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Jessica - Where the Book Ends (15 KP) rated This Savage Song (Monsters of Verity, #1) in Books
Jan 30, 2019
I’m new to this whole world of YA Fantasy and to Victoria Schwab’s work. This Savage Song has been repeatedly brought up on different BookTube channels and consistently been listed as favorite books by many different people. Schwab has a strong presence in the world of YA. I couldn’t let these recommendations go to waste, so I promptly went to my local book retailer and purchased my copy of This Savage Song. As soon as I got it home I knew I would be reading it right away. I must tell you; this book DID NOT disappoint.
The dystopian elements along with the fantasy elements weave together to create an alternate version of our world for us to escape to. I love the way Schwab created new monsters for us and didn’t resort to the same old monsters of lore. Obviously the Sunai are my favorite of the monsters. The juxtaposition between monsters who were created out of something terrible happening but then essentially working with the humans to keep the peace is a thing of beauty. She provides a fresh perspective. Imagine a monster that only need sing to steal your soul and kill you, or with a couple of strokes of the bow on a violin, you’re done for. These ideas just blew my mind. A fresh idea to stand out among all the rest. The best part for me was the fact that Schwab didn’t feel the need to overload the book with needless killing just to prove how cool the Sunai were. You see some a couple of kills in the first half of the book, but she teases you throughout the second half of the book leaving you craving to see what happens when a Sunai goes dark.
It bears mentioning the other two monsters in this story the Malchai which are solitary predators that use blood as a form of sustenance. They are weakened by sunlight and to me are like a vampire’s second cousin. Then you have the Corsai which move in swarms like a massive shadow and feed on flesh and bone. They have a hive mentality and everything they do is driven by fear.
This book focuses on two main characters Kate and August. They are from opposing families. She is portrayed as hard and guarded. August, is a Sunai and just wants to be human. These two characters are shoved together under the worse of circumstances and they learn to trust and rely on each other. Many times, throughout this book I found myself comparing them to Romeo & Juliet; however, Schwab doesn’t play the romance card in this book. I thought I was going to be upset about that, but in the end, I think it was smart because it would have detracted from the deeper relationship formed and the story wouldn’t have meant as much, in my opinion. There are several supporting characters like Ilsa, Henry, and Emily that I hope to learn more about in the Our Dark Duet.
I can’t wait to read Our Dark Duet, and I will have it as part of my March reading list for sure. I’m a huge fan of Schwab’s writing style and the depth of her characters. I’ve also added Vicious to my TBR as well as her upcoming book City of Ghosts.
I would love to hear everyone else thoughts about this book, or Schwab’s other books.
The dystopian elements along with the fantasy elements weave together to create an alternate version of our world for us to escape to. I love the way Schwab created new monsters for us and didn’t resort to the same old monsters of lore. Obviously the Sunai are my favorite of the monsters. The juxtaposition between monsters who were created out of something terrible happening but then essentially working with the humans to keep the peace is a thing of beauty. She provides a fresh perspective. Imagine a monster that only need sing to steal your soul and kill you, or with a couple of strokes of the bow on a violin, you’re done for. These ideas just blew my mind. A fresh idea to stand out among all the rest. The best part for me was the fact that Schwab didn’t feel the need to overload the book with needless killing just to prove how cool the Sunai were. You see some a couple of kills in the first half of the book, but she teases you throughout the second half of the book leaving you craving to see what happens when a Sunai goes dark.
It bears mentioning the other two monsters in this story the Malchai which are solitary predators that use blood as a form of sustenance. They are weakened by sunlight and to me are like a vampire’s second cousin. Then you have the Corsai which move in swarms like a massive shadow and feed on flesh and bone. They have a hive mentality and everything they do is driven by fear.
This book focuses on two main characters Kate and August. They are from opposing families. She is portrayed as hard and guarded. August, is a Sunai and just wants to be human. These two characters are shoved together under the worse of circumstances and they learn to trust and rely on each other. Many times, throughout this book I found myself comparing them to Romeo & Juliet; however, Schwab doesn’t play the romance card in this book. I thought I was going to be upset about that, but in the end, I think it was smart because it would have detracted from the deeper relationship formed and the story wouldn’t have meant as much, in my opinion. There are several supporting characters like Ilsa, Henry, and Emily that I hope to learn more about in the Our Dark Duet.
