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A Guide to Writing for Human Service Professionals
Book
Straightforward and concise, the second edition of A Guide to Writing for Human Service...
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Nicole Hadley (380 KP) rated Buying Samir (India's Street Kids #2) in Books
Jun 18, 2018
Buying Samir by Kimberly Rae is about a young girl, Jasmina, who has been rescued from the streets of India. Jasmina had been exploited by child traffickers, and now is on the road to learning how to trust again. Jasmina is given a safe place to live with loving adults, yet she desires to find her family that she betrays those who would look after her. She sets out to rescue Samir, her brother, but she tries to do it on her own.
This book describes the dangerous side of the streets throughout the story. Through Jasmina's story, we learn more ways that people are lured in and human trafficked in India. Parts of the story were exciting, but Jasmina was more passive than usual while she figured out what was going on with the "modelling" business. I'd expected this to be more about Samir's story, but it's not. It's Jasmina coming to terms with how human trafficking has destroyed her family.
By the end of the story we are left with the beautiful outcome of Jasmina accepting Jesus Christ as her Savior. We see how His love can turn her tragedies into a story of healing and triumph. Samir, on the other hand, has sadly chosen to embrace his hatred and anger. It has turned him into becoming the very people he hated. Life is like that. We face trials, and who we turn to...God or Satan/the lost world...will decide whether our story is triumphant or tragic.
I give this book 4/5 stars.
I received this book from BJU Press via Netgalley in exchange for a honest review.
This book describes the dangerous side of the streets throughout the story. Through Jasmina's story, we learn more ways that people are lured in and human trafficked in India. Parts of the story were exciting, but Jasmina was more passive than usual while she figured out what was going on with the "modelling" business. I'd expected this to be more about Samir's story, but it's not. It's Jasmina coming to terms with how human trafficking has destroyed her family.
By the end of the story we are left with the beautiful outcome of Jasmina accepting Jesus Christ as her Savior. We see how His love can turn her tragedies into a story of healing and triumph. Samir, on the other hand, has sadly chosen to embrace his hatred and anger. It has turned him into becoming the very people he hated. Life is like that. We face trials, and who we turn to...God or Satan/the lost world...will decide whether our story is triumphant or tragic.
I give this book 4/5 stars.
I received this book from BJU Press via Netgalley in exchange for a honest review.
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MSD Professional Version
Medical and Health & Fitness
App
SPECIAL NOTE ABOUT DOWNLOAD *** This very large app (the entire content of the MSD Manual) can take...
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Erika (17788 KP) rated ESPN in Apps
Apr 18, 2021
I have ESPN+ because of the bundle I purchased from Disney+ that included ESPN and Hulu. Initially, I thought I would not watch ESPN+ at all, but it's the service I watch the most due to it having a plethora of European Football games on every weekend.
The app is a POS. It is so absolutely terrible. It's slow, it's counter-intuitive, and overall, just a boondoggled mess. There need to be more options such as filtering out the sports you don't want to watch, i.e. MLB, and any US college sports. Seriously, I watch the Masters over those boring af sports. There also needs to be an option to set alerts when there are games you want to watch, because I missed the live Hibernian game this morning because they buried it at the end of the list behind college basketball games that wouldn't be on for another 5 hours.
Another annoyance concerning this app is organization. It knows I have an ESPN+ subscription, and not the actual channels. Why show me games that I want to watch, only for them to be blocked because I don't buy the channels??? Don't tempt me with FIFA World Cup Qualifiers that I want to watch, then I find out they're not available??
The good thing is that they seem to be attempting to improve it, but it's still unbearable some days.
The app is a POS. It is so absolutely terrible. It's slow, it's counter-intuitive, and overall, just a boondoggled mess. There need to be more options such as filtering out the sports you don't want to watch, i.e. MLB, and any US college sports. Seriously, I watch the Masters over those boring af sports. There also needs to be an option to set alerts when there are games you want to watch, because I missed the live Hibernian game this morning because they buried it at the end of the list behind college basketball games that wouldn't be on for another 5 hours.
