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The Fall of Arthur
J.R.R. Tolkien and Christopher Tolkien
6.0
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Book
The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the...
Docker's Daimlers: Daimler and Lanchester Cars 1945 to 1960
Book
Although Daimler is one of the most famous names in motoring, very few books have covered the models...
A Jolly Time in Canning Town
Book
A Jolly Time in Canning Town is a very detailed and personal account of Patricia Jolly's upbringing...
Lyndsey Gollogly (2893 KP) rated Wicked Kingdom ( Crown of Blood and Frost book 3) in Books
Jul 26, 2022
131 of 230
Kindle
Wicked Kingdom ( Crown of Blood and Frost book 3)
By C.Y. Jones
⭐️⭐️⭐️
I never wanted the crown, the Throne, Elyeria... I never wanted any part of it. That’s my father’s world, not mine. Or so I thought.The false Queen needs to be stopped. She’s has gone too far this time. When you mess with any of my mates, you mess with me. Turning against one of my mates, I’ll do anything to protect him.Secrets are uncovered and bad guys become allies. There’s no such thing as rules in the war of the heart.I’m Winter DelaCort, Princess, Queen. No matter what you call me, I’m the true ruler of this Wicked Kingdom.
I didn’t end this one as much as I’ve enjoyed the others it lacked something. I thought a few bits were just eye rolling annoying. I found scenes with Kaiden a little uncomfortable too. Some of the language and words used I thought were just thrown in for a reaction. It was a bit meh.
Kindle
Wicked Kingdom ( Crown of Blood and Frost book 3)
By C.Y. Jones
⭐️⭐️⭐️
I never wanted the crown, the Throne, Elyeria... I never wanted any part of it. That’s my father’s world, not mine. Or so I thought.The false Queen needs to be stopped. She’s has gone too far this time. When you mess with any of my mates, you mess with me. Turning against one of my mates, I’ll do anything to protect him.Secrets are uncovered and bad guys become allies. There’s no such thing as rules in the war of the heart.I’m Winter DelaCort, Princess, Queen. No matter what you call me, I’m the true ruler of this Wicked Kingdom.
I didn’t end this one as much as I’ve enjoyed the others it lacked something. I thought a few bits were just eye rolling annoying. I found scenes with Kaiden a little uncomfortable too. Some of the language and words used I thought were just thrown in for a reaction. It was a bit meh.
Gareth von Kallenbach (971 KP) rated The Addams Family (2019) in Movies
Oct 13, 2019
“They’re creepy and they’re kooky, Mysterious and spooky, They’re all together ooky, The Addams family…” a theme song that everyone aged five to ninety-five seem to know the words to. It’s amazing to think that a show that first aired in 1964 and only ran for two seasons could continue to have the impact that it does fifty-five years later. Let that sink in for just a couple of minutes, for reference the Apollo 11 moon landing occurred in 1969 almost three years after the show’s end date. To simply say that the Addams Family has made a cultural impact on our society is a bit of an understatement, so how would the first animated full-length movie treat these cultural icons?
The Addams Family is an origin story of sorts for everyone’s favorite kooky family. Gomez Addams (Oscar Isaac) and Morticia (Charlize Theron) are rudely interrupted during their wedding ceremony by a bunch of angry villagers carrying pitchforks. While this is a little cliché’ it sets the tone for the interaction between the Addams family and how they are perceived by “normal” folks. Morticia longs for a place where they can live in peace away from those who wish to disturb their lives. On a long and windy road in New Jersey, fate appears in the form of Lurch (Conrad Vernon) as he bounces off the hood of their car. In the distance, as lightning strikes, they peer up a mountain side to see an abandoned, haunted insane asylum. The perfect place to raise a family away from the peering eyes of the rest of the world.
For thirteen years the Addams Family lives in relative seclusion with their two young children, Wednesday (Chloë Grace Moretz) and Pugsley (Finn Wolfhard). Neither of the children are allowed to leave the Asylum grounds and know of nothing outside the cold iron gates. One day, the swamp is drained, the clouds part and the Addams Family life of seclusion comes to an abrupt end. Down in the valley the town of Assimilation, a town that as its name suggests was built by famous HAG TV designer Margaux Needler (Allison Janney). The asylum (and its inhabitants) do not “fit-in” with the designer’s vision and kookiness ensues as she attempts to make-over (and take-over) the family’s home.
