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David McK (3328 KP) rated Wolverine: Old Man Logan in Books
Jan 30, 2019
(edit: the really-rather-good movie 'Logan' supposedly takes its inspiration from this one, and it's not hard to spot where, despite that movie also being it's own thing)
Well, that was unexpected.
I'd heard good things about this one, but had never got round to reading it until fairly recently.
And I have to say, that this one does live up to the hype.
It's also quite easy to spot some of the influences on this: set in the future (like The Dark Knight Returns), this sees Logan - who has given up violence and just wants to live a quiet life - travelling across America in the company of an ex-Avenger (Hawkeye), that has since fallen to the super-villains and been divided up amongst them, all to earn some cash so he can pay-off the gang-lords (descendants of Bruce Banner) of the sector in which he lives: a road-trip fairly reminiscent of Mad Max.
Reading it, I kinda want to learn more about what happened; about how did the world get into the state it is portrayed in (although there are brief snippets given throughout). Forswearing violence for the majority of the tale, it's only towards the end that he finally lets loose, in some rather graphic scenes and depictions - it's no wonder that this comes with a parental guidance! - before finally riding off into the sunset (Pale Rider? Unforgiven?) after he returns home to find tragedy has befallen his family while he was away.
Well, that was unexpected.
I'd heard good things about this one, but had never got round to reading it until fairly recently.
And I have to say, that this one does live up to the hype.
It's also quite easy to spot some of the influences on this: set in the future (like The Dark Knight Returns), this sees Logan - who has given up violence and just wants to live a quiet life - travelling across America in the company of an ex-Avenger (Hawkeye), that has since fallen to the super-villains and been divided up amongst them, all to earn some cash so he can pay-off the gang-lords (descendants of Bruce Banner) of the sector in which he lives: a road-trip fairly reminiscent of Mad Max.
Reading it, I kinda want to learn more about what happened; about how did the world get into the state it is portrayed in (although there are brief snippets given throughout). Forswearing violence for the majority of the tale, it's only towards the end that he finally lets loose, in some rather graphic scenes and depictions - it's no wonder that this comes with a parental guidance! - before finally riding off into the sunset (Pale Rider? Unforgiven?) after he returns home to find tragedy has befallen his family while he was away.
Darren (1599 KP) rated The Irishman (2019) in Movies
Nov 27, 2019
Verdict: Just Another Gangster Movie
Story: The Irishman starts with Frank Sheeran (De Niro) recounting his time working under Russell Bufalino (Pesci) starting as a meat delivery man, a chance encounter with Russell brings them together. Russell was the guy that if anybody wanted something done, he would give the green light and expect it done.
Frank continued to rise working under the infamous Jimmy Hoffa (Pacino) who was in battle with the Kennedy’s who were trying to find a way to take down his unions, which does see Frank become the president of his own region.
Thoughts on The Irishman
Characters – Frank Sheeran is the narrator who is looking back through his life as he started as delivery driver before finding himself joining the mobs in the Italian neighbourhood, rising up the ranks from the bottom becoming one of the closest members of Jimmy Hoffa go to man, one of the most trusted hitmen in the mob. Jimmy Hoffa is the man that runs the unions, he has the attention of the Kennedy’s who have never trusted his business, he will always find a way to get his side of the story through without ever getting his hands dirty. He expects respect from everybody he deals with and will give it back, before he runs for office. Russell Bufalino is the one that gives Frank enter into the criminal world, a chance meeting opens the door and he will give the instructions Frank to follow. Peggy is the daughter of Frank that has grown up seeing his action become worse over the years.
Performances – The performances here are almost flawless, we get three of the greatest gangster movie performers in De Niro, Pacino and Pesci, you simply wouldn’t expect anything less from the three. The supporting cast is also wonderful, where once again the acting isn’t the weak part of the film.
