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Chris Sawin (602 KP) rated The Unbearable Weight of Massive Talent (2022) in Movies
Apr 24, 2022
The performances of Nicolas Cage and Pedro Pascal. (1 more)
A simple concept wrapped in a ton of adult humor.
Could be a bit too meta at times. (1 more)
The second half of the film isn't quite as good as the first half.
The R-Rated Action Comedy of a Lifetime
Nicolas Cage portrays an exaggerated version of himself in The Unbearable Weight of Massive Talent. In the film, Nick Cage is struggling as an actor. He’s in a crazy amount of debt, he can’t find steady work, and his ex-wife Olivia (Sharon Horgan) and daughter Addy (Anna MacDonald) feel like he’s too full of himself to fit them into his life. Nick contemplates retiring from acting altogether and is intending to do so after an awkward $1 million gig of being on an island as the guest of honor at a birthday party.
But the birthday is for a gargantuan Nicolas Cage super fan named Javi Gutierrez (Pedro Pascal). Javi and Nick become fast friends, but the CIA abducts Nick one evening and informs him that Javi is actually an arms dealer that is responsible for the kidnapping of the daughter of an anti-crime politician. Nick becomes torn between snitching for the government and seeing where his newfound friendship with Javi goes, which revolves around Nick having the most fun he’s had in years.
What makes The Unbearable Weight of Massive Talent so entertaining is the bromance between Nicolas Cage and Pedro Pascal. The two seem like legitimate best friends and there’s essentially chemistry with the two actors as soon as they meet each other on screen. As Nick Cage, the real Cage is totally self-absorbed as the character. He’s blinded by his own interests and what he has going on in his life to really understand or pay attention to anyone else. The whole world revolves around Nick Cage. Meanwhile, Javi is more humble. He has so much Nicolas Cage memorabilia that his room devoted to him could be considered as a museum or shrine to the actor. The two surprisingly have a lot in common and end up being hilarious together.
The first hour of the film is basically the Cage and Pascal show with the two running around like idiots in the best kind of way. Nick and Javi bond over Paddington 2, possibly making a movie together, and doing acid together. The acid taking sequence in general is probably the funniest part of the film, especially with their uncontrollable paranoia and Pascal’s fake laughing.
The remaining 47 minutes is devoted to the two men attempting to kill one another. Nick believing that Javi is this guns dealing madman and Javi discovering that Nick has been working with the CIA. The film snowballs further and further into ridiculous territory and you just gobble it up because it’s so great. The R-rated action comedy is loaded with incredibly detailed movie references and Nicolas Cage being funnier than he has ever been.
Pedro Pascal has dabbled in comedy since leaving Game of Thrones and it has never really worked out. He was the best part of The Bubble, which dropped on Netflix earlier this month, but that’s not saying much since the film was so bad. This is the first time Pascal has gotten to showcase his comedic chops in a film that is legitimately funny, surprisingly sentimental, and enormously entertaining from beginning to end.
Throughout the film, Nick Cage argues with Nicky – the younger and more successful version of himself from Wild at Heart. Nicky is basically the devil on Nick Cage’s shoulder as he encourages him to take more risks and do whatever he wants simply because he is Nick freaking Cage. It’s incredible seeing two versions of Cage argue and interact on screen, but it nearly melts your brain from simply being too awesome for our Nicolas Cage admiring brains to process.
It certainly seems like The Unbearable Weight of Massive Talent will have a deeper impact on you if you’re at least somewhat of a fan of Nicolas Cage’s work, but could also be amusing for fans of absurd adult comedies. Pedro Pascal is the humorous wingman we all wish we could have; soft spoken and yet a priceless factor in the overall ludicrous nature of the film. Meanwhile, Nicolas Cage continues to reign supreme as a talented lunatic at the top of his game. The Unbearable Weight of Massive Talent is an outrageous and uproarious expedition into hilarity and absurdity. Nicolas Cage and Pedro Pascal are an unlikely yet brilliant comical duo that will have you rolling on the sticky movie theater floor with laughter.
But the birthday is for a gargantuan Nicolas Cage super fan named Javi Gutierrez (Pedro Pascal). Javi and Nick become fast friends, but the CIA abducts Nick one evening and informs him that Javi is actually an arms dealer that is responsible for the kidnapping of the daughter of an anti-crime politician. Nick becomes torn between snitching for the government and seeing where his newfound friendship with Javi goes, which revolves around Nick having the most fun he’s had in years.
