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Rat (1 KP) rated Peaky Blinders - Season 1 in TV
Mar 28, 2018
Forget everything you think you know about period drama
It would be easy to dismiss Peaky Blinders as just a British drama. It would be easy to dismiss it as just a period piece. It would be easy to claim that it was just a British Boardwalk Empire. You'd be so wrong to do so.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
Convicted (Consequences, #3)
10.0
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Book #3 of the bestselling Consequences series: From New York Times and USA Today bestselling...
Russ Troutt (291 KP) rated Won't You Be My Neighbor? (2018) in Movies
Jul 2, 2019
It's always a beautiful day in the neighborhood,
For in the worst of times you always made me see the good.
You would walk in with a smile on your face,
I knew that I was welcome at your place.
And no matter the weather,
You would put on your sweater.
Then you would sit down to put on more comfortable shoes,
Making me comfortable knowing I had a neighbor like you.
Together we would feed the fish,
Sometimes go to the kitchen and make a dish.
It was always my brain and heart that you were feeding,
As a kid you knew exactly what I was needing.
Messages would come from Mr. McFeely,
Who would show up with a speedy delivery.
When I'd hear the bell of the trolley,
I'd get excited and feel jolly.
For I knew we were off to visit our puppetry friends,
On the other side of the tunnel in make believe land.
You taught me what to do with my mad,
And that it was okay to be sad.
You helped in dealing with the bad and serious issues of the world,
But at the end of everyday in me the good you had restored.
In our daily meetings on television with me there is so much that you left,
I am special, amazing the way I am, and in the scary to be the one that helps.
It was in your words that I did find,
The key to success is being kind.
In many ways you were a savior whose love will always be savored,
Mister Rogers I will be forever grateful that you were my neighbor.
For in the worst of times you always made me see the good.
You would walk in with a smile on your face,
I knew that I was welcome at your place.
And no matter the weather,
You would put on your sweater.
Then you would sit down to put on more comfortable shoes,
Making me comfortable knowing I had a neighbor like you.
Together we would feed the fish,
Sometimes go to the kitchen and make a dish.
It was always my brain and heart that you were feeding,
As a kid you knew exactly what I was needing.
Messages would come from Mr. McFeely,
Who would show up with a speedy delivery.
When I'd hear the bell of the trolley,
I'd get excited and feel jolly.
For I knew we were off to visit our puppetry friends,
On the other side of the tunnel in make believe land.
You taught me what to do with my mad,
And that it was okay to be sad.
You helped in dealing with the bad and serious issues of the world,
But at the end of everyday in me the good you had restored.
In our daily meetings on television with me there is so much that you left,
I am special, amazing the way I am, and in the scary to be the one that helps.
It was in your words that I did find,
The key to success is being kind.
In many ways you were a savior whose love will always be savored,
Mister Rogers I will be forever grateful that you were my neighbor.
Lyndsey Gollogly (2893 KP) rated Portents and Oddities ( Sophie Feegle 2) in Books
May 13, 2024
95 of 220
Kindle
Portents and Oddities ( Sophie Feegle 2)
By Gwen DeMarco
⭐️⭐️⭐️
After defeating a Fae fanatic set on closing the portal between earth and the magic realm, things are looking up for Sophie Feegle. She can finally relax, drink whiskey at her favorite ogre pub, and get back to the autopsy assistant job she loves. Maybe she’ll even go on a romantic date with a certain sexy fox shifter.
Yeah, right. Things never seem to work out quite the way Sophie wants.
When Sophie recognizes the body on her autopsy table from a dream, her world is shaken again. As more bodies end up in the morgue, Sophie realizes a serial killer is hunting San Francisco’s Mythicals. But why? And why does Sophie see the victims in her dreams?
Hot on the trail of the killer, Sophie and her crew encounter Mythicals with strange powers. But as they wade through these dangerous waters, the question becomes: are Sophie and her friends the hunters, or are they the ones being hunted?
Welcome back to Sophie’s San Francisco, where being in a serial killer’s sights may be new but being odd is still the norm.
There are a few things I really like about this series. First the main character Sophie is brilliant she is sassy and funny, second the different shifters and creatures is so varied I just love finding more with each book and the last thing is the writing it’s so easy so when you want a break from the hard stuff this is some relief. Although I enjoyed this book I didn’t like it as much as book one and it seemed a little rushed towards the end. But if you love a good fantasy book this is a good one.
