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Gareth von Kallenbach (974 KP) rated Thor: The Dark World (2013) in Movies
Jun 19, 2019
Marvel Studios has certainly been on a roll in recent years with a string of successful film adaptations of their popular comic book series. The recent overwhelming worldwide successes for “The Avengers”, and “Iron Man 3”, which topped $1 billion each globally has certainly raised the bar for their next cinematic offerings.
“Thor: The Dark World”, is poised to carry on the success of the Marvel film franchise as it successfully mixes action and character form the rare sequel that is better than the film that spawned it.
Chris Hemsworth once again stars as the title character who has been spending his time clearing up discord on the planets of the Nine Realms following his outing with The Avengers.
With peace at hand, his father Odin, (Sir Anthony Hopkins), believes the time is right for Thor to prepare for his reign as king of Asgard and protector of the realms.
Thor is not ready to embrace his destiny as his mind and heart are focused on Jane Foster (Natalie Portman), we has not seen since the events of the first film. His father warns him that a mortal is not suited to be his future queen and suggest that his fellow warrior Sif (Jaimie Alexander), would be far more suitable.
To further complicate matters Thor’s treacherous brother Loki (Tom Hiddleston), is seething at the prospect of spending eternity in captivity for his past crimes which only furthers his desire for power and revenge.
While all of this would be enough to keep Thor very busy, a new threat has arisen from the past that threatens to destroy the known universe. A powerful force known as the Aether which had been hidden by Thor’s grandfather has emerged and is drawn the attention of a Dark Elf named Malekith (Christopher Eccleston), who has been hiding away for centuries from those who believed him to be dead.
Malekith wants to take advantage of a pending convergence of the realms to use the supernatural power for his own purposes and in doing so destroy and subjugate all those who are before him. Fate intervenes and brings Jane and Thor together again just as the enemy forces arrived to ransack Asgard.
Faced with a battle against time not only to protect his beloved homeland but to save the known universe, Thor must work with his treacherous brother Loki in a race against time to save the day.
There are plenty of action sequences that follow and the visual effects are quite good even though the film is presented in converted 3-D after being shot in a standard format. The leads are fantastic and truly seem to have a grasp of their characters and the supporting work especially that of Kat Dennings much-needed comic relief is a very nice mix.
The only issue I had with the film other than the converted 3-D, was that the enemy while menacing did not seem to be one of the larger-than-life enemies that one has come to expect from a Marvel film. While certainly dangerous and menacing, there almost seemed to be an air of and confidence about the character as it was clear that he was simply biting off more than he could handle with the forces that were available to him.
That being said the film was extremely enjoyable as were the two bonus scenes that play during the middle of and the end of the credits.
While it may not went over box offices to the level of the two previous Marvel outings, Director Alan Taylor keeps things moving at a steady clip and the film nor the characters do not overstay their welcome.
With another Avengers movie on the horizon and a promise that Thor will return, fans can definitely enjoy this latest offering and look forward to the future for this promising series.
http://sknr.net/2013/11/08/thor-the-dark-world/
“Thor: The Dark World”, is poised to carry on the success of the Marvel film franchise as it successfully mixes action and character form the rare sequel that is better than the film that spawned it.
Chris Hemsworth once again stars as the title character who has been spending his time clearing up discord on the planets of the Nine Realms following his outing with The Avengers.
With peace at hand, his father Odin, (Sir Anthony Hopkins), believes the time is right for Thor to prepare for his reign as king of Asgard and protector of the realms.
Thor is not ready to embrace his destiny as his mind and heart are focused on Jane Foster (Natalie Portman), we has not seen since the events of the first film. His father warns him that a mortal is not suited to be his future queen and suggest that his fellow warrior Sif (Jaimie Alexander), would be far more suitable.
To further complicate matters Thor’s treacherous brother Loki (Tom Hiddleston), is seething at the prospect of spending eternity in captivity for his past crimes which only furthers his desire for power and revenge.
While all of this would be enough to keep Thor very busy, a new threat has arisen from the past that threatens to destroy the known universe. A powerful force known as the Aether which had been hidden by Thor’s grandfather has emerged and is drawn the attention of a Dark Elf named Malekith (Christopher Eccleston), who has been hiding away for centuries from those who believed him to be dead.
Malekith wants to take advantage of a pending convergence of the realms to use the supernatural power for his own purposes and in doing so destroy and subjugate all those who are before him. Fate intervenes and brings Jane and Thor together again just as the enemy forces arrived to ransack Asgard.