What makes The Unbearable Weight of Massive Talent so entertaining is the bromance between Nicolas Cage and Pedro Pascal. The two seem like legitimate best friends and there’s essentially chemistry with the two actors as soon as they meet each other on screen. As Nick Cage, the real Cage is totally self-absorbed as the character. He’s blinded by his own interests and what he has going on in his life to really understand or pay attention to anyone else. The whole world revolves around Nick Cage. Meanwhile, Javi is more humble. He has so much Nicolas Cage memorabilia that his room devoted to him could be considered as a museum or shrine to the actor. The two surprisingly have a lot in common and end up being hilarious together.
The first hour of the film is basically the Cage and Pascal show with the two running around like idiots in the best kind of way. Nick and Javi bond over Paddington 2, possibly making a movie together, and doing acid together. The acid taking sequence in general is probably the funniest part of the film, especially with their uncontrollable paranoia and Pascal’s fake laughing.
The remaining 47 minutes is devoted to the two men attempting to kill one another. Nick believing that Javi is this guns dealing madman and Javi discovering that Nick has been working with the CIA. The film snowballs further and further into ridiculous territory and you just gobble it up because it’s so great. The R-rated action comedy is loaded with incredibly detailed movie references and Nicolas Cage being funnier than he has ever been.
Pedro Pascal has dabbled in comedy since leaving Game of Thrones and it has never really worked out. He was the best part of The Bubble, which dropped on Netflix earlier this month, but that’s not saying much since the film was so bad. This is the first time Pascal has gotten to showcase his comedic chops in a film that is legitimately funny, surprisingly sentimental, and enormously entertaining from beginning to end.
Throughout the film, Nick Cage argues with Nicky – the younger and more successful version of himself from Wild at Heart. Nicky is basically the devil on Nick Cage’s shoulder as he encourages him to take more risks and do whatever he wants simply because he is Nick freaking Cage. It’s incredible seeing two versions of Cage argue and interact on screen, but it nearly melts your brain from simply being too awesome for our Nicolas Cage admiring brains to process.
It certainly seems like The Unbearable Weight of Massive Talent will have a deeper impact on you if you’re at least somewhat of a fan of Nicolas Cage’s work, but could also be amusing for fans of absurd adult comedies. Pedro Pascal is the humorous wingman we all wish we could have; soft spoken and yet a priceless factor in the overall ludicrous nature of the film. Meanwhile, Nicolas Cage continues to reign supreme as a talented lunatic at the top of his game. The Unbearable Weight of Massive Talent is an outrageous and uproarious expedition into hilarity and absurdity. Nicolas Cage and Pedro Pascal are an unlikely yet brilliant comical duo that will have you rolling on the sticky movie theater floor with laughter.
Gareth von Kallenbach (980 KP) rated The World's End (2013) in Movies
Aug 6, 2019
This summer’s movie lineup has been crammed full of sophisticated robots, vampires and even a recently passed billionaire genius. And then you have The World’s End (“TWE”), which might simply be the best and most creative of the bunch. Having a much smaller budget than these bigger movies, and being set in England, Edgar Wright shows that it’s not all about money and tropics in this hilarious romp.
I cannot honestly think of a better way to wrap up the Cornetto Trilogy then the story told in TWE. For those that don’t know there’s a joke behind the Cornetto name, in that a report brought up that a Cornetto ice cream wrapper was featured in each of the first two movies. Shaun of the Dead and Hot Fuzz make up the first two movies, and TWE rounds out what eventually became the Cornetto Trilogy. Ice cream Easter egg aside, all the films in the trilogy share the same cast and crew. They star Simon Pegg and Nick Frost, written by Pegg and Wright, and directed by Wright. The films are chock full of inside jokes that go back as far as this incredible groups humble beginnings with the TV show Spaced. Beyond these connections, though, each films stands on its own as a unique story.
While Shaun of the Dead was the group’s take on zombie films, and Hot Fuzz visited the buddy cop genre, TWE is a comedic riff on films like Invasion of the Body Snatchers. If you have somehow made it this far without having the full plot spoiled for you, do try and keep it that way. The key things you need to know is that there are robots, creepy “YOLO” kids, and the story centers on Gary King, a man who never quite grew up.
