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LeftSideCut (3776 KP) rated Leprechaun: Back 2 tha Hood (2003) in Movies
Dec 3, 2020
And so we come to the end of the emotional journey that is Warwick Davis' Leprechaun, and I need pinching because it's actually not half bad. The first Leprechaun Hood movie had some good aspects, but was bogged down by cheap ass production standards. This "sequel" manages to retain what was good about the previous film, looks more professional, and is just an all round better experience.
Lep himself is different - he doesn't do his rhyming schtick from every other entry, and has a darker coloured new costume. It was a bit jarring at first but it grows on you. He comes across colder than before, and the movie as a whole feels much more like a slasher than ever. It also boasts some pretty decent kills, and some solid dark humour!
The lead human cast are once again pretty interesting, as far as slashers go, and much like In the Hood, makes this film engaging to a degree.
It still has trashy dialogue, and some dodgy effects sure, but it's miles ahead than say Leprechaun in Space in terms of quality. It's even starts with a genuinely great animated sequence.
It's also worth noting how low key hilarious it is when Lep is getting roughed up. Honestly, he just gets the shit kicked out of him in this one, over and over again, and keeps getting back up, over and over again. The dude is relentless, and is another reason why this Lep is arguably the best portrayal in the whole series. He actually feels quite threatening, and the climax involves a mother fucking magic fight with a witch. Way to step it up Back 2 tha Hood!
It's obviously not the Citizen Kane of horror, but you could do a lot worse, and this might honestly be my favourite entry in the whole franchise, which I certainly didn't expect going in!
Lep himself is different - he doesn't do his rhyming schtick from every other entry, and has a darker coloured new costume. It was a bit jarring at first but it grows on you. He comes across colder than before, and the movie as a whole feels much more like a slasher than ever. It also boasts some pretty decent kills, and some solid dark humour!
The lead human cast are once again pretty interesting, as far as slashers go, and much like In the Hood, makes this film engaging to a degree.
It still has trashy dialogue, and some dodgy effects sure, but it's miles ahead than say Leprechaun in Space in terms of quality. It's even starts with a genuinely great animated sequence.
It's also worth noting how low key hilarious it is when Lep is getting roughed up. Honestly, he just gets the shit kicked out of him in this one, over and over again, and keeps getting back up, over and over again. The dude is relentless, and is another reason why this Lep is arguably the best portrayal in the whole series. He actually feels quite threatening, and the climax involves a mother fucking magic fight with a witch. Way to step it up Back 2 tha Hood!
It's obviously not the Citizen Kane of horror, but you could do a lot worse, and this might honestly be my favourite entry in the whole franchise, which I certainly didn't expect going in!
Kristy H (1252 KP) rated Invisible Girl in Books
Oct 29, 2020
A dark, creepy read full of surprises
Owen Pick, a teacher in his thirties, has never had a relationship with a women. He's barely even had a successful date. He's teased by the young female students at the college where he works. He lives in a flat owned by his elderly aunt and recently has found solace on incel forums. Across the street from Owen lives the Fours family. They, frankly, find Owen creepy, especially mom Cate and her teenage daughter. Dad, Roan, a child psychologist, is too busy with work to care that much, while their teenage son is basically the only one Cate doesn't need to worry about. And then there's Saffyre Maddox. Now seventeen, Saffyre, was once a patient of Roan's. She misses their connection and seeks to maintain it by following him. Then, one night, Saffyre disappears, and it seems like Owen was the last person to see her. What truly happened to Saffyre?
After a bit of a slump with thrillers, I'm on a roll (though what's with ambiguous endings lately?). This was a creepy and ominous read! There is a lot going on here--Saffyre and her childhood issues; Owen and his many problems with women; and the complete dysfunction of the Fours family--but Jewell does a good job weaving them all together. The result is a tense and dark novel that keeps you guessing the entire time.
"I have a dark past, and I have dark thoughts." ~Saffyre
This is an engaging read, with Saffyre, Cate, and Owen turning into dynamic and unique voices. It's also ominous, with the overriding sense that something bad is going to happen. Secrets are the name of the game here, and Jewell turns the sexual predator theme on its head a bit. There's also plenty of revenge and strong women, which is great.
I wasn't a fan of the ending, which leaves things up in the end, but this is still a twisty ride with interesting characters and a different plot. 4 stars.
After a bit of a slump with thrillers, I'm on a roll (though what's with ambiguous endings lately?). This was a creepy and ominous read! There is a lot going on here--Saffyre and her childhood issues; Owen and his many problems with women; and the complete dysfunction of the Fours family--but Jewell does a good job weaving them all together. The result is a tense and dark novel that keeps you guessing the entire time.
"I have a dark past, and I have dark thoughts." ~Saffyre
This is an engaging read, with Saffyre, Cate, and Owen turning into dynamic and unique voices. It's also ominous, with the overriding sense that something bad is going to happen. Secrets are the name of the game here, and Jewell turns the sexual predator theme on its head a bit. There's also plenty of revenge and strong women, which is great.
I wasn't a fan of the ending, which leaves things up in the end, but this is still a twisty ride with interesting characters and a different plot. 4 stars.
LeftSideCut (3776 KP) rated Indiana Jones and the Last Crusade (1989) in Movies
Jan 28, 2021
Returning to a much more balanced tone that the overly "cooky" Temple of Doom, the third Indiana Jones adventure gives Raiders of the Lost Ark some serious competition for best entry in the franchise (Raiders just about beats it for me based on the ratio of melting nazi face content).