Faced with a battle against time not only to protect his beloved homeland but to save the known universe, Thor must work with his treacherous brother Loki in a race against time to save the day.
There are plenty of action sequences that follow and the visual effects are quite good even though the film is presented in converted 3-D after being shot in a standard format. The leads are fantastic and truly seem to have a grasp of their characters and the supporting work especially that of Kat Dennings much-needed comic relief is a very nice mix.
The only issue I had with the film other than the converted 3-D, was that the enemy while menacing did not seem to be one of the larger-than-life enemies that one has come to expect from a Marvel film. While certainly dangerous and menacing, there almost seemed to be an air of and confidence about the character as it was clear that he was simply biting off more than he could handle with the forces that were available to him.
That being said the film was extremely enjoyable as were the two bonus scenes that play during the middle of and the end of the credits.
While it may not went over box offices to the level of the two previous Marvel outings, Director Alan Taylor keeps things moving at a steady clip and the film nor the characters do not overstay their welcome.
With another Avengers movie on the horizon and a promise that Thor will return, fans can definitely enjoy this latest offering and look forward to the future for this promising series.
http://sknr.net/2013/11/08/thor-the-dark-world/
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BankofMarquis (1832 KP) rated Thor: Love and Thunder (2022) in Movies
Jul 8, 2022
Good Character Arcs for Thor and Jane
Under the Writing and Direction of Taika Waititi, the THOR franchise portion of the Marvel Cinematic Universe has gone in a more comedic, rather than Shakespearean, direction and THOR: LOVE AND THUNDER proves that this direction is a smart one both for THOR and for the overall health and diversity of the Marvel Cinematic Universe as well.
Starring Chris Hemsworth, of course, as the titular THOR, Love and Thunder shows our demi-god hero at a crossroads in his life and career. Into this world walks his ex-girlfriend, Jane Foster (Natalie Portman) and chaos ensues as both are chasing the god-killer, Gorr (Christian Bale).
This sort of premise set-up (and the fact that Hemsworth is playing THOR for the 8th time), could have fallen victim to banality and dullness, but under the watchful eye of Waititi (Writer/Director of the severely under-rated JOJO RABBIT), this THOR soars with the best of them and develops the overall arc and (eventual) pay-off of both Thor’s and Jane’s arcs precisely and (upon retrospection) in the only satisfying way that they could have ended. So, kudos needs to be given to Waititi for walking this tightrope and sticking the landing.
Hemsworth, of course, is charming and buff as Thor and balances the action, romantic drama and comedic portions of this story well. Waititi brings more than just comic relief (though he has plenty of that as well) as the voice of Thor’s buddy KORG, while Christian Bale is more than just one-dimensional (how can this actor be anything but interesting) as the main villain of this piece..
What surprised me the most in this film is the portrayal of Jane Foster by Portman and how her character becomes the “female Thor” (that’s not a spoiler, it’s in the trailers) and does NOT become just “Thor’s girlfriend”. Portman has made no secret of her distaste of how her character became the femme fatale in THOR: THE DARK WORLD and refused to return to this character previously. Obviously, Waititi has been able to come up with a storyline - and an arc - that would interest an actress like Portman to return and Natalie nails it. She looked bright-eyed and energized by this part and by where her character goes in this film.
And then there is Tessa Thompson’s Valkyrie. This character is a strong part of Thor’s story - and the story of the survivors of Asgaard (their destroyed homeworld). Thompson owns this part and is engaging and interesting to watch on-screen. Out of necessity, her character and story play a supporting role to the main Thor/Jane story, so her character didn’t get quite enough to do for my tastes. But it did whet my appetite for a stand-alone Valkyrie film (make that happen Marvel).
There are cameos and extended-cameos galore in this film - as well as TWO end credits scenes - so to mention them would be to spoil them, except to say that the GUARDIANS OF THE GALAXY play a pivotal role, but for those who came to see a GUARDIANS film, you’ll have to wait for GUARDIANS 3 to come out next year - this is a THOR film.
A very satisfying entry in the Marvel Cinematic Universe and while not a perfect film (it does try too hard, at times, to mine the same, surprise comic gold of THOR: RAGNAROK), THOR: LOVE AND THUNDER delivers a stand-alone Thor story that drives both the characters of Thor and Jane forward in a smart, intelligent way…and when is the last time the words “smart and intelligent” were used with a comic book film)?