Story – The story here follows Frank Sheeran’s rise from delivery man to hitman under one of the leaders of the mobs through the 60’s and 70’s America. Most of the story is Frank recounting his career in the mob, seeing how he often watched the biggest moments in the background, only getting his hands dirty when he needs to. We do need to talk about the length of the film because there is a huge problem here, we have so many scenes we don’t really need, we do also end up going through the routine that every single gangster movie does, which just makes it feel like something we have seen before. The timeline does fill in the random deaths with a headline on screen, even if that person is only in one scene.
Biopic/Crime – We do get to learn the life’s story of a notorious hitman through his own eyes, we see how he isn’t completely good, but he is loyal and always tries to do the right thing in the middle of the criminal world.
Settings – The settings takes us back to the eras we are going through, we have the glamourous locations for parties, the small street locations that show us where the dirty work gets done and a location which means everything to Frank, where it all started.
Scene of the Movie – The taxis.
That Moment That Annoyed Me – It is just too long.
Final Thoughts – This is a gangster film that gets heavyweight performances in a story that we have seen before that does seem to drag along for way too long.
Overall: Long Drawn Out Gangster Film.
Frank continued to rise working under the infamous Jimmy Hoffa (Pacino) who was in battle with the Kennedy’s who were trying to find a way to take down his unions, which does see Frank become the president of his own region.
Thoughts on The Irishman
Characters – Frank Sheeran is the narrator who is looking back through his life as he started as delivery driver before finding himself joining the mobs in the Italian neighbourhood, rising up the ranks from the bottom becoming one of the closest members of Jimmy Hoffa go to man, one of the most trusted hitmen in the mob. Jimmy Hoffa is the man that runs the unions, he has the attention of the Kennedy’s who have never trusted his business, he will always find a way to get his side of the story through without ever getting his hands dirty. He expects respect from everybody he deals with and will give it back, before he runs for office. Russell Bufalino is the one that gives Frank enter into the criminal world, a chance meeting opens the door and he will give the instructions Frank to follow. Peggy is the daughter of Frank that has grown up seeing his action become worse over the years.
Performances – The performances here are almost flawless, we get three of the greatest gangster movie performers in De Niro, Pacino and Pesci, you simply wouldn’t expect anything less from the three. The supporting cast is also wonderful, where once again the acting isn’t the weak part of the film.
Story – The story here follows Frank Sheeran’s rise from delivery man to hitman under one of the leaders of the mobs through the 60’s and 70’s America. Most of the story is Frank recounting his career in the mob, seeing how he often watched the biggest moments in the background, only getting his hands dirty when he needs to. We do need to talk about the length of the film because there is a huge problem here, we have so many scenes we don’t really need, we do also end up going through the routine that every single gangster movie does, which just makes it feel like something we have seen before. The timeline does fill in the random deaths with a headline on screen, even if that person is only in one scene.
Biopic/Crime – We do get to learn the life’s story of a notorious hitman through his own eyes, we see how he isn’t completely good, but he is loyal and always tries to do the right thing in the middle of the criminal world.
Settings – The settings takes us back to the eras we are going through, we have the glamourous locations for parties, the small street locations that show us where the dirty work gets done and a location which means everything to Frank, where it all started.
Scene of the Movie – The taxis.
That Moment That Annoyed Me – It is just too long.
Final Thoughts – This is a gangster film that gets heavyweight performances in a story that we have seen before that does seem to drag along for way too long.
Overall: Long Drawn Out Gangster Film.
Hazel (1853 KP) rated The Face in the Mountain in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
The Face in the Mountain </i>is a children’s picture book written by Tolulope Okudolo as part of the publishing company <i>Magnifying Children’s Horizons</i> vision of developing a world in which children learn about and appreciate nature.
The story is set in the fictional world of Vomper Creek where there is always an abundance of natural activity – that is if tree elves, giants and fairies count as “natural”. Papa and Boma are the only giants living in this area and are responsible for making sure nature does everything it is supposed to do. In fact it was Papa who built the mountains in this region to begin with. However Papa is old, frail and tired after working for over two hundred years. He needs to sleep for a century to regain his energy, thus leaving Boma, at a mere seven years of age, to take on all the important tasks.