I can’t wait to read Our Dark Duet, and I will have it as part of my March reading list for sure. I’m a huge fan of Schwab’s writing style and the depth of her characters. I’ve also added Vicious to my TBR as well as her upcoming book City of Ghosts.
I would love to hear everyone else thoughts about this book, or Schwab’s other books.
Nick Friesen (96 KP) rated The Fate of the Furious (2017) in Movies
Jul 12, 2017
Loud, dumb, eye pleasing action (2 more)
Jason Statham and a baby
The Rock coaching girls' soccer
RIP Paul Walker (2 more)
We want Han Seoul-Oh back
10-year-old autonomous cars?
Over the Top and a Little Too Far
Contains spoilers, click to show
I put up with the endless runway (was it a Möbius strip?) in Fast 6. That alone should prove I have a very high tolerance for movies that really put the concept of "suspension of disbelief" to the test. The Fate of the Furious, however, had more than a few moments that left me unable to suspend my disbelief. A movie about cars should not have a whole scene showing 10-year-old cars being controlled autonomously (I specifically remember seeing 2005-ish Volkswagen Jetta in a World War Z zombie swarm of driverless cars). Even most cars being produced in 2017 would not have this capability. Also, why would Jeep/Chrysler want their cars prominently featured in a scene involving a hacker taking control of cars in order to create mass destruction and chaos? Just a thought, and I digress. There are more unbelievable moments in the movie, nothing out of the ordinary for a Fast and Furious movie though (winning a race in reverse, anyone?). It's great dumb fun, as always, and if you don't care about all the physics and reality breaking nonsense it's a wild ride. For me though, it feels as if the Fast and the Furious franchise has finally jumped the shark, or should I say submarine? I will say this though, this one scene near the end of the movie involving Jason Statham and a baby was worth the price of admission alone.
The Complete Short Stories: Volume One: Volume one
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The Complete Short Stories of Roald Dahl in the first of two unsettling and sinister volumes. 'They...
Night Reader Reviews (683 KP) rated The Music Man in Books
Jan 9, 2020
Honest Review for Free Copy of Book
The Music Man by Moonyani Write is Written in a very different style, with no long paragraphs. Each sentence seems to be tarted on a different line, at least the dialogue is written this way. I recommend reading this book at a slower pace, there is no need to rush through it. In fact if you rush while reading this book there is a good chance that the reader wll miss things. Over all this book is a good way to kill some time.
A young boy by the name of Jimmy runs away from home on a cold day. He finds himself knocking on the door of the Music Man asking to come out of the cold. Jimmy and the Music Man find that they both have a love for music, especially melodies. With the help of a few neighbors, they bring the Music Man's piano downstairs from the attic. Then while playing a song together that the Music Man wrote on his piano they are magically transported to another world.
In this new world, the Music Man is a famous conductor who is scheduled to perform a concert in a few days. There is another conductor called Hornsbury who is using his music to possess people in an attempt to take over the world, one town at a time. Now Jimmy and his new friends must set out to stop Hornsbury. They travel to the town that Hornsbury came from in search of answers while the Music Man stays in Harmony town with his new friend Olivia. In the course of trying do defeat Hornsbuy it becomes clear that not everyone living in Harmony is exactly who they claim they are.
What I liked best was the lessons this story offers. All the characters go through some kind transformation and many experience personal growth. The happy ending, although expect was still a nice touch even with all the twists along the way. What I didn't like was the style itself, in fact, it was a major negative for me. I lost track of who was talking to who frequently because of the lack of paragraphs. The lack of paragraphs also caused me to get confused when the story shifted from Jimmny to Hornsbury. It was also extremely anti-climatic during the big battle at the end and did not build tension very well.
The target readers for this book are young teens. To be honest I would not recommend this book to teens with a high reading level. The content and subject matter should not be a problem if younger
readers would like to give this book a try as well. On face value the book may seem a bit on the longer side but readers should not let this intimidate them because it really is not that long of a book. I rate this book 2 out of 4. This is because while the story itself was decent the writing felt inconsistent. The style it was written in made it choppy to read. There were also times when it would be nicely detailed and then vague all in the same chapter.