Letter Grade: A-
8 stars (out of 10) and can take that to the Bank(ofMarquis)
Starring Chris Hemsworth, of course, as the titular THOR, Love and Thunder shows our demi-god hero at a crossroads in his life and career. Into this world walks his ex-girlfriend, Jane Foster (Natalie Portman) and chaos ensues as both are chasing the god-killer, Gorr (Christian Bale).
This sort of premise set-up (and the fact that Hemsworth is playing THOR for the 8th time), could have fallen victim to banality and dullness, but under the watchful eye of Waititi (Writer/Director of the severely under-rated JOJO RABBIT), this THOR soars with the best of them and develops the overall arc and (eventual) pay-off of both Thor’s and Jane’s arcs precisely and (upon retrospection) in the only satisfying way that they could have ended. So, kudos needs to be given to Waititi for walking this tightrope and sticking the landing.
Hemsworth, of course, is charming and buff as Thor and balances the action, romantic drama and comedic portions of this story well. Waititi brings more than just comic relief (though he has plenty of that as well) as the voice of Thor’s buddy KORG, while Christian Bale is more than just one-dimensional (how can this actor be anything but interesting) as the main villain of this piece..
What surprised me the most in this film is the portrayal of Jane Foster by Portman and how her character becomes the “female Thor” (that’s not a spoiler, it’s in the trailers) and does NOT become just “Thor’s girlfriend”. Portman has made no secret of her distaste of how her character became the femme fatale in THOR: THE DARK WORLD and refused to return to this character previously. Obviously, Waititi has been able to come up with a storyline - and an arc - that would interest an actress like Portman to return and Natalie nails it. She looked bright-eyed and energized by this part and by where her character goes in this film.
And then there is Tessa Thompson’s Valkyrie. This character is a strong part of Thor’s story - and the story of the survivors of Asgaard (their destroyed homeworld). Thompson owns this part and is engaging and interesting to watch on-screen. Out of necessity, her character and story play a supporting role to the main Thor/Jane story, so her character didn’t get quite enough to do for my tastes. But it did whet my appetite for a stand-alone Valkyrie film (make that happen Marvel).
There are cameos and extended-cameos galore in this film - as well as TWO end credits scenes - so to mention them would be to spoil them, except to say that the GUARDIANS OF THE GALAXY play a pivotal role, but for those who came to see a GUARDIANS film, you’ll have to wait for GUARDIANS 3 to come out next year - this is a THOR film.
A very satisfying entry in the Marvel Cinematic Universe and while not a perfect film (it does try too hard, at times, to mine the same, surprise comic gold of THOR: RAGNAROK), THOR: LOVE AND THUNDER delivers a stand-alone Thor story that drives both the characters of Thor and Jane forward in a smart, intelligent way…and when is the last time the words “smart and intelligent” were used with a comic book film)?
Letter Grade: A-
8 stars (out of 10) and can take that to the Bank(ofMarquis)
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Bob Mann (459 KP) rated Military Wives (2020) in Movies
Feb 25, 2020
The story perfectly balances between melodrama and feel good comedy (1 more)
Kristin Scott-Thomas and Sharon Horgan work fabulously together
Bound to grab the grey pound and be a huge UK success
I must admit that I was a bit of a drag-along to this one. The trailer excited me not.... one.... bit. Sentimental film. Dull story. Wrong demographic. No, no, no. But... in this case I am very happy to be proved wrong, wrong, wrong.
True that I didn't sit in the ideal demographic for this movie. 90% of the audience at the UK premiere showing I attended last night were female and older that me. This is a movie to turn the blue-rinse crowd out in DROVES! Because the - inherently British - story is engaging and rewarding from start to finish.
Loosely based on the true story, it's 2010 and a regiment of husbands (and at least one wife.... nice to see an all female marriage featured) are dispatched from the fictional "Flitcroft Barracks" to Afghanistan on a tour of duty. Thereafter every ring at the door by a friend spells mild panic ; every thoughtless call from an accident-chaser induces hypertension.
Trying to take their minds off there loved ones, Colonel's wife Kate (Kristin Scott Thomas) muscles in on the insipid entertainment plans of Lisa (Sharon Horgan) in organising a singing group. Lisa thinks "girls just wanna have fun"; Kate thinks they should be training as a proper choir. Sparks fly.
But against all the odds, the women progressively improve until they get the chance to present their talents to an unaware nation.
My wife summed up in one word why this movie is so good...... "balance". The movie covers topics of fear, grief, social conflict, family conflict and uplifting joy. One step off the tightrope could have spelled disaster. But director Peter Cattaneo, of "Full Monty" fame, through the expert script of Roseanne Flynn and Rachel Tunnard, walks that line with perfect balance. It never feels overly melodramatic; never feels a light piece of superficial fluff either.
