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Darren (1599 KP) rated The Irishman (2019) in Movies
Nov 27, 2019
Verdict: Just Another Gangster Movie
Story: The Irishman starts with Frank Sheeran (De Niro) recounting his time working under Russell Bufalino (Pesci) starting as a meat delivery man, a chance encounter with Russell brings them together. Russell was the guy that if anybody wanted something done, he would give the green light and expect it done.
Frank continued to rise working under the infamous Jimmy Hoffa (Pacino) who was in battle with the Kennedy’s who were trying to find a way to take down his unions, which does see Frank become the president of his own region.
Thoughts on The Irishman
Characters – Frank Sheeran is the narrator who is looking back through his life as he started as delivery driver before finding himself joining the mobs in the Italian neighbourhood, rising up the ranks from the bottom becoming one of the closest members of Jimmy Hoffa go to man, one of the most trusted hitmen in the mob. Jimmy Hoffa is the man that runs the unions, he has the attention of the Kennedy’s who have never trusted his business, he will always find a way to get his side of the story through without ever getting his hands dirty. He expects respect from everybody he deals with and will give it back, before he runs for office. Russell Bufalino is the one that gives Frank enter into the criminal world, a chance meeting opens the door and he will give the instructions Frank to follow. Peggy is the daughter of Frank that has grown up seeing his action become worse over the years.
Performances – The performances here are almost flawless, we get three of the greatest gangster movie performers in De Niro, Pacino and Pesci, you simply wouldn’t expect anything less from the three. The supporting cast is also wonderful, where once again the acting isn’t the weak part of the film.
Story – The story here follows Frank Sheeran’s rise from delivery man to hitman under one of the leaders of the mobs through the 60’s and 70’s America. Most of the story is Frank recounting his career in the mob, seeing how he often watched the biggest moments in the background, only getting his hands dirty when he needs to. We do need to talk about the length of the film because there is a huge problem here, we have so many scenes we don’t really need, we do also end up going through the routine that every single gangster movie does, which just makes it feel like something we have seen before. The timeline does fill in the random deaths with a headline on screen, even if that person is only in one scene.
Biopic/Crime – We do get to learn the life’s story of a notorious hitman through his own eyes, we see how he isn’t completely good, but he is loyal and always tries to do the right thing in the middle of the criminal world.
Settings – The settings takes us back to the eras we are going through, we have the glamourous locations for parties, the small street locations that show us where the dirty work gets done and a location which means everything to Frank, where it all started.
Scene of the Movie – The taxis.
That Moment That Annoyed Me – It is just too long.
Final Thoughts – This is a gangster film that gets heavyweight performances in a story that we have seen before that does seem to drag along for way too long.
Overall: Long Drawn Out Gangster Film.
Frank continued to rise working under the infamous Jimmy Hoffa (Pacino) who was in battle with the Kennedy’s who were trying to find a way to take down his unions, which does see Frank become the president of his own region.
Thoughts on The Irishman
Characters – Frank Sheeran is the narrator who is looking back through his life as he started as delivery driver before finding himself joining the mobs in the Italian neighbourhood, rising up the ranks from the bottom becoming one of the closest members of Jimmy Hoffa go to man, one of the most trusted hitmen in the mob. Jimmy Hoffa is the man that runs the unions, he has the attention of the Kennedy’s who have never trusted his business, he will always find a way to get his side of the story through without ever getting his hands dirty. He expects respect from everybody he deals with and will give it back, before he runs for office. Russell Bufalino is the one that gives Frank enter into the criminal world, a chance meeting opens the door and he will give the instructions Frank to follow. Peggy is the daughter of Frank that has grown up seeing his action become worse over the years.
Performances – The performances here are almost flawless, we get three of the greatest gangster movie performers in De Niro, Pacino and Pesci, you simply wouldn’t expect anything less from the three. The supporting cast is also wonderful, where once again the acting isn’t the weak part of the film.
Story – The story here follows Frank Sheeran’s rise from delivery man to hitman under one of the leaders of the mobs through the 60’s and 70’s America. Most of the story is Frank recounting his career in the mob, seeing how he often watched the biggest moments in the background, only getting his hands dirty when he needs to. We do need to talk about the length of the film because there is a huge problem here, we have so many scenes we don’t really need, we do also end up going through the routine that every single gangster movie does, which just makes it feel like something we have seen before. The timeline does fill in the random deaths with a headline on screen, even if that person is only in one scene.
