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Murder on Fifth Avenue
Murder on Fifth Avenue
Victoria Thompson | 2012 | Mystery
10
10.0 (1 Ratings)
Book Rating
Death at a Gentlemen’s Club
When a member of the Knickerbocker club dies one afternoon, everyone assumes it was a heart attack – until they move the body and discover that he had been bleeding. Midwife Sarah Brandt’s father, Felix Decker, is a member of the club, so he immediately calls Detective Sergeant Frank Malloy to investigate. The victim was Chilton Devries, the head of a wealthy family. However, Frank soon learns that Chilton was not a well-liked man. With Sarah using her status in society to gain access to the family, the two begin to gain a long list of suspects. But who actually killed the man?

It’s always a pleasure to return to Sarah and Frank’s world, and this book was no exception. I enjoyed the fact that, in addition to who and why, we were trying to figure out how. That added a nice twist of the book. I try to space out authors because I start to pick up on some of their plotting techniques, and that did enable me to figure out a couple of twists early, but I was still left puzzled by many things until I reached the end. I was hooked, staying up late two nights in a row to finish it. The characters are strong, and the series regulars provided some moments that made me laugh out loud as I read. I’m anxious to find out what happens next thanks to a tease at the end of the book. I may have been late to this series, but I’m so glad I started it.
  
Shadow (Pendulum #2)
Shadow (Pendulum #2)
Will Elliott | 2011 | Dystopia, Science Fiction/Fantasy
7
8.5 (2 Ratings)
Book Rating
Shadow is the second book in the Pendulum series of novels by Will Elliott. Following on immediately from the first book, The Pilgrims (reviewed previously) it ​follows the adventures of Eric, a regular guy who ends up in the mysterious and dangerious world of Levaal.

Taking up the story where the predecessor left off, this is a book of regrouping and answers. Following the destruction of the wall between the two halves of Levaal seemingly unstoppable forces are unleashed. The pendulum has started to swing - and signals the end of life on Levaal if it is not stopped.

This book is one of regrouping and answers. The various players were scattered at the end of the first book and now some of them arrive at the same destination. We also have answers to a number of questions from the first book, which given how many questions there were really is a considerable relief. Mysterious protagonists with opaque drives are all very well (and probably required these days to raise any story above the rest) but it is really good to see that Elliott really does know what is going on (even if as a reader it still not entirely clear). The description of how magic works was particularly good, and as with the first book this is a really strong point in the creation of the mythology here.

Most of the characters are the same faces, but there are a few new ones. Most notably Shadow who is referred to a couple of times in the first book (mostly in terms of Eric potentially being Shadow). The title character appears here as a main character and drives most of the plot. Clearly a being of power, the back story of where Shadow came from and why is also touched on. The great dragons who apparently rule the world also take a more direct hand and are as devious and manipulative as expected.

Meanwhile the Arch Mage is losing control of Vous as he nears godhood and the unpredictable destruction wrought by Vous is creating a dangerous instability as the forces representing the Castle fragment into their own factions, each with their own agenda,

The writing continues to be strong, the story moves again at some pace although inevitably there is a lot more talking and exposition as the nature of the threats are explained. Elliott's inventiveness is not diminished with more odd characters and situations and locations at every turn.

Although light on actual plot, this book is clearly required as a bridge between the first book and the third, giving the reader enough information to understand exactly what is going on before what is shaping up to be a strong and no doubt surprising finale.
  
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Eleanor (1463 KP) rated Chernobyl in TV

Jun 11, 2019  
Chernobyl
Chernobyl
2019 | Action, Drama, History
Hauntingly moving.
Unlike a lot of TV I’ve watched lately this is non stop gripping from beginning to end. I was constantly on full alert to what was happening and didn’t even glance at my phone while watching (high praise from a phone addict!) This dramatisation of the 1986 nuclear accident is one of the most disturbing things I’ve ever watched.

The terrifying detail shown of the effects of a high dose of radiation had was hard to watch, even for my horror hardened eyes. Seeing dogs being killed almost broke me but it was the little personal narratives (on the whole very well acted) throughout that brought home what a huge tragedy this event was. The whole thing is depicted with perfectly haunting cinematography.

