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BankofMarquis (1832 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 23, 2021
Kaluuya in an Oscar worthy performance
Ever since Daniel Kaluuya burst onto the scene in 2017’s GET OUT, he has been an actor to watch - one who’s brilliance bursts off the screen in whatever project he is in.
This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.
Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.
Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.
The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.
Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.
The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.
In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.
Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.
All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.
Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.
Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.
The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.
Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.
The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.
In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.
Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.
All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Ivana A. | Diary of Difference (1171 KP) rated The Frightened Little Flower Bud in Books
Aug 21, 2018
View full review here: diaryofdifference.com/2018/06/11/the-frightened-little-flower-bud-renee-paule-g-r-hewitt-book-review/
I don’t usually read Children’s Books. I used to love them when I was a kid, and of course, those were the books on which I learned how to read. Those are the stories that I will always remember, with happiness in my heart and they will always have a special place in my heart.
<img src="https://images.gr-assets.com/books/1505213611l/36226869.jpg"/>;
I was lucky enough to win The Frightened Little Flower Bud on a giveaway from Booklikes, and I couldn’t be happier! This is a short, cute story about one flower, and the process of how it blooms.
Before it blooms, it has many fears as to what is going to happen, it fears that the sun will dry it, and the rain will drown it, and that it won’t be as beautiful as the other flowers out there.
It reminds me of the fears that us people have every day before we go out of the door. We fear this and that, without realising to enjoy our lives, and live them like they are our last. A perfect description of how fear and doubt can let us down, but also a perfect example of what happens when you actually get the courage and go out there, and realise that yes - you can be the prettiest flower out there.
I liked how there are questions at the end of the books, to engage the little readers after reading it. However, in all honesty, I believe that the images inside the books won’t keep a kid there for very long, and they might not be the most exiting this in the world.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
I don’t usually read Children’s Books. I used to love them when I was a kid, and of course, those were the books on which I learned how to read. Those are the stories that I will always remember, with happiness in my heart and they will always have a special place in my heart.
<img src="https://images.gr-assets.com/books/1505213611l/36226869.jpg"/>;
I was lucky enough to win The Frightened Little Flower Bud on a giveaway from Booklikes, and I couldn’t be happier! This is a short, cute story about one flower, and the process of how it blooms.
Before it blooms, it has many fears as to what is going to happen, it fears that the sun will dry it, and the rain will drown it, and that it won’t be as beautiful as the other flowers out there.
It reminds me of the fears that us people have every day before we go out of the door. We fear this and that, without realising to enjoy our lives, and live them like they are our last. A perfect description of how fear and doubt can let us down, but also a perfect example of what happens when you actually get the courage and go out there, and realise that yes - you can be the prettiest flower out there.
I liked how there are questions at the end of the books, to engage the little readers after reading it. However, in all honesty, I believe that the images inside the books won’t keep a kid there for very long, and they might not be the most exiting this in the world.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
Gareth von Kallenbach (974 KP) rated Dawn Of The Planet Of The Apes (2014) in Movies
Aug 6, 2019
Full disclosure here: I am a huge fan of the original series of Planet of the Apes movies. I have them on VHS and Laser Disc, having watched them at least a dozen times each. That being said, I didn’t really enjoy 2011’s Rise of the Planet of Apes with James Franco. Not that it was a bad movie, per say, but it didn’t really keep me captivated, so much so that I can barely remember all of the main plot points. At the time I thought that I might be jaded being such a huge fan of the originals. And then I saw Dawn of the Planet of the Apes (we’ll just refer to it as “Dawn” from here on out). I didn’t have very high expectations for Dawn.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Daniel Boyd (1066 KP) rated Fallout 4 in Video Games
Jul 20, 2017
More Fallout (1 more)
Crafting system
It's Good To Be Back
