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George Yeo on Bonsai, Banyan and the Tao: Pruning the Banyan Tree
Asad-ul Iqbal Latif, Huay Leng Lee and George Yong-Boon Yeo
Book
Since his undergraduate days in Cambridge, George Yeo has spoken and written much in and out of...
Kyera (8 KP) rated Princess of Thorns in Books
Feb 1, 2018
Princess of Thorns is a not-so-classic retelling of the Sleeping Beauty story. The main character is actually the daughter of the cursed princess, who awoke from a kiss. Her name is Aurora, like the Disney movie's princess and her mother's name is Rose. In the french version of the tale, Sleeping Beauty's daughter is named Aurore. I believe that her mother's is the shortened form of Briar Rose, like German version of her tale by the Brother's Grimm. If you are familiar with the Grimm and Perrault versions of the tale, not only the Disney one, then you will notice many similarities. In a few versions of the tale, there is an evil step-mother or mother-in-law who attempts to eat the leading lady's children.
The author makes use of these characters and plots in her novel. She chooses to include the ill-fated mother, brother and sister, as well as the villainous step-mother. Although that familial tie is not explicitly stated, the King was the children's father and he married the ogre. Thus, she would be their step-mother. And you thought you had a dysfunctional family?
In true fairytale fashion, there are ogres, witches, fairies, and ruffians. Not all are portrayed as you would expect. The ogres have evolved, or perhaps devolved depending upon who you ask. In the early years, the ogres were monstrous creatures that devoured souls whole. They did not control themselves, but feasted on the entire soul leaving nothing behind. As time went on, they were forced to change and limit how much they took. After a time, the ogres began to become smaller and take on much more human-like appearances. Their food source never changed and they prided themselves upon each soul they took, marking their bare skulls.
The Fae seem human, although they possess extra-human traits and magic. One may not think of fairies and immediately imagine a human-like creature with great dexterity, skill in battle, and a lack of guilt -but the Fair Folk are shown this way in the novel. A fairy can bestow a gift upon a human child, like beauty, courage, eloquence, obedience, or strength. But each blessing comes with a curse, as the magic always finds a way to turn the gift into a burden. There are untold consequences to the blessings that cannot be avoided. As such, the fairies stopped giving their gifts to human children.
As with most fairytales, there is an element of romance. The love story blossoms under unusual circumstances and not without its share of problems. The two characters get to know each other throughout the journey, but their are many secrets left untold. As they are discovered, the relationship is altered for good or bad. And in the end, a choice must be made.
Most importantly, the novel isn't entirely predictable (although the budding romance was expected). Generally, you expect good to triumph over evil in most modern retellings of the story - unlike their Grimm counterparts. The plot's climax was frankly a little anti-climactic, but enjoyable non-the-less.
I think the author showed an average amount of character development, although I usually think more would be incredibly beneficial. Certain aspects of the world were explained, but not vividly enough. The "show-don't-tell" method could have been employed here to create a richer, more immersive world. Overall, I was pleased with the author's lexicon, grammar, and spelling - which happens much less often than should reasonably be expected.
I would certainly read another novel by this author as I love stories based upon fairytales. If you read Alex Flinn, I would highly recommend this novel to you just keep in mind it is slightly darker. Readers of fantasy, romance, and the like will enjoy this book and should give it a chance. It seems to target the female demographic, but males should enjoy it as well.
The author makes use of these characters and plots in her novel. She chooses to include the ill-fated mother, brother and sister, as well as the villainous step-mother. Although that familial tie is not explicitly stated, the King was the children's father and he married the ogre. Thus, she would be their step-mother. And you thought you had a dysfunctional family?
In true fairytale fashion, there are ogres, witches, fairies, and ruffians. Not all are portrayed as you would expect. The ogres have evolved, or perhaps devolved depending upon who you ask. In the early years, the ogres were monstrous creatures that devoured souls whole. They did not control themselves, but feasted on the entire soul leaving nothing behind. As time went on, they were forced to change and limit how much they took. After a time, the ogres began to become smaller and take on much more human-like appearances. Their food source never changed and they prided themselves upon each soul they took, marking their bare skulls.