So begins the main part of the story: Boma is scared and convinced he is unable to remember Papa’s instructions and tries to hide from all his duties. Without his help nature will not be able to function properly. Inspired by an artist he spies in the woods, Boma carves his father’s face into the side of one of the mountains so that he can always see it. This makes him feel less alone and he is able to complete all his jobs to perfection.
The purpose of this book is to help children discover the inner workings of nature and recognize that many things are connected together. For example the wind is needed to blow the seeds into places where they can sprout, then the rain, sun and soil provide the nutrients the plant needs to grow.
At the end of the story is <i>A Children’s Guide to Natural Beings</i>. This is essentially a glossary of the mythical beings featured in the book. The only issue with this is that calling them “natural beings” implies that they are real whereas there is no concrete evidence of their existence. This could give children the wrong impression about the way nature works.
The final pages of the book include a list of learning activities and discussion questions. These could be attempted in schools, in book clubs or at home with parents as a way for children to experience nature for themselves and examine the meaning of the story and the ways in which they can relate it to their own lives.
Eric Scott Fisher beautifully illustrates the book with realistic drawings that are appropriate for children of all ages. Yet there is a slight publishing issue in that the illustrations and body text do not work together. In some instances the text is overlaid on a picture, which makes it difficult to read.
The reading age of this book is approximately seven to ten year olds however younger children will be able to understand it if it is read to them by an adult. The storyline is not that strong but hopefully its purpose – to educate children about nature – will shine through the narrative.
The Face in the Mountain </i>is a children’s picture book written by Tolulope Okudolo as part of the publishing company <i>Magnifying Children’s Horizons</i> vision of developing a world in which children learn about and appreciate nature.
The story is set in the fictional world of Vomper Creek where there is always an abundance of natural activity – that is if tree elves, giants and fairies count as “natural”. Papa and Boma are the only giants living in this area and are responsible for making sure nature does everything it is supposed to do. In fact it was Papa who built the mountains in this region to begin with. However Papa is old, frail and tired after working for over two hundred years. He needs to sleep for a century to regain his energy, thus leaving Boma, at a mere seven years of age, to take on all the important tasks.
So begins the main part of the story: Boma is scared and convinced he is unable to remember Papa’s instructions and tries to hide from all his duties. Without his help nature will not be able to function properly. Inspired by an artist he spies in the woods, Boma carves his father’s face into the side of one of the mountains so that he can always see it. This makes him feel less alone and he is able to complete all his jobs to perfection.
The purpose of this book is to help children discover the inner workings of nature and recognize that many things are connected together. For example the wind is needed to blow the seeds into places where they can sprout, then the rain, sun and soil provide the nutrients the plant needs to grow.
At the end of the story is <i>A Children’s Guide to Natural Beings</i>. This is essentially a glossary of the mythical beings featured in the book. The only issue with this is that calling them “natural beings” implies that they are real whereas there is no concrete evidence of their existence. This could give children the wrong impression about the way nature works.
The final pages of the book include a list of learning activities and discussion questions. These could be attempted in schools, in book clubs or at home with parents as a way for children to experience nature for themselves and examine the meaning of the story and the ways in which they can relate it to their own lives.
Eric Scott Fisher beautifully illustrates the book with realistic drawings that are appropriate for children of all ages. Yet there is a slight publishing issue in that the illustrations and body text do not work together. In some instances the text is overlaid on a picture, which makes it difficult to read.
The reading age of this book is approximately seven to ten year olds however younger children will be able to understand it if it is read to them by an adult. The storyline is not that strong but hopefully its purpose – to educate children about nature – will shine through the narrative.
True story (5 more)
Quick read
Very humorous
Mark Sonna
Heart-warming anecdotes
"Where are they now" section
A true tale of how an American mom made a life in Mexico
Contains spoilers, click to show
A true tale of how an American mom moves from Illinois to Mexico with her two youngest sons in tow.
