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Sarah (7800 KP) rated A Gate at the Stairs in Books
Feb 9, 2020
Not bad but ultimately forgettable
I read this as part of a local reading group I’ve joined recently, and I was sceptical as some of the Goodreads reviews are scathing to say the least. However fortunately this isn’t as bad as others seem to think.
The problem is that this book is mostly forgettable. The writing is rather good, although does have a tendency to ramble off at rather bizarre tangents. I’m not sure if this is meant to be a nod to the disjointed and random thoughts of the narrator, but for me this didn’t quite work. When it got a little rambling I found my mind began to wander and I ended up skim reading more than I should. I also struggled with the anti-racism group, while they didn’t feature too often when they did their inane ramblings and chat I just couldn’t stand. Despite this the rest of the book isn’t too bad. Tassie is a rather shambolic protagonist and for the most part not very sympathetic or endearing. But the development of her and her friends and family is engaging enough to keep you reading, even if sadly this book is ultimately forgettable.
The problem is that this book is mostly forgettable. The writing is rather good, although does have a tendency to ramble off at rather bizarre tangents. I’m not sure if this is meant to be a nod to the disjointed and random thoughts of the narrator, but for me this didn’t quite work. When it got a little rambling I found my mind began to wander and I ended up skim reading more than I should. I also struggled with the anti-racism group, while they didn’t feature too often when they did their inane ramblings and chat I just couldn’t stand. Despite this the rest of the book isn’t too bad. Tassie is a rather shambolic protagonist and for the most part not very sympathetic or endearing. But the development of her and her friends and family is engaging enough to keep you reading, even if sadly this book is ultimately forgettable.
Awix (3310 KP) rated Little Women (2019) in Movies
Jan 7, 2020
Not my usual kind of movie, but I turn up for anything with Greta Gerwig or Florence Pugh involved in it. Happily this proved not to be the leaden piece of post-MeToo agitprop some of the advertising suggested, but a sensitive and subtle adaptation of a classic piece of literature (it says here). During and after the American Civil War, four sisters (Meg, Amy, Little Jo and Hoss) grow up and come of age, under the steely gaze of their Aunt Ben Cartwright (Meryl Streep). (I may be getting this mixed up with something else.)
Strong performances, especially from Ronan and Pugh, and a generally classy movie in most respects. This is mainly due to a very smart script and evocative direction, both from Gerwig, which finds clever resonances between events at different points in the narrative (the story is told somewhat out of chronological order) and creates just the right kind of atmosphere. There is inevitably a little bit of gender politics, but also a scene where a character suggests that there's nothing wrong with wanting to get married and have children, either. Engaging, likeable, and even quite moving in places.
Strong performances, especially from Ronan and Pugh, and a generally classy movie in most respects. This is mainly due to a very smart script and evocative direction, both from Gerwig, which finds clever resonances between events at different points in the narrative (the story is told somewhat out of chronological order) and creates just the right kind of atmosphere. There is inevitably a little bit of gender politics, but also a scene where a character suggests that there's nothing wrong with wanting to get married and have children, either. Engaging, likeable, and even quite moving in places.
Kristy H (1252 KP) rated Lock Every Door in Books
Mar 19, 2020
This book wasn't what I was expecting, but, pleasantly, in a good way. Jules is hired as an apartment sitter (apparently those exist) at the ritzy Bartholomew in New York City. She's incredibly broke and down on her luck, so getting paid to stay in a beautiful apartment seems like a dream come true. But the job comes with a lot of rules: no overnight guests, spend every night at the apartment, don't bother any of the other residents, and more. Jules finds a friend in another sitter, Ingrid, who tells her everything isn't as it seems at the Bartholomew. Jules figures she's just exaggerating. Until Ingrid disappears. Hunting for her friend, Jules finds out some dark secrets about the Bartholomew--and starts to believe Ingrid was right.
LOCK EVERY DOOR is a total page-turner. Jules is an engaging, if occasionally frustrating protagonist, who is easy to like. The premise of this one is certainly interesting and just when you think it's going off on in one direction, it completely surprises you. Sager nails the creepy atmosphere coupled with the NYC setting, allowing you to get completely lost in the book for a couple of hours. 4 stars.
LOCK EVERY DOOR is a total page-turner. Jules is an engaging, if occasionally frustrating protagonist, who is easy to like. The premise of this one is certainly interesting and just when you think it's going off on in one direction, it completely surprises you. Sager nails the creepy atmosphere coupled with the NYC setting, allowing you to get completely lost in the book for a couple of hours. 4 stars.
Awix (3310 KP) rated The Call Of The Wild (2020) in Movies
Feb 25, 2020
Rather too big-budget Jack London adaptation is long on CGI and short on grit, but remains engaging and dignified entertainment. Pampered house dog Buck is abducted from his California home and packed off to Alaska during the gold rush, slowly getting in touch with his wild side. Harrison Ford plays the main human part - there was something oddly familiar about seeing the star team up with a huge, hairy, almost totally non-verbal partner and then I remembered the Russian word for dog is sowbacca and it all made a bit more sense.
The harder edges of London's book have been sanded down considerably, and this does verge on the sentimental and cutesy in places - for one ghastly moment I thought the dogs were going to start talking to each other - and the fact it's made with a CGI dog (Terry Notary has been mo-capped) will probably put some people off. But it's solid, likeable stuff, lifted considerably by performances from Ford and Omar Sy. I still think it was madness to spend over $120 million on a film which will probably struggle to find an audience, but it has a definite charm to it.
The harder edges of London's book have been sanded down considerably, and this does verge on the sentimental and cutesy in places - for one ghastly moment I thought the dogs were going to start talking to each other - and the fact it's made with a CGI dog (Terry Notary has been mo-capped) will probably put some people off. But it's solid, likeable stuff, lifted considerably by performances from Ford and Omar Sy. I still think it was madness to spend over $120 million on a film which will probably struggle to find an audience, but it has a definite charm to it.
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