The timing of this seems to also have a poignant feel to it with a close look at the consequences of the secretive nature of the Soviet government and the spin they wanted to put on the accident in the news for the rest of the world to see. Fake news is no new phenomenon….

This is one of those important real life stories that has a lot for us to learn from it and also happens to be an incredibly well done piece of TV. Everyone should watch (age appropriately, of course.)
  
It Comes At Night (2017)
It Comes At Night (2017)
2017 | Horror
Full of tension and paranoia (1 more)
Great acting
Raises far too many questions (1 more)
Not a traditional horror
Tense and interesting, but ultimately disappointing
I knew little about this film other than it was billed as an 'end of the world' type horror, although as with most films I was fairly sceptical.

First off, this isn't a traditional horror so if you go in expecting a slasher flick, you'll be severely disappointed. However it is very tense, and I found myself feeling very uneasy throughout the entire film (but in a good way). The acting itself was great too and I think as a story, the main idea of the plot was good, I just don't think they quite pulled it off in reality.


I'm of the opinion that sometimes in films etc that less is more, that drawing your own conclusions is sometimes better than being spoon fed an entire story. My issue with this film is that it goes a little too far and it barely answers any questions. It doesn't explain anything and by the end it just leaves you with a "WTF just happened?". If they had just answered at least some of the questions raised, this review would've been so much better.
  
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Detroit: Become Human
Detroit: Become Human
2018 | Action/Adventure
Best story of the year (3 more)
Incredible voice acting
So many different possibilities
Amazing replayability
There were a couple of very slow missions (0 more)
An almost perfect game let down by 1 or 2 slow parts
Wow what a game. I have to say straight away that game of the year this year shouldn't be a thing. There are so many incredible games out this year. Red dead redemption 2 and God of war are incredible games and 1 of them to me will end up being game of the year but if it was based on story alone then this would win easy.

The concept has always intrigued me. The whole idea of there being androids then they develop a consciousness and gaining free will. I can see our world going there and this showed that world perfectly. Throughout the world you can find magazines and I found myself reading these and being in awe at how accurate they are. They all felt they could each be a plot to an episode of black mirror. Everything from there being less babies born because people are having sex with androids more to music concerts not being a thing due to VR. There were a lot of political, racism, slavery and abuse messages throughout the game which felt very relevant.

The gameplay was great. It felt like an interactive movie with quick time events that actually mattered. There was genuine fear for these characters since any could die. There was a certain mission that was extremely slow paced and I got bored a little but luckily that was the only part. I fell in love with the characters and their relationships towards humans and other androids. The choices given to me felt like I was making my own personal story. Acting was incredible and it was graphically beautiful. The expressions were incredible.

The flowchart at the end of each mission a welcome addition. You are able to see all the many paths you could take without seeing what they actually were. You could see the complex mind of David cage behind this chart and it looked incredible. This got me very excited to go back in the future to try out the different paths and see what happens.

This is another incredible exclusive for ps4 and it should not be missed. A beautiful score and complex writing make this a game that leaves you thinking weeks after finishing and I look forward to another playthrough and maybe even another game in this world.
  
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Kyera (8 KP) rated Lady Midnight in Books

Feb 1, 2018  
Lady Midnight
Lady Midnight
Cassandra Clare | 2016 | Children
10
9.0 (13 Ratings)
Book Rating
I do not discuss any plot points in my review, so you will not be spoiled.

While the Dark Artifices may not be my favourite Shadowhunter series, I believe it is the most well written thus far. It is difficult to accurately judge, as this is only the first book in a trilogy but the more that Cassandra Clare writes – the better a writer she becomes. Her books have always been fantastic but Lady Midnight just felt like another step up. Cassie has clearly grown as a writer and storyteller over the years, which gives me so much hope for all her future Shadowhunter novels.

While it is possible to come into the Shadowhunter Chronicles with Lady Midnight as your first book, I would not suggest it. The Mortal Instruments is fantastic for that, as we follow Clary a girl who discovers that there is more to the world than the mundane life she thought she knew. The world building in that first series really lays the groundwork for Cassie’s entire Shadow World. Even in the Infernal Devices, we mainly experience the Shadow World through the eyes of Tessa who has also not grown up with the knowledge of who she is. That is the first aspect that makes Lady Midnight so different from the previous two series – our two main characters Emma and Julian have grown up as Shadowhunters.

