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Kyera (8 KP) rated Wires and Nerve, Volume 2: Gone Rogue in Books
Jan 31, 2018
As the second and final graphic novel (for now) chronicling Iko's adventures after the events of the Lunar Chronicles, Gone Rogue does a brilliant job catching us up on what all of our favourite characters have been up to in the last year. Despite the fact that Wires and Nerve continues the story in graphic novel form, rather than the original book - I never felt like I was missing anything.
As the story focuses on Iko, there was less time dedicated to the other pairs from the series. In the first graphic novel, I felt that Cress and Thorne were given a lot of story time and that they weren't as present in the second novel. On the other hand, Scarlet and Wolf were almost nonexistent in the first and had more of a presence in the second. Meyer did a brilliant job developing the relationships further and showing readers how they have evolved despite the limited amount of text she had to work with because it was a graphic novel.
Although Iko was a supporting character in the original series, she completely stole the show and lit up every scene that she was in. It was wonderful to see her take the lead in this series and adapt to a world in which she looked human, although there were still those that constantly reminded her that she was not. She struggles to deal with the reminders that she is an android and programmed to be the way that she is, despite the fact that her closest friends never see her as anything but normal.
The three main additions to the series are the villain, the guard Kinney and his sister Tressa. I felt that the two male characters were well developed and you could understand their motivations throughout the story. Tressa felt less real and I honestly forgot who she was from the first book to the second, until reminded in the course of the story. She is an exuberant character who loves a lot of the same things as Iko, but I don't feel that I know as much about her as I wish I did so that I could connect to her more.
Overall, the plot was brilliant and the story was so engaging that I didn't put the book down from the moment I began reading it until I was on the final page. While I am saddened that this is the final graphic novel in the Lunar Chronicles, I love the world and characters so much that I hope that the series continues in some manner. I felt satisfied with the ending and feel that if it is in fact the end of the story - I am happy. I loved this series so much and being able to watch Iko shine in her own adventures.
As the story focuses on Iko, there was less time dedicated to the other pairs from the series. In the first graphic novel, I felt that Cress and Thorne were given a lot of story time and that they weren't as present in the second novel. On the other hand, Scarlet and Wolf were almost nonexistent in the first and had more of a presence in the second. Meyer did a brilliant job developing the relationships further and showing readers how they have evolved despite the limited amount of text she had to work with because it was a graphic novel.
Although Iko was a supporting character in the original series, she completely stole the show and lit up every scene that she was in. It was wonderful to see her take the lead in this series and adapt to a world in which she looked human, although there were still those that constantly reminded her that she was not. She struggles to deal with the reminders that she is an android and programmed to be the way that she is, despite the fact that her closest friends never see her as anything but normal.
The three main additions to the series are the villain, the guard Kinney and his sister Tressa. I felt that the two male characters were well developed and you could understand their motivations throughout the story. Tressa felt less real and I honestly forgot who she was from the first book to the second, until reminded in the course of the story. She is an exuberant character who loves a lot of the same things as Iko, but I don't feel that I know as much about her as I wish I did so that I could connect to her more.
Overall, the plot was brilliant and the story was so engaging that I didn't put the book down from the moment I began reading it until I was on the final page. While I am saddened that this is the final graphic novel in the Lunar Chronicles, I love the world and characters so much that I hope that the series continues in some manner. I felt satisfied with the ending and feel that if it is in fact the end of the story - I am happy. I loved this series so much and being able to watch Iko shine in her own adventures.
Merissa (11874 KP) rated The Past Comes Homes (Ames Bridge #2) in Books
Oct 24, 2017
The Past Comes Home (Ames Bridge #2) by Silvia Violet
The Past comes Home is the second book in the Ames Bridge series, and we reunite with Pax, who we met in the first book when he supported Beck and Cal. In this book, we start off when he is a teenager. He is watching his older brother and his brother's best friend, and realises that what ticks his boxes is NOT the female anatomy. The years pass, and tragedy strikes Pax's family, but his feelings towards his brother's best friend remain the same. So when Brad comes back to town for a school reunion, Pax has to try and keep it cool being as Brad is straight... except that he isn't and he has had the same feelings for Pax and for pretty much the same amount of time.
With the same wonderful cast of characters, and yep, the not-so-wonderful are still there too, it was a pleasure to come back to this series. With a different set of circumstances and dilemmas, Pax and Brad's story is different from Beck and Cal, and I'm happy to announce that they show up in this one too.
One of the things that Silvia Violet does so well is to keep the tension and attraction going between her main males. The circumstances might not be right, but the attraction simmers. That means that when they DO get together, that attraction explodes into some of the steamiest, sensual, and sexy, reads I have had the pleasure of reading.