Lois Sonna (aka Batman) is tired of trying to be the kind of wife her husband expects her to be. She realizes this is not who she is and wishes to be free from the antiquated views of marriage and wifedom that her husband has.
She leaves her 4 children with her mother and heads for Mexico on Easter weekend and ends up securing a job and housing in Irapuato, Mexico.
She returns to the US to get her two youngest children and promptly heads back to Irapuato to move into their new apartment and report to work.
She soon discovers how different things are in Mexico from the battle to maintain more than 5 minutes of hot water, issues with plumbing, and the lack of American food choices to struggling to imbed some semblance of American culture in her childrens upbringing and making everything work out happily ever after in the end.
Due to unforseen (and not very well thought out) circumstances, she learns the Mexican ways of bribery and upcharging as well as taking advantage of the machismo culture of Mexico. This leads Lois to consider entering the world of smuggling goods from the US back into Mexico in order to make ends meet.
The memoir was written by Lois's oldest and only daughter, Linda Sonna, who recieved letters every week from her mother. The original manuscript was presented in letter form, but later changed to flow more like a story, with much of the writing taken verbatim directly from the letters.
This is a heart-warming, laugh out loud, and sometimes ridiculous story that can only be made sense of because it really happened.
Lois Sonna (aka Batman) is tired of trying to be the kind of wife her husband expects her to be. She realizes this is not who she is and wishes to be free from the antiquated views of marriage and wifedom that her husband has.
She leaves her 4 children with her mother and heads for Mexico on Easter weekend and ends up securing a job and housing in Irapuato, Mexico.
She returns to the US to get her two youngest children and promptly heads back to Irapuato to move into their new apartment and report to work.
She soon discovers how different things are in Mexico from the battle to maintain more than 5 minutes of hot water, issues with plumbing, and the lack of American food choices to struggling to imbed some semblance of American culture in her childrens upbringing and making everything work out happily ever after in the end.
Due to unforseen (and not very well thought out) circumstances, she learns the Mexican ways of bribery and upcharging as well as taking advantage of the machismo culture of Mexico. This leads Lois to consider entering the world of smuggling goods from the US back into Mexico in order to make ends meet.
The memoir was written by Lois's oldest and only daughter, Linda Sonna, who recieved letters every week from her mother. The original manuscript was presented in letter form, but later changed to flow more like a story, with much of the writing taken verbatim directly from the letters.
This is a heart-warming, laugh out loud, and sometimes ridiculous story that can only be made sense of because it really happened.
Getting Off: One Woman's Journey Through Sex and Porn Addiction
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A courageous account of one woman's unflinching and ultimately hopeful journey through sex and porn...
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David McK (3328 KP) rated The Shepherd's Crown in Books
Jan 28, 2019
THE FINAL DISCWORLD BOOK
Those four words were always going to make a long-time Discworld reader feel quite emotional, making it hard to objectively review the novel itself: are you reviewing this last peek into Pratchett's mirror reality, or are you reviewing the entire 41-book series? I'm going to try both:
THE SERIES
The first Disworld book I read (I'm pretty sure it was [b: Pyramids|64217|Pyramids (Discworld, #7)|Terry Pratchett|https://images.gr-assets.com/books/1439098306s/64217.jpg|968512]) wasn't actually the first in the series (that would be [b: The Colour of Magic|833512|The Colour of Magic The Illustrated Screenplay|Vadim Jean|https://images.gr-assets.com/books/1347346368s/833512.jpg|17589693]), although I did later go back and read the earlier works. Reading them in order released (as opposed to one of the numerous Discworld Reading Order Guides: I'm quite partial to the 'Unofficial Discworld Reading Order Guide'), you can see how Terry Pratchett's writing style evolved, how he moved from outright satire to a more subtle comedy fantasy that holds a mirror up to real-world issues. Personally, I feel he was at his best at around the mid-way point of the series (say, [b: Maskerade|64305|Maskerade The Play|Terry Pratchett|https://images.gr-assets.com/books/1170622047s/64305.jpg|62427] or [b: Men at Arms|7557548|Men at Arms The Play|Terry Pratchett|https://images.gr-assets.com/books/1353573652s/7557548.jpg|9910828], after he'd found his feet (so-to-speak), but before the 'embuggerance' of his posterior cortical atrophy set in and the novels - perhaps understandably - started becoming almost too serious.
