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Christina Haynes (148 KP) rated The Cruel Prince in Books
Jul 24, 2018
The Cruel Prince
Jude is a mortal in a Fae world. She was brought into that world when a Faerie called Madoc killed her Mother and Father. He took her, her twin sister Taryn and older (half Fae sister) Vivi to his mansion and raised her as his own. She learnt how to sword fight, and how to strategise as if she was Fae. She wanted to be like the Fae. she grew to love their world and not want to go back to the human realm. But she never wanted to be them. She did want to be like them, but better.
"Of course I want to be like them. They’re beautiful as blades forged in some divine fire. They will live forever."
The Fae don't treat the humans well, they use them as slaves or take them as wives or husbands. Though that could be see as a nice thing, the latter is not. They drug them with Fae magic and most humans are unaware of where they are and whom their company is. Truth is Fae would die out if it wasn't for humans. Humans breed and most have more than one. Fae don't or wait a long time and some only have one child. Not all Fae are bad, sure Madoc killed her parents but he also raised her and her sister and treated them rather well. This gives her respect with the other Fae, as Madoc is the kings General and very powerful one at that. But Fae can be bad, they can be mean and nasty.
Cardan is the worst.
When Jude looks at him, she hates him. He hates her too. But when they look at each other they can't breathe.
This is the story of Jude and Cardan. Jude is wanting to be better than the Fae, she is tired of them being horrible to her and humans alike. She wants Cardan to stop being nasty, she wants to be a knight for the palace. She wants to do something. Cardan wants to get drunk and drink his life away. To carry on being the Cruel Prince.
That's all about to change for them both. But one will lose and the other will gain... for now.
This book is brilliant, the twist at the end is something to look forward too. It's got a slow start, but the writing is great so that helps. But once you get half way and you uncover the story, your be hooked. I promise... remember Fae can't lie.
I can't wait for 'The Wicked King' 2019
4.5 – I REALLY LIKED IT (because of the slow start - but doesn't mean it was bad... I just wanted to know the story earlier as I'm impatient)
Love, Christina
"Of course I want to be like them. They’re beautiful as blades forged in some divine fire. They will live forever."
The Fae don't treat the humans well, they use them as slaves or take them as wives or husbands. Though that could be see as a nice thing, the latter is not. They drug them with Fae magic and most humans are unaware of where they are and whom their company is. Truth is Fae would die out if it wasn't for humans. Humans breed and most have more than one. Fae don't or wait a long time and some only have one child. Not all Fae are bad, sure Madoc killed her parents but he also raised her and her sister and treated them rather well. This gives her respect with the other Fae, as Madoc is the kings General and very powerful one at that. But Fae can be bad, they can be mean and nasty.
Cardan is the worst.
When Jude looks at him, she hates him. He hates her too. But when they look at each other they can't breathe.
This is the story of Jude and Cardan. Jude is wanting to be better than the Fae, she is tired of them being horrible to her and humans alike. She wants Cardan to stop being nasty, she wants to be a knight for the palace. She wants to do something. Cardan wants to get drunk and drink his life away. To carry on being the Cruel Prince.
That's all about to change for them both. But one will lose and the other will gain... for now.
This book is brilliant, the twist at the end is something to look forward too. It's got a slow start, but the writing is great so that helps. But once you get half way and you uncover the story, your be hooked. I promise... remember Fae can't lie.
I can't wait for 'The Wicked King' 2019
4.5 – I REALLY LIKED IT (because of the slow start - but doesn't mean it was bad... I just wanted to know the story earlier as I'm impatient)
Love, Christina
Gareth von Kallenbach (974 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 9, 2019
I was introduced to Scary Stories to Tell in the Dark (the amazing book series written by Alvin Schwartz back in 1981) in my Junior High history class. An odd place for sure to listen to this amazing collection of stories, and yet it displayed how these stories are impactful even if you aren’t reading them around a campfire in the middle of the woods. Schwartz had written two additional sequels to his stories in 1984 and 1991 and the incredibly creepy illustrations (by Stephen Gammell) helped to complete a collection of books that are at home in anyone’s collection both young and old.
The 80’s was a decade obsessed with the occult and works of fiction that parents thought were written to corrupt the minds of the youth of the age. Before video games were blamed for all the evil in the world there was Heavy Metal music, the fantastical role-playing games such as Dungeons and Dragons and books such as these that parents rallied around and attempted to ban from schools and after school functions. Looking back now at the hysteria that this caused is almost laughable, but for those of us growing up in that time it was a very real threat to the imaginations of youth around the globe. Outside of this brief history lesson however, I wondered how the books would translate into a movie.