And when "the performance" happens, you will be hard pushed not to need a tissue or two..... I certainly succumbed to the emotion of the moment.
At the core of the story are the perfectly cast duo of Kristin Scott Thomas and Sharon Horgan. With just a handful of introductory lines, you quickly get the measure of Kate's character, without ever knowing the story behind the icy and brittle facade. The conflict between her and the fun-loving egalitarian Lisa is writ large. What's nice here is that you are never totally sure who's side of the argument you are on. It is easy to side with Lisa at the start of the film, but as you learn more and particularly after a particularly careless act by Lisa towards the end of the film, your sympathies change.
The rest of the excellent ensemble cast also work naturally together, with Emma Lowndes as Annie and Amy James-Kelly as the newly married Sarah being particularly impressive.This feels like a group of actors who were brought together to film a story and bonded as friends in the process. You end up caring a great deal for what happens to them
Although the script is based on the true story of the military wives it diverges significantly from what actually happens in the interests of an engaging story. Choirmaster Gareth Malone was, of course, actively involved in the true story as a part of a TV programme, but none of that is referenced in the movie. But that doesn't remotely impinge on your enjoyment of the movie for one second.
In particular, a sub-story about the long-term effects of grief is particularly well handled, with 'Dave' turning from being a passive to an active participant in the story at a key moment.
It's that depressing time of the year when everyone is fed up of rain, wind and dripping noses. It's a time of year when you look for some uplifting entertainment.... people surely watch "Death in Paradise" for the sun rather than the stories? Ladies - and the odd gentleman - I give you "Military Wives". It's not bloody Shakespeare. But if this doesn't make you feel uplifted and better about the world, then I will dutifully kiss the regimental goat.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/25/one-manns-movies-film-review-military-wives-2020/. Thanks).
True that I didn't sit in the ideal demographic for this movie. 90% of the audience at the UK premiere showing I attended last night were female and older that me. This is a movie to turn the blue-rinse crowd out in DROVES! Because the - inherently British - story is engaging and rewarding from start to finish.
Loosely based on the true story, it's 2010 and a regiment of husbands (and at least one wife.... nice to see an all female marriage featured) are dispatched from the fictional "Flitcroft Barracks" to Afghanistan on a tour of duty. Thereafter every ring at the door by a friend spells mild panic ; every thoughtless call from an accident-chaser induces hypertension.
Trying to take their minds off there loved ones, Colonel's wife Kate (Kristin Scott Thomas) muscles in on the insipid entertainment plans of Lisa (Sharon Horgan) in organising a singing group. Lisa thinks "girls just wanna have fun"; Kate thinks they should be training as a proper choir. Sparks fly.
But against all the odds, the women progressively improve until they get the chance to present their talents to an unaware nation.
My wife summed up in one word why this movie is so good...... "balance". The movie covers topics of fear, grief, social conflict, family conflict and uplifting joy. One step off the tightrope could have spelled disaster. But director Peter Cattaneo, of "Full Monty" fame, through the expert script of Roseanne Flynn and Rachel Tunnard, walks that line with perfect balance. It never feels overly melodramatic; never feels a light piece of superficial fluff either.
And when "the performance" happens, you will be hard pushed not to need a tissue or two..... I certainly succumbed to the emotion of the moment.
At the core of the story are the perfectly cast duo of Kristin Scott Thomas and Sharon Horgan. With just a handful of introductory lines, you quickly get the measure of Kate's character, without ever knowing the story behind the icy and brittle facade. The conflict between her and the fun-loving egalitarian Lisa is writ large. What's nice here is that you are never totally sure who's side of the argument you are on. It is easy to side with Lisa at the start of the film, but as you learn more and particularly after a particularly careless act by Lisa towards the end of the film, your sympathies change.
The rest of the excellent ensemble cast also work naturally together, with Emma Lowndes as Annie and Amy James-Kelly as the newly married Sarah being particularly impressive.This feels like a group of actors who were brought together to film a story and bonded as friends in the process. You end up caring a great deal for what happens to them
Although the script is based on the true story of the military wives it diverges significantly from what actually happens in the interests of an engaging story. Choirmaster Gareth Malone was, of course, actively involved in the true story as a part of a TV programme, but none of that is referenced in the movie. But that doesn't remotely impinge on your enjoyment of the movie for one second.
In particular, a sub-story about the long-term effects of grief is particularly well handled, with 'Dave' turning from being a passive to an active participant in the story at a key moment.