The Fae seem human, although they possess extra-human traits and magic. One may not think of fairies and immediately imagine a human-like creature with great dexterity, skill in battle, and a lack of guilt -but the Fair Folk are shown this way in the novel. A fairy can bestow a gift upon a human child, like beauty, courage, eloquence, obedience, or strength. But each blessing comes with a curse, as the magic always finds a way to turn the gift into a burden. There are untold consequences to the blessings that cannot be avoided. As such, the fairies stopped giving their gifts to human children.
As with most fairytales, there is an element of romance. The love story blossoms under unusual circumstances and not without its share of problems. The two characters get to know each other throughout the journey, but their are many secrets left untold. As they are discovered, the relationship is altered for good or bad. And in the end, a choice must be made.
Most importantly, the novel isn't entirely predictable (although the budding romance was expected). Generally, you expect good to triumph over evil in most modern retellings of the story - unlike their Grimm counterparts. The plot's climax was frankly a little anti-climactic, but enjoyable non-the-less.
I think the author showed an average amount of character development, although I usually think more would be incredibly beneficial. Certain aspects of the world were explained, but not vividly enough. The "show-don't-tell" method could have been employed here to create a richer, more immersive world. Overall, I was pleased with the author's lexicon, grammar, and spelling - which happens much less often than should reasonably be expected.
I would certainly read another novel by this author as I love stories based upon fairytales. If you read Alex Flinn, I would highly recommend this novel to you just keep in mind it is slightly darker. Readers of fantasy, romance, and the like will enjoy this book and should give it a chance. It seems to target the female demographic, but males should enjoy it as well.
Eastern Empires
Tabletop Game
Eastern Empires is a board game for 3 to 9 players and covers the development of ancient...
Amy Christmas (171 KP) rated Half a King (Shattered Sea #1) in Books
Nov 27, 2017
The writing style is fluent and easy to follow (2 more)
Introduction to the world is smooth and not overwhelming
Never slow
Blew me away
Contains spoilers, click to show
I picked this book as well as the two sequels up from a charity shop for £2 on a bit of a whim, despite knowing I'd be lucky to get around to reading them in the next 3 years. A year on and boy am I glad I got to reading the first one sooner than anticipated.
Yarvi is our protagonist, a cripple that his father cast aside in favour of his 10 fingered brother, although Yarvi hated that he was ignored it allowed him to follow his own path and train to become a minister, an advisor to powerful people though he never gets a chance to pass the test. His plans dashed by his father and brothers deaths as he's forced to take the throne his father ruled from. During their funeral Yarvi swears to avenge them.
And he tries, even with his crippled hand but in such kingdoms we soon learn that betrayal is rife along with greed. Betrayed by one close to him Yarvi's reign ends abruptly on the battlefield.
After being made a slave he embarks on a journey that finds him rowing around the shattered sea and marching through snow. He manipulates small scale politics and finds himself on the sharp end of a few too many swords but with friends who seem fickle at first there to help him. However it seems that one of the group like Yarvi kept his true identity a secret and their is more to his uncles betrayal than meets the eye, because their are always more puppet masters.
And with a bittersweet ending the case is closed and the mystery solved, atleast one piece of it.
This book has a lot of death and makes you mourn those you thought you detested and hate those you thought you'd love. It's a fast paced action packed fantasy with a world of rich an wonderful colours and twists that are yelled at you from chapter one yet you still don't expect.
A very satisfying read because when you thought the betrayal was solved Abercrombie still held on to one final piece of the puzzle making for a bittersweet ending that really shows how far Yarvi has come, for better or for worse.
Yarvi is our protagonist, a cripple that his father cast aside in favour of his 10 fingered brother, although Yarvi hated that he was ignored it allowed him to follow his own path and train to become a minister, an advisor to powerful people though he never gets a chance to pass the test. His plans dashed by his father and brothers deaths as he's forced to take the throne his father ruled from. During their funeral Yarvi swears to avenge them.
And he tries, even with his crippled hand but in such kingdoms we soon learn that betrayal is rife along with greed. Betrayed by one close to him Yarvi's reign ends abruptly on the battlefield.
After being made a slave he embarks on a journey that finds him rowing around the shattered sea and marching through snow. He manipulates small scale politics and finds himself on the sharp end of a few too many swords but with friends who seem fickle at first there to help him. However it seems that one of the group like Yarvi kept his true identity a secret and their is more to his uncles betrayal than meets the eye, because their are always more puppet masters.
And with a bittersweet ending the case is closed and the mystery solved, atleast one piece of it.