Visually The Addams Family reminds me of several Tim Burton classics albeit with a more colorful palette. Each member of the family is a caricature of their infamous selves and stylistically imbues the spooky, ooky, kookiest versions we would expect. Backed by an incredible amount of supporting voice talent such as Bette Midler, Martin Short, and Snoop-Dog as everyone’s favorite fuzzy cousin…It, it’s a star-studded event that even the most die-hard Addams Family purist will enjoy.
The story goes through typical tropes that we’ve seen played out a thousand times already. A misunderstood family is misjudged by their neighbors, only to come together in the end. It’s a story about celebrating our differences and learning to appreciate what makes each of us unique. In a world of social media, cell phones and television shows that try to make us all conform, it teaches us that while people may look and act different than us, they all bring something special to the table. It’s this light-heartedness and sweet story telling which while not unique is something that I feel we need more of in the world today.
The Addams Family is a film for the entire family, there is light-hearted violence, but all done in jest with no one ever getting hurt. While it doesn’t bring anything unexpected to the table, its still enjoyable and a film that doesn’t ever attempt to take itself seriously. It won’t win any best picture awards, and likely will become another 30 days of Halloween past-time when it makes its way to television, it is still one that will leave you with a smile on your face long after it is over. The experience you get from it, will likely be based on the audience reaction to the film. In the theater I was in, there was lots of laughter, snapping and even a sing-along at the end. It’s a movie to see with other people, and even if you aren’t a fan of the TV series, it will still offer you something. Sometimes a simple movie, with a simple message, is exactly the escape we need from everything in the world today. The Addams Family makes a perfect escape for the entire family this Halloween Season.
3.5 out of 5 stars
http://sknr.net/2019/10/10/the-addams-family/
The Addams Family is an origin story of sorts for everyone’s favorite kooky family. Gomez Addams (Oscar Isaac) and Morticia (Charlize Theron) are rudely interrupted during their wedding ceremony by a bunch of angry villagers carrying pitchforks. While this is a little cliché’ it sets the tone for the interaction between the Addams family and how they are perceived by “normal” folks. Morticia longs for a place where they can live in peace away from those who wish to disturb their lives. On a long and windy road in New Jersey, fate appears in the form of Lurch (Conrad Vernon) as he bounces off the hood of their car. In the distance, as lightning strikes, they peer up a mountain side to see an abandoned, haunted insane asylum. The perfect place to raise a family away from the peering eyes of the rest of the world.
For thirteen years the Addams Family lives in relative seclusion with their two young children, Wednesday (Chloë Grace Moretz) and Pugsley (Finn Wolfhard). Neither of the children are allowed to leave the Asylum grounds and know of nothing outside the cold iron gates. One day, the swamp is drained, the clouds part and the Addams Family life of seclusion comes to an abrupt end. Down in the valley the town of Assimilation, a town that as its name suggests was built by famous HAG TV designer Margaux Needler (Allison Janney). The asylum (and its inhabitants) do not “fit-in” with the designer’s vision and kookiness ensues as she attempts to make-over (and take-over) the family’s home.
Visually The Addams Family reminds me of several Tim Burton classics albeit with a more colorful palette. Each member of the family is a caricature of their infamous selves and stylistically imbues the spooky, ooky, kookiest versions we would expect. Backed by an incredible amount of supporting voice talent such as Bette Midler, Martin Short, and Snoop-Dog as everyone’s favorite fuzzy cousin…It, it’s a star-studded event that even the most die-hard Addams Family purist will enjoy.
The story goes through typical tropes that we’ve seen played out a thousand times already. A misunderstood family is misjudged by their neighbors, only to come together in the end. It’s a story about celebrating our differences and learning to appreciate what makes each of us unique. In a world of social media, cell phones and television shows that try to make us all conform, it teaches us that while people may look and act different than us, they all bring something special to the table. It’s this light-heartedness and sweet story telling which while not unique is something that I feel we need more of in the world today.