Our story begins on Halloween night, the year is 1968 and the Vietnam War and the upcoming presidential elections are on everyone’s mind. Stella (Zoe Colletti) and her nerd friends Chuck (Austin Zajur) and Auggie (Gabriel Rush) decide that this will be the year that they get revenge on the local bully Tommy (Austin Abrams) for all his years of stealing candy from them on Halloween. After things go predictably wrong, the young group of kids are pursued to a drive-in theater where they seek refuge in a car that is owned by another out-of-town youngster named Ramon (Michael Garza). As thanks for “saving” them from a certain beating, Stella and the group decide to take Ramon to a real-life haunted house. A place where a young Sarah Bellows would tell stories to frighten children only for them to end up dead days later. While exploring the house the young group discover the hidden room of young Sarah Bellows and come across her book of “Scary Stories”. Unable to contain her own curiosity, Stella takes the book home with her and watches as the words on the pages turn into living nightmares of their own darkest fears.
Produced by Guillermo del Toro, Patrick Melton and Marcus Dunstan, Scary Stories takes a handful of fan favorites and weaves them into a “scary” story of their very own. Instead of simply being a collection of haunting tales, each one serves a purpose, whether it’s the “Red Dot” or “Harold”, each one is used to drive the story even further along. While at first, I was hoping that it would be a collection of short stories featuring these timeless classics, the way in which each individual story progresses the plot leads to a far more interesting experience overall.
Those looking for a movie filled with frightening tales that will have you reaching for the closest shoulder (whether you know who it belongs to or not) will be in for a bit of disappointment. That’s not to take away from the incredible amount of vision needed to bring these classic stories to life, but it takes on a far more contemporary feel, then the dark stories and supernatural visions of the books that came before it. The film comes away feeling more like Goosebumps and less like Freakshow which makes sense given its PG-13 rating and its obvious pre-teen to teen demographic. The movie is still fun however, particularly for those who fondly remember the stories from their youth and is one that will proudly sit beside the likes of Hocus Pocus when it comes to network television down the road as part of its likely Halloween line-up.
4 out of 5 stars
http://sknr.net/2019/08/08/scary-stories-to-tell-in-the-dark/
The 80’s was a decade obsessed with the occult and works of fiction that parents thought were written to corrupt the minds of the youth of the age. Before video games were blamed for all the evil in the world there was Heavy Metal music, the fantastical role-playing games such as Dungeons and Dragons and books such as these that parents rallied around and attempted to ban from schools and after school functions. Looking back now at the hysteria that this caused is almost laughable, but for those of us growing up in that time it was a very real threat to the imaginations of youth around the globe. Outside of this brief history lesson however, I wondered how the books would translate into a movie.
Our story begins on Halloween night, the year is 1968 and the Vietnam War and the upcoming presidential elections are on everyone’s mind. Stella (Zoe Colletti) and her nerd friends Chuck (Austin Zajur) and Auggie (Gabriel Rush) decide that this will be the year that they get revenge on the local bully Tommy (Austin Abrams) for all his years of stealing candy from them on Halloween. After things go predictably wrong, the young group of kids are pursued to a drive-in theater where they seek refuge in a car that is owned by another out-of-town youngster named Ramon (Michael Garza). As thanks for “saving” them from a certain beating, Stella and the group decide to take Ramon to a real-life haunted house. A place where a young Sarah Bellows would tell stories to frighten children only for them to end up dead days later. While exploring the house the young group discover the hidden room of young Sarah Bellows and come across her book of “Scary Stories”. Unable to contain her own curiosity, Stella takes the book home with her and watches as the words on the pages turn into living nightmares of their own darkest fears.
Produced by Guillermo del Toro, Patrick Melton and Marcus Dunstan, Scary Stories takes a handful of fan favorites and weaves them into a “scary” story of their very own. Instead of simply being a collection of haunting tales, each one serves a purpose, whether it’s the “Red Dot” or “Harold”, each one is used to drive the story even further along. While at first, I was hoping that it would be a collection of short stories featuring these timeless classics, the way in which each individual story progresses the plot leads to a far more interesting experience overall.