Another annoyance concerning this app is organization. It knows I have an ESPN+ subscription, and not the actual channels. Why show me games that I want to watch, only for them to be blocked because I don't buy the channels??? Don't tempt me with FIFA World Cup Qualifiers that I want to watch, then I find out they're not available??
The good thing is that they seem to be attempting to improve it, but it's still unbearable some days.
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Zumba Fitness
Health & Fitness and Lifestyle
App
The world of Zumba® Fitness is now in the palm of your hand! Find everything related to the Zumba...
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Darren (1599 KP) rated Allied (2016) in Movies
Jun 20, 2019
Story: Allied starts as Canadian Intelligence Officer Max Vatan (Pitt) lands in Morocco to work with French Resistance Fighter Marianna Beausejour (Cotillard) as they pretend to be married as they complete their mission. The two fall in love for real and return to London to get married against the his superior Frank Heslop (Harris) opinion.
After a year of marriage Heslop comes to Max believing Marianna is indeed a spy, this leaves Max questioning, which side of the story to believe and what is the truth.
Thoughts on Allied
Characters – Max Vatan is Canadian intelligence working in Africa, highly skilled he can blend into his environment, but he does fall in love with his undercover wife. When he gets informed she could well be a spy, his life is turned upside down with doubts about what is the truth. Marianna is the French resistance fighter working with the Canadian Max as his fake wife, but she also falls in love with Max and returns to start a family with him. We don’t learn too much apart from that she is a loving wife and mother though.
Performances – Brad Pitt is good for the opening mission, you believe his every decision, but when he becomes the family man, he just doesn’t reach the levels you know he can. Marion Cotillard is good without being her breath-taking best in this role.
Story – The story here follows love and spies during World War II, we see how two people from different sides of the war fall in love and they must decide which side of the war they are supporting. This film doesn’t become as intense as it could be because seeing it from both sides could have heighted the experience and by the end it just doesn’t feel like it reaches the levels it should.
Action/Romance/War – The action during the film is tame with very little being used or looking overly real. The romance doesn’t feel whirlwind like you think it should be either, but the war side comes off strong as we see how the tension between the sides cause most of the issues in the lives.
Settings – The settings look authentic for the time, which does work well for the film.
Scene of the Movie – The truth.
That Moment That Annoyed Me – Just fizzles out in the second half of the film.
Final Thoughts – This is a war romance film that just never reaches the levels it should do, it just seems to go on and becomes one of the average films that you forget by the end.
Overall: Average and disappointing.
https://moviesreview101.com/2019/02/01/abc-film-challenge-oscar-nomination-a-allied-2016/
After a year of marriage Heslop comes to Max believing Marianna is indeed a spy, this leaves Max questioning, which side of the story to believe and what is the truth.
Thoughts on Allied
Characters – Max Vatan is Canadian intelligence working in Africa, highly skilled he can blend into his environment, but he does fall in love with his undercover wife. When he gets informed she could well be a spy, his life is turned upside down with doubts about what is the truth. Marianna is the French resistance fighter working with the Canadian Max as his fake wife, but she also falls in love with Max and returns to start a family with him. We don’t learn too much apart from that she is a loving wife and mother though.
Performances – Brad Pitt is good for the opening mission, you believe his every decision, but when he becomes the family man, he just doesn’t reach the levels you know he can. Marion Cotillard is good without being her breath-taking best in this role.
Story – The story here follows love and spies during World War II, we see how two people from different sides of the war fall in love and they must decide which side of the war they are supporting. This film doesn’t become as intense as it could be because seeing it from both sides could have heighted the experience and by the end it just doesn’t feel like it reaches the levels it should.
Action/Romance/War – The action during the film is tame with very little being used or looking overly real. The romance doesn’t feel whirlwind like you think it should be either, but the war side comes off strong as we see how the tension between the sides cause most of the issues in the lives.
Settings – The settings look authentic for the time, which does work well for the film.
Scene of the Movie – The truth.
That Moment That Annoyed Me – Just fizzles out in the second half of the film.
Final Thoughts – This is a war romance film that just never reaches the levels it should do, it just seems to go on and becomes one of the average films that you forget by the end.