This book has a lot of death and makes you mourn those you thought you detested and hate those you thought you'd love. It's a fast paced action packed fantasy with a world of rich an wonderful colours and twists that are yelled at you from chapter one yet you still don't expect.
A very satisfying read because when you thought the betrayal was solved Abercrombie still held on to one final piece of the puzzle making for a bittersweet ending that really shows how far Yarvi has come, for better or for worse.
Sophia (Bookwyrming Thoughts) (530 KP) rated Parting Worlds (Once Upon a Curse #4) in Books
Mar 24, 2020
Parting Worlds brings everything together.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
Darren (1599 KP) rated 6 Days (2017) in Movies
Jun 20, 2019 (Updated Jun 20, 2019)
Contains spoilers, click to show
Story: 6 Days starts on the 30th April 1980 when Iranian terrorists storm the Iranian Embassy in Princes Gate taking hostages and demanding the release of 91 prisoners back in Iran. We follow the negotiator Max Vernon (Strong), reporter Kate Adie (Cornish) and the specialist SAS unit with rookie Rusty Firmin (Bell) planning their ideas of for entering the embassy.
England faces the idea of negotiating with terrorists or being strong and taking them down from the within showing the strength to deal with terrorist situations. As the tensions rise, Max tries to find a peaceful solution to everything while Rusty and his team are preparing for any chance of taking the embassy by force.
Thoughts on 6 Days
Characters – Rusty Firmin is the lead on a SAS team that are called to try and solve the hostage situation, they have only ever done training never being able to get their hands-on experience before. Rusty is desperate to show they are ready to protect their country. Max Vernon is the negotiator that keeps the terrorists calm, trying to make their demands happen, he stays calm through the whole situation even when the pressure to make something happen is getting to him. Kate Adie gives updates from outside for the watching television public to see how everything unfolds, in all honesty, we don’t need to be following this character.
Performances – When you look at the performances you can’t fault them because they are give good performances, Mark Strong shines like he always does, Jamie Bell is good too, the limited scenes Abbie Cornish is in she does well to. The problem is the characters are not the most interesting.
Story – The story is based on the real Iranian terrorist hostage situation in 1980 which last the 6 Days. It shows how England didn’t want a copy of what happened in Munich, didn’t want to give into terrorism and wanted to remain strong in the eyes of the world. It also shows how while being trained to deal with the situation, the SAS had never had to tackle things in reality. This should be an interesting watch but in the end, we don’t focus on enough of the negotiation process or the tactical side leaving us feeling like we haven’t learnt enough by the end.
Action/History – The get tactical action, the most part is training ideas before one main shot, but it doesn’t feel like it was shot the best way. We learn moments from the historical events, but most comes from the reading over the storytelling.
Settings – The film is set instantly around the Embassy, which puts us into the action from the start which is all we want to see.
Scene of the Movie – The practise sieges
That Moment That Annoyed Me – I feel we should have followed one side more instead of trying to cover three angles.
Final Thoughts – This is a solid enough history lesson, we learn what we need to, but not enough from the action unfolding before us.
Overall: Disappointing historical drama.
https://moviesreview101.com/2017/11/26/6-days-2017/
England faces the idea of negotiating with terrorists or being strong and taking them down from the within showing the strength to deal with terrorist situations. As the tensions rise, Max tries to find a peaceful solution to everything while Rusty and his team are preparing for any chance of taking the embassy by force.
Thoughts on 6 Days
Characters – Rusty Firmin is the lead on a SAS team that are called to try and solve the hostage situation, they have only ever done training never being able to get their hands-on experience before. Rusty is desperate to show they are ready to protect their country. Max Vernon is the negotiator that keeps the terrorists calm, trying to make their demands happen, he stays calm through the whole situation even when the pressure to make something happen is getting to him. Kate Adie gives updates from outside for the watching television public to see how everything unfolds, in all honesty, we don’t need to be following this character.
Performances – When you look at the performances you can’t fault them because they are give good performances, Mark Strong shines like he always does, Jamie Bell is good too, the limited scenes Abbie Cornish is in she does well to. The problem is the characters are not the most interesting.
Story – The story is based on the real Iranian terrorist hostage situation in 1980 which last the 6 Days. It shows how England didn’t want a copy of what happened in Munich, didn’t want to give into terrorism and wanted to remain strong in the eyes of the world. It also shows how while being trained to deal with the situation, the SAS had never had to tackle things in reality. This should be an interesting watch but in the end, we don’t focus on enough of the negotiation process or the tactical side leaving us feeling like we haven’t learnt enough by the end.