I was a fan of Silvia Violet's after reading Professional Distance (Thorne & Dash #1), and the Ames Bridge series has just compounded my love of her writing style. As expected, there were no editing or grammatical errors that disrupted my reading flow. I read this book in a single sitting - the world (and my children) having to wait until I had reached the end of Pax and Brad's story. An excellent addition to the series, and highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
With the same wonderful cast of characters, and yep, the not-so-wonderful are still there too, it was a pleasure to come back to this series. With a different set of circumstances and dilemmas, Pax and Brad's story is different from Beck and Cal, and I'm happy to announce that they show up in this one too.
One of the things that Silvia Violet does so well is to keep the tension and attraction going between her main males. The circumstances might not be right, but the attraction simmers. That means that when they DO get together, that attraction explodes into some of the steamiest, sensual, and sexy, reads I have had the pleasure of reading.
I was a fan of Silvia Violet's after reading Professional Distance (Thorne & Dash #1), and the Ames Bridge series has just compounded my love of her writing style. As expected, there were no editing or grammatical errors that disrupted my reading flow. I read this book in a single sitting - the world (and my children) having to wait until I had reached the end of Pax and Brad's story. An excellent addition to the series, and highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Swift 2 by Example
Book
Create robust and extensible iOS apps using the advanced features of Swift 2 About This Book * Get...
Simon Theo Cutter (2 KP) rated Alita: Battle Angel (2019) in Movies
Feb 10, 2019
Amazing world building (1 more)
Jaw dropping special effects
A master class in science fiction
So I saw this movie Friday and I loved it ,this is the kind of movie you have to see on the biggest screen possible ,and beautiful to look at ,I completely forgot that the character of ALITA is completely rendered in I computer there are times where you swear that ALITA is a real human being ,the action is top notch it has some of the most exciting action set pieces I've seen in a movie period especially the motor ball scene ,it was a joy to watch that entire scene play out and my mouth was on the floor the entire time ,that scene alone is worth the ticket admission,the acting is great across the board you could tell that everyone involved was passionate about this project and they wanted to make the best movie possible ,there is however an aspect of this movie I thought didn't work and that was the love story it felt it was unnecessary but it did pay off in the end ,I'm not going to go into spoilers because I believe the best way to see this spectacular movie is to go in knowing next to nothing and just experience it ,I will say this Alita battle angel is a fast paced ,epic ,science fiction adventure and I came out of the screening wanting more ,this movie is a passion project for James Cameron and you can really tell ,after seeing this I can't wait to see what he brings to the table with his avatar sequels..I loved this movie !!!!
Narcos: Cartel Wars
Games and Entertainment
App
Power. Loyalty. Warfare. Product. It’s all fair game when you run your own cartel in the official...
Ronyell (38 KP) rated Quasi and the Quackadero (1976) in Movies
Aug 4, 2020
The Weirdest Place on Earth!
Wow! I can't believe that I've never seen this animated short before until just recently! I bet that if I had watched this animated short when I was little, I would have loved it! "Quasi at the Quackadero" is certainly one of the WEIRDEST animated shorts I have ever seen! Sally Cruikshank (who had also done animation work for "Sesame Street" during the 1980s) had done an awesome job at animating this short as the characters and the wacky world that they live in come to life and I have to say that this animation was very well done for the 1970s! I also loved the fact that there are so many details going on in the animation like there was one scene where a circus master of sorts was yelling at his crew and you can see a strange creature pop out of his pants for no reason at all. I was also entertained by the bantering between Quasi and Anita, as I found it interesting that while they went out to the Quackadero together, it seems like they can't stand each other and I was interested in seeing how Anita and Rollo will get rid of Quasi towards the end of the short.
The only problem with this short is that it can be rather confusing at times, especially during the scenes where Quasi, Anita and Rollo go to the Quackadero. Also, if you are not a huge fan of bizarre imagery, this short has plenty of bizarre imagery that might creep out some viewers. And another thing, even though this aspect is probably not that important to the story, I would have loved to see more from Anita, Quasi and Rollo's relationship with each other since I wanted to know why they treat each other so terribly.
Overall, "Quasi at the Quackadero" is one of the most bizarre yet creative animated shorts I have ever seen and I can't wait to check out the sequel "Make Me Psychic" someday!
The only problem with this short is that it can be rather confusing at times, especially during the scenes where Quasi, Anita and Rollo go to the Quackadero. Also, if you are not a huge fan of bizarre imagery, this short has plenty of bizarre imagery that might creep out some viewers. And another thing, even though this aspect is probably not that important to the story, I would have loved to see more from Anita, Quasi and Rollo's relationship with each other since I wanted to know why they treat each other so terribly.
