when fellow agent Vivi Delay (Heard) offers him a chance to live longer Ethan comes out of retirement for one last assignment.
Thoughts on 3 Days to Kill
Story – The story for this film tries to balance a dying man’s final months with his family and his CIA life that he has meant to have walked away from. The CIA story does feel very generic of this modern day slick hitman style which is all fine. The dying man’s wish story ends up feeling like an awkward comedy in places. The story also feels very long and doesn’t seem to end up deciding if it wants to be serious or not.
Action/Thriller – The action is all very good and entertaining with the opening sequence looking like it set the tone but in the end if just turns into another slick hitman film.
Characters/Performance – I can’t find anything wrong with Costner’s performance as well as Steinfeld or Neilsen, it is the Heard performance that doesn’t make sense because she doesn’t suit the character and the character doesn’t suit the movie. The movie tries to make all the characters fit into everyday experiences but for some reason Vivi character is wildly over the top for no apparent reason.
Settings – The settings are mostly all in Paris which all works for the film which is trying to make us have a location we want to visit but showing that crime can happen there I guess.
Special Effects – The Special effects are mostly used for the action sequences and they all come off to the level you need them too.
Final Thoughts –This is an overlong action thriller that ends up getting caught up in the middle of comedy too often for its own good.
Overall: Solid action film that starts too strong for its own benefits.
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Emma @ The Movies (1786 KP) rated A Quiet Place (2018) in Movies
Sep 25, 2019
A family is forced to live in silence while hiding from creatures that hunt by sound.
When the trailer for this one was running I honestly thought I was going to be scared witless. It made me so uneasy that I was seriously contemplating not going to see it. I don't mind watching horror films, but I feel a lot more comfortable about it when I'm at home in a brightly lit room.
I sucked it up though and went anyway figuring that having a double bill with something I knew would definitely entertain me would be an easy way to calm my nerves.
We start the film 89 (was is 89? I've got a brain like a sieve) days into the events of A Quiet Place. The monsters are here, and those that are left are doing their best to stay quiet and survive. I've already reached a point where I am a little grumbly. When it announced where it was in the story I was hoping for some kind of jumping timeline showing you a before and after style tale... because surely they're not just going to gloss over the whole "how" of the aliens coming to Earth... Oh.
I can't really fault the bit in the middle of the film. I found it quite enjoyable. There are lots of questions that you wonder about, that I always wonder about in apocalyptic movies. But that's where you have to give them leeway for artistic license I guess.
The part of the story that this film tells is good, and you can follow the journey of the family understanding everything even with the limited dialogue. There's some superb acting at work from everyone involved and I've been recommending it to anyone that asks about it.
With quite a few of us in the cinema it was amusing to see everyone's reaction throughout the movie. Every time someone crinkled a packet or opened a fizzy drink there were noticeable pauses as if we'd all just thought "Oh my god that was too loud" before realising that it's just a movie we're watching.
The main reason this one gets a three star rating and not a four is not only for the lack of origin story but for what I consider to be a cheesy ending suitable for a comedy action film and not what I had been to see. The locked and loaded ending was the sort of thing you'd expect to see in a Guardians Of The Galaxy movie where the end credit are punctuated by shots of our heroes going into battle. A perplexing end.
When the trailer for this one was running I honestly thought I was going to be scared witless. It made me so uneasy that I was seriously contemplating not going to see it. I don't mind watching horror films, but I feel a lot more comfortable about it when I'm at home in a brightly lit room.
I sucked it up though and went anyway figuring that having a double bill with something I knew would definitely entertain me would be an easy way to calm my nerves.
We start the film 89 (was is 89? I've got a brain like a sieve) days into the events of A Quiet Place. The monsters are here, and those that are left are doing their best to stay quiet and survive. I've already reached a point where I am a little grumbly. When it announced where it was in the story I was hoping for some kind of jumping timeline showing you a before and after style tale... because surely they're not just going to gloss over the whole "how" of the aliens coming to Earth... Oh.
I can't really fault the bit in the middle of the film. I found it quite enjoyable. There are lots of questions that you wonder about, that I always wonder about in apocalyptic movies. But that's where you have to give them leeway for artistic license I guess.