Overall: Average and disappointing.
https://moviesreview101.com/2019/02/01/abc-film-challenge-oscar-nomination-a-allied-2016/
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Movie Metropolis (309 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 24, 2019
Ten years is a long time in Hollywood. Ten years ago, to this day Avatar was yet to be released to the unsuspecting masses, with Titanic still reigning supreme over the global box-office and debutant director Ruben Fleischer surprised the cinema-going public with Zombieland.
Made on a tiny budget of just over $20million, it went on to gross over $100million globally and received unanimous praise. A sequel was widely expected in the years that followed but never materialised. That’s probably down to a few things; one being Emma Stone’s meteoric rise to fame, Jesse Eisenberg starring in some of the biggest and most celebrated films of the decade that followed and Woody Harrelson, well, being Woody Harrelson (that’s not a dig, we love you Woody).
Fleischer meanwhile went on to direct 30 Minutes or Less, Gangster Squad and Venom among a couple of other projects. The time for a Zombieland sequel came and went with the film’s core fanbase hoping that one day they’d get what they desired.
That day is now here with the release of Zombieland: Double Tap. With a cast of returning characters and the original director at the helm, things certainly look promising from a technical point of view, but has the ship sailed on getting this franchise off the ground?
Zombie slayers Tallahassee (Harrelson), Columbus (Eisenberg), Wichita (Stone), and Little Rock (Abigail Breslin) square off against a newly evolved strain of the undead as well as combatting their own personal demons in an effort to survive the ongoing zombie apocalypse.
Despite the popularity of the film’s actors since its predecessor, it’s nice to see all of the lead cast slot back into their roles seamlessly. Granted they’re a little older than we last remember them, and a little wiser too, but these characters still retain the charm and humour that made the last movie such a success.
Harrelson remains the standout and that’s mainly down to a nicely written script, penned by Rhett Reese, Paul Wernick and Dave Callaham. Between them they’ve worked on films like Gareth Edwards’ Godzilla, Ant-Man, Deadpool and its sequel and Life. That’s a pretty impressive roster of films it has to be said.
Eisenberg and Stone are also nicely written with a good character arc that means we get to see opposing sides to their roles. Unfortunately, Breslin is underused throughout, reduced to a part that feels much more like a support role. Of the new characters introduced, Rosario Dawson and Zoey Deutch are thinly written but reasonably entertaining.
The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them
Thankfully, the script remains a real highlight over the brisk 99-minute run-time with some genuine hilarity. The screenplay’s attempts at emotion work reasonably well but fall flat on a couple of occasions – the basis of the previous film was its humour and no surprises, this is where the sequel excels.
It’s a nice film to look at too. While some of the landscapes look a little too artificial, the sweeping shots of desolate buildings and roads add a sense of scale that was sometimes lacking last time around. The opening sequence inside the White House is great to watch and sets up the rest of the film well.
Zombieland: Double Tap works best when our band of characters is bouncing off each other and it’s a good job as the zombie action is fleeting. Some action pieces are well choregraphed but for a film about the world being overrun by the undead, there’s a distinct lack of them. The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them until the final act and that’s a bit of a shame.
Nevertheless, Zombieland: Double Tap remains easy-to-watch and likeable throughout with a cracking cast of characters. Unfortunately, the world has moved on from 2009 and zombie films, TV shows and books are ten-a-penny nowadays (something nicely referenced at the beginning of the film) and while Zombieland 2 does an awful lot right, in the end it’s a decent sequel to a great film, and nothing more than that.
Stick around for a post-credits sequence that follows on from the predecessors “greatest cameo ever”.
Made on a tiny budget of just over $20million, it went on to gross over $100million globally and received unanimous praise. A sequel was widely expected in the years that followed but never materialised. That’s probably down to a few things; one being Emma Stone’s meteoric rise to fame, Jesse Eisenberg starring in some of the biggest and most celebrated films of the decade that followed and Woody Harrelson, well, being Woody Harrelson (that’s not a dig, we love you Woody).
Fleischer meanwhile went on to direct 30 Minutes or Less, Gangster Squad and Venom among a couple of other projects. The time for a Zombieland sequel came and went with the film’s core fanbase hoping that one day they’d get what they desired.
That day is now here with the release of Zombieland: Double Tap. With a cast of returning characters and the original director at the helm, things certainly look promising from a technical point of view, but has the ship sailed on getting this franchise off the ground?
