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Gareth von Kallenbach (980 KP) rated Shrek Forever After (2010) in Movies
Aug 8, 2019
After spending years scaring villagers with his evil roar, then rescuing princess Fiona (Cameron Diaz) from a dragon, and saving his in-laws’ kingdom, Shrek (Mike Meyers) feels his adventuresome days are over. This doesn’t sit well with him and he finds himself growing somewhat weary of his day-to-day life of a loving husband and father of three. He longs to be a “real” ogre again.
Enter Rumpelstiltskin (Walt Dohrn), who tricks Shrek into signing a contract with him, giving up a day of his life to be a real ogre again. Shrek finds himself back in Far Far Away, but this time it’s an alternate universe, one where ogres are hunted. In this alternate world, Shrek soon learns after meeting up with Donkey (Eddie Murphy), Puss in Boots (Antonio Banderas) and Fiona, that they have never met before.
Shrek realizes that the only way to fix things is to make Princess Fiona fall in love with him, and recruits Donkey and Puss in Boots to help him. Along the way Shrek faces many challenges in the world where Rumpelstiltskin rules and witches thwart his every effort, but in the end (as all fairy tales should, of course) love conquers all.
With nonstop laughs from the get go, this movie will not disappoint. The 3D effects were impressive, added a great depth to the movie, and really brought it to life. Although this is the fourth movie in the franchise, I was impressed with this one most of all. It has a heartfelt storyline that can capture an audience of all ages, making it a wonderful conclusion to the Shrek series.
4.5 out of 5
Enter Rumpelstiltskin (Walt Dohrn), who tricks Shrek into signing a contract with him, giving up a day of his life to be a real ogre again. Shrek finds himself back in Far Far Away, but this time it’s an alternate universe, one where ogres are hunted. In this alternate world, Shrek soon learns after meeting up with Donkey (Eddie Murphy), Puss in Boots (Antonio Banderas) and Fiona, that they have never met before.
Shrek realizes that the only way to fix things is to make Princess Fiona fall in love with him, and recruits Donkey and Puss in Boots to help him. Along the way Shrek faces many challenges in the world where Rumpelstiltskin rules and witches thwart his every effort, but in the end (as all fairy tales should, of course) love conquers all.
With nonstop laughs from the get go, this movie will not disappoint. The 3D effects were impressive, added a great depth to the movie, and really brought it to life. Although this is the fourth movie in the franchise, I was impressed with this one most of all. It has a heartfelt storyline that can capture an audience of all ages, making it a wonderful conclusion to the Shrek series.
4.5 out of 5
Chris Sawin (602 KP) rated S. Darko: A Donnie Darko Tale (2009) in Movies
Jun 22, 2019
Samantha Darko, or Sam as she goes by, just wants to feel like a normal person. Back where she's from, Virginia, she feels like everyone knows everything about her yet that she's invisible at the same time. She'd change places with somebody if she could. Somehow start all over. Nothing has been the same for her since her brother, Donnie, died seven years ago and she is consumed with the same outlandish visions Donnie had. She decides to go on a road trip with her friend, Corey, to California in hopes of working for Corey's dad. Their car breaks down along the way and they wind up in a small town called Conejo Springs. This is where the world will end in four days, seventeen hours, twenty six minutes, and thirty one seconds.
s. Darko wasn't nearly as bad as I thought it would be, but that still isn't saying much. I love Donnie Darko as it seems to be a film that gets better with each viewing. When news that a sequel to the film was being made, the question that plagued me and every other person who was a fan of the first film was, "Why?" Did the original really leave much room for a sequel? Not in my eyes. The sequel does little to add to the story established in the first film. It pretty much treads the same ground. The world is going to end again. An element that is different in the film is that more than one person is having the visions this time around. While it makes sense that Sam is having these visions, it doesn't really add up why these other people are having them as well. The movie does a lot of back tracking. A lot of things are explained only to rewind and have it play out differently, which makes full use of the time travel element of the film but kind of leaves the viewer wondering if the film was nothing more than a waste of time once the ending rolls around. The film just seems to recycle most of the ingredients of the first film (time travel, Frank the Bunny...even though he's not Frank this time around, religion playing a roll in the film, black holes, etc) and is unable to establish itself as a decent sequel, let alone its own film.