The part of the story that this film tells is good, and you can follow the journey of the family understanding everything even with the limited dialogue. There's some superb acting at work from everyone involved and I've been recommending it to anyone that asks about it.
With quite a few of us in the cinema it was amusing to see everyone's reaction throughout the movie. Every time someone crinkled a packet or opened a fizzy drink there were noticeable pauses as if we'd all just thought "Oh my god that was too loud" before realising that it's just a movie we're watching.
The main reason this one gets a three star rating and not a four is not only for the lack of origin story but for what I consider to be a cheesy ending suitable for a comedy action film and not what I had been to see. The locked and loaded ending was the sort of thing you'd expect to see in a Guardians Of The Galaxy movie where the end credit are punctuated by shots of our heroes going into battle. A perplexing end.
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Bob Mann (459 KP) rated Mamma Mia: Here We Go Again! (2018) in Movies
Sep 29, 2021
I had a dream. A sob. A sing.
You remember in “Aliens” when Ripley (Sigourney Weaver) fought through hell and high water against that “bitch” to protect the youngster Newt (Carrie Henn)? And then how betrayed you felt in that emotional investment at the start of “Alien 3”?
Which brings us spoiler-free to the start of “Mamma Mia! Here We Go Again”, typically shortened by everyone to “Mamma Mia 2”, the sequel to the enormously successful cheese-fest (and Bros-fest) that was the first film, now – unbelievably – 10 years old.
Sophie (Amanda Seyfried) is trying to open the Bella Donna hotel on that magical Greek island separated from her husband Sky (Dominic Cooper) who is learning the tips of the hotel trade in New York. As preparations for the opening party progress we flash back to the back-story of Donna (as a post-graduate played by Lily James) as she meets Harry (Hugh Skinner, “The Windsors”, “W1A”), Bill (Josh Dylan, “Allied”) and Sam (Jeremy Irvine, “War Horse”) en route to Greece.
If you remember the first film and thought Donna (Meryl Streep) was a bit of a… erm… ‘loose woman’, then this plot point could have been amplified by seeing the “dot, dot, dot” acts in the flesh, as it were. Fortunately, in steps Lily James as the young Donna who is so mesmerisingly gorgeous and vivacious that you can forgive her just about anything. “Beguiling” was the description my better half came up with, and I couldn’t describe her better. Supporting her effectively are Alexa Davies (as the young version of Julie Walters‘ character) and Jessica Keenan Wynn (as the young version of Christine Baranski‘s character). The trio’s exuberant performance of “When I Kissed the Teacher” sets the tone well for the grin-fest to follow. (By the way, if you are a Mary Poppins fan then a bit of trivia is that Wynn is the great-granddaughter of Ed Wynn, the character who “Loved to Laugh” on the ceiling!).
In these days of drought, Trump vs the world, Brexit and universal bruhaha, this is a much-needed joyful film, and far better I would say than the original. A good story, well executed and stuffed with excellent tunes. True, apart from a number of key repeats, we are more in the territory – in CD terms – of “More Abba Gold” than “Abba Gold”, but Bjorn and Benny’s B-sides are still better than many other’s A-sides. What’s really nice is that the songs are well chosen to mesh better into the story and the lead singing of Seyfried and James is uniformly excellent. Pierce Brosnan gets to sing (no, no, come back!) but it is cleverly low-key and genuinely touching. And as for Celia Imrie, you’re a legend and we forgive you!
It’s also far better at finding both humour and pathos than the original, with the splendid Hugh Skinner exhibiting perfect comic timing and comedian Omid Djalili being very funny (stay to the end of the end-credits for a very funny monkey). National treasure Julie Walters also adds excellent comic content, particularly in a number of dance scenes.
And as for the pathos, if the duet at the finale doesn’t move you to tears you are either made of rock or are immune to being shamelessly manipulated! It’s a well-scripted convergence of grief and joy (I feel Richard Curtis‘s hand in the story here) around one of Abba’s most beautifully tear-jerking songs. I will admit to you – don’t tell anyone else – that I was left in a complete mess… another reason to sit through the end titles!