Throughout the series, there was a rich tapestry of characters introduced, from CMOT Dibbler through to the Patrician of Ankh-Morpork, with certain groups of characters (e.g. The City Watch) effectively becoming a sub-series in their own right. One of those groups - Granny Weatherwax (first introduced in [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611] and The Witches of Lancre (first introduced in [b: Wyrd Sisters|233664|Wyrd Sisters The Play|Terry Pratchett|https://images.gr-assets.com/books/1388363090s/233664.jpg|17589683] - would later themselves have 'guest spots' in another group of such characters, ostensibly written for Young Adult Readers but still very enjoyable for older; the Nac Mac Feegles (Crivens!) and Tiffany Aching, both of who first appeared in [b: The Wee Free Men|7881001|The Wee Free Men The Beginning (Discworld, #30 & #32)|Terry Pratchett|https://images.gr-assets.com/books/1388181365s/7881001.jpg|22017239]. Which nicely brings me to:
THE NOVEL ITSELF
'The Shepherd's Crown' sees a return of both Tiffany Aching, now a young Witch setting out on her career path, and those Nac Mac Feegles. There's a strong sense of change throughout, kicked off by the surprising early exit of a previous major character in the entire series, leading to old foes - the Elves - to try to make their way back into the world. These Elves, remember, are *not* the dainty do-gooders of Tolkien: these are nasty, malicious, self-serving creatures who last attempted to invade in [b: Lords and Ladies|34529|Lords and Ladies (Discworld, #14; Witches #4)|Terry Pratchett|https://images.gr-assets.com/books/1469186110s/34529.jpg|1185086], before eventually being defeated by Granny Weatherwax, Nanny Ogg and Magrat Garlik. Those three characters make a return in this, as well as bit-parts for the Arch-Chancellor of Unseen University, Ponder Stibbons (and HEX) alongside King Verence and the Patrician. Despite all these, the novel, however, is really Tiffany's story, and of how she finds her feet in the circumstances into which she is rather abruptly thrown. There's also a plot element that recalls [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611]: that of a person wanting to do a role that is generally considered to be that for a member of the opposite sex.
As always, footnotes are present and correct, with the novel even raising a few laugh-out-loud moments. While the story does finish with the words 'THE END', the world itself will continue on: all that has come to an end is our ability to peek into it.
In the words of the Nac Mac Feegle: "Waily waily waily ..."
Rating for the series: 5*
Rating for the novel: 4*
Those four words were always going to make a long-time Discworld reader feel quite emotional, making it hard to objectively review the novel itself: are you reviewing this last peek into Pratchett's mirror reality, or are you reviewing the entire 41-book series? I'm going to try both:
THE SERIES
The first Disworld book I read (I'm pretty sure it was [b: Pyramids|64217|Pyramids (Discworld, #7)|Terry Pratchett|https://images.gr-assets.com/books/1439098306s/64217.jpg|968512]) wasn't actually the first in the series (that would be [b: The Colour of Magic|833512|The Colour of Magic The Illustrated Screenplay|Vadim Jean|https://images.gr-assets.com/books/1347346368s/833512.jpg|17589693]), although I did later go back and read the earlier works. Reading them in order released (as opposed to one of the numerous Discworld Reading Order Guides: I'm quite partial to the 'Unofficial Discworld Reading Order Guide'), you can see how Terry Pratchett's writing style evolved, how he moved from outright satire to a more subtle comedy fantasy that holds a mirror up to real-world issues. Personally, I feel he was at his best at around the mid-way point of the series (say, [b: Maskerade|64305|Maskerade The Play|Terry Pratchett|https://images.gr-assets.com/books/1170622047s/64305.jpg|62427] or [b: Men at Arms|7557548|Men at Arms The Play|Terry Pratchett|https://images.gr-assets.com/books/1353573652s/7557548.jpg|9910828], after he'd found his feet (so-to-speak), but before the 'embuggerance' of his posterior cortical atrophy set in and the novels - perhaps understandably - started becoming almost too serious.
