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Celia Davies spends her days helping the women of 1867 San Francisco via her free medical clinic. One of her patients, a former Chinese prostitute is found murdered, and Celia must know what happened to her. Meanwhile, Nicholas Greaves is the police officer assigned to the case, and he is determined to get justice for the young woman. But where will the investigation lead?

This is a good debut that will please any fan of historical mysteries. The characters are intriguing, and their history makes them seem even more real. The plot did bog down a few times, but never for very long, and we reach a logical conclusion before the end. The world of 1867 is brought to wonderful life as well, and it’s easy to get lost in another time.

NOTE: I was sent a copy of this book in hopes I would review it.

Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/04/book-review-no-comfort-for-lost-by.html">Carstairs Considers</a>.
  
The Dark Tower (2017)
The Dark Tower (2017)
2017 | Horror, Sci-Fi, Western
Should've Dreamed a Little Bigger
If brevity is the soul of wit, then at only 95 minutes The Dark Tower should have a few clever things to say for itself; not many of them seem to reach the screen, though. Very reminiscent of many other movies in which troubled young boys tumble into fantasy world which it proves to be their destiny to save.

Given it sets out to adapt a 4000+ page novel series with a devoted following, The Dark Tower was probably always on a hiding to nothing as a single movie aimed at a standalone audience. The disappointing thing is, really, that given it's about a vast multiversal setting filled with elementals and psychics and wizards and gunslingers and suchlike, it feels so timidly safe and familiar. The actual story is competently told, but at the end you really wonder what all the fuss was in aid of. Probably too weird for most newcomers and too short for fans of the books; good soundtrack, though.
  
Sapiens: A Brief History of Humankind
Sapiens: A Brief History of Humankind
Yuval Noah Harari | 2016 | History & Politics
8
8.5 (4 Ratings)
Book Rating
This book was chosen to be the first book read and discussed in an online non-fiction book club I recently joined – and I’m glad we did choose this one!

The book is an overview of homo-sapiens as a species, and how we have changed over the ages, and what we have done, before finally touching on where we are going. As such the book is a cross-pollination of history, sociology, and economics.

As you may expect from a book with such a broad scope, there are some sweeping statements, and rather than being a neutral dispassionate account, Harari makes his opinions very evident. However rather than being irritating, I feel this makes for a more entertaining read.

The book begins by introducing the theme of homo-sapiens in the context of the presence of the other human species that used to exist. He then goes on to describe the cognitive and agricultural revolutions. Then it’s the establishment of patriarchal social hierarchies across the world, largely based on historical conventions. Next Harari states that the purpose of religion is to unify fragile societies with superhuman legitimacy.

Harari then moves on to the scientific revolution, describing how an admission of ignorance by Europeans, along with a desire to discover and conquer new lands was key to the movement.

The conversation moves swiftly then to economics, using the fact that a bank can loan £10 for every £1 it has, to argue that our economics is based on trust in the future. Harari states that a country’s credit rating is more important than its actual resources. Harari describes capitalism and consumerism as being 2 sides of the same coin with two commandments: rich must invest, rest of us must buy. Consumerism, he says, aims to convince people that indulgence is good and frugality is self-oppression.

Harari also argues that, now, instead of relying on local communities the individual relies on the market or the state. Parental authority no longer sacred, he says, and state intervenes. And so when Harari asks if we are any happier now than when we were hunter-gatherers, he argues that our rise of wealth is offset by the disintegration of community life.

Harari also speaks of ecological degradation and our tendency to treat other species as a means to an end, for example, the farming of cow's and chickens has cut years off the lives of both, since they are killed as soon as they reach their maximum weight.

In the final chapter, Harari speculates on the future of mankind. With improvements in medical knowledge comes new ethical conundrums, he says. How will we handle the options of genetic engineering? What will the advent of artificial intelligence mean for humanity?

In my book club, we found that the book generated a lot of talking points. What would the world be like now, had the other species of humans survived? Why have so many cultures across history and the world had patriarchal hierarchies? Can societies improve over time, or is one style better than another? Can communism be considered a religion? Are human rights really just a figment of our collective imagination?

Whilst not everyone in my book club enjoyed the book equally, I would say that it’s as enlightening as it is thought provoking. By the end, it was hard to argue with the author's conclusion that homo-sapiens are like dissatisfied and irresponsible gods.
  
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
2017 | Action, Adventure, Fantasy
Johnny Depp returns as Capt. Jack Sparrow in the fifth outing for the “Pirates of the Caribbean” film franchise. Based on the phenomenally popular attraction at Disneyland and Walt Disney World; the latest film “Pirates of the Caribbean: Dead Men Tell No Tales” finds Jack and his crew once again at odds with British authorities in St. Maarten. Adding Jack’s troubles is a malevolent spirit from his past named Capt. Salazar (Javier Bardem), who seeks to return to the living by exacting his revenge upon Jack. Along for the adventure are a young man named Henry Turner (Brenton Thwaites), and a science minded woman named Carina (Kaya Scodelario), who all have their reasons for joining one another on the adventure despite ample levels of mistrust amongst them.

In keeping with the series all sorts of comedic hijinks mixed with action and the supernatural to give audiences a very noisy and destruction filled storyline.

While there is a decent amount of action in the film there were also large gaps where things just plod along which caused me to glance at my watch from time to time during the two-hour runtime of the film. Adding to the issues is the tendency of depth to slur and mumble his lines playing the frequently inebriated Capt. Jack which does hamper some of the better lines in the film.

Well I certainly enjoyed this one much better than the second and third films in the series I kept thinking that I have seen this all before and that this film was essentially a collection of some of the best moments from previous films combined into one. The end result is that I found myself saying that while I would not mind another outing in the series I would also be more than okay they decided to end the cinematic adventures with this film. Diehard fans will likely enjoy this new effort but more casual fans may not have as much patience this time around.

http://sknr.net/2017/05/25/pirates-caribbean-dead-men-tell-no-tales/