To be honest, I thought I would have a lot more to talk about in my review. I was prepared to write a War and Peace style essay on how great Fallout 4 was and yet I find myself struggling to live up to that notion. Not because the game isn’t good, Fallout 4 is exactly what we have been waiting all these years for, but that’s just it. This game is exactly what we were hoping for and nothing more, which is more than fine with me. Playing this game for the first time feels like slipping on an old pair of comfortable slippers, the controls all come back to you immediately, the charm of a Fallout game is immediately present and it feels like you are right back at home. The world is vast, beautiful in parts and grotesque in others and I’m not just talking about the intentional aesthetic ugliness of the game’s world. Streched textures, dated character models, stiff animation loops, clipping, short draw distance and technical glitches are just some of the problems that come with Bethesda using the dated Creation Engine to create their first ‘next gen’ open world game. The best thing graphically in this game is the lighting effects and the more vibrant colour pallet. When the rays of sunshine hit the trees of Sanctuary Hills at the right moment this game can actually look quite beautiful, but that is immediately lost when you turn around and see the eerie face of Mama Murphy. So the presentation could be better, but I feel that’s to be expected from a Bethesda game and that is the problem. This shouldn’t be ‘expected’ from any game in 2015, if CD Projekt Red and Kojima Productions can produce large scale open world games that actually look like they were made this year and not a decade ago, then there is no real reason that Bethesda can’t. However even with all of these flaws and complaints that we really shouldn’t have to continually endure, Fallout 4 is still my GOTY. I mean all Fallout 4 had to do to be my GOTY was to be more of Fallout 3 and that is exactly what it is. The shooting is still clunky but I am a big fan of the VATS system and I’m really glad that they decided to keep the feature and it feels good to get back to being the loot addict that I am. Now, even the junk has a significant use! The crafting system in this game is such an awesome addition, I mean it obviously has its flaws as it isn’t the smoothest crafting system I have ever used, but in a game like fallout it just makes so much sense. I’m not really into the weapon, armour, chemistry or cooking crafting stations, but the ability to build your own settlements is awesome. It genuinely has stopped me from progressing the main quest. No spoilers, but I am at the part where you have to choose a faction to side with in the run up to the end of the game, but I couldn’t care less about any of that, I’m quite happy to just keep building up my settlements. That’s not to say that the quests and characters in this game aren’t interesting, because they are. The companions are all quite interesting, even if there is a strange lack of female options for a companion. The worst companion though, by far, is Dogmeat. He is the worst programmed and therefore the most broken. Constantly blocking corridors and doorways, not fetching items for you when they are within reaching distance and just being a general annoyance, he goes from being cute to irritant in a couple of short hours. The voice acting is also something that varies like crazy. Both the male and female protagonists are voiced excellently, (even if it is a Caucasian man and woman doing the voices, which means if your character is any other ethnicity, they will still sound white,) but the other voices of NPC’s etc are wooden and downright awful in places. The areas in this game are cool, they add to the tone and the immersion, as do the sound effects and score, but there is a level of polish that is absent here and there is no reason for it, it just lets the game down and prevents reviewers from giving that perfect 10 score. People on the internet have gave the dialogue system a lot of hate and while I can see where that is coming from, I personally think it functions fine.
Fallout 4 isn’t going to break any major grounds, it isn’t going to change the gaming landscape on any grand scale and it does feel like an old game and I’m okay with all of that. This is my GOTY because it’s more Fallout and that was all that I needed it to be. Sure it would have been nicer if the game looked a bit prettier and some of the systems were a bit smoother, but to be back in the wasteland, taking part in random battles that break out beside you as you wander through this dead world and looting until you can’t walk properly, it brings the feelings out in me that I haven’t felt since Fallout 3.
Fallout 4 isn’t going to break any major grounds, it isn’t going to change the gaming landscape on any grand scale and it does feel like an old game and I’m okay with all of that. This is my GOTY because it’s more Fallout and that was all that I needed it to be. Sure it would have been nicer if the game looked a bit prettier and some of the systems were a bit smoother, but to be back in the wasteland, taking part in random battles that break out beside you as you wander through this dead world and looting until you can’t walk properly, it brings the feelings out in me that I haven’t felt since Fallout 3.
Gareth von Kallenbach (974 KP) rated Quantum of Solace (2008) in Movies
Aug 14, 2019
With the success of “Casino Royale” featuring new Bond Daniel Craig, the world has waiting eagerly for the follow up, “Quantum of Solace” which continues the historic spy franchise.
Picking up exactly where the last film ended, Bond is walking a fine line between revenge and doing his duty after being betrayed by Vesper at the end of the last film. While interrogating a suspect with M (Judy Densch), it is learned that there is an organization that is very dangerous and influential that even has influence in the C.I.A. and MI6.