Throughout the series, there was a rich tapestry of characters introduced, from CMOT Dibbler through to the Patrician of Ankh-Morpork, with certain groups of characters (e.g. The City Watch) effectively becoming a sub-series in their own right. One of those groups - Granny Weatherwax (first introduced in [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611] and The Witches of Lancre (first introduced in [b: Wyrd Sisters|233664|Wyrd Sisters The Play|Terry Pratchett|https://images.gr-assets.com/books/1388363090s/233664.jpg|17589683] - would later themselves have 'guest spots' in another group of such characters, ostensibly written for Young Adult Readers but still very enjoyable for older; the Nac Mac Feegles (Crivens!) and Tiffany Aching, both of who first appeared in [b: The Wee Free Men|7881001|The Wee Free Men The Beginning (Discworld, #30 & #32)|Terry Pratchett|https://images.gr-assets.com/books/1388181365s/7881001.jpg|22017239]. Which nicely brings me to:
THE NOVEL ITSELF
'The Shepherd's Crown' sees a return of both Tiffany Aching, now a young Witch setting out on her career path, and those Nac Mac Feegles. There's a strong sense of change throughout, kicked off by the surprising early exit of a previous major character in the entire series, leading to old foes - the Elves - to try to make their way back into the world. These Elves, remember, are *not* the dainty do-gooders of Tolkien: these are nasty, malicious, self-serving creatures who last attempted to invade in [b: Lords and Ladies|34529|Lords and Ladies (Discworld, #14; Witches #4)|Terry Pratchett|https://images.gr-assets.com/books/1469186110s/34529.jpg|1185086], before eventually being defeated by Granny Weatherwax, Nanny Ogg and Magrat Garlik. Those three characters make a return in this, as well as bit-parts for the Arch-Chancellor of Unseen University, Ponder Stibbons (and HEX) alongside King Verence and the Patrician. Despite all these, the novel, however, is really Tiffany's story, and of how she finds her feet in the circumstances into which she is rather abruptly thrown. There's also a plot element that recalls [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611]: that of a person wanting to do a role that is generally considered to be that for a member of the opposite sex.
As always, footnotes are present and correct, with the novel even raising a few laugh-out-loud moments. While the story does finish with the words 'THE END', the world itself will continue on: all that has come to an end is our ability to peek into it.
In the words of the Nac Mac Feegle: "Waily waily waily ..."
Rating for the series: 5*
Rating for the novel: 4*
Gareth von Kallenbach (974 KP) rated The little mermaid (2023) in Movies
May 26, 2023
(By my wife Genevieve)I must admit that I may be biased about this movie, being a huge fan of all things Disney. However, the popular and beloved original The Little Mermaid was released in November 1989, about 6 months before I graduated high school. Not really the age to be that interested in an animated movie about a mermaid who trades her voice away to be able to live where the people are. But of course, I still watched it and I, like many, definitely loved the songs. The storyline? Not so much.
When I first heard a live-action version was in the works, my initial response was tepid, "That's nice." Only when I heard a person of color would play Ariel was my curiosity really piqued. As a minority, when many asked, "Why?", I thought, "Why not?" I was very moved when I saw the videos of young Black girls reacting excitedly to the first trailer when they discovered Ariel looked like them, further answering the many still asking "Why?" with "This. This is why."