Action/History – The get tactical action, the most part is training ideas before one main shot, but it doesn’t feel like it was shot the best way. We learn moments from the historical events, but most comes from the reading over the storytelling.
Settings – The film is set instantly around the Embassy, which puts us into the action from the start which is all we want to see.
Scene of the Movie – The practise sieges
That Moment That Annoyed Me – I feel we should have followed one side more instead of trying to cover three angles.
Final Thoughts – This is a solid enough history lesson, we learn what we need to, but not enough from the action unfolding before us.
Overall: Disappointing historical drama.
https://moviesreview101.com/2017/11/26/6-days-2017/
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RəX Regent (349 KP) rated Batman Begins (2005) in Movies
Feb 19, 2019
Batman has always seemed to make great viewing and with the darker takes on him of the past to decades, great movies. This was a real treat though. It’s almost a rational take on an irrational super hero. Christopher Nolan has managed to give Batman a human face and the world he inhabits a sense of scale and realism. But that’s not to say that it is lacking in the sense of the theatrical.
Back in 2005, the hype for this film was building, with a new take on the old comic hero taking shape. Though I must admit that the design of the new Batmobile didn’t look cool to me, but I loved the concept of rooting him in a real world. The other questionable point was that lack of the big hitters in terms of the villains. The Joker, Penguin, Riddler and Catwomen were dumped in favour of The Scarecrow and Ra’s al Ghul, with only one that I, as the un-indoctrinated in comic book lore, that I had heard of being The Scarecrow.
But this was not to be a typical Batman film in any sense of the word. In June 2005, Batman was reborn and not only had the career of an independently styled filmmaker, Christopher Nolan blown into the big leagues but Blockbusters had just been redefined, an event not dis-similar in effect t those of Jaws and Star Wars in the 1970’s.
Batman, a Warner Bros. cash cow for decades, was about to cross all the main lines within the industry and a blockbuster with art house sensibilities and real intelligence was about to born. It’s not the first, but it opened the door for Nolan and his like to change the way we think about movies of this kind. It doesn’t seem to be that long ago that Marvel was dominating cinemas was some first-rate adaptations such as X-Men, Spider-man and the underrated Hulk, which in many ways may be classed as a prototype for this, with art house direction from Ang Lee.
The plot of Batman Begins isn’t really that important though that’s not to sell it short. It’s a highly developed and conceived story, packed from the opening frame to the 140th minute, but it’s simply the perfect blend of the evolution of Bruce Wayne into Batman, and the usual diabolical plans of the super-villain, only it doesn’t feel like that when you’re watching it. It feels like a well judged story about a traumatised young man, struggling to come terms with his parents murder, and his place in the world.
Luckily for him, his family are billionaires and his butler is Alfred, or more importantly, Michael Caine! There are of course a whole host of contrivances to explain how Batman’s image was forged, how the Batcave was created and where the Batmobile came from, but no-one’s suggesting that this a documentary. This is a more grounded and psychological approach to the story of a nutcase who dressed up like a bat and fights crime without a single superpower to his aid.
But it’s how Nolan brings all this together that works so well. He addresses things so subtly that you can end up missing them if you blink, or at least fail to see them coming. Wayne is turned into a flamboyant excentric to maintain a distance from his friends, if he even has any. The Batcave never ends up looking how we’d expect either, but it is full of bats if that helps and he does park his car there.
It is not until The Dark Knight that we see a Batcave of sorts and that isn’t even in the grounds of Wayne Manor. So, the direction, conception and writing are great, what about the casting? Christian Bale is Wayne/Batman for me, though the animatistic tone to his voice maybe a little overdone, but I do get it. Katie Holmes is the weakest link and am glad that she was recast for the sequel. The rest of the players are first-rate and this may well be on of the best casts ever assembled for a single film in my opinion.
Gary Oldman, so understated as Lt. Gordon, Caine as Alfred is perfect; Liam Neeson is on top form, which he isn’t always, let’s face it and Morgan Freeman, like Oldman and Caine can seemingly do no wrong. Then there’s Hans Zimmer‘s collaboration with James Newton Howard for the score which is one of Zimmer’s best. Howard is an able composer and he clearly provided many of the excellent emotional riffs, but it was Zimmer who brought this together with his dominant, strident style, colossal beats and pacing.