Biopic/Crime – We do get to learn the life’s story of a notorious hitman through his own eyes, we see how he isn’t completely good, but he is loyal and always tries to do the right thing in the middle of the criminal world.
Settings – The settings takes us back to the eras we are going through, we have the glamourous locations for parties, the small street locations that show us where the dirty work gets done and a location which means everything to Frank, where it all started.
Scene of the Movie – The taxis.
That Moment That Annoyed Me – It is just too long.
Final Thoughts – This is a gangster film that gets heavyweight performances in a story that we have seen before that does seem to drag along for way too long.
Overall: Long Drawn Out Gangster Film.
Hornet, The Gay Social Network
Communication, Photo & Video and Social Networking
6.9
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Hornet makes it fun and easy for gay, bi, and curious guys to connect with each other. Find great...
Lyndsey Gollogly (2893 KP) rated The Valkyrie’s Bond ( Half - Blood Rising book 1) in Books
Jul 22, 2022
125 of 230
Kindle
The Valkyrie’s Bond ( Half-Blood Rising book 1)
By Lucy Roy
⭐️⭐️⭐️⭐️
As a rare halfblood among a race of witches and shifters, Freya has enjoyed living a quiet life away from the royal court of Lindoroth and among those who know little about her. She’s had the freedom to make her own choices, and fighting alongside the local marshals is just an added bonus.
When obligation arrives on her doorstep to remind her of promises made long ago, her quiet life comes to an end. With hardly time to say goodbye, Freya is whisked off to the capital city of Iladel to attend a prestigious royal academy with her peers, where appearances can be deceiving and connections are everything. While there, she’ll be reunited with her childhood friend, Prince Aerelius, and begin to experience life at the royal court in ways she never did as a girl.
As Freya and the prince dive into old routines and explore new feelings, they uncover the secrets and schemes that lurk below the court’s surface. When a secret is unveiled that changes everything, they must do whatever is necessary to ensure the safety of their kingdom. If they fail, long-held alliances will shatter and war will come to the shores of their land, threatening all they hold dear.
I adore this author and this didn’t disappoint. I love the world and character builds and the story came to so well. I love the idea of the Valkyries they are fascinating. If I had one thing that maybe stopped it being a 5⭐️ was that it waited till the last 4 chapters before the action kicked in. Although the build up was still enough to make me want more.
Kindle
The Valkyrie’s Bond ( Half-Blood Rising book 1)
By Lucy Roy
⭐️⭐️⭐️⭐️
As a rare halfblood among a race of witches and shifters, Freya has enjoyed living a quiet life away from the royal court of Lindoroth and among those who know little about her. She’s had the freedom to make her own choices, and fighting alongside the local marshals is just an added bonus.
When obligation arrives on her doorstep to remind her of promises made long ago, her quiet life comes to an end. With hardly time to say goodbye, Freya is whisked off to the capital city of Iladel to attend a prestigious royal academy with her peers, where appearances can be deceiving and connections are everything. While there, she’ll be reunited with her childhood friend, Prince Aerelius, and begin to experience life at the royal court in ways she never did as a girl.
As Freya and the prince dive into old routines and explore new feelings, they uncover the secrets and schemes that lurk below the court’s surface. When a secret is unveiled that changes everything, they must do whatever is necessary to ensure the safety of their kingdom. If they fail, long-held alliances will shatter and war will come to the shores of their land, threatening all they hold dear.
I adore this author and this didn’t disappoint. I love the world and character builds and the story came to so well. I love the idea of the Valkyries they are fascinating. If I had one thing that maybe stopped it being a 5⭐️ was that it waited till the last 4 chapters before the action kicked in. Although the build up was still enough to make me want more.
Los Angeles Stories
Book
A Los Angeles Times's and Southern California Indie Bookseller Association's Bestseller! Los Angeles...
Zuky the BookBum (15 KP) rated The Student in Books
Mar 15, 2018
Wow, well this really wasnt what I was expecting. I thought this was going to be a little mysterious but it wasnt in the slightest. It was just hardcore, gritty Australian crime.