It's that depressing time of the year when everyone is fed up of rain, wind and dripping noses. It's a time of year when you look for some uplifting entertainment.... people surely watch "Death in Paradise" for the sun rather than the stories? Ladies - and the odd gentleman - I give you "Military Wives". It's not bloody Shakespeare. But if this doesn't make you feel uplifted and better about the world, then I will dutifully kiss the regimental goat.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/25/one-manns-movies-film-review-military-wives-2020/. Thanks).
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Merissa (11874 KP) rated Dishonored (Mortisalian Saga #3) in Books
Jun 4, 2019
Dishonored (Mortisalian Saga #3) by L.J. Stock
Dishonored is the third fantastic story in this series, and we continue where we left off. Now, it's been a while since I read the other books, but I was immediately drawn back into their world, and knew exactly what was going on with the characters. That, to me, is the sign of a great book/series.
Everyone's character still remains true, in other words, they are not suddenly acting strange after all this time. The world-building is once again perfect. For me though, what makes this book outstanding are the relationships between the characters - all the characters, not just the main ones. Seeing Cas with Damon, Rasmus, Grigori, Shannon, Alexa, and the rest, makes it all the more... everything.
The pacing is on point, with it moving fast enough to keep my attention, but not too fast that I get lost with what is going on. The story continues to have it's twists and turns, with intrigue layered upon that. There is a shock in here, toward the end, that I never saw coming. I couldn't see much after that either, as my eyes were leaking!
What an ending! Seriously.
I really can't emphasise how much I am enjoying this series, and have absolutely no hesitation in recommending it, but you MUST read it as a series, not a set of standalones. Bring on the next, I really need to find out where Ras has disappeared to!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Everyone's character still remains true, in other words, they are not suddenly acting strange after all this time. The world-building is once again perfect. For me though, what makes this book outstanding are the relationships between the characters - all the characters, not just the main ones. Seeing Cas with Damon, Rasmus, Grigori, Shannon, Alexa, and the rest, makes it all the more... everything.
The pacing is on point, with it moving fast enough to keep my attention, but not too fast that I get lost with what is going on. The story continues to have it's twists and turns, with intrigue layered upon that. There is a shock in here, toward the end, that I never saw coming. I couldn't see much after that either, as my eyes were leaking!
What an ending! Seriously.
I really can't emphasise how much I am enjoying this series, and have absolutely no hesitation in recommending it, but you MUST read it as a series, not a set of standalones. Bring on the next, I really need to find out where Ras has disappeared to!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
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Phil Leader (619 KP) rated The Written (Emaneska #1) in Books
Nov 29, 2019
Ben Galley is a fantasy author and staunch defender of independent publishing. The Written is his first book, and the first in The Emaneska trilogy.
I have to say I was expecting some fairly standard sword and sorcery tale here, a bit of magic, a few fabulous beasts slain, the usual wise grey beards and prophecies. As a first book that would have definitely been the safe option, and would still have been a good read.
Needless to say this isn't what you get. You get a slew of mythical creatures - dragons (I suspect only the Pern novels exceed the sheer number in this book), werewolves and more besides. You get heroes and villains. You get magic. You get sword fights. But all of these are put together in a way that's different from the norm. Rather than trying to subvert all the fantasy tropes it is as if Galley dropped them and they smashed and in putting them back together they aren't quite the same as they were before.
The basic story concerns the theft of a spell book which, in the wrong hands, can be used to summon a mighty and powerful evil. Farden, one of the Written (a sort of magic user that has spells tattooed onto his back) has to try to prevent this happening. I won't give any more details as there are many twists and turns as the story unfolds.
Farden is a powerful mage and a tough fighter and although he is heoric he also has personal demons that could cause his mission to fail. He is a loner with little patience for others. He doubts his own abilities and judgement. As the reader you feel you want to give him a good shaking sometimes to get him to act. This makes him a very complex character, realistic and interesting to follow. The other main characters are also fully realised with their own mannerisms and momentum.
Galley takes his time describing the world and there is a feeling of real depth and history, perhaps not on the same scale as Tolkien but the comparison is apt. Clearly Galley has spent considerable time putting this world together and is rightly proud of the results.
He takes his time with descriptions, each of the many locations vividly worded and memorable. The action scenes (of which there are a fair number) crack along at a breathless pace although possibly a little overwritten at times (allowable when there is so much to try to convey to the reader I think).
As the first of a trilogy of books this obviously leaves the story open for the sequel at the end, but it is a satisfying conclusion and there is no doubt that the first part of Farden's journey is complete but that there is much more - and probably harder - to come.