Those looking for a movie filled with frightening tales that will have you reaching for the closest shoulder (whether you know who it belongs to or not) will be in for a bit of disappointment. That’s not to take away from the incredible amount of vision needed to bring these classic stories to life, but it takes on a far more contemporary feel, then the dark stories and supernatural visions of the books that came before it. The film comes away feeling more like Goosebumps and less like Freakshow which makes sense given its PG-13 rating and its obvious pre-teen to teen demographic. The movie is still fun however, particularly for those who fondly remember the stories from their youth and is one that will proudly sit beside the likes of Hocus Pocus when it comes to network television down the road as part of its likely Halloween line-up.
4 out of 5 stars
http://sknr.net/2019/08/08/scary-stories-to-tell-in-the-dark/
Debbiereadsbook (1154 KP) rated Charles (Learning to Love #1) in Books
Jul 28, 2021
deep and complex emotions involved, but I loved it!
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
Once upon a time, there was a reader much like yourself. She read for pleasure, but also had fallen down the slippery slope of reading to review, so every book she read needed a review written. Fun, but hard work sometimes, especially when said reader found herself in a book funk of EPIC proportions, and that almost every book she read, was dumped.
Then THIS book landed in her queue to read and review. There had been lots of books dumped this past week, and there weren't many review books in her queue, but this one was asked for ages ago, and so she wanted to read it. So on a quiet evening at work, she jumped in.
And she was pulled back into the small Cornish village that this book is set, the same one that feature in the HIS series, and she was pulled deeper and deeper and she did not stop reading! Well, she did, but only because she was at work! Going home, and she finished this book, staying up waaaaaaaaaaaaaaaaaay past her bedtime, and she loved it!
She loved Charles. Charles is the third son of an Earl, but he just wants to use his degree to help children who might slip through the net, much like he did. His undiagnosed dyslexia meant he did not get the help he needed as a child, and he doesn't want that for another child. He sees the world differently and wants to help. Applying for the teachers job for a group of 4/5 year olds is his dream job. But the head doesn't think Charles is qualified enough but offers Charles a different sort of job. To bring a smile to his friend's face again.
The reader loved Hugo too. Even though Hugo isn't given a voice, the reader heard him good and well when he speaks. When he touches Charles, when Charles touches him. Hugo was HEARD. Hugo's calling is questioned but his faith is not. He needs to make a decision about fully committing to the church, but he also needs to heal first. Charles helps him to heal, inside and out.
The reader loved that Hugo doesn't hold Charles' history against him. Loved the fact that Hugo almost embraced it. The reader was made to cry. Charles has a deep soul, and he wears his emotions on his face and Hugo sees Charles, really SEES him.
The reader loved that Kier and Mitch, from His Haven. Charles and Kier are best friends. Loved that Kier saw Charles too, just in a different way to Hugo. The reader loved that Charles and his brother George got on soooooooooo much better towards the end of the book than the beginning!
The reader found this a very emotional book. Whether that was because of Charles, or Hugo or them both together, she wasn't quite sure, but she loved that it was. There are deep and complex emotions in this book, and it made the reader slow her reading down, to fully appreciate them.
And the epilogue?? Oh, the reader bawled her heart out at that, she really did!
So, all in all, the reader LOVED this book! The reader wants more of this author!
And the reader lived happily ever after, because lots of this author's books are now settled on her kindle!
The end, with 5 full and shiny stars!
**same worded review will appear elsewhere**
Once upon a time, there was a reader much like yourself. She read for pleasure, but also had fallen down the slippery slope of reading to review, so every book she read needed a review written. Fun, but hard work sometimes, especially when said reader found herself in a book funk of EPIC proportions, and that almost every book she read, was dumped.
Then THIS book landed in her queue to read and review. There had been lots of books dumped this past week, and there weren't many review books in her queue, but this one was asked for ages ago, and so she wanted to read it. So on a quiet evening at work, she jumped in.
And she was pulled back into the small Cornish village that this book is set, the same one that feature in the HIS series, and she was pulled deeper and deeper and she did not stop reading! Well, she did, but only because she was at work! Going home, and she finished this book, staying up waaaaaaaaaaaaaaaaaay past her bedtime, and she loved it!