This one is seriously dark and graphic. Im not really into the gritty sex, gritty crime kind of books, so a lot of this one wasnt really my cup of tea. We follow around a student drug dealer whose friend, and supplier, has gone missing. What ensues is a long journey of some seriously gruesome discoveries. While, of course, this book has a plot, its one of those books that also feels like it has no plot. It concludes itself, but it doesnt really finish.
I enjoyed the way it was written. The snappy sentences and the minimal descriptions, it felt right for this book. It definitely wasnt the best written book in the world, but it did what it needed to do and it did it quite well.
As for characters, theres no one to like in this book and I think thats intentional. I mean, dont me wrong, I did empathise with Nate in some parts but he wasnt a likeable guy.
In the end, this one just kind of depressed me and was reminiscent of Sarah by JT LeRoy in its brutal darkness. I think maybe the synopsis needs to be changed because it definitely sounds like a completely different novel to the one I just finished.
This one is seriously dark and graphic. Im not really into the gritty sex, gritty crime kind of books, so a lot of this one wasnt really my cup of tea. We follow around a student drug dealer whose friend, and supplier, has gone missing. What ensues is a long journey of some seriously gruesome discoveries. While, of course, this book has a plot, its one of those books that also feels like it has no plot. It concludes itself, but it doesnt really finish.
I enjoyed the way it was written. The snappy sentences and the minimal descriptions, it felt right for this book. It definitely wasnt the best written book in the world, but it did what it needed to do and it did it quite well.
As for characters, theres no one to like in this book and I think thats intentional. I mean, dont me wrong, I did empathise with Nate in some parts but he wasnt a likeable guy.
In the end, this one just kind of depressed me and was reminiscent of Sarah by JT LeRoy in its brutal darkness. I think maybe the synopsis needs to be changed because it definitely sounds like a completely different novel to the one I just finished.
Lotus: Coloring book for adults
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Movie Metropolis (309 KP) rated The Hunger Games: Mockingjay - Part 1 (2014) in Movies
Jun 10, 2019
Too slow in parts
The Hunger Games series has become something of a worldwide phenomenon over the last few years, with over $1bn in takings between two films, success is a bit of an understatement.
A year after the critically acclaimed Catching Fire, director Francis Lawrence returns with the first part of Suzanne Collins’ underwhelming finale – Mockingjay, but can it continue with the series’ success and improve on the lacklustre novel?
Partially is the short answer. Lawrence continues to provide a slick environment in which the film resides and commands the best from the actors, but severe pacing issues occasionally stop the movie dead in its tracks.
Mockingjay begins just hours after the end of the second film with Jennifer Lawrence becoming a completely deflated Katniss Everdeen when she realises that Peeta wasn’t rescued with her in the arena.
She is now hiding out in District 13, along with a host of familiar faces including Elizabeth Banks’ brilliant Effie Trinket who provides the majority of the film’s comedic moments – though these are few and far between this time around. The late Philip Seymour Hoffman also returns as Plutarch Heavensbee and completely commands the screen in every scene.
However, the standout performance doesn’t belong to one of the old favourites. Julianne Moore enters the series as President Alma Coin and is a complete joy, her warm yet steely persona is engaging and mesmerising and her character promises to be even more intriguing in the next instalment.
It’s also nice to see Liam Hemsworth take on a more central role as Gale, which leaves Josh Hutcherson’s whiny Peeta very much in the background.
The film centres around the creation of numerous propaganda videos, each designed to threaten the Capitol and President Snow, played by such a convincing Donald Sutherland you actually believe he is evil, made by the rebellion to show they are fighting back.
The lack of a games for a focus point could’ve had a huge impact on this film’s popularity, but Francis Lawrence gets around the lack of them with style and flair, blending truly horrific images of war with those of running water, forests and wild animals – all the while showing us how even in the darkest of times, there is beauty in this world.
Moreover, the special effects have once again been stepped up a gear. The onslaught of the Capitol’s bombers is realised beautifully and really drives home how brutal this film can be in parts. It is the first in the series where its 12A certification may have been slightly too lenient, with images of Snow’s increasing brutality proving a shock to the system.