Kindle
Portents and Oddities ( Sophie Feegle 2)
By Gwen DeMarco
⭐️⭐️⭐️
After defeating a Fae fanatic set on closing the portal between earth and the magic realm, things are looking up for Sophie Feegle. She can finally relax, drink whiskey at her favorite ogre pub, and get back to the autopsy assistant job she loves. Maybe she’ll even go on a romantic date with a certain sexy fox shifter.
Yeah, right. Things never seem to work out quite the way Sophie wants.
When Sophie recognizes the body on her autopsy table from a dream, her world is shaken again. As more bodies end up in the morgue, Sophie realizes a serial killer is hunting San Francisco’s Mythicals. But why? And why does Sophie see the victims in her dreams?
Hot on the trail of the killer, Sophie and her crew encounter Mythicals with strange powers. But as they wade through these dangerous waters, the question becomes: are Sophie and her friends the hunters, or are they the ones being hunted?
Welcome back to Sophie’s San Francisco, where being in a serial killer’s sights may be new but being odd is still the norm.
There are a few things I really like about this series. First the main character Sophie is brilliant she is sassy and funny, second the different shifters and creatures is so varied I just love finding more with each book and the last thing is the writing it’s so easy so when you want a break from the hard stuff this is some relief. Although I enjoyed this book I didn’t like it as much as book one and it seemed a little rushed towards the end. But if you love a good fantasy book this is a good one.
Whatchareadin (174 KP) rated The Ever After in Books
Apr 9, 2019
What would you do if you found out your husband had an affair? Would you try to end the marriage, or work it out? What if sex was not a part of the affair, would that make a difference? These are the questions that Josie has after she finds out that her husband, Frank, has been having an affair for the past seven weeks. Should she stay or go? He's so great with the kids, but what about her? This book takes you on Josie's journey from her discovery of the affair, to her final decision on whether to stay with her husband or get a divorce.
Thank you to NetGalley and Atria Books for the opportunity to read and review this book.
I'm not sure what I would do if infidelity was a question in my marriage. I think, we can all say what we would do, but until we are faced with that situation, I don't think we fully understand how we would feel. Love is a tricky thing and when you find it with someone, it can be devastating when they break that love apart.
When Josie finds out about Frank's affair, her world is turned upside down. She has to find out the answer to all of her questions. She doesn't know if she will ever be able to trust Frank again or how she is going to live without him, as well. This is the man who is the father of her children and the man she has shared a bed with for so many years. But how could he betray her like this? They both decide to go to counseling. But Josie has conditions that Frank must agree to before she will even entertain the fact of sharing just her time with him. Will he agree or will they just end up going their separate ways.
This book is good for any married woman to read and may help you if this is a situation that you may be going through in your life.
Thank you to NetGalley and Atria Books for the opportunity to read and review this book.
I'm not sure what I would do if infidelity was a question in my marriage. I think, we can all say what we would do, but until we are faced with that situation, I don't think we fully understand how we would feel. Love is a tricky thing and when you find it with someone, it can be devastating when they break that love apart.
When Josie finds out about Frank's affair, her world is turned upside down. She has to find out the answer to all of her questions. She doesn't know if she will ever be able to trust Frank again or how she is going to live without him, as well. This is the man who is the father of her children and the man she has shared a bed with for so many years. But how could he betray her like this? They both decide to go to counseling. But Josie has conditions that Frank must agree to before she will even entertain the fact of sharing just her time with him. Will he agree or will they just end up going their separate ways.
This book is good for any married woman to read and may help you if this is a situation that you may be going through in your life.
Survivors: the Quest®
Games and Entertainment
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Three strangers find themselves stranded on a secluded island. Abandoned buildings, an old laptop...
Lee (2222 KP) rated Alita: Battle Angel (2019) in Movies
Feb 8, 2019 (Updated Feb 8, 2019)
The Visuals (1 more)
Alita
A lot of big names, overqualified and underutilised (1 more)
Clunky dialogue and pacing issues
All style, not much substance
James Cameron has spent more than a decade trying to bring Alita: Battle Angel to the big screen. Based on a popular cyberpunk manga series by Yukito Kishiro, published between 1990-1995, he has spent that time refining the script and developing the world that Alita inhabits. And that’s pretty much what he now spends most of his time taking care of with the Avatar movies and the world of Pandora. Hence the reason why he eventually decided to step back into producer duties for this movie, letting Robert Rodriguez pick up the directing reins in order to finally get it finished. Rodriguez uses much of the script that Cameron wrote, but brings a little bit of his trademark style to the table too.