She loved Charles. Charles is the third son of an Earl, but he just wants to use his degree to help children who might slip through the net, much like he did. His undiagnosed dyslexia meant he did not get the help he needed as a child, and he doesn't want that for another child. He sees the world differently and wants to help. Applying for the teachers job for a group of 4/5 year olds is his dream job. But the head doesn't think Charles is qualified enough but offers Charles a different sort of job. To bring a smile to his friend's face again.
The reader loved Hugo too. Even though Hugo isn't given a voice, the reader heard him good and well when he speaks. When he touches Charles, when Charles touches him. Hugo was HEARD. Hugo's calling is questioned but his faith is not. He needs to make a decision about fully committing to the church, but he also needs to heal first. Charles helps him to heal, inside and out.
The reader loved that Hugo doesn't hold Charles' history against him. Loved the fact that Hugo almost embraced it. The reader was made to cry. Charles has a deep soul, and he wears his emotions on his face and Hugo sees Charles, really SEES him.
The reader loved that Kier and Mitch, from His Haven. Charles and Kier are best friends. Loved that Kier saw Charles too, just in a different way to Hugo. The reader loved that Charles and his brother George got on soooooooooo much better towards the end of the book than the beginning!
The reader found this a very emotional book. Whether that was because of Charles, or Hugo or them both together, she wasn't quite sure, but she loved that it was. There are deep and complex emotions in this book, and it made the reader slow her reading down, to fully appreciate them.
And the epilogue?? Oh, the reader bawled her heart out at that, she really did!
So, all in all, the reader LOVED this book! The reader wants more of this author!
And the reader lived happily ever after, because lots of this author's books are now settled on her kindle!
The end, with 5 full and shiny stars!
**same worded review will appear elsewhere**
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Natacha (374 KP) rated Red Rising in Books
Jan 23, 2020
More reviews on my blog: https://natachainreviewland.wordpress.com/
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
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Gareth von Kallenbach (974 KP) rated Transporter 3 (2008) in Movies
Aug 14, 2019
Frank Martin (Jason Statham), the finest driver for hire in the world is back in “Transporter 3”. This time out Frank is forced to deliver a captive girl named Valentina (Natalya Rudakova), to Odessa from his home in Marseilles .
Frank has been recruited against his will by a scheming individual named Johnson (Robert Knepper), who plans to force the Leader of the Ukrainian government to sign a treaty that will allow for dumping of toxic chemicals.
Johnson has a very vital package from Frank to deliver and thanks to an explosive device attached to Frank and Valentina, he has the reluctant services that make a very in demand individual.
As if matters were not complicated enough for Frank, there is a band of thugs hot on his trail as he and Valentina race through the scenic landscapes of Europe.
Frank is determined to find a way to remove the explosive device attached to his wrist, and Valentina is more resigned to her fate as she sees that no matter what, they are both soon to be dead and should live what little life they have left as best as they can.
Along the way, Frank unleashes some of the signature action sequences of the series which as always include outrageous fight scenes that are as well choreographed as anything Jackie Chan has ever unleashed. Frank is a whirring dervish of action and destruction which bellies his soft spoken man of few words persona.
The film also has plenty of car chases to go with the fight sequences and while they are getting more and more over the top with each new segment of the series, still offer excitement. One such scene involves Frank racing through town on a bike to keep pace with his car after being separated from it. Since Frank or Valentina will go boom should they move beyond a certain distance from the tricked out Audi, you can imagine the extreme steps Frank takes to keep this from happening.
While the action of the film is good, I have to say that it is starting to wear thin after the two previous films. The original “Transporter” was a very fresh film as it blended over the top action and well choreographed fight sequences with a European drama to create a unique hybrid of American and European cinema.
The sequel, “Transporter 2”, relied heavily upon the outrageous stunts and less on plots yet still satisfied thanks to the non-stop action and charisma of Statham.
This time out the dialogue is so stunted and bland that you never see any chemistry between the lead characters develop and it seems a very forced pairing. It was reported that Natalya Rudakova was spotted going to work by Producer Luc Besson who cast her in the film even though she had no acting experience and while she does a good job, they just do not seem to fit with one another in a way that makes the audience care or believe in their situation.
The plot of the film is decent enough for an action film but lacks any real twists or turns which causes the film to unfold with few surprises. While the finale is acceptable, I wanted a better payoff as the series has yet to top the oil fight scene in the first film in my opinion.
In then end the film is a mixed bag that will appeal to fans of the series but even they will have to admit that the tread is starting to wear thin on the tires of this series.