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A young boy by the name of Jimmy runs away from home on a cold day. He finds himself knocking on the door of the Music Man asking to come out of the cold. Jimmy and the Music Man find that they both have a love for music, especially melodies. With the help of a few neighbors, they bring the Music Man's piano downstairs from the attic. Then while playing a song together that the Music Man wrote on his piano they are magically transported to another world.
In this new world, the Music Man is a famous conductor who is scheduled to perform a concert in a few days. There is another conductor called Hornsbury who is using his music to possess people in an attempt to take over the world, one town at a time. Now Jimmy and his new friends must set out to stop Hornsbury. They travel to the town that Hornsbury came from in search of answers while the Music Man stays in Harmony town with his new friend Olivia. In the course of trying do defeat Hornsbuy it becomes clear that not everyone living in Harmony is exactly who they claim they are.
What I liked best was the lessons this story offers. All the characters go through some kind transformation and many experience personal growth. The happy ending, although expect was still a nice touch even with all the twists along the way. What I didn't like was the style itself, in fact, it was a major negative for me. I lost track of who was talking to who frequently because of the lack of paragraphs. The lack of paragraphs also caused me to get confused when the story shifted from Jimmny to Hornsbury. It was also extremely anti-climatic during the big battle at the end and did not build tension very well.
The target readers for this book are young teens. To be honest I would not recommend this book to teens with a high reading level. The content and subject matter should not be a problem if younger
readers would like to give this book a try as well. On face value the book may seem a bit on the longer side but readers should not let this intimidate them because it really is not that long of a book. I rate this book 2 out of 4. This is because while the story itself was decent the writing felt inconsistent. The style it was written in made it choppy to read. There were also times when it would be nicely detailed and then vague all in the same chapter.
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Sarah (7798 KP) rated Sonic the Hedgehog (2020) in Movies
Dec 22, 2020
Not as bad as expected
Sonic the Hedgehog is a legend, a gaming institution, and adapting him for the big screen was always going to be a tall order. This was proved when the trailer for this 2020 release first dropped in 2019 - the original appearance of Sonic faced such outcry and derision that studio Paramount did the unexpected and completely overhauled Sonic's looks. The result in the final film released in February of this year is a character that looks very much like the Sonic we know and love, but in a storyline and film that is sadly rather lacking.
Sonic the Hedgehog was directed by Jeff Fowler and stars James Marsden and Jim Carrey as the humans, with Ben Schwartz voicing the animated Sonic. The plot unfortunately is the entirely predictable buddy story you'd expect when a CGI character gets thrown into the real world - Sonic befriends a human, experiences all the fun earth has to offer before being hunted by an evil villain, and at the end everyone learns the value of friendship. So far, so generic and for me this was the biggest disappointment about this entire film. The script, the plot, the animation, it was all just so average.
Having seen the surprisingly good Detective Pikachu the previous year, which managed to seamlessly blend the real world with animated characters in a better than average story, I'd hoped Sonic would follow in the same vein but I'm sad to say it didn't. Yes Sonic looks a million times better than he did initially (the teeth in the original version are the stuff of nightmares), but he still looks too animated and cartoonish for the real world. The Pokémon in Warner Bros' film looked real, but Sonic just looks out of place. He isn't helped with Ben Schwartz's rather unconvincing voice which feels ill-fitting too, personally I think they should've done a Pikachu and Ryan Reynolds and gone with a completely outlandish OTT voice. It's a shame as the rest of the scenery and action based CGI are actually quite good, although the slow motion scenes have been done before and so much better (X-Men: Days of Future Past).
To be fair, despite a sometimes dodgy script, the human cast do at least do their best. James Marsden has surprisingly good chemistry with an animated hedgehog, although it's Jim Carrey as Dr Robotnik that steals the show. Whilst his Robotnik isn't quite the rounded Eggman of the games, Carrey's performance is wonderfully wacky, sinister and completely over the top, and is responsible for virtually all of the laughs here. He's having an absolute whale of a time and this really draws us in as viewers and makes us have fun too. He's the Carrey we know from the 90s, his performance so akin to those of Ace Ventura and The Mask that you can't help but love the exaggerated show he gives here.