Gary (Pegg) is a disaster of an adult male. He’s wild, rambunctious, trying to constantly relive his youth, and irresponsible to boot. This demeanor has not done any good for him as an adult on the far side of 40, but he’s delusional and is not aware that he has not succeeded in life. This actually adds to his charm.
Gary gets a bug up his you know what, and wants to relive one of his last greatest days of his youth. A day when he and his four best friends decided to celebrate finishing school by tackling the town-famous golden mile. Newton Haven has 12 pubs spread along a mile path that Gary manages to convince his friends Steven (Paddy Considine), Oliver (Martin Freeman), Peter (Eddie Marsan) and former best friend Andrew (Frost) to attempt again just like they did all those years ago. The pub crawl concludes at the film’s namesake: The World’s End.
As the evening goes on, and the beers start going down, the five begin to discover that something is off. Between rounds and pubs, the group starts to discuss whether or not the town has changed, or they have. This leads to a fight with the creepy “YOLO” kids that is reminiscent of Chinese Kung Fu movies the likes of Jackie Chan would be found in. As the mates progress from pub to pub, more and more of the mystery of Newton Haven begins to unravel.
The film starts in a deceiving way and hides its true nature underneath a veil of middle-aged men trying to reconcile their present with their past. Gary very much represents the past as he still dresses the way he did when he was 18, still drives the same car, complete with the same cassette tape of music given to him more than 20 years ago by Steven. Gary is a loser, but thinks he is the hero of every story, which causes a love/hate relationship with the group of friends. Then it all changes! Wright and company manage to do a complete 180 and combine a very believable mid-life crisis film with a robot invasion. And it works!
Pegg absolutely nails the role of Gary, from his movements to his banter with the others in the film. There is an air of desperation hidden under his free spirit persona. But surprisingly, it is Frost that steals the movie this time around. Andrew is the most well-rounded character he has portrayed, even through his transformation from a stiff professional into the atomic elbow dropping fighter he needs to become.
As I mentioned earlier, the fight scenes are very reminiscent Chinese Kung Fu movies. The choreography is amazing and the actors have no problem keeping up with the action and bringing the air of humor that the Kung Fu films bring as well. It is impressive watching Frost, a small man by no means, nimbly dispatch several foes. Meanwhile, Pegg is constantly thwarted by enemies as he unsuccessfully attempt to enjoy a pint. For a film billed as comedy, the few fight scenes are among the best of the summer.
As good and Pegg and Frost are though, it all comes back to the man behind the camera… Wright. He has a style that is distinctive and unique. He has shown his range over the years with shows like Spaced and films like Scott Pilgrim vs. the World. And his attention to detail is bar-none. Nothing is included in a shot if it doesn’t have some sort of meaning. Wright is a master film maker in his own right.
TWE is steeped in originality and creativity, which is sorely lacking in many films that are released these days. Wright is a master of deconstructing a genre film to honor it and make fun of it at the same time. Pegg and Frost have an uncanny knack for translating Wright’s visions to the silver screen. The World’s End is another example of their shining chemistry, and also one of the best films of the summer.
I cannot honestly think of a better way to wrap up the Cornetto Trilogy then the story told in TWE. For those that don’t know there’s a joke behind the Cornetto name, in that a report brought up that a Cornetto ice cream wrapper was featured in each of the first two movies. Shaun of the Dead and Hot Fuzz make up the first two movies, and TWE rounds out what eventually became the Cornetto Trilogy. Ice cream Easter egg aside, all the films in the trilogy share the same cast and crew. They star Simon Pegg and Nick Frost, written by Pegg and Wright, and directed by Wright. The films are chock full of inside jokes that go back as far as this incredible groups humble beginnings with the TV show Spaced. Beyond these connections, though, each films stands on its own as a unique story.
While Shaun of the Dead was the group’s take on zombie films, and Hot Fuzz visited the buddy cop genre, TWE is a comedic riff on films like Invasion of the Body Snatchers. If you have somehow made it this far without having the full plot spoiled for you, do try and keep it that way. The key things you need to know is that there are robots, creepy “YOLO” kids, and the story centers on Gary King, a man who never quite grew up.