If you've seen the animated version, then you know the gist of the story - young mermaid Ariel, played beautifully by Halle Bailey, is fascinated by the world above the water and collects all the human thingamabobs that litter the sea floor. She rebels against her father, King Triton, the handsome Javier Bardem, by giving in to her curiosity and ends up rescuing the merchant Prince Eric from drowning when the ship he's sailing is caught in a treacherous storm. Ariel is instantly smitten and Prince Eric, played by the perfectly-cast Jonah Hauer-King, is equally obsessed with the voice he heard as he was revived by Ariel’s siren song.
While obviously geared towards a younger audience, I found much to love about this movie. Jodi Benson’s original version will always be perfection, but Halle Bailey’s emotional rendition of “Part of Your World”, coupled with her luminous and expressive face, was just phenomenal. I had to temper my applause after her performance while a few appreciative “Whooo!” sounded through the audience. Melissa McCarthy’s Ursula and her iconic “Poor Unfortunate Souls” was definitely a highlight. Daveed Diggs as Sebastian (also inspired casting) and Awkwafina as Scuttle need their own spinoff. They’re hilarious together.
Alan Menken’s classic songs from the original were given new life by McCarthy, Bailey, and Diggs, and Lin Manuel Miranda’s signature touch is easily identifiable in the new ballads for Ariel and Prince Eric, and a Hamilton-style rap by Awkwafina and Diggs.
I appreciated the parallel stories with the prince just as curious about the world beyond his island as Ariel is about the world beyond her ocean, both bound by duty to their parents and their people, while yearning to explore the great “out there”. In all my Disney and Pixar movie-watching experiences, it has consistently been Pixar movies that get me emotionally compromised, so I was a bit surprised to find myself reaching for a napkin at the end of this movie, after a scene between Ariel and her dad. I will blame it on the nostalgia.
4 out of 5 stars just for the musical performances alone.
When I first heard a live-action version was in the works, my initial response was tepid, "That's nice." Only when I heard a person of color would play Ariel was my curiosity really piqued. As a minority, when many asked, "Why?", I thought, "Why not?" I was very moved when I saw the videos of young Black girls reacting excitedly to the first trailer when they discovered Ariel looked like them, further answering the many still asking "Why?" with "This. This is why."
If you've seen the animated version, then you know the gist of the story - young mermaid Ariel, played beautifully by Halle Bailey, is fascinated by the world above the water and collects all the human thingamabobs that litter the sea floor. She rebels against her father, King Triton, the handsome Javier Bardem, by giving in to her curiosity and ends up rescuing the merchant Prince Eric from drowning when the ship he's sailing is caught in a treacherous storm. Ariel is instantly smitten and Prince Eric, played by the perfectly-cast Jonah Hauer-King, is equally obsessed with the voice he heard as he was revived by Ariel’s siren song.
While obviously geared towards a younger audience, I found much to love about this movie. Jodi Benson’s original version will always be perfection, but Halle Bailey’s emotional rendition of “Part of Your World”, coupled with her luminous and expressive face, was just phenomenal. I had to temper my applause after her performance while a few appreciative “Whooo!” sounded through the audience. Melissa McCarthy’s Ursula and her iconic “Poor Unfortunate Souls” was definitely a highlight. Daveed Diggs as Sebastian (also inspired casting) and Awkwafina as Scuttle need their own spinoff. They’re hilarious together.
Alan Menken’s classic songs from the original were given new life by McCarthy, Bailey, and Diggs, and Lin Manuel Miranda’s signature touch is easily identifiable in the new ballads for Ariel and Prince Eric, and a Hamilton-style rap by Awkwafina and Diggs.
I appreciated the parallel stories with the prince just as curious about the world beyond his island as Ariel is about the world beyond her ocean, both bound by duty to their parents and their people, while yearning to explore the great “out there”. In all my Disney and Pixar movie-watching experiences, it has consistently been Pixar movies that get me emotionally compromised, so I was a bit surprised to find myself reaching for a napkin at the end of this movie, after a scene between Ariel and her dad. I will blame it on the nostalgia.
4 out of 5 stars just for the musical performances alone.
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The demands of the modern world on our time and mental resources are increasing steadily. Many of us...