Paramount has also done a good job of including some nostalgic nods to the games, from the gold rings in the opening Paramount logo to Sonic's red sneakers. Even the final battle between Sonic and Robotnik had me squealing with joy at how much it reminded me of the actions you undertake to defeat the boss battles. There are some aspects of the games that are missing, most noticeably the Badniks (Robotnik's creature like robots) and Sonic's friends, who have sadly been left for a blatant sequel baiting end credits scene for a sequel we may never see. I also found Robotnik's machines and vehicles to be a little too technologically advanced and was disappointed not to see some that were more reminiscent of the wacky contraptions from the games.
This adaptation of Sonic the Hedgehog isn't the best, and to be frank it could have been done so much better. That said, it still held my attention for its 100min run time and could never be called dull, even if it was a little too puerile to be anything better than average.
Sonic the Hedgehog was directed by Jeff Fowler and stars James Marsden and Jim Carrey as the humans, with Ben Schwartz voicing the animated Sonic. The plot unfortunately is the entirely predictable buddy story you'd expect when a CGI character gets thrown into the real world - Sonic befriends a human, experiences all the fun earth has to offer before being hunted by an evil villain, and at the end everyone learns the value of friendship. So far, so generic and for me this was the biggest disappointment about this entire film. The script, the plot, the animation, it was all just so average.
Having seen the surprisingly good Detective Pikachu the previous year, which managed to seamlessly blend the real world with animated characters in a better than average story, I'd hoped Sonic would follow in the same vein but I'm sad to say it didn't. Yes Sonic looks a million times better than he did initially (the teeth in the original version are the stuff of nightmares), but he still looks too animated and cartoonish for the real world. The Pokémon in Warner Bros' film looked real, but Sonic just looks out of place. He isn't helped with Ben Schwartz's rather unconvincing voice which feels ill-fitting too, personally I think they should've done a Pikachu and Ryan Reynolds and gone with a completely outlandish OTT voice. It's a shame as the rest of the scenery and action based CGI are actually quite good, although the slow motion scenes have been done before and so much better (X-Men: Days of Future Past).
To be fair, despite a sometimes dodgy script, the human cast do at least do their best. James Marsden has surprisingly good chemistry with an animated hedgehog, although it's Jim Carrey as Dr Robotnik that steals the show. Whilst his Robotnik isn't quite the rounded Eggman of the games, Carrey's performance is wonderfully wacky, sinister and completely over the top, and is responsible for virtually all of the laughs here. He's having an absolute whale of a time and this really draws us in as viewers and makes us have fun too. He's the Carrey we know from the 90s, his performance so akin to those of Ace Ventura and The Mask that you can't help but love the exaggerated show he gives here.
Paramount has also done a good job of including some nostalgic nods to the games, from the gold rings in the opening Paramount logo to Sonic's red sneakers. Even the final battle between Sonic and Robotnik had me squealing with joy at how much it reminded me of the actions you undertake to defeat the boss battles. There are some aspects of the games that are missing, most noticeably the Badniks (Robotnik's creature like robots) and Sonic's friends, who have sadly been left for a blatant sequel baiting end credits scene for a sequel we may never see. I also found Robotnik's machines and vehicles to be a little too technologically advanced and was disappointed not to see some that were more reminiscent of the wacky contraptions from the games.
This adaptation of Sonic the Hedgehog isn't the best, and to be frank it could have been done so much better. That said, it still held my attention for its 100min run time and could never be called dull, even if it was a little too puerile to be anything better than average.
Kristy H (1252 KP) rated How Hard Can It Be? in Books
Mar 10, 2019 (Updated Mar 10, 2019)
Things have taken a bit of a turn for Kate Reddy--she's nearing 50, her husband has lost his job and spends most of his time cycling, and her kids are busy teenagers. With Richard out of work, Kate has to return to work. However, she finds that the financial community isn't welcoming to a woman on the cusp of fifty. When Kate decides to pretend she's seven years younger to enter the working world, she winds up working at the hedge fund she originally started. Once back at work, though, she finds herself overwhelmed dealing with everything: the unhelpful husband, the ungrateful kids, the demanding colleagues, and an unexpected appearance from an old flame.