Before they can learn any further information, a shocking betrayal happens and Bond is in hot pursuit of the suspect across the rooftops of Italy and soon locked in a deadly confrontation with the traitor.
The recent events have M concerned and Bond is dispatched to Haiti to follow on a lead which thanks to a case of mistaken identity leads Bond to a woman named Camille (Olga Kurylenko). Olga is involved in a deadly game with a corrupt businessman named Dominic Greene (Mathieu Amalric), and a Bolivian General named Medrano (Joaquin Cosio).
Unsure of their involvement, Bond follows Greene, and learns that he heads an environmental group and has designs on a track of desert in Bolivia. Unsure if Greene’s interest in the area is related to diamonds, oil, or something else, M tasks Bond with finding out what is going on, as her superiors are betting that it is related to oil, and with the C.I. A. involved, it is reasoned that the England cannot be left out of an already dwindling oil supply.
It is at this point that the film lost much of its steam for me as the final revelation seemed to be much ado about nothing as this sort of thing happens, and has happened the world over for years and is hardly worthy of involving the MI6, much less the worlds must dangerous spy.
What follows is a series of betrayals and a few action scenes leading up to a fiery climax which almost redeems the film.
Let me say at the outset that I am a Bond fan and a traditionalist. I understand change happens over time and I am not one who thinks that the role began and ended with Sean Connery. I enjoyed Roger Moore though found him a bit camp. Timothy Dalton did not work for me, and George Lazenby was only Bond for one film so it is hard to judge him fairly. That being said, I found Pierce Brosnan to have been the best Bond since Connery as his interpretation of the character is dead on.
Sir Ian Fleming created the character and has said that he was influenced by people he knew. Bond is a well educated and cultured individual who was educated at the top schools, was an officer in the Royal Navy, and is a suave and charming individual as well as a cold and deadly killer when needed. He is scarred by events in his past, as such he relies on alcohol, duty, and woman to get by, but never once allows himself to get to close to anyone.
When they rebooted the franchise with Craig, much of the 40 years of Bond as well as the essence of the character have been lost. Craig’s Bond is not a cultured blue blood, he is a common thug. In my review of “Casino Royale” I mentioned that the new Bond passed up spending a night with a woman in order to pursue a lead, and how Connery would have found time to do both with style.
Craig’s Bond is very light on womanizing and the film has zero sexual tension and only a very brief romance seen that seems tacked on. The underlying themes of Bond has been guns, gadgets, girls, and action, and this film has chosen to pretty much eschew almost all of this as there are zero gadgets in the film and to be honest, I found the plot to be uninspired.
I think that in many ways the people behind the film have tried to get as far away from the past Bond films as possible especially the maniacal villains who were bent on destroying the world.
As an action film, the movie does have its moments and if it was not a Bond film would be a passable action thriller. As a Bond film, it promises the world and will likely disappoint much long term Bond fans and appeal mainly to those who do not have a longstanding history with the character from book to film. I have to wonder if Sir Ian Fleming is spinning in his grave over what they have done to his gentleman spy in the name of progress.
Picking up exactly where the last film ended, Bond is walking a fine line between revenge and doing his duty after being betrayed by Vesper at the end of the last film. While interrogating a suspect with M (Judy Densch), it is learned that there is an organization that is very dangerous and influential that even has influence in the C.I.A. and MI6.
Before they can learn any further information, a shocking betrayal happens and Bond is in hot pursuit of the suspect across the rooftops of Italy and soon locked in a deadly confrontation with the traitor.
The recent events have M concerned and Bond is dispatched to Haiti to follow on a lead which thanks to a case of mistaken identity leads Bond to a woman named Camille (Olga Kurylenko). Olga is involved in a deadly game with a corrupt businessman named Dominic Greene (Mathieu Amalric), and a Bolivian General named Medrano (Joaquin Cosio).
Unsure of their involvement, Bond follows Greene, and learns that he heads an environmental group and has designs on a track of desert in Bolivia. Unsure if Greene’s interest in the area is related to diamonds, oil, or something else, M tasks Bond with finding out what is going on, as her superiors are betting that it is related to oil, and with the C.I. A. involved, it is reasoned that the England cannot be left out of an already dwindling oil supply.