Overall, "Quasi at the Quackadero" is one of the most bizarre yet creative animated shorts I have ever seen and I can't wait to check out the sequel "Make Me Psychic" someday!
TE
The Endless Night
Book
An incident packed autobiography of growing up in Bangladesh and India. A childhood of trial and...
Coloring Book For Adults- Stress Free Coloring App
Book and Games
8.0
Rate It
App
Rediscover the simple relaxation and joy of coloring! Plunge into a fairy world of coloring with...
The Jewish Law Annual: Volume 18
Book
Volume 18 of The Jewish Law Annual contains six comprehensive articles on various aspects of Jewish...
Bob Mann (459 KP) rated Black Panther (2018) in Movies
Sep 29, 2021
Black Ops.
There was a joke on the internet the other day that made me laugh and laugh. Virtually the only white people in “Black Panther” are the Hobbit/LOTR stars Martin Freeman and Andy Serkis…. they are the Tolkein white guys! It’s actually getting to feel quite isolating as an ‘average white guy’ at the movies! After a plethora of #SheDo films about empowered women, now comes the first black-centred Marvel film… stuffed full of powerful women too!
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.
The setting is the hidden African kingdom of Wakanda, where due to an abundance of a an all-powerful mineral called McGuffinite… so, sorry, Vibranium… the leaders have made their city a technological marvel and developed all sorts of ad tech to help the people keep their goats well and weave their baskets better (there are a few odd scenes in this film!). T’Challa (Chadwick Boseman) succeeds his father T’Chaka (John Kani) to become the king and adopt the role of The Black Panther, being bestowed superhero powers by drinking a glass of Ribena.
But it emerges that T’Chaka has a dark secret in the form of Eric Killmonger (Michael B Jordan, “Creed“) who is determined to muscle in on the king-stuff. ‘It never rains but it pours’, and the whole of Wakanda’s secrets are in danger of being exposed by the antics of the vicious South African mercenary Ulysses Klaue (Andy Serkis, “War For The Planet Of The Apes“), trying to get his hands on vibranium to sell on to CIA operative Everett Ross (Martin Freeman, “The Hobbit: The Battle of the Five Armies“, “The World’s End“).
After “Thor: Ragnarok“, this is back to the more seriously-played end of the superhero spectrum: there are a few jokes but it’s not overtly played for comedy. Holding the film together are some sterling performances from the ensemble cast with Michael B Jordan very good as the villain of the piece. Adding to the significant black girl power in the film are Angela Bassett (“London Has Fallen“) as the queen mother; Danai Gurira (“Wonder Woman“) as the leader of the Dora Milaje: the all-female king’s guard; and Lupita Nyong’o (“12 Years a Slave“, “Star Wars: The Force Awakens“) as the spy and love interest Nakia. But the star performance for me, and one I found absolutely spot-on as a role model for young people, was Letitia Wright (“The Commuter“) as Shuri, the king’s chief scientist. She is absolutely radiant, adding beauty, rude gestures and energy to every scene she is in.
Man of the moment Daniel Kaluuya (“Get Out“) also adds to his movie-cred as a conflicted courtier.
On the white side of the shop Andy Serkis has enormous fun as Klaue and I really wanted to see more of his character than I did. Martin Freeman feels rather lightweight and under-used, and I couldn’t quite get past his dodgy American accent.
In terms of storyline, the film is a hotch-potch of plots from multiple other films, with “The Lion King” featuring strongly (but almost in reverse!). But that’s no crime, when the Shakespearean-style narrative is good, and interpolating the strongly emotional story into the Marvel universe works well.
Where I felt a little uncomfortable is the element of racism – that is, racism *against* white people – reflected in the story. If there was a movie plot centred (basically) on the topic of whites killing blacks and taking control of every black-controlled country in the world (yes, I know, I’m British and we have historically been there!) then there would be justified uproar, and the film would be shunned.
In the technical department, I had real problems with some of the effects employed. Starting with a dodgy ‘aircraft’ shadow, things nose-dive with an astonishingly poor waterfall scene with Forest Whitaker (“Rogue One“, “Arrival“) as Zuri, green-screened against some Disneyworld cascades and hundreds of cut and pasted tribesmen randomly inserted onto the cliffs. Almost matching that is a studio-set scene in a jungle clearing, where if feels they could hardly have bothered to take the plants out of their pots. Think “Daktari” quality (kids, ask your parents/grandparents).
But overall, the film, directed by Ryan Coogler (“Creed“), is a high-energy and uniquely different take on Marvel that absolutely pays off. And it is without doubt an important movie in moving the black agenda forward into properly mainstream cinema.