Gary (Pegg) is a disaster of an adult male. He’s wild, rambunctious, trying to constantly relive his youth, and irresponsible to boot. This demeanor has not done any good for him as an adult on the far side of 40, but he’s delusional and is not aware that he has not succeeded in life. This actually adds to his charm.
Gary gets a bug up his you know what, and wants to relive one of his last greatest days of his youth. A day when he and his four best friends decided to celebrate finishing school by tackling the town-famous golden mile. Newton Haven has 12 pubs spread along a mile path that Gary manages to convince his friends Steven (Paddy Considine), Oliver (Martin Freeman), Peter (Eddie Marsan) and former best friend Andrew (Frost) to attempt again just like they did all those years ago. The pub crawl concludes at the film’s namesake: The World’s End.
As the evening goes on, and the beers start going down, the five begin to discover that something is off. Between rounds and pubs, the group starts to discuss whether or not the town has changed, or they have. This leads to a fight with the creepy “YOLO” kids that is reminiscent of Chinese Kung Fu movies the likes of Jackie Chan would be found in. As the mates progress from pub to pub, more and more of the mystery of Newton Haven begins to unravel.
The film starts in a deceiving way and hides its true nature underneath a veil of middle-aged men trying to reconcile their present with their past. Gary very much represents the past as he still dresses the way he did when he was 18, still drives the same car, complete with the same cassette tape of music given to him more than 20 years ago by Steven. Gary is a loser, but thinks he is the hero of every story, which causes a love/hate relationship with the group of friends. Then it all changes! Wright and company manage to do a complete 180 and combine a very believable mid-life crisis film with a robot invasion. And it works!
Pegg absolutely nails the role of Gary, from his movements to his banter with the others in the film. There is an air of desperation hidden under his free spirit persona. But surprisingly, it is Frost that steals the movie this time around. Andrew is the most well-rounded character he has portrayed, even through his transformation from a stiff professional into the atomic elbow dropping fighter he needs to become.
As I mentioned earlier, the fight scenes are very reminiscent Chinese Kung Fu movies. The choreography is amazing and the actors have no problem keeping up with the action and bringing the air of humor that the Kung Fu films bring as well. It is impressive watching Frost, a small man by no means, nimbly dispatch several foes. Meanwhile, Pegg is constantly thwarted by enemies as he unsuccessfully attempt to enjoy a pint. For a film billed as comedy, the few fight scenes are among the best of the summer.
As good and Pegg and Frost are though, it all comes back to the man behind the camera… Wright. He has a style that is distinctive and unique. He has shown his range over the years with shows like Spaced and films like Scott Pilgrim vs. the World. And his attention to detail is bar-none. Nothing is included in a shot if it doesn’t have some sort of meaning. Wright is a master film maker in his own right.
TWE is steeped in originality and creativity, which is sorely lacking in many films that are released these days. Wright is a master of deconstructing a genre film to honor it and make fun of it at the same time. Pegg and Frost have an uncanny knack for translating Wright’s visions to the silver screen. The World’s End is another example of their shining chemistry, and also one of the best films of the summer.
200 5:2 Diet Recipes: Hamlyn All Colour Cookbook
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Whether you're new to the 5:2 diet and you're thinking about giving it a go, or you're already a...
Marylegs (44 KP) rated Jurassic Park (Jurassic Park, #1) in Books
Aug 14, 2019
Jurassic Park is the first book in a two part saga written by Michael Crichton, it become one of the most iconic films of the 90’s. Those who have seen the film know that the story revolves around a biotechnology company experimenting with genetics and DNA reconstruction to create dinosaurs in the modern world. On an island off of Costa Rica, these Dinosaurs are being contained in what is being heralded as the zoo of the future. The scientists have managed through DNA extraction and reconstruction to produce 15 different species of extinct Dinosaurs. To test out the park some renowned academics including Dr Grant, palaeontology, Dr Sattler, palaeobotany and Ian Malcom a chaos theory mathematician, are invited to the park. This obviously ambitious leap in technology and questionable ethics runs into some trouble and obviously this has catastrophic consequences.
Never, have I ever, put off reading a book so much as this one. At the very beginning of the year I decided to randomly choose books to read to really push me out of my comfort zone. But, every time I looked at this list I had created I would choose something else. I was avoiding this book, not only because the film was so iconic to my childhood but also I didn’t know if it would be the sort of book I would enjoy to read.