This was a tough one for me. It was a slow read, although in its defense, I read it during a very busy time at work. I empathized with Kate's return to working motherhood--especially juggling kids and work and dealing with a male-driven workplace. I didn't enjoy the intense focus on how old Kate was, making her seem nearly decrepit at fifty. It's one thing to deal with turning the big 5-0 and its ramifications, but its another to make it seem like it's the end of the world. Even worse, while Kate could seem so strong in the workplace, she was such a pushover with her children. She was supposedly clueless with technology, unable to keep up with their exploits, and a complete doormat. (I also couldn't handle the endless endearments she used with her kids--there's only so many "sweeties" and "darlings" I can take.)
There are certainly humorous moments in the novel. This is a sequel to Pearson's first novel featuring Reddy and the parts I enjoyed here were the parts I liked about the first one: Kate's wit, her ability to take on the "big boys" at her fund, and the snippets of emails between her and her friend, Candy. There were definitely pieces of the novel that I found myself nodding along with--her moments of anxiety; her rants about how working moms are treated; some insights into kids and the social media era, etc. And Kate certainly doesn't have an easy go of it, with her clueless husband, helpless kids, crumbling house, aging parents, and stressful job.
That being said, I could see most of the plot twists coming a mile away, and you couldn't help but get frustrated that Kate couldn't see them too. Overall, while I found parts of this novel funny, refreshing, and quite apropos, I couldn't really get over Kate's obsession with her looks or her one-sided relationship with her children. In the end my rating is probably bumped up a bit for a little Kate Reddy nostalgia.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was a tough one for me. It was a slow read, although in its defense, I read it during a very busy time at work. I empathized with Kate's return to working motherhood--especially juggling kids and work and dealing with a male-driven workplace. I didn't enjoy the intense focus on how old Kate was, making her seem nearly decrepit at fifty. It's one thing to deal with turning the big 5-0 and its ramifications, but its another to make it seem like it's the end of the world. Even worse, while Kate could seem so strong in the workplace, she was such a pushover with her children. She was supposedly clueless with technology, unable to keep up with their exploits, and a complete doormat. (I also couldn't handle the endless endearments she used with her kids--there's only so many "sweeties" and "darlings" I can take.)
There are certainly humorous moments in the novel. This is a sequel to Pearson's first novel featuring Reddy and the parts I enjoyed here were the parts I liked about the first one: Kate's wit, her ability to take on the "big boys" at her fund, and the snippets of emails between her and her friend, Candy. There were definitely pieces of the novel that I found myself nodding along with--her moments of anxiety; her rants about how working moms are treated; some insights into kids and the social media era, etc. And Kate certainly doesn't have an easy go of it, with her clueless husband, helpless kids, crumbling house, aging parents, and stressful job.
That being said, I could see most of the plot twists coming a mile away, and you couldn't help but get frustrated that Kate couldn't see them too. Overall, while I found parts of this novel funny, refreshing, and quite apropos, I couldn't really get over Kate's obsession with her looks or her one-sided relationship with her children. In the end my rating is probably bumped up a bit for a little Kate Reddy nostalgia.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
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Wi-Finder helps you say connected at more than 1 million hotspots worldwide, at locations including...
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Cori June (3033 KP) rated The Bone Witch (The Bone Witch, #1) in Books
Dec 3, 2018
This book is written in two parts, the before and after. We are introduced during the after. It is in italics told from first person p.o.v. by an exiled bard. It is usually one to two pages sometimes more, it is at the beginning or end of each chapter usually letting people know what the next chapter is about. The before is told in first person p.o.v. by Tea (the main character) as a story to the bard. It is about how she became a bone witch and what a bone witch is also hints to why she was exiled.
Now there is a lot of description in the book about who dresses in which hua and what people look like and how they act and what they do.
If you want an action pacted fast paced book: This is not that book.
This book is what I would call a builder book. Its whole purpose is to build the story for the next book. it builds the world it is set in and helps you understand the characters motivations. A beautiful book, however, it can get draggy in the narrative. something that Tea does comment on in the after part of the book.
Now there is a lot of description in the book about who dresses in which hua and what people look like and how they act and what they do.
If you want an action pacted fast paced book: This is not that book.
This book is what I would call a builder book. Its whole purpose is to build the story for the next book. it builds the world it is set in and helps you understand the characters motivations. A beautiful book, however, it can get draggy in the narrative. something that Tea does comment on in the after part of the book.