The look and sound of this film sets it apart from so many of its brethren. Batman Begins is a truly original, relentless and groundbreaking movie that is the best of the comic book movies by a mile, but not necessarily the best comic book adaptation. Spider-man or Watchmen for example, may qualify for the fact that they more literally reflect their respective sources but Nolan’s masterpiece is a blueprint as to how film should tackle such adaptations.
And yes, that’s right; Batman Begins is a masterpiece if ever there was one, though a slightly lesser one in comparison to its own sequel, The Dark Knight which may have completely rewritten the handbook.
Back in 2005, the hype for this film was building, with a new take on the old comic hero taking shape. Though I must admit that the design of the new Batmobile didn’t look cool to me, but I loved the concept of rooting him in a real world. The other questionable point was that lack of the big hitters in terms of the villains. The Joker, Penguin, Riddler and Catwomen were dumped in favour of The Scarecrow and Ra’s al Ghul, with only one that I, as the un-indoctrinated in comic book lore, that I had heard of being The Scarecrow.
But this was not to be a typical Batman film in any sense of the word. In June 2005, Batman was reborn and not only had the career of an independently styled filmmaker, Christopher Nolan blown into the big leagues but Blockbusters had just been redefined, an event not dis-similar in effect t those of Jaws and Star Wars in the 1970’s.
Batman, a Warner Bros. cash cow for decades, was about to cross all the main lines within the industry and a blockbuster with art house sensibilities and real intelligence was about to born. It’s not the first, but it opened the door for Nolan and his like to change the way we think about movies of this kind. It doesn’t seem to be that long ago that Marvel was dominating cinemas was some first-rate adaptations such as X-Men, Spider-man and the underrated Hulk, which in many ways may be classed as a prototype for this, with art house direction from Ang Lee.
The plot of Batman Begins isn’t really that important though that’s not to sell it short. It’s a highly developed and conceived story, packed from the opening frame to the 140th minute, but it’s simply the perfect blend of the evolution of Bruce Wayne into Batman, and the usual diabolical plans of the super-villain, only it doesn’t feel like that when you’re watching it. It feels like a well judged story about a traumatised young man, struggling to come terms with his parents murder, and his place in the world.
Luckily for him, his family are billionaires and his butler is Alfred, or more importantly, Michael Caine! There are of course a whole host of contrivances to explain how Batman’s image was forged, how the Batcave was created and where the Batmobile came from, but no-one’s suggesting that this a documentary. This is a more grounded and psychological approach to the story of a nutcase who dressed up like a bat and fights crime without a single superpower to his aid.
But it’s how Nolan brings all this together that works so well. He addresses things so subtly that you can end up missing them if you blink, or at least fail to see them coming. Wayne is turned into a flamboyant excentric to maintain a distance from his friends, if he even has any. The Batcave never ends up looking how we’d expect either, but it is full of bats if that helps and he does park his car there.
It is not until The Dark Knight that we see a Batcave of sorts and that isn’t even in the grounds of Wayne Manor. So, the direction, conception and writing are great, what about the casting? Christian Bale is Wayne/Batman for me, though the animatistic tone to his voice maybe a little overdone, but I do get it. Katie Holmes is the weakest link and am glad that she was recast for the sequel. The rest of the players are first-rate and this may well be on of the best casts ever assembled for a single film in my opinion.
Gary Oldman, so understated as Lt. Gordon, Caine as Alfred is perfect; Liam Neeson is on top form, which he isn’t always, let’s face it and Morgan Freeman, like Oldman and Caine can seemingly do no wrong. Then there’s Hans Zimmer‘s collaboration with James Newton Howard for the score which is one of Zimmer’s best. Howard is an able composer and he clearly provided many of the excellent emotional riffs, but it was Zimmer who brought this together with his dominant, strident style, colossal beats and pacing.
The look and sound of this film sets it apart from so many of its brethren. Batman Begins is a truly original, relentless and groundbreaking movie that is the best of the comic book movies by a mile, but not necessarily the best comic book adaptation. Spider-man or Watchmen for example, may qualify for the fact that they more literally reflect their respective sources but Nolan’s masterpiece is a blueprint as to how film should tackle such adaptations.
And yes, that’s right; Batman Begins is a masterpiece if ever there was one, though a slightly lesser one in comparison to its own sequel, The Dark Knight which may have completely rewritten the handbook.
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