I felt that there was less world-building overall for the Shadow World, but that’s not to say that the world building in this novel wasn’t fantastic as can be expected from Cassandra Clare. The politics of the Clave and the Downworld, the role of the Shadowhunter and the world that they live in have been brilliantly described over the course of the novels that Cassie has written. It is for this reason that I feel that while it is not necessary to read the Infernal Devices or the Mortal Instruments before reading the Dark Artifices, I would highly recommend it. You won’t necessarily understand the history or the events that led up to Lady Midnight as well as you could. There are also spoilers from the previous series and character cameos that you won’t appreciate as much unless you read the previous series.

The world building the Los Angeles itself and the new aspects that Cassie writes about the Shadow World, like the Shadow Market, are absolutely fantastic in this book. With each book she writes in the Shadowhunter World, she continues to build and develop this immersive experience that is like no other. Her words are vividly descriptive and paint the image of the world in your mind. It is what makes her such an incredible writer and one of the reasons that I love her books so much.
Lady Midnight takes place in Los Angeles, the Institute that has been the home of the Blackthorn children for their whole lives. Our main characters, Emma and Julian are parabatai which makes for a nice change to the point of view that we have experienced before. You learn a lot more about the parabatai bond and its potential in this book.

With Helen exiled to Wrangel Island and Mark taken by the Hunt, Julian has had to raise his brothers and sisters for the last five years. This forced him to grow up a lot faster than he would have otherwise and changed him in various ways. He loves his family more than anything else in the world and would do anything for them, even if it meant crossing a line. That ruthless heart, willingness to betray, and capacity to lie was learned after the Dark War. Those were not traits that he had prior but were forced upon him when everything changed and the Clave tore his family apart.

Emma has made it her life’s mission to discover who killed her parents at the end of the Dark War and why. That mystery has defined her every day, pushing her to train for hours at a time, run along the beach to get faster and turn her into an incredible Shadowhunter. She is also very sassy, quippy in conversations and the midst of a battle, which reminds me a lot of Jace.
The other characters we spend time with throughout the book are Julian’s siblings: Ty, Livvy, Dru, and Tavvy; Cristina; Diana and Malcolm. Diana has a lot of secrets, which I’m sure we’ll discover over time, but she’s the character we end up knowing the least about. Beyond being their tutor, not wanting to take over the Institute and supposedly taking her travel year in Thailand, I can’t tell you anything about her.

It was nice to see the Blackthorn children grow and develop from how we knew them in the Mortal Instruments to this series. Their familial relationship and interactions were authentic and heartwarming. You fall in love with them, just like you do with Cassie’s other characters and understand Julian’s plight.

Cristina is a Shadowhunter from the Mexico City Institute who decided to spend her travel year in Los Angeles. It was nice to get to know her because we don’t always get to experience or hear from Shadowhunters from other Institutes. I really enjoyed her addition to the Blackthorn family (plus one) and the dimension she added. Plus, her backstory created a connection to the Scholomance and the Centurions which are going to add even more world building to the Shadow World we know – and I can’t wait to see more of it.

Malcolm is the High Warlock of Los Angeles and although his personality is very different, you immediately like him. He’s more playful and childlike at times than Magnus but seems to really care for the family. After falling in love with Magnus in the Mortal Instruments, and Catarina Loss to a lesser degree in Tales from the Shadowhunter Academy, I wanted Malcolm to be the next warlock character I loved.

There is so much betrayal in this book that I could never anticipate what was going to happen next. It doesn’t just come from those you would consider “bad guys” but Shadowhunters, crooks and those with broken hearts alike. Cassandra Clare is the Queen of plot twists, fantastic character development and astounding, emotional rollercoasters in her books – and this was no exception.

Lady Midnight was a fantastic read that made me fall in love with the Shadowhunter World all over again or more than I was before? It’s unclear. Either way, I adore this book and I actually think that I enjoyed it more the second time through. I would also highly recommend a re-read prior to Lord of Shadows because the novel is so packed full of incredible character development, world building and plot that you will appreciate its sequel more if the story is still fresh in your mind.