All I can say is, bravo. This book was brilliant. I honestly didn’t want it to end. I loved everything. I didn’t even mind Malcom’s rants on chaos theory, I actually rather enjoyed them and found them thought provoking. I really liked that it was close enough to the film that I could follow what I already knew. But there is so much more to this story. There are obviously fictional elements included regarding the behaviour and activities related to the dinosaurs, but there was obviously a lot of research undertaking when the book was written so I believe the artistic licence is warranted. I loved the differences and I will definitely now read the sequel and these books will be placed into my exclusive re-read rotation.
Never, have I ever, put off reading a book so much as this one. At the very beginning of the year I decided to randomly choose books to read to really push me out of my comfort zone. But, every time I looked at this list I had created I would choose something else. I was avoiding this book, not only because the film was so iconic to my childhood but also I didn’t know if it would be the sort of book I would enjoy to read.
All I can say is, bravo. This book was brilliant. I honestly didn’t want it to end. I loved everything. I didn’t even mind Malcom’s rants on chaos theory, I actually rather enjoyed them and found them thought provoking. I really liked that it was close enough to the film that I could follow what I already knew. But there is so much more to this story. There are obviously fictional elements included regarding the behaviour and activities related to the dinosaurs, but there was obviously a lot of research undertaking when the book was written so I believe the artistic licence is warranted. I loved the differences and I will definitely now read the sequel and these books will be placed into my exclusive re-read rotation.
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ClareR (6244 KP) rated The Wolves of Winter in Books
Mar 11, 2022
I keep doing this. Reading books about pandemics during a pandemic, and then scaring the living daylights out of myself. Thank goodness I’d read Justin Cronin’s The Passage trilogy pre-Covid, because that would really have had me battening down the hatches!
This is about a different flu-like virus, but the mortality rate is far higher than Covid. And then nuclear bombs are also involved, so it’s a pretty full-on start to this remarkable book.
The sensible people move north. In this case, they move to the Yukon, where the virus is less virulent and people can hunt and trap their food. Lynn McBride lives here with what’s left of her family. They’ve carved out a life for themselves and live in relative safety in the barren, white landscape. But they can’t keep everyone away, and soothe outside world starts to encroach in the form of a loner called Jax, and a frankly scary group of people who are intent on seeing the end of the virus, no matter the human cost.
I loved the descriptions of the landscape - I do tend to love a book set in frozen landscapes (Arctic, Antarctic, just somewhere plain cold!), which is odd really, because I can’t think of a worse place to live. It’s a morbid fascination, I suppose. And the descriptions in this book of the cold, the landscape and the difficulties of living there are so evocative. People surviving against the odds always a winning theme.
It wasn’t until I sat down to write this, that I found out that the book was YA. Honestly, it hadn’t even crossed my mind. Ok, there’s no sex, but in my opinion it just seemed too cold anyway 🤷🏼♀️. The main protagonist is in her late teens, and there is a sexual assault and some shooting/ bloodshed. There’s a very cute dog though (also a winning formula for me).
So if you’re feeling brave and like a post-apocalyptic story, you may well fancy reading this. I do wonder if there will be a follow up, because I’d love to know what happens after the final page (it does seem open to that). I’d definitely read it!
This is about a different flu-like virus, but the mortality rate is far higher than Covid. And then nuclear bombs are also involved, so it’s a pretty full-on start to this remarkable book.
The sensible people move north. In this case, they move to the Yukon, where the virus is less virulent and people can hunt and trap their food. Lynn McBride lives here with what’s left of her family. They’ve carved out a life for themselves and live in relative safety in the barren, white landscape. But they can’t keep everyone away, and soothe outside world starts to encroach in the form of a loner called Jax, and a frankly scary group of people who are intent on seeing the end of the virus, no matter the human cost.
I loved the descriptions of the landscape - I do tend to love a book set in frozen landscapes (Arctic, Antarctic, just somewhere plain cold!), which is odd really, because I can’t think of a worse place to live. It’s a morbid fascination, I suppose. And the descriptions in this book of the cold, the landscape and the difficulties of living there are so evocative. People surviving against the odds always a winning theme.
