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postapocalypticplayground (27 KP) rated Scarlet (The Lunar Chronicles, #2) in Books
Mar 15, 2018
The action is frequent with huge set pieces which played out cinematically in my mind as I was reading. It’s quite an emotional one at times too, Kai’s dispair, Cinder’s desperation, Wolf’s inner turmoil and a bit of an insight into Levana left me quite breathless by the end.
My favourite thing at this stage, is how there is still so many secrets to be revealed. With 2 more books in the series to go it’s clear that each of the next characters will have some connection to what happened to Cinder as a child and how we reach present day, in story terms, I can’t wait to pick up Cress and see where the story goes next!
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Ensnared (The Life of Anna, #4)
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Everything Anna cared about is lost; the only thing left is Devin. She gives him all of herself, but...
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Movie Metropolis (309 KP) rated Thor: Ragnarok (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
It’s unfortunate then that he’s been lambasted with the weakest solo films of the entire series, the son of Odin really has deserved much better.
Thor’s inception in the first of his three solo outings was a competent if unremarkable origins story and the less said about Thor: The Dark World, which remains the poorest film of the entire MCU, the better. Now, just in time for Infinity War,Thor: Ragnarok rolls into cinemas. But does it do its leading man justice?Imprisoned on the other side of the universe, the mighty Thor (Hemsworth) finds himself in a deadly gladiatorial contest that pits him against the Hulk (Bruce Banner), his former ally and fellow Avenger. Thor’s quest for survival leads him in a race against time to prevent the all-powerful goddess of death, Hela, (Cate Blanchett) from destroying his home world and the Asgardian civilisation.
This third film for our mighty Avenger is really something. A film more akin to Guardians of the Galaxy than its overly stuffy predecessors. Director Taika Waititi in his first big-budget feature has managed what many had thought was impossible, he’s given Thor a rather brilliant movie.
But how? Well, he’s realised what no-one else has. The premise surrounding our titular hero is utterly ridiculous. Rather than shy away from that and create something serious, he’s embraced it with humour, music and my goodness, a lot of colour.
If you thought Guardians of the Galaxy used every colour on the spectrum, you ain’t seen nothing yet. Thor: Ragnarok is quite something to watch. From the gold-tipped spears of Asgard that glisten like never before, to the trash-topped planet of Sakaar, everything is dripping in colour.
“Casting Goldblum in the role of an immortal game-player really is an inspired choice.”
Speaking of Sakaar, it contains one of the MCUs best new additions: Jeff Goldbum. Sorry, I mean the Grandmaster. Casting Goldblum in the role of an immortal game-player really is an inspired choice. The 65-year-old legend has made a career on playing himself and it works exceptionally well here. His improvisation is absolutely spot on.
Ragnarok throws up a few other surprises too. One being that Chris Hemsworth is absolutely hilarious. He and Tom Hiddleston bounce off each other incredibly well and we see real chemistry – the chemistry that should have been evident from the start. Cate Blanchett also turns the cheese up to 11 as the latest throwaway Marvel villain, Hela.
She fares better than the majority of Marvel villains and is certainly more interesting than Christopher Eccelston’s, Malekith, but they never quite make the impact that the scriptwriters were clearly looking for. Nevertheless, Blanchett is excellent.
Thankfully, Thor: Ragnarok doesn’t suffer from the absence of Natalie Portman’s dull Jane Foster, and though she is referenced early on, newcomer Tessa Thompson as Valkyrie provides a fitting replacement and possible future love-interest for our intrepid hero.
Unfortunately, it’s not all good news. Surprisingly the first 30 minutes feel incredibly rushed as numerous loose storylines are brought together and the improvised nature of the script lends itself to a little too much humour. Yes, we get it, Marvel films are funny, but this should not be at the expense of the more emotional sequences that the movie tries to put across.
Nevertheless, Thor: Ragnarok is a resounding success, created by a man who clearly has a passion for this corner of the MCU. He manages to make an absolutely preposterous film – and that’s exactly how Thor should be. Take a bow Mr. Waititi.
A little tip – there are two end credit sequences waiting for you. You’re welcome.
https://moviemetropolis.net/2017/10/26/thor-ragnarok-review/
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Kristy H (1252 KP) rated The Secret Place in Books
Feb 13, 2018
This was a typical Tana French mystery in many ways. This novel is compelling, as always, featuring thoughtful and reflective characters and a detailed, well-plotted mystery. The story is told in alternating chapters by Stephen (in the present-day) and then flashes back to various sections told by the girls of St. Kilda's, who are telling bits of the story leading up to Chris' death. It's an excellent technique because Stephen's portion covers basically 24 hours, as he and Antoinette rush to solve the crime before the girls can cover their tracks once and for all. But by going into the past, French effectively builds suspense and allows us to meet the various teens in her tale (about eight in all, which is a lot at times).
Overall, she does an good job of capturing teen culture: particularly, I'm sure, the culture of British teens in boarding school (shockingly, something I'm not too familiar with). While the descriptions of the girls gets a little tedious (a lot of blond, straightened hair), their personalities are clear and develop easily over the course of the novel. The commentary on the bonds of teen friendship is excellent. For me, Stephen wasn't one of my all-time favorite French protagonists, but I enjoyed the dynamic between him and Conway and how the window into their lives is basically less than 24 hours.