Really the only criticism I have is that occasionally - at the start and then a small part about half way through - the writing perhaps isn't up to the standard of the rest, which I think is because this is a first novel. And the standard of the rest of the writing to so high this really is a niggle.
I highly recommend this book to anyone who likes their fantasy fast and interesting. It's a long book and a good book. And even better, it's free to download so what is stopping you?
I have to say I was expecting some fairly standard sword and sorcery tale here, a bit of magic, a few fabulous beasts slain, the usual wise grey beards and prophecies. As a first book that would have definitely been the safe option, and would still have been a good read.
Needless to say this isn't what you get. You get a slew of mythical creatures - dragons (I suspect only the Pern novels exceed the sheer number in this book), werewolves and more besides. You get heroes and villains. You get magic. You get sword fights. But all of these are put together in a way that's different from the norm. Rather than trying to subvert all the fantasy tropes it is as if Galley dropped them and they smashed and in putting them back together they aren't quite the same as they were before.
The basic story concerns the theft of a spell book which, in the wrong hands, can be used to summon a mighty and powerful evil. Farden, one of the Written (a sort of magic user that has spells tattooed onto his back) has to try to prevent this happening. I won't give any more details as there are many twists and turns as the story unfolds.
Farden is a powerful mage and a tough fighter and although he is heoric he also has personal demons that could cause his mission to fail. He is a loner with little patience for others. He doubts his own abilities and judgement. As the reader you feel you want to give him a good shaking sometimes to get him to act. This makes him a very complex character, realistic and interesting to follow. The other main characters are also fully realised with their own mannerisms and momentum.
Galley takes his time describing the world and there is a feeling of real depth and history, perhaps not on the same scale as Tolkien but the comparison is apt. Clearly Galley has spent considerable time putting this world together and is rightly proud of the results.
He takes his time with descriptions, each of the many locations vividly worded and memorable. The action scenes (of which there are a fair number) crack along at a breathless pace although possibly a little overwritten at times (allowable when there is so much to try to convey to the reader I think).
As the first of a trilogy of books this obviously leaves the story open for the sequel at the end, but it is a satisfying conclusion and there is no doubt that the first part of Farden's journey is complete but that there is much more - and probably harder - to come.
Really the only criticism I have is that occasionally - at the start and then a small part about half way through - the writing perhaps isn't up to the standard of the rest, which I think is because this is a first novel. And the standard of the rest of the writing to so high this really is a niggle.
I highly recommend this book to anyone who likes their fantasy fast and interesting. It's a long book and a good book. And even better, it's free to download so what is stopping you?
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Investment Banking: Valuation, Leveraged Buyouts, and Mergers and Acquisitions
Joshua Pearl and Joshua Rosenbaum
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Investment Banking, UNIVERSITY EDITION is a highly accessible and authoritative book written by...
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ELSA Speak - Accent Reduction
Education and Games
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Learn to speak English doesn’t have to be scary and lonely anymore. With ELSA - your English...
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KittyMiku (138 KP) rated Shadow of Night in Books
May 23, 2019
Shadow of Night is the second book of Deborah Harkness’ All Souls Trilogy. As with the first one, Harkness takes you on adventure with her two protagonists, a witch named Diana and a vampire named Mathew. However, unlike the first one, this book is placed in Elizabethan England. Though the characters remain the same at heart, they change to better suit each other and the time period, as it is needed. With the imminent danger around every corner, the two are still not able to find piece, but Diana is able to learn more about her powers while she learns about her vampire lover in the process.
The details in the book are beautifully done and give a great visual to how it must have looked in 1590, where the main storyline is. The clothing style was accurate and there were a great many nods to our history. However, even though some of it remained factual, or close to, there was no denying that there was whole lot of fiction intertwined to help create the illusion that witches, vampires, and daemons exist. Harkness has a way with her facts and her words to create such a wonderful woven story to have the facts and the fictions mix that you could practically believe that it could all be true and we just would never know about it. I am again truly amazed by the story and how it seems to flow from the first book to the second book so flawlessly. I am hardly able to express such enthusiasm I have for Harkness and her wonderful tale. Once again, she was able to submerge me into a tale that caused emotions to wax and wane in my soul.
With all the tears, joys, and laughs this book was able to get out of me, I thought the ending felt a tad bit rushed, and though I am grateful for the speed of the final chapters and how it sort of answered more questions while leaving the conclusions of the trilogy still to come, I feel I would have liked a bit more out of the characters in their reunions. With new characters being introduces slightly at the end, it left a lot of questions on what was going on. I understand that the last book in this trilogy would be what wrapped everything up, but I can’t help but feeling a little more should have been included about some of the characters that had been introduced. I will hold my breath on this matter though and wait to see how the trilogy ends.