The scene in Donnie Darko that has "Head Over Heels" by Tears For Fears playing in the background while we see Donnie arrive at school and the "Mad World" scene are really the first scenes that come to mind when I think of the original film. The soundtrack played a pivotal role in the film. In s. Darko, there isn't really a scene like that and the soundtrack is forgettable, which really only hurt the film in the long run.
s. Darko walks a thin line between paying homage to the original film and complete bastardization. Its plot tries to string the viewer along this intelligent and thought provoking story, but executes doing so in clumsy fashion. It resembles a circus seal waiting for its reward after playing that ensemble with its nose on the horns currently residing in front of it. It'll really only be accessible to people who were fans of the first film, which is ironic since the film will probably just wind up irritating those fans. If you can ignore the first film entirely and have no expectations for this, then you may find yourself with a direct to video release that is...pretty much just that.
s. Darko wasn't nearly as bad as I thought it would be, but that still isn't saying much. I love Donnie Darko as it seems to be a film that gets better with each viewing. When news that a sequel to the film was being made, the question that plagued me and every other person who was a fan of the first film was, "Why?" Did the original really leave much room for a sequel? Not in my eyes. The sequel does little to add to the story established in the first film. It pretty much treads the same ground. The world is going to end again. An element that is different in the film is that more than one person is having the visions this time around. While it makes sense that Sam is having these visions, it doesn't really add up why these other people are having them as well. The movie does a lot of back tracking. A lot of things are explained only to rewind and have it play out differently, which makes full use of the time travel element of the film but kind of leaves the viewer wondering if the film was nothing more than a waste of time once the ending rolls around. The film just seems to recycle most of the ingredients of the first film (time travel, Frank the Bunny...even though he's not Frank this time around, religion playing a roll in the film, black holes, etc) and is unable to establish itself as a decent sequel, let alone its own film.
The scene in Donnie Darko that has "Head Over Heels" by Tears For Fears playing in the background while we see Donnie arrive at school and the "Mad World" scene are really the first scenes that come to mind when I think of the original film. The soundtrack played a pivotal role in the film. In s. Darko, there isn't really a scene like that and the soundtrack is forgettable, which really only hurt the film in the long run.
s. Darko walks a thin line between paying homage to the original film and complete bastardization. Its plot tries to string the viewer along this intelligent and thought provoking story, but executes doing so in clumsy fashion. It resembles a circus seal waiting for its reward after playing that ensemble with its nose on the horns currently residing in front of it. It'll really only be accessible to people who were fans of the first film, which is ironic since the film will probably just wind up irritating those fans. If you can ignore the first film entirely and have no expectations for this, then you may find yourself with a direct to video release that is...pretty much just that.
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Jesters_folly (230 KP) rated This Island Earth (1955) in Movies
Sep 28, 2019
Contains spoilers, click to show
A scientist working on a new form of atomic energy is recruited by the mysterious Exeter to work with other scientists on secret project, but all is not what it seems.
This Island Earth is a classic 1950’s Sci-Fi flick, it starts as a bit of a mystery, a plane fails and is then remotely controlled, strange components arrive from an unknown company and Exeter is strange. Considering the age of the film, the effects aren’t too bad, there is the almost obligatory use of coloured light when things are being controlled, there are no visible string on the flying saucer and the costumes aren’t too terrible. Without going over the top with make up or prosthetics the film mangers to show that there is something ‘otherworldly’ about Exeter and his companions and even the alien planet of Metaluna is quite good.
This Island Earth also has, what has to be one of my all-time favourite aliens, the Metaluna Mutant. These are the total opposite of Exeter and costumed to look totally alien. They are almost pointless to the plot of the film. The normal Metaluna’s are not really an enemy so, to add a bit of threat to the end the film the mutants are introduced as a servant type race that have been mind-controlled but the hero’s run into a couple that are hurt which gives the opportunity to have the female lead chased around for a few minutes. The point is the mutants are unnecessary, the Metaluna leader has already created a threat which could have been used.
This Island Earth easily fits into the ‘Atomic fear’ movies of the 1950’s but also shows the hope the world had for nuclear power which makes the film a refreshing change from the normal alien invasion flic.
This Island Earth is a classic 1950’s Sci-Fi flick, it starts as a bit of a mystery, a plane fails and is then remotely controlled, strange components arrive from an unknown company and Exeter is strange. Considering the age of the film, the effects aren’t too bad, there is the almost obligatory use of coloured light when things are being controlled, there are no visible string on the flying saucer and the costumes aren’t too terrible. Without going over the top with make up or prosthetics the film mangers to show that there is something ‘otherworldly’ about Exeter and his companions and even the alien planet of Metaluna is quite good.
This Island Earth also has, what has to be one of my all-time favourite aliens, the Metaluna Mutant. These are the total opposite of Exeter and costumed to look totally alien. They are almost pointless to the plot of the film. The normal Metaluna’s are not really an enemy so, to add a bit of threat to the end the film the mutants are introduced as a servant type race that have been mind-controlled but the hero’s run into a couple that are hurt which gives the opportunity to have the female lead chased around for a few minutes. The point is the mutants are unnecessary, the Metaluna leader has already created a threat which could have been used.
This Island Earth easily fits into the ‘Atomic fear’ movies of the 1950’s but also shows the hope the world had for nuclear power which makes the film a refreshing change from the normal alien invasion flic.
British Generals in Blair's Wars
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Vicki Gleave D'Aunay (12 KP) Aug 8, 2019