Frank has been recruited against his will by a scheming individual named Johnson (Robert Knepper), who plans to force the Leader of the Ukrainian government to sign a treaty that will allow for dumping of toxic chemicals.
Johnson has a very vital package from Frank to deliver and thanks to an explosive device attached to Frank and Valentina, he has the reluctant services that make a very in demand individual.
As if matters were not complicated enough for Frank, there is a band of thugs hot on his trail as he and Valentina race through the scenic landscapes of Europe.
Frank is determined to find a way to remove the explosive device attached to his wrist, and Valentina is more resigned to her fate as she sees that no matter what, they are both soon to be dead and should live what little life they have left as best as they can.
Along the way, Frank unleashes some of the signature action sequences of the series which as always include outrageous fight scenes that are as well choreographed as anything Jackie Chan has ever unleashed. Frank is a whirring dervish of action and destruction which bellies his soft spoken man of few words persona.
The film also has plenty of car chases to go with the fight sequences and while they are getting more and more over the top with each new segment of the series, still offer excitement. One such scene involves Frank racing through town on a bike to keep pace with his car after being separated from it. Since Frank or Valentina will go boom should they move beyond a certain distance from the tricked out Audi, you can imagine the extreme steps Frank takes to keep this from happening.
While the action of the film is good, I have to say that it is starting to wear thin after the two previous films. The original “Transporter” was a very fresh film as it blended over the top action and well choreographed fight sequences with a European drama to create a unique hybrid of American and European cinema.
The sequel, “Transporter 2”, relied heavily upon the outrageous stunts and less on plots yet still satisfied thanks to the non-stop action and charisma of Statham.
This time out the dialogue is so stunted and bland that you never see any chemistry between the lead characters develop and it seems a very forced pairing. It was reported that Natalya Rudakova was spotted going to work by Producer Luc Besson who cast her in the film even though she had no acting experience and while she does a good job, they just do not seem to fit with one another in a way that makes the audience care or believe in their situation.
The plot of the film is decent enough for an action film but lacks any real twists or turns which causes the film to unfold with few surprises. While the finale is acceptable, I wanted a better payoff as the series has yet to top the oil fight scene in the first film in my opinion.
In then end the film is a mixed bag that will appeal to fans of the series but even they will have to admit that the tread is starting to wear thin on the tires of this series.
Never meet your heroes is the succinct tag line of this Amazon original series, dealing with the notion that all superheroes are morally good… but what if they weren’t…?
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Gareth von Kallenbach (974 KP) rated The Village (2004) in Movies
Aug 14, 2019
Deep within a lush meadow a thriving community is enjoying a communal dinner following the passing of a young member of the town. The smiles and laughter that emerge from those seated at the table hide that fact that the town lives in perpetual fear of an unspeakable evil.
The towns residents are haunted by creatures that are referred to as “Those we do not speak of” and are bound within the borders of their village by a long-standing set of rules. The rules consist of not having a trace of the color red anywhere within the town, and never breaking the boarders of the village as angering the creatures or venturing into their territory is sure to result in certain death.
Under the leadership of Edward Walker (William Hurt), the village has grown and a truce has been maintained with the creatures by following the rules of conduct that have been established. Walker is a happy man as his oldest daughter is marrying and his blind younger daughter Ivy (Bryce Dallas Howard) is becoming very close to Lucius Hunt (Joaquin Phoenix). On what should be joyous time in the community, instead becomes one of fear as mutilated animals and bizarre sightings have been found throughout the village indicating that the creatures from the woods have become annoyed and are making their displeasure with the local townsfolk known.
Lucius has provoked this situation by his challenge of the borders and has admitted that he has ventured into the woods and desires to travel to the towns that the elders speak of that lay beyond the woods. This is put off as youthful indiscretions and when Lucius agrees not to travel and his intentions to marry Ivy, things seem to be right in the world, especially to his mother Alice (Sigourney Weaver), who worried that her son would meet a bad end the same way her late husband did.
Things do not go as planned as an unforeseen accident has caused dire repercussions for the town and forces the town elders to allow travel beyond the village as not doing so can have even larger repercussions than doing so.
What should be a tight thriller instead becomes a mess as “The Village” suffers from a bad plot and terrible sequencing that eliminates much of the suspense in the film. We were asked not to reveal the surprise ending, but suffice it to say, that 6 minutes into the film, I looked at my watch, and told my friend what I thought the surprise twist would be. Low and behold, I was dead on as the film offers very little surprises.