It’s 2563, and we’re in Iron City. Dr Dyson Ido (Christoph Waltz) is scavenging among a huge scrapyard, looking for cyborg spare parts that he can make use of, while fresh metal and rubbish rains down from Zalem – a man-made, floating city sitting in the sky above Iron City. 300 years ago there were many of these floating cities but following a brutal war all of them except for Zalem perished. During that time though, the elevator leading up to Zalem was destroyed, and these days only the ‘pure’ inhabitants of Zalem are permitted there. Nobody from Earth is allowed to visit and if anyone comes down from Zalem, they’re not allowed back. It’s to try and avoid any contamination from entering Zalem. If you’ve seen the Matt Damon movie Elysium… well, then it’s a bit like that really.
Among the usual items, such as robotic hands and eyeballs, Dr Ido discovers Alita, or rather the core of Alita – lying lifeless and broken, with only a battered hairless head and upper torso remaining. He takes her back to his laboratory/home, where he works as a cybernetics expert, repairing and upgrading the inhabitants of Iron City who are either cyborgs or humans with cyborg body parts. Along with his assisting nurse, and using a robotic body that had been previously built for his now deceased daughter (this gets briefly explained later), they rebuild her, giving her the name Alita (also his daughters name). Alita awakens later in a nice comfortable bed, in what was presumably Dr Ido’s daughters room. She has no memory of her previous existence and sets about experiencing all the sights, sensations and tastes that human life and Iron City has to offer, exploring and striking up a friendship with local boy Hugo and his group of friends. But, as the name of the movie implies, this cyborg was built for battle, and it’s not long before Alita begins to remember who exactly she used to be and just how good at kicking ass she is.
A quick word about the visuals, as they are by far the best thing about this movie. Iron City, despite clearly being a futuristic world, is certainly not dark or bleak looking in the way we’re used to with similar movies of this genre. Many of the early scenes take place during daylight hours and the city is a vibrant, bright, bustling home to thousand of humans and cyborgs. We get to go beyond the limits of Iron City – the city walls, out to the badlands beyond, and as you’d expect from Cameron a lot of thought and detail has gone into mapping out and building this world. The cyborgs and the other robots we meet are all pretty standard for a movie of this kind, but it’s Alita that is the most impressive. Much of this is down to the incredible CGI involved in making her look as realistic as she does, but a lot of what makes her so enjoyable and believable is down to Rosa Salazar, whose motion captured performance helps bring her to life. The visuals are obviously at their most impressive during the battle scenes involving Alita – where so many movies with heavy CGI battles end up as just a messy whirlpool of characters and action, that’s certainly not the case here. Slick, inventive and exhilarating choreography allowing you to actually track and follow every single character and action in crisp detail. It’s refreshing and impressive, even more so when watched in 3D and particularly so during the fast paced Motorball scenes featured towards the end of the movie.
Outside of the visuals though, other characters and plot lines don’t seem to stick so well, which is disappointing considering the rich source material available to the film makers. Alita: Battle Angel suffers from inconsistent pacing, dialogue that is clunky and exposition-heavy and there are many times when the accompanying soundtrack just felt distracting to me, out of place with whatever is currently happening. Christoph Waltz, Mahershala Ali and Jennifer Connolly all seem overqualified and underutilised, and the romance between Alita and Hugo is unnecessary, and at times annoying. It feels like it’s trying to cram too much story into its two hour run time, resulting in plot holes and frustrations later on. And there is even a cliffhanger ending – frustrating in that it feels as though we haven’t even properly concluded this part of the story and we’re now being left to wait should a sequel ever be given the go ahead.
I found much to enjoy with Alita: Battle Angel, and would gladly go see a sequel or two, should they get made. It’s enjoyable at times, and dazzling to look at, but overall it did leave me feeling a little bit frustrated and disappointed.