It is at this point that the film lost much of its steam for me as the final revelation seemed to be much ado about nothing as this sort of thing happens, and has happened the world over for years and is hardly worthy of involving the MI6, much less the worlds must dangerous spy.
What follows is a series of betrayals and a few action scenes leading up to a fiery climax which almost redeems the film.
Let me say at the outset that I am a Bond fan and a traditionalist. I understand change happens over time and I am not one who thinks that the role began and ended with Sean Connery. I enjoyed Roger Moore though found him a bit camp. Timothy Dalton did not work for me, and George Lazenby was only Bond for one film so it is hard to judge him fairly. That being said, I found Pierce Brosnan to have been the best Bond since Connery as his interpretation of the character is dead on.
Sir Ian Fleming created the character and has said that he was influenced by people he knew. Bond is a well educated and cultured individual who was educated at the top schools, was an officer in the Royal Navy, and is a suave and charming individual as well as a cold and deadly killer when needed. He is scarred by events in his past, as such he relies on alcohol, duty, and woman to get by, but never once allows himself to get to close to anyone.
When they rebooted the franchise with Craig, much of the 40 years of Bond as well as the essence of the character have been lost. Craig’s Bond is not a cultured blue blood, he is a common thug. In my review of “Casino Royale” I mentioned that the new Bond passed up spending a night with a woman in order to pursue a lead, and how Connery would have found time to do both with style.
Craig’s Bond is very light on womanizing and the film has zero sexual tension and only a very brief romance seen that seems tacked on. The underlying themes of Bond has been guns, gadgets, girls, and action, and this film has chosen to pretty much eschew almost all of this as there are zero gadgets in the film and to be honest, I found the plot to be uninspired.
I think that in many ways the people behind the film have tried to get as far away from the past Bond films as possible especially the maniacal villains who were bent on destroying the world.
As an action film, the movie does have its moments and if it was not a Bond film would be a passable action thriller. As a Bond film, it promises the world and will likely disappoint much long term Bond fans and appeal mainly to those who do not have a longstanding history with the character from book to film. I have to wonder if Sir Ian Fleming is spinning in his grave over what they have done to his gentleman spy in the name of progress.
Merissa (11877 KP) rated Rhodes (Angelbound Offspring #4) in Books
Dec 17, 2019
Rhodes is the fourth book in the Angelbound Offspring series, and continues the story featuring Rhodes and Zinnia.
Zinnia is still living in the tower and visited by Rhodes whenever possible, which is difficult in itself as he is currently undergoing training. Huntress and Kaps, plus all the band members, help with Zinnia's idea on how to end things once and for all.
Rhodes is definitely a continuation to Zinnia, so even if you don't read the others (but why?), you should definitely read that one, otherwise you won't have the faintest idea about all the subtleties and nuances that are there. The world-building is just as good as all the others, and the connection between Rhodes and Zinnia is stronger than ever. Kaps doesn't play as big a part in this book, which I was thankful for. A favourite character of mine is Bash though. I would love for him to have a bigger role.
All in all, this was a great addition to the series that I thoroughly enjoyed. I can't wait to continue the series, and have no hesitation in recommending both the book and the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Zinnia is still living in the tower and visited by Rhodes whenever possible, which is difficult in itself as he is currently undergoing training. Huntress and Kaps, plus all the band members, help with Zinnia's idea on how to end things once and for all.
Rhodes is definitely a continuation to Zinnia, so even if you don't read the others (but why?), you should definitely read that one, otherwise you won't have the faintest idea about all the subtleties and nuances that are there. The world-building is just as good as all the others, and the connection between Rhodes and Zinnia is stronger than ever. Kaps doesn't play as big a part in this book, which I was thankful for. A favourite character of mine is Bash though. I would love for him to have a bigger role.
All in all, this was a great addition to the series that I thoroughly enjoyed. I can't wait to continue the series, and have no hesitation in recommending both the book and the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
LR
Locomotive Recollections: No 45596 Bahamas: 84
Book
LMS engine No.5596 was constructed at the Queen's Park works of the North British Locomotive Co in...