This is a tragic shame as the concept of the film is good and the cast and performances are first rate especially Adrian Brody in a supporting performance and the amazing work of Hurt and Phoenix. Sadly it all becomes much ado about nothing as the film promises so much and yet delivers amazingly little. Writer/Director M. Night Shyamlan has created 2/3 of a great film but the pacing of the film and resolution of the key events of the story are so badly done, they make you wonder if he was asleep. Case in point, there is a key plot point that is revealed in the film that later undermines a sequence in the woods and destroys a golden opportunity of discovery and shock for the audience as what should be a tense moment with a shocking conclusion is instead watered down by information that was revealed in a flashback that never should have been shown to the audience prior to the scene.
This is such a hard film to review as I find fault with segments yet am unable to really explain my criticisms without giving away key points to the plot. I guess the best way to describe the film would be to think of it as an episode of “The Outer Limits” or “Twilight Zone”. It has a great premise, but unlike the two series, the outcome is badly done and at least for me, very easy to see coming. At least it took me 15 minutes to see the twist in “The Sixth Sense”, and allowed me to enjoy the story despite this fact. Once I figured out what twist the story would take, the film implodes as the entire premise is based upon a flimsy base that once exposed, causes the film to implode like a house of cards.
My advice, wait for the DVD.
The towns residents are haunted by creatures that are referred to as “Those we do not speak of” and are bound within the borders of their village by a long-standing set of rules. The rules consist of not having a trace of the color red anywhere within the town, and never breaking the boarders of the village as angering the creatures or venturing into their territory is sure to result in certain death.
Under the leadership of Edward Walker (William Hurt), the village has grown and a truce has been maintained with the creatures by following the rules of conduct that have been established. Walker is a happy man as his oldest daughter is marrying and his blind younger daughter Ivy (Bryce Dallas Howard) is becoming very close to Lucius Hunt (Joaquin Phoenix). On what should be joyous time in the community, instead becomes one of fear as mutilated animals and bizarre sightings have been found throughout the village indicating that the creatures from the woods have become annoyed and are making their displeasure with the local townsfolk known.
Lucius has provoked this situation by his challenge of the borders and has admitted that he has ventured into the woods and desires to travel to the towns that the elders speak of that lay beyond the woods. This is put off as youthful indiscretions and when Lucius agrees not to travel and his intentions to marry Ivy, things seem to be right in the world, especially to his mother Alice (Sigourney Weaver), who worried that her son would meet a bad end the same way her late husband did.
Things do not go as planned as an unforeseen accident has caused dire repercussions for the town and forces the town elders to allow travel beyond the village as not doing so can have even larger repercussions than doing so.
What should be a tight thriller instead becomes a mess as “The Village” suffers from a bad plot and terrible sequencing that eliminates much of the suspense in the film. We were asked not to reveal the surprise ending, but suffice it to say, that 6 minutes into the film, I looked at my watch, and told my friend what I thought the surprise twist would be. Low and behold, I was dead on as the film offers very little surprises.
This is a tragic shame as the concept of the film is good and the cast and performances are first rate especially Adrian Brody in a supporting performance and the amazing work of Hurt and Phoenix. Sadly it all becomes much ado about nothing as the film promises so much and yet delivers amazingly little. Writer/Director M. Night Shyamlan has created 2/3 of a great film but the pacing of the film and resolution of the key events of the story are so badly done, they make you wonder if he was asleep. Case in point, there is a key plot point that is revealed in the film that later undermines a sequence in the woods and destroys a golden opportunity of discovery and shock for the audience as what should be a tense moment with a shocking conclusion is instead watered down by information that was revealed in a flashback that never should have been shown to the audience prior to the scene.
This is such a hard film to review as I find fault with segments yet am unable to really explain my criticisms without giving away key points to the plot. I guess the best way to describe the film would be to think of it as an episode of “The Outer Limits” or “Twilight Zone”. It has a great premise, but unlike the two series, the outcome is badly done and at least for me, very easy to see coming. At least it took me 15 minutes to see the twist in “The Sixth Sense”, and allowed me to enjoy the story despite this fact. Once I figured out what twist the story would take, the film implodes as the entire premise is based upon a flimsy base that once exposed, causes the film to implode like a house of cards.
My advice, wait for the DVD.