It’s 2563, and we’re in Iron City. Dr Dyson Ido (Christoph Waltz) is scavenging among a huge scrapyard, looking for cyborg spare parts that he can make use of, while fresh metal and rubbish rains down from Zalem – a man-made, floating city sitting in the sky above Iron City. 300 years ago there were many of these floating cities but following a brutal war all of them except for Zalem perished. During that time though, the elevator leading up to Zalem was destroyed, and these days only the ‘pure’ inhabitants of Zalem are permitted there. Nobody from Earth is allowed to visit and if anyone comes down from Zalem, they’re not allowed back. It’s to try and avoid any contamination from entering Zalem. If you’ve seen the Matt Damon movie Elysium… well, then it’s a bit like that really.
Among the usual items, such as robotic hands and eyeballs, Dr Ido discovers Alita, or rather the core of Alita – lying lifeless and broken, with only a battered hairless head and upper torso remaining. He takes her back to his laboratory/home, where he works as a cybernetics expert, repairing and upgrading the inhabitants of Iron City who are either cyborgs or humans with cyborg body parts. Along with his assisting nurse, and using a robotic body that had been previously built for his now deceased daughter (this gets briefly explained later), they rebuild her, giving her the name Alita (also his daughters name). Alita awakens later in a nice comfortable bed, in what was presumably Dr Ido’s daughters room. She has no memory of her previous existence and sets about experiencing all the sights, sensations and tastes that human life and Iron City has to offer, exploring and striking up a friendship with local boy Hugo and his group of friends. But, as the name of the movie implies, this cyborg was built for battle, and it’s not long before Alita begins to remember who exactly she used to be and just how good at kicking ass she is.
A quick word about the visuals, as they are by far the best thing about this movie. Iron City, despite clearly being a futuristic world, is certainly not dark or bleak looking in the way we’re used to with similar movies of this genre. Many of the early scenes take place during daylight hours and the city is a vibrant, bright, bustling home to thousand of humans and cyborgs. We get to go beyond the limits of Iron City – the city walls, out to the badlands beyond, and as you’d expect from Cameron a lot of thought and detail has gone into mapping out and building this world. The cyborgs and the other robots we meet are all pretty standard for a movie of this kind, but it’s Alita that is the most impressive. Much of this is down to the incredible CGI involved in making her look as realistic as she does, but a lot of what makes her so enjoyable and believable is down to Rosa Salazar, whose motion captured performance helps bring her to life. The visuals are obviously at their most impressive during the battle scenes involving Alita – where so many movies with heavy CGI battles end up as just a messy whirlpool of characters and action, that’s certainly not the case here. Slick, inventive and exhilarating choreography allowing you to actually track and follow every single character and action in crisp detail. It’s refreshing and impressive, even more so when watched in 3D and particularly so during the fast paced Motorball scenes featured towards the end of the movie.
Outside of the visuals though, other characters and plot lines don’t seem to stick so well, which is disappointing considering the rich source material available to the film makers. Alita: Battle Angel suffers from inconsistent pacing, dialogue that is clunky and exposition-heavy and there are many times when the accompanying soundtrack just felt distracting to me, out of place with whatever is currently happening. Christoph Waltz, Mahershala Ali and Jennifer Connolly all seem overqualified and underutilised, and the romance between Alita and Hugo is unnecessary, and at times annoying. It feels like it’s trying to cram too much story into its two hour run time, resulting in plot holes and frustrations later on. And there is even a cliffhanger ending – frustrating in that it feels as though we haven’t even properly concluded this part of the story and we’re now being left to wait should a sequel ever be given the go ahead.
I found much to enjoy with Alita: Battle Angel, and would gladly go see a sequel or two, should they get made. It’s enjoyable at times, and dazzling to look at, but overall it did leave me feeling a little bit frustrated and disappointed.
Charlie Cobra Reviews (1840 KP) rated The Umbrella Academy in TV
Jul 5, 2020
A Gamble That Pays Off - 8/10
The Umbrella Academy is a 2019 dark comedy sci-fi/drama superhero tv show developed by Steve Blackman and Jeremy Slater for Netflix. It's an adaptation of the comic book series created by Gerard Way and Gabriel Ba and published by Dark Horse Comics. The series was produced by Borderline Entertainment, Dark Horse Entertainment, and Universal Cable Productions. Starring Ellen Page, Tom Hopper, David Castaneda, and Kate Walsh.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
Choir & Organ - the world's best choral and organ magazine
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The leading, international voice of the choral and organ worlds. Choir & Organ brings you essential...