Zombie slayers Tallahassee (Harrelson), Columbus (Eisenberg), Wichita (Stone), and Little Rock (Abigail Breslin) square off against a newly evolved strain of the undead as well as combatting their own personal demons in an effort to survive the ongoing zombie apocalypse.
Despite the popularity of the film’s actors since its predecessor, it’s nice to see all of the lead cast slot back into their roles seamlessly. Granted they’re a little older than we last remember them, and a little wiser too, but these characters still retain the charm and humour that made the last movie such a success.
Harrelson remains the standout and that’s mainly down to a nicely written script, penned by Rhett Reese, Paul Wernick and Dave Callaham. Between them they’ve worked on films like Gareth Edwards’ Godzilla, Ant-Man, Deadpool and its sequel and Life. That’s a pretty impressive roster of films it has to be said.
Eisenberg and Stone are also nicely written with a good character arc that means we get to see opposing sides to their roles. Unfortunately, Breslin is underused throughout, reduced to a part that feels much more like a support role. Of the new characters introduced, Rosario Dawson and Zoey Deutch are thinly written but reasonably entertaining.
The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them
Thankfully, the script remains a real highlight over the brisk 99-minute run-time with some genuine hilarity. The screenplay’s attempts at emotion work reasonably well but fall flat on a couple of occasions – the basis of the previous film was its humour and no surprises, this is where the sequel excels.
It’s a nice film to look at too. While some of the landscapes look a little too artificial, the sweeping shots of desolate buildings and roads add a sense of scale that was sometimes lacking last time around. The opening sequence inside the White House is great to watch and sets up the rest of the film well.
Zombieland: Double Tap works best when our band of characters is bouncing off each other and it’s a good job as the zombie action is fleeting. Some action pieces are well choregraphed but for a film about the world being overrun by the undead, there’s a distinct lack of them. The movie makes a big deal out of introducing some new breeds of zombie flesh-eaters, but doesn’t really do anything with them until the final act and that’s a bit of a shame.
Nevertheless, Zombieland: Double Tap remains easy-to-watch and likeable throughout with a cracking cast of characters. Unfortunately, the world has moved on from 2009 and zombie films, TV shows and books are ten-a-penny nowadays (something nicely referenced at the beginning of the film) and while Zombieland 2 does an awful lot right, in the end it’s a decent sequel to a great film, and nothing more than that.
Stick around for a post-credits sequence that follows on from the predecessors “greatest cameo ever”.
![40x40](/uploads/profile_image/375/bb7bc53f-10c3-4e70-9242-d04d4cae2375.jpg?m=1522340026)
Ross (3284 KP) rated Resistance in Books
Sep 20, 2018
Contains spoilers, click to show
A dystopian sci-fi tale in which people ("elementals") are split into 4 classes (air - artistic types, water - scientific types, fire - law-enforcing types, and earth - working class grunts) with a strict set of rules and beliefs to be followed. Any attempt to betray these rules would result in swift punishment by the peacekeepers.
Anaiya, one such peacekeeper, is tasked with finding and infiltrating a group of rebels who have started painting the word "resistance" on walls. In order to infiltrate them, she has to undergo a new untested treatment that tries to change her class from fire to air. Thereafter the tale is a pretty standard one of intrigue, plotting and red herrings.
For me the ideas behind the world were interesting, but not very well explained or explored early on. I realise with a book like this any attempt to do so would jar with the atmosphere it is trying to get at, but there are ways to deliver the information needed.
The storyline was pretty much paper-thin and sacrificed in order to have some lengthy, overly descriptive poetic narrative (for example at least 6 pages of the book is devoted to blow by blow accounts of pool matches). The supposed revelation at the end was such an obvious anti-climax as to be ridiculous. I took it to be a symbol of how Anaiya's treatment warped her judgement of who the main suspect is, but it was delivered as a big revelation.
The use of technology in sci-fi always annoys me - new tech that is not described and overly used, with a ridiculous name (a wristplate that can immediately tell you what substances are in your blood as well as heart rate etc, and also be used to download music, play music, communicate, pay for things etc etc).