It wasn’t until I sat down to write this, that I found out that the book was YA. Honestly, it hadn’t even crossed my mind. Ok, there’s no sex, but in my opinion it just seemed too cold anyway 🤷🏼♀️. The main protagonist is in her late teens, and there is a sexual assault and some shooting/ bloodshed. There’s a very cute dog though (also a winning formula for me).
So if you’re feeling brave and like a post-apocalyptic story, you may well fancy reading this. I do wonder if there will be a follow up, because I’d love to know what happens after the final page (it does seem open to that). I’d definitely read it!
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Doon (Doon, #1)
9.0
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Veronica doesn't think she's going crazy. But why can't anyone else see the mysterious blond boy who...
Sarah Betts (103 KP) rated Shadow Souls (The Vampire Diaries: The Return, #2) in Books
Dec 30, 2019
This is my review on Amazon.com:
I have to be honest. This book was actually better than The Return: Nightfall (Vampire Diaries). Sadly, this does not prevent it from being a horrible book.
This book was all over the place and the plot was barely coherent.
Here's the deal: Damon was possessed at the behest of Hot Topic rejects, Misao and Shinichi. This led him to tricking Stefan into going into a place called the Dark Dimension. Elena gets over floating like a balloon to team up with Damon to get him back.
Caroline is still possessed and trying to have Matt arrested for assaulting her. I have to say that the parts with Caroline were the only things remotely interesting about the book. Unfortunately the Matt/Caroline?Mrs Flowers scenes were shoved aside in favor of feeble attempts at eroticism with Damon and Elena.
Stefan and Elena bored me. Every time Elena had an out-of-body experience, I grit my teeth at the insipid dialogue and promised my brain Milk Duds to soothe the loss of brain cells.
Bonnie and Meredith? Strictly on the sidelines and BORING. Meredith was one of my favorite characters and now she's been reduced to generic friend. Ugh.
Another thing that bothered me was the unhealthy obsession with the ideas of purity and virginity. Elena is a virgin. Uh, okay and this is a secret WHY?
Also, readers do not need it pounded into their heads how hot Elena is. Seriously, it seemed like every five pages I was subjected to how awesomely and mind-blowingly hot she is. COMPLETELY UNNECESSARY!
Oh, and THE END *deep breath*... This could have been a shocking and heart-wrenching development, but for some reason LJS decided to play it for comedy. This left me feeling overtly hostile to the book and not at all looking forward to the next installation.
The thing is, LJS did better. I expect better of her. Come on! This is the woman who wrote Secret Vampire (Night World)!
I have to be honest. This book was actually better than The Return: Nightfall (Vampire Diaries). Sadly, this does not prevent it from being a horrible book.
This book was all over the place and the plot was barely coherent.
Here's the deal: Damon was possessed at the behest of Hot Topic rejects, Misao and Shinichi. This led him to tricking Stefan into going into a place called the Dark Dimension. Elena gets over floating like a balloon to team up with Damon to get him back.
Caroline is still possessed and trying to have Matt arrested for assaulting her. I have to say that the parts with Caroline were the only things remotely interesting about the book. Unfortunately the Matt/Caroline?Mrs Flowers scenes were shoved aside in favor of feeble attempts at eroticism with Damon and Elena.
Stefan and Elena bored me. Every time Elena had an out-of-body experience, I grit my teeth at the insipid dialogue and promised my brain Milk Duds to soothe the loss of brain cells.
Bonnie and Meredith? Strictly on the sidelines and BORING. Meredith was one of my favorite characters and now she's been reduced to generic friend. Ugh.
Another thing that bothered me was the unhealthy obsession with the ideas of purity and virginity. Elena is a virgin. Uh, okay and this is a secret WHY?
Also, readers do not need it pounded into their heads how hot Elena is. Seriously, it seemed like every five pages I was subjected to how awesomely and mind-blowingly hot she is. COMPLETELY UNNECESSARY!
Oh, and THE END *deep breath*... This could have been a shocking and heart-wrenching development, but for some reason LJS decided to play it for comedy. This left me feeling overtly hostile to the book and not at all looking forward to the next installation.
The thing is, LJS did better. I expect better of her. Come on! This is the woman who wrote Secret Vampire (Night World)!
Prophecy of the Mayan Undead
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Keisha is a neurobiology researcher determined to discover the secret to intelligence to save...
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