The mystery portion was a little less enjoyable for me than some of French's other novels and a bit of a let down at the end, but it was still a great read. One of my favorite things about French's books is how they easily transport you into another world while reading--you find yourself lost in the characters and their world--and this one was no exception. 3.5 strong stars. I'm looking forward to her next novel, which is supposed to feature Conway again.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a> ~ <a href="https://twitter.com/justacatandbook">Twitter</a>
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Procuring Successful Mega-Projects: How to Establish Major Government Contracts Without Ending Up in Court
Book
Mega-projects descending into chaos and litigation embarrass governments all over the world, as the...
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Merissa (11869 KP) rated Raising Hell: How To Survive The Terrible Twos in Books
Sep 6, 2023
Eve now has two children - Seraphina and Malak. She is trying her best to rein in Seraphina's erm... let us say evil tendencies! Not so easy when you have a strong-willed child but especially so if they're the antichrist! Thank goodness for Malak. He is a child who just eats and sleeps, giving Eve a little respite. Her world is still crazy, although Lucas does his best when he can.
It is a while since I read the first book so it took me a while to fully get into this one, as events that helped to shape Eve, I couldn't fully remember. The story soon dragged me in, and I was lost within the world created. Some of the events were expected but some weren't!
The imagery you are given in Katie Zaber's stories is just outstanding! The descriptions of Eve's mindscape are so clear. And the emotions come through loud and clear. You can feel her frustrations rolling out through the pages.
It does end on a cliffhanger so fair warning. Plus, I really need to know more about Desmond. A thoroughly enjoyable book that is different to the rest and absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 1, 2023
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Gareth von Kallenbach (974 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Jul 25, 2019
Once Upon a Time in Hollywood takes place in 1969 near the end of the golden age of Hollywood. Rick Dalton (Leonardo DiCaprio) is an aging star of Westerns trying to desperately remain relevant in a world that considers those even in their 30’s as ancient, much like the black and white film common even to that day. His stuntman and best friend Cliff Booth (Brad Pitt) is happy to go along for the ride. More of an assistant and better known as the man who got away with killing his own wife, Cliff is content with his role in the world and isn’t looking for the next big break.
You can’t have a Hollywood story in 1969 without involving one of the most brutal murders of the time, that of Sharon Tate (Margot Robbie) and the now infamous Charles Manson and his “family”. A dark cloud that would leave a lasting mark on Hollywood itself. Their presence reminds us of the chilling reality to the evil that is lurking just outside the amazing set pieces and bright lights of the city itself.
Brad Pitt and Leonardo DiCaprio do a phenomenal job as one would expect. It’s always interesting to watch a movie where the actor is portraying another character in an entirely different movie and Leonardo delivers in spades. Brad Pitt brings his usual lovable charm to the otherwise tough persona as Cliff, the dog loving, Bruce Lee ass kicking sidekick. The chemistry between the two is undeniable, displaying both touching and comedic undertones throughout. It’s almost surreal to think that they are portraying characters that do represent themselves in the real world. It’s hard not to make the comparison of Brad and Leo to their onscreen characters, as aging stars wondering what the future holds for them.
Tarantino does a marvelous job of transporting his viewers back to 1969. Everything from episodes of old television shows, to advertisements on the street envelop the viewers in the tie-dyed/hippy reality of what the 60’s was. It’s hard not to be impressed with the cinematography that has been so lavishly recreated before us. The streets, the cars, even the film itself all take their cues from the time period. Car scenes are shot with laughably fake backdrops at times to remind us exactly the types of effects that went into filming back in the day. It’s a mix of old school and new school filming that takes you from one reality and places you in another. Tarantino does his best to make the audience more than spectators to what is developing on screen and instead as active participants.
Once Upon a Time in Hollywood is a fairytale of sorts, of what made Hollywood so special back in the 60’s. It lacks much of the brutal nature that has become second nature to Tarantino films, and those who are going to see it for its brutality will likely be very disappointed. It’s a film that is incredibly difficult to talk about without spoilers, because outside the general plot synopsis the viewer is left with more questions than answers. The film is long, coming in at two hours and forty minutes, and there are scenes that tend to drag on a little longer than necessary. Thankfully though, Tarantino has weaved a story of what was and what could have been, if Rick and Cliff both had existed…Once Upon a Time in Hollywood.
4 out of 5 stars
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Steven Sklansky (231 KP) rated Live By Night (2017) in Movies
Sep 10, 2017
Ben Affleck really does love Boston, because once again that where this whole thing begins. I didn't live in the 20's but the Boston accent must not have been established yet. It was quite refreshing not to hear it in a movie. I really didn't know Boston's backstory but I guess like everywhere on the East Coast there was a mob presence. They did a really good job showing the life of someone in the mob. It wasn't just the killing and booze. It really went deep with the love story of both women and what he had to go though to keep the love and them alive. Even though one of them turned out to be a backstabbing bitch.
When the story progressed to Tampa it was interesting to see something that I don't think has been portrayed in movies. Or I have never seen it. The mob in Florida. The interactions between the Irish and Italian mob in a world of Mexicans and Cubans was done very well. There was a lot going on and it never got boring. The only part of the story that got a little off was rivalry of the mob in Tampa and Miami. You never saw the fights between them until the end. I just thought it was over and done with after the Italians were run out of town. Or maybe I just missed it.
I won't tell you what happened to anyone at the end but the gun fight was amazing. So may parts put in and the chirography was done very well. I think the very end could have been done differently. To me it was very off putting and didn't understand why they choose to go that direction. Granted it was based off a book that I never read and maybe that's the way it had to be. But it could have been written better in the book too. Books seem to get the point across better anyway.
If you like gangster movies, see it. If you like Ben Affleck, see it. If you just want to watch a movie not to be bored, see it.