Unfortunately, the decision to split Collins’ last novel into two films was a controversial one which hasn’t paid off. The pacing of the film is appalling and some of the worst I’ve seen. You can fill a 2 hour runtime with as much beautiful scenery as you like, but if there isn’t enough action to counterbalance it, you end up with something that feels a little hollow.
The story simply isn’t there and we spend the majority of the film watching Katniss recoil in shock at seeing Peeta in the Capitol and wandering around the different districts aimlessly, searching for more atrocities to become angry at.
Mercifully, there is one scene towards the climax which rivals Gareth Edward’s Godzilla for the most eerily quiet and exquisitely shot action sequence of the year – see if you can spot it.
Overall, Mockingjay: Part 1 is a decent film if not quite to the standard of last year’s Catching Fire. The decision to create two films has destroyed the series’ pacing and reeks of money grabbing.
However, stunning performances from all the actors, in particular Julianne Moore and Donald Sutherland ensure that fans of the series will be dying to see the next instalment in a year’s time.
https://moviemetropolis.net/2014/11/22/too-slow-in-parts-mockingjay-part-1-review/
A year after the critically acclaimed Catching Fire, director Francis Lawrence returns with the first part of Suzanne Collins’ underwhelming finale – Mockingjay, but can it continue with the series’ success and improve on the lacklustre novel?
Partially is the short answer. Lawrence continues to provide a slick environment in which the film resides and commands the best from the actors, but severe pacing issues occasionally stop the movie dead in its tracks.
Mockingjay begins just hours after the end of the second film with Jennifer Lawrence becoming a completely deflated Katniss Everdeen when she realises that Peeta wasn’t rescued with her in the arena.
She is now hiding out in District 13, along with a host of familiar faces including Elizabeth Banks’ brilliant Effie Trinket who provides the majority of the film’s comedic moments – though these are few and far between this time around. The late Philip Seymour Hoffman also returns as Plutarch Heavensbee and completely commands the screen in every scene.
However, the standout performance doesn’t belong to one of the old favourites. Julianne Moore enters the series as President Alma Coin and is a complete joy, her warm yet steely persona is engaging and mesmerising and her character promises to be even more intriguing in the next instalment.
It’s also nice to see Liam Hemsworth take on a more central role as Gale, which leaves Josh Hutcherson’s whiny Peeta very much in the background.
The film centres around the creation of numerous propaganda videos, each designed to threaten the Capitol and President Snow, played by such a convincing Donald Sutherland you actually believe he is evil, made by the rebellion to show they are fighting back.
The lack of a games for a focus point could’ve had a huge impact on this film’s popularity, but Francis Lawrence gets around the lack of them with style and flair, blending truly horrific images of war with those of running water, forests and wild animals – all the while showing us how even in the darkest of times, there is beauty in this world.
Moreover, the special effects have once again been stepped up a gear. The onslaught of the Capitol’s bombers is realised beautifully and really drives home how brutal this film can be in parts. It is the first in the series where its 12A certification may have been slightly too lenient, with images of Snow’s increasing brutality proving a shock to the system.
Unfortunately, the decision to split Collins’ last novel into two films was a controversial one which hasn’t paid off. The pacing of the film is appalling and some of the worst I’ve seen. You can fill a 2 hour runtime with as much beautiful scenery as you like, but if there isn’t enough action to counterbalance it, you end up with something that feels a little hollow.
The story simply isn’t there and we spend the majority of the film watching Katniss recoil in shock at seeing Peeta in the Capitol and wandering around the different districts aimlessly, searching for more atrocities to become angry at.
Mercifully, there is one scene towards the climax which rivals Gareth Edward’s Godzilla for the most eerily quiet and exquisitely shot action sequence of the year – see if you can spot it.
Overall, Mockingjay: Part 1 is a decent film if not quite to the standard of last year’s Catching Fire. The decision to create two films has destroyed the series’ pacing and reeks of money grabbing.
However, stunning performances from all the actors, in particular Julianne Moore and Donald Sutherland ensure that fans of the series will be dying to see the next instalment in a year’s time.
https://moviemetropolis.net/2014/11/22/too-slow-in-parts-mockingjay-part-1-review/