The Addams Family is a film for the entire family, there is light-hearted violence, but all done in jest with no one ever getting hurt. While it doesn’t bring anything unexpected to the table, its still enjoyable and a film that doesn’t ever attempt to take itself seriously. It won’t win any best picture awards, and likely will become another 30 days of Halloween past-time when it makes its way to television, it is still one that will leave you with a smile on your face long after it is over. The experience you get from it, will likely be based on the audience reaction to the film. In the theater I was in, there was lots of laughter, snapping and even a sing-along at the end. It’s a movie to see with other people, and even if you aren’t a fan of the TV series, it will still offer you something. Sometimes a simple movie, with a simple message, is exactly the escape we need from everything in the world today. The Addams Family makes a perfect escape for the entire family this Halloween Season.
3.5 out of 5 stars
http://sknr.net/2019/10/10/the-addams-family/
Wilson: The Struggle for Neutrality, 1914-1915: Volume III
Book
Critics have called the two prior volumes in this life of Woodrow Wilson "a model of political...
Land and Resource Scarcity: Capitalism, Struggle and Well-Being in a World Without Fossil Fuels
Andreas Exner, Peter Fleissner, Lukas Kranzl and Werner Zittel
Book
This book brings together geological, biological, radical economic, technological, historical and...
Gareth von Kallenbach (971 KP) rated 1917 (2020) in Movies
Nov 28, 2019
World War I was called “The Great War” and “The War to End All Wars” as the sheer number of nations and continents involved in the conflict as well as the tremendous loss of life; was thought to be so horrific that war would become a thing of the past.
As we know this did not happen as a generation later the world was once again at war with even great death and destruction to follow. However in “1917” we see the conflict from the viewpoint of a lowly Corporal Schofield (George MacKay) who along with his friend Blake (Dean-Charles Chapman) are tasked with delivering a message across enemy lines to warn advanced units to call of an attack due to an ambush being set by the Germans.
The duo are told that the enemy has pulled back and as such; the dreaded No Man’s Land between the opposing trenches are likely to be abandoned as well their approach to a town near their destination. With the phone lines down; the duo are the only option and they are at first shocked to learn that it would just the two of them.
As they make their way across a grim and corpse-laden battlefield, the audience as well as the two men get a look at the horrific conditions that combat took place under and how fallen individuals were left to decompose where they fell due to the entrenched and stagnant nature of Trench Warfare.
As complications mount, the two must face up to their greatest fears and challenges; driven by a sense of mission and purpose for a conflict they just want to see end so they can return home to their families.
Director Sam Mendes has crafted an Oscar Caliber film as it is gripping as it is breathtaking thanks to the amazing visuals. The contrast between the beauty of the landscape and the carnage of war has rarely been captured as well as it was in this film and the fact that Mendes had a hand in writing the story based on stories told by a relative really help to bring the full impact of the story home.
The film has some amazing sequences like sustained and extended shots where you wonder how Mendes was able to film scenes with so many things going on in one take as there is a scene near the start that looks as if it is an extended scene with no breaks or cutaways.
In the end the biggest selling point for the film is that it is a human drama at its core. While there is combat and action, they are not the focal points as much of the film centers around the young men and their conversations.
The film will stay with you after the credits roll and I consider “1917” to be one of the best films of 2019 and one not to be missed.
As we know this did not happen as a generation later the world was once again at war with even great death and destruction to follow. However in “1917” we see the conflict from the viewpoint of a lowly Corporal Schofield (George MacKay) who along with his friend Blake (Dean-Charles Chapman) are tasked with delivering a message across enemy lines to warn advanced units to call of an attack due to an ambush being set by the Germans.
The duo are told that the enemy has pulled back and as such; the dreaded No Man’s Land between the opposing trenches are likely to be abandoned as well their approach to a town near their destination. With the phone lines down; the duo are the only option and they are at first shocked to learn that it would just the two of them.
As they make their way across a grim and corpse-laden battlefield, the audience as well as the two men get a look at the horrific conditions that combat took place under and how fallen individuals were left to decompose where they fell due to the entrenched and stagnant nature of Trench Warfare.
As complications mount, the two must face up to their greatest fears and challenges; driven by a sense of mission and purpose for a conflict they just want to see end so they can return home to their families.