At the elderly end of the cast list Andy Garcia is magnificent as the South American hotel manager Mr Cienfuegos (you’ll NEVER guess what his first name is!) and Cher (“Moonstruck”) literally rocks up trying hard to steal the show as Sophie’s Vegas superstar grandmother.
Directed and scripted by “Best Exotic Marigold Hotel” director Ol Parker (the lucky guy who is married to Thandie Newton!) it drips with cheese again, but who cares when it is so stylishly done. Should you see this? The test is simple: if you hated “Mamma Mia” then you will hate this one; if you loved “Mamma Mia” you will simply adore this one.
Which brings us spoiler-free to the start of “Mamma Mia! Here We Go Again”, typically shortened by everyone to “Mamma Mia 2”, the sequel to the enormously successful cheese-fest (and Bros-fest) that was the first film, now – unbelievably – 10 years old.
Sophie (Amanda Seyfried) is trying to open the Bella Donna hotel on that magical Greek island separated from her husband Sky (Dominic Cooper) who is learning the tips of the hotel trade in New York. As preparations for the opening party progress we flash back to the back-story of Donna (as a post-graduate played by Lily James) as she meets Harry (Hugh Skinner, “The Windsors”, “W1A”), Bill (Josh Dylan, “Allied”) and Sam (Jeremy Irvine, “War Horse”) en route to Greece.
If you remember the first film and thought Donna (Meryl Streep) was a bit of a… erm… ‘loose woman’, then this plot point could have been amplified by seeing the “dot, dot, dot” acts in the flesh, as it were. Fortunately, in steps Lily James as the young Donna who is so mesmerisingly gorgeous and vivacious that you can forgive her just about anything. “Beguiling” was the description my better half came up with, and I couldn’t describe her better. Supporting her effectively are Alexa Davies (as the young version of Julie Walters‘ character) and Jessica Keenan Wynn (as the young version of Christine Baranski‘s character). The trio’s exuberant performance of “When I Kissed the Teacher” sets the tone well for the grin-fest to follow. (By the way, if you are a Mary Poppins fan then a bit of trivia is that Wynn is the great-granddaughter of Ed Wynn, the character who “Loved to Laugh” on the ceiling!).
In these days of drought, Trump vs the world, Brexit and universal bruhaha, this is a much-needed joyful film, and far better I would say than the original. A good story, well executed and stuffed with excellent tunes. True, apart from a number of key repeats, we are more in the territory – in CD terms – of “More Abba Gold” than “Abba Gold”, but Bjorn and Benny’s B-sides are still better than many other’s A-sides. What’s really nice is that the songs are well chosen to mesh better into the story and the lead singing of Seyfried and James is uniformly excellent. Pierce Brosnan gets to sing (no, no, come back!) but it is cleverly low-key and genuinely touching. And as for Celia Imrie, you’re a legend and we forgive you!
It’s also far better at finding both humour and pathos than the original, with the splendid Hugh Skinner exhibiting perfect comic timing and comedian Omid Djalili being very funny (stay to the end of the end-credits for a very funny monkey). National treasure Julie Walters also adds excellent comic content, particularly in a number of dance scenes.
And as for the pathos, if the duet at the finale doesn’t move you to tears you are either made of rock or are immune to being shamelessly manipulated! It’s a well-scripted convergence of grief and joy (I feel Richard Curtis‘s hand in the story here) around one of Abba’s most beautifully tear-jerking songs. I will admit to you – don’t tell anyone else – that I was left in a complete mess… another reason to sit through the end titles!
At the elderly end of the cast list Andy Garcia is magnificent as the South American hotel manager Mr Cienfuegos (you’ll NEVER guess what his first name is!) and Cher (“Moonstruck”) literally rocks up trying hard to steal the show as Sophie’s Vegas superstar grandmother.
Directed and scripted by “Best Exotic Marigold Hotel” director Ol Parker (the lucky guy who is married to Thandie Newton!) it drips with cheese again, but who cares when it is so stylishly done. Should you see this? The test is simple: if you hated “Mamma Mia” then you will hate this one; if you loved “Mamma Mia” you will simply adore this one.