I did find that Harkness was able to pin point things normal couples seem to be troubled with, such as jealousy and secrets, never mind should that couple have secret abilities or be of another entire species. I was overjoyed to see that even fictional characters could do something I see normal people due in reality without all the melodramatics that most romance novels and romantic comedies would have us believe. To watch the main characters have the differences, stand their ground, and even argue about things like secrets, other people, and insecurities makes it feel more at home. Not every romance should be almost perfect with a few flaws; Couples fight and through the power of love, the stay together. Even though they have chance to fall apart, it never ceases to amaze how simple communication, even between a d vampire and a witch, can make troubles and misunderstandings cease to exist. Even with the couple at ends at times, and the world seemingly against them, it was fun to watch them explore the world and themselves, if not to just become themselves more and learn how powerful love and trust could be.
I believe this book is 3 stars out of 4 stars for it rating. It is truly an amazing book and has the potential to stand alone, it is clear that without certain prior knowledges, a reader could get lost at the end of what is happening. Shadow of Night is as beautifully written as was A Discovery of Witches and I definitely would recommend it, if the person was will to start at the beginning with A Discovery of Witches. Luckily both can be bought on Amazon and in other places that sell books.
The details in the book are beautifully done and give a great visual to how it must have looked in 1590, where the main storyline is. The clothing style was accurate and there were a great many nods to our history. However, even though some of it remained factual, or close to, there was no denying that there was whole lot of fiction intertwined to help create the illusion that witches, vampires, and daemons exist. Harkness has a way with her facts and her words to create such a wonderful woven story to have the facts and the fictions mix that you could practically believe that it could all be true and we just would never know about it. I am again truly amazed by the story and how it seems to flow from the first book to the second book so flawlessly. I am hardly able to express such enthusiasm I have for Harkness and her wonderful tale. Once again, she was able to submerge me into a tale that caused emotions to wax and wane in my soul.
With all the tears, joys, and laughs this book was able to get out of me, I thought the ending felt a tad bit rushed, and though I am grateful for the speed of the final chapters and how it sort of answered more questions while leaving the conclusions of the trilogy still to come, I feel I would have liked a bit more out of the characters in their reunions. With new characters being introduces slightly at the end, it left a lot of questions on what was going on. I understand that the last book in this trilogy would be what wrapped everything up, but I can’t help but feeling a little more should have been included about some of the characters that had been introduced. I will hold my breath on this matter though and wait to see how the trilogy ends.
I did find that Harkness was able to pin point things normal couples seem to be troubled with, such as jealousy and secrets, never mind should that couple have secret abilities or be of another entire species. I was overjoyed to see that even fictional characters could do something I see normal people due in reality without all the melodramatics that most romance novels and romantic comedies would have us believe. To watch the main characters have the differences, stand their ground, and even argue about things like secrets, other people, and insecurities makes it feel more at home. Not every romance should be almost perfect with a few flaws; Couples fight and through the power of love, the stay together. Even though they have chance to fall apart, it never ceases to amaze how simple communication, even between a d vampire and a witch, can make troubles and misunderstandings cease to exist. Even with the couple at ends at times, and the world seemingly against them, it was fun to watch them explore the world and themselves, if not to just become themselves more and learn how powerful love and trust could be.
I believe this book is 3 stars out of 4 stars for it rating. It is truly an amazing book and has the potential to stand alone, it is clear that without certain prior knowledges, a reader could get lost at the end of what is happening. Shadow of Night is as beautifully written as was A Discovery of Witches and I definitely would recommend it, if the person was will to start at the beginning with A Discovery of Witches. Luckily both can be bought on Amazon and in other places that sell books.
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Although Fire is listed as the second book in the Graceling Realm series, it is really a prequel and generally unrelated to the first book. The events of Fire take place some 30+ years before the events of Graceling and in a different land. Although the two are somehow magically connected by a series of mountain tunnels, they don't know about one another. I didn't realize this when I started reading the book and was quite confused for a while.
The book starts with an extensive prol0gue which introduces us to a character that only re-emerges in the story for a short time near the conclusion. While I understand his inclusion, as it is the only thing that ties Graceling and Fire together I don't see its purpose in the story. It was not particularly interesting to read and didn't give me a better sense of who the character was. Personally, I would have rather the prologue not have been included in the story as it certainly made my interest in the book wane.