Director Sam Mendes has crafted an Oscar Caliber film as it is gripping as it is breathtaking thanks to the amazing visuals. The contrast between the beauty of the landscape and the carnage of war has rarely been captured as well as it was in this film and the fact that Mendes had a hand in writing the story based on stories told by a relative really help to bring the full impact of the story home.
The film has some amazing sequences like sustained and extended shots where you wonder how Mendes was able to film scenes with so many things going on in one take as there is a scene near the start that looks as if it is an extended scene with no breaks or cutaways.
In the end the biggest selling point for the film is that it is a human drama at its core. While there is combat and action, they are not the focal points as much of the film centers around the young men and their conversations.
The film will stay with you after the credits roll and I consider “1917” to be one of the best films of 2019 and one not to be missed.
JT (287 KP) rated Rogue (2008) in Movies
Mar 10, 2020
Along the quiet river banks of the Australian outback, buried deep within the baron red plains that surround desolate bush, lies a fear, a fear that lurks beneath the murky waters. Greg McLean does to boat trips what backpacking did for Wolf Creek, after seeing it you’re going to want to steer well clear of ever doing it.
Pete (Vartan) is a travel writer, sent around the world to exotic locations he finds himself in a place that he has no idea about. Taking a boat trip up the river with a bunch of people that we really won’t care much about, he goes in search of what the territory has to offer.
Leading the tour is Kate (Mitchell) someone who is the polar opposite to Pete and has never traveled out of her comfort zone once. As the boat glides up the river McLean makes sure he includes sweeping shots of the quiet picturesque landscape, of which is beautiful.
The focus of course is on the salt water crocodile’s that populate the river itself, a quick lesson from Kate about these prehistoric looking creatures sets up for the carnage that is only minutes away. Once the boat is capsized the unfortunate crew end up stranded on an island surrounded by a fast rising tidal river, with no direct route off it.
Like any monster movie we only ever catch glimpses of the predator (at least until the very end), a tail there, a moving ripple in the water there. The stranded patrons of course go through the motions, there’s infighting, emotion, selfishness and a coming together that in the end they are going to be able to escape the island.
It does carry a fairly decent degree of suspense even though it is predictable in places, and has an ending which quite frankly is a little preposterous.
The story line is as basic as it can get and the script is not brilliantly written, the acting has its moments with characters that don’t really have time to reveal their back stories to great effect, before a few all but disappear between the teeth of the seven foot beast.
It’s not overly gory but does have some scenes for those that are blood thirsty. On a whole it’s a decent flick, not as terrifying as Wolf Creek but holds itself well for the 100 minute run time.
Pete (Vartan) is a travel writer, sent around the world to exotic locations he finds himself in a place that he has no idea about. Taking a boat trip up the river with a bunch of people that we really won’t care much about, he goes in search of what the territory has to offer.
Leading the tour is Kate (Mitchell) someone who is the polar opposite to Pete and has never traveled out of her comfort zone once. As the boat glides up the river McLean makes sure he includes sweeping shots of the quiet picturesque landscape, of which is beautiful.
The focus of course is on the salt water crocodile’s that populate the river itself, a quick lesson from Kate about these prehistoric looking creatures sets up for the carnage that is only minutes away. Once the boat is capsized the unfortunate crew end up stranded on an island surrounded by a fast rising tidal river, with no direct route off it.
Like any monster movie we only ever catch glimpses of the predator (at least until the very end), a tail there, a moving ripple in the water there. The stranded patrons of course go through the motions, there’s infighting, emotion, selfishness and a coming together that in the end they are going to be able to escape the island.
It does carry a fairly decent degree of suspense even though it is predictable in places, and has an ending which quite frankly is a little preposterous.
The story line is as basic as it can get and the script is not brilliantly written, the acting has its moments with characters that don’t really have time to reveal their back stories to great effect, before a few all but disappear between the teeth of the seven foot beast.
It’s not overly gory but does have some scenes for those that are blood thirsty. On a whole it’s a decent flick, not as terrifying as Wolf Creek but holds itself well for the 100 minute run time.
ShareTheMeal
Food & Drink and Lifestyle
App
TOGETHER WE CAN END HUNGER! ShareTheMeal is the charity app by the World Food Programme that allows...