Similarly, the plot to reveal the head of the resistance hinged on the use of some new technology invented by a member of the resistance itself. This was so flimsy as to be laughable. Also, the fact that a heavy-handed police force like the peacekeepers would look for such tenuous proof of the leadership of the resistance before acting is just plain wrong. The first few chapters, and some of the conversations Anaiya has after her change, serve to show how heavy-handed they are, and any hint of someone's involvement in such treasonous activity would result in swift action.
Overall, the book is atmospheric and interesting but quite badly executed.
And the word "trajectory" is massively overused and at times wrongly used.
Anaiya, one such peacekeeper, is tasked with finding and infiltrating a group of rebels who have started painting the word "resistance" on walls. In order to infiltrate them, she has to undergo a new untested treatment that tries to change her class from fire to air. Thereafter the tale is a pretty standard one of intrigue, plotting and red herrings.
For me the ideas behind the world were interesting, but not very well explained or explored early on. I realise with a book like this any attempt to do so would jar with the atmosphere it is trying to get at, but there are ways to deliver the information needed.
The storyline was pretty much paper-thin and sacrificed in order to have some lengthy, overly descriptive poetic narrative (for example at least 6 pages of the book is devoted to blow by blow accounts of pool matches). The supposed revelation at the end was such an obvious anti-climax as to be ridiculous. I took it to be a symbol of how Anaiya's treatment warped her judgement of who the main suspect is, but it was delivered as a big revelation.
The use of technology in sci-fi always annoys me - new tech that is not described and overly used, with a ridiculous name (a wristplate that can immediately tell you what substances are in your blood as well as heart rate etc, and also be used to download music, play music, communicate, pay for things etc etc).
Similarly, the plot to reveal the head of the resistance hinged on the use of some new technology invented by a member of the resistance itself. This was so flimsy as to be laughable. Also, the fact that a heavy-handed police force like the peacekeepers would look for such tenuous proof of the leadership of the resistance before acting is just plain wrong. The first few chapters, and some of the conversations Anaiya has after her change, serve to show how heavy-handed they are, and any hint of someone's involvement in such treasonous activity would result in swift action.
Overall, the book is atmospheric and interesting but quite badly executed.
And the word "trajectory" is massively overused and at times wrongly used.
![40x40](/uploads/profile_image/e2b/a229e1ba-d932-4809-b12e-d0e7f9494e2b.jpg?m=1522332418)
Merissa (11874 KP) rated Bite of Darkness (Shadow Creek #2) in Books
Aug 18, 2017
Bite of Darkness (Shadow Creek #2) by Leah Blake
Bite of Darkness is the second book in the Shadow Creek series. This time we focus on Vuk, who helped Devon out with a few choice words in book one. In his own story though, it's Vuk who is on the receiving end of advice as he turns into a bit of a jerk when he meets his mate. Now, to be fair, I couldn't exactly blame him. His alpha is ill, receiving a mystery transfusion, vampires are involved, the fae are involve, and no one (including Vuk) just exactly who to trust. Now, as it turns out, the vampires have their own reasons for helping out, which Vuk and Ashly get dragged into the middle of.
There is more mystery in this book, in my opinion. You know in book one that the fae wards are failing, but you're not 100% sure why. In this book, you find out more about that, and the politics of the paranormal world, but you are still left with questions unanswered. Apart from Vuk and Ashly, there is something going down with another wolf/vampire pair, but I'm hoping that will be a different story all of their own, and not just snippets given as the overall story arc progresses.
This is part of a series so I would recommend you read it in order for full enjoyment. With no editing or grammatical errors to disrupt my reading flow, I have no hesitation in recommending this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
There is more mystery in this book, in my opinion. You know in book one that the fae wards are failing, but you're not 100% sure why. In this book, you find out more about that, and the politics of the paranormal world, but you are still left with questions unanswered. Apart from Vuk and Ashly, there is something going down with another wolf/vampire pair, but I'm hoping that will be a different story all of their own, and not just snippets given as the overall story arc progresses.
This is part of a series so I would recommend you read it in order for full enjoyment. With no editing or grammatical errors to disrupt my reading flow, I have no hesitation in recommending this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!