The prologue set a slow and unengaging pace for the start of the book that did not remedy itself for some time. Although the start of the book was enjoyable enough, it didn't really really intriguing until the second half. That is when I really fell in love with the characters and the plot. In Fire, we are introduced to Monsters rather than Gracelings. Human Monsters have special abilities, although there aren't many of them in the Dells. Instead, most of the Monsters are animals with abilities beyond their average non-Monster kin. I don't feel like the Monster idea is well explained in the books and I wish the author had developed that aspect of the world building more.
When we first meet Fire, she is not a very likeable character (at least in my opinion). Her Monster abilities make her so beautiful that people can't control themselves around her and usually either want to possess her or kill her so no one else can have her. Harsh. She also has the ability to get inside people's heads and manipulate their thoughts. Scary. Those combined made it difficult to relate to her character, although over the course of the novel her personality was developed more and she became a little more human.
There were many other characters in the book, but Prince Brigand or Hannah were definitely my favourites. They made the story more enjoyable and I loved the scenes that they were in. Hannah was fiesty and not afraid to stand up for what she believed in, even though she wasn't quite six yet. Prince Brigand loved his brother's Kingdom and did what he must to protect it, even if it would put his life at risk.
The world building was good overall, the characters developed slightly over the course of the story and the pacing was generally decent although there were a few inclusions to the story that significantly slowed the pacing down. My biggest concern/problem with the book was the character I mentioned from the prologue's inclusion into the story later on. He didn't fit in with the story initially and his re-introduction just completely threw off the plot. Our characters went off on this side storyline that didn't add anything to the plot and reinforces for me that his inclusion wasn't necessary. I understand that he was the only aspect that binds the two books together, but his inclusion detracts from the otherwise enjoyable story.
In the end, his inclusion and the small details thrown in throughout the story took away from the world of the Dells that was very enjoyable. The book would have certainly been rated more favourably by me if those aspects were removed. Overall though, I really enjoyed reading the book and can't wait to finish the series (although it is also another jump in time and space, so be prepared for some confusion initially.)
The book starts with an extensive prol0gue which introduces us to a character that only re-emerges in the story for a short time near the conclusion. While I understand his inclusion, as it is the only thing that ties Graceling and Fire together I don't see its purpose in the story. It was not particularly interesting to read and didn't give me a better sense of who the character was. Personally, I would have rather the prologue not have been included in the story as it certainly made my interest in the book wane.
The prologue set a slow and unengaging pace for the start of the book that did not remedy itself for some time. Although the start of the book was enjoyable enough, it didn't really really intriguing until the second half. That is when I really fell in love with the characters and the plot. In Fire, we are introduced to Monsters rather than Gracelings. Human Monsters have special abilities, although there aren't many of them in the Dells. Instead, most of the Monsters are animals with abilities beyond their average non-Monster kin. I don't feel like the Monster idea is well explained in the books and I wish the author had developed that aspect of the world building more.
When we first meet Fire, she is not a very likeable character (at least in my opinion). Her Monster abilities make her so beautiful that people can't control themselves around her and usually either want to possess her or kill her so no one else can have her. Harsh. She also has the ability to get inside people's heads and manipulate their thoughts. Scary. Those combined made it difficult to relate to her character, although over the course of the novel her personality was developed more and she became a little more human.
There were many other characters in the book, but Prince Brigand or Hannah were definitely my favourites. They made the story more enjoyable and I loved the scenes that they were in. Hannah was fiesty and not afraid to stand up for what she believed in, even though she wasn't quite six yet. Prince Brigand loved his brother's Kingdom and did what he must to protect it, even if it would put his life at risk.
The world building was good overall, the characters developed slightly over the course of the story and the pacing was generally decent although there were a few inclusions to the story that significantly slowed the pacing down. My biggest concern/problem with the book was the character I mentioned from the prologue's inclusion into the story later on. He didn't fit in with the story initially and his re-introduction just completely threw off the plot. Our characters went off on this side storyline that didn't add anything to the plot and reinforces for me that his inclusion wasn't necessary. I understand that he was the only aspect that binds the two books together, but his inclusion detracts from the otherwise enjoyable story.
In the end, his inclusion and the small details thrown in throughout the story took away from the world of the Dells that was very enjoyable. The book would have certainly been rated more favourably by me if those aspects were removed. Overall though, I really enjoyed reading the book and can't wait to finish the series (although it is also another jump in time and space, so be prepared for some confusion initially.)