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
LeftSideCut (3776 KP) rated The Man Who Killed Hitler and Then the Bigfoot (2018) in Movies
Dec 9, 2020
The Man Who Killed Hitler and Then the Bigfoot is a fantasticly B-Movie style title, hiding a genuinely touching and quite beautiful character drama.
The film focuses on the life of Calvin Barr, an old man portrayed by Sam Elliott. He's a guy who's lonely, seen some shit in his time, and feeling his age until one day, he's approached by the government to hunt and kill the legendary Bigfoot, and put a stop to a potential world ending plague. Calvin is a bit of a legendary creature himself, having served in WWII, and is said to have killed Hitler himself before it was covered up, and his immunity to this killer plague makes him the perfect candidate.
This quirky other wordly narrative is quite a jarring contrast to the otherwise grounded drama that makes up the rest of the plot. Flashbacks tell of Calvin's life before the war, and how he met the woman he wanted to marry. It's essentially a love story, that veers into bonkers territory at the flick of a switch.
Somehow though, it all works really well. The screenplay is top notch and gives us some engaging characters with a great cast. Sam Elliott has the grizzled old man role down to a tee by now. Aidan Turner plays the younger Calvin, and the relationship between him and Caitlin Fitzgerald's character is believable and touching. Larry Miller also stars as Calvin's brother and the two of them also have decent chemistry.
This movie is overflowing with gorgeous shots. The last third especially is a visual feast, and it's all complimented by a wonderful score, courtesy of Joe Kraemer.
If you're looking for a schlocky bad-good film suggested by the title then you're in the wrong place. This is a charming and quirky character drama with sprinkles of a creature feature, and I can fully see why some might not get on with it, but for me, it just works.
The film focuses on the life of Calvin Barr, an old man portrayed by Sam Elliott. He's a guy who's lonely, seen some shit in his time, and feeling his age until one day, he's approached by the government to hunt and kill the legendary Bigfoot, and put a stop to a potential world ending plague. Calvin is a bit of a legendary creature himself, having served in WWII, and is said to have killed Hitler himself before it was covered up, and his immunity to this killer plague makes him the perfect candidate.
This quirky other wordly narrative is quite a jarring contrast to the otherwise grounded drama that makes up the rest of the plot. Flashbacks tell of Calvin's life before the war, and how he met the woman he wanted to marry. It's essentially a love story, that veers into bonkers territory at the flick of a switch.
Somehow though, it all works really well. The screenplay is top notch and gives us some engaging characters with a great cast. Sam Elliott has the grizzled old man role down to a tee by now. Aidan Turner plays the younger Calvin, and the relationship between him and Caitlin Fitzgerald's character is believable and touching. Larry Miller also stars as Calvin's brother and the two of them also have decent chemistry.
This movie is overflowing with gorgeous shots. The last third especially is a visual feast, and it's all complimented by a wonderful score, courtesy of Joe Kraemer.
If you're looking for a schlocky bad-good film suggested by the title then you're in the wrong place. This is a charming and quirky character drama with sprinkles of a creature feature, and I can fully see why some might not get on with it, but for me, it just works.
Kelly Knows (95 KP) rated The House of Doors in Books
Jun 28, 2019
Worlds of Horror
Wow, what a fantastic book. I am still surprised this story has not been optioned for a movie adaptation. House of Doors is a unique tale with a simple concept, the age old question of man meets aliens and how that first contact would go down. What if we were tested? Brutally? Would we measure up? This book answers those questions and more in terrifying fashion. Brian Lumley spins a rich tale of daring and adventure, with a new even more terrifying world behind each door the characters open. The illustrative text will illuminate wondrous monsters in your mind and fill your head to the brim with images of strange worlds twisted by alien machinery, born of the desires and fears within us all. The alien species in this story is unlike anything you've seen before. The characters are witty and engaging. Even the ones you hate are written so well you can't help but question your instinct to despise them. My personal favorite aspects of this book are the world designs. No spoilers, you'll just have to find out what I mean, but it is seriously awesome. Also bringing a lot to this fast paced thrill ride is the main character, Spencer Gill. A wry, clever man with more to him than meets the eye, Spencer Gill reminds me of the Indiana Jones/Jack Ryan, kind of heroes I grew up admiring. All of the characters involved have their moments to shine, whether it be a bright light or a darker moment. Even the sinister alien Thone get a role in the narrative in an unlikely writing style that pays off the investment, with interest. This is the kind of book that gets you into reading books, and if you like it, there is a pretty good sequel as well. Sci-fi and horror clash spectacularly as humanity finds out if they measure up, and the terrible consequences that will occur if they don't.
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ClareR (5874 KP) rated Stepsister in Books
Sep 29, 2020
The story, with a feminist slant, of the ugly sisters that Cinderella left behind.
I do like a good fairytale, and I seem to be enjoying fairytale retellings quite a bit when I come across them. Stepsister is a great example of a retelling - told from the other side.
Isabelle and Tavi are the ugly sisters, left behind with their unhinged mother, after Cinderella has left with her Prince. The ‘ugly’ sisters actions aren’t excused, in fact they are left to live and struggle with the consequences of their actions. Isabelle has a permanent limp where she sliced off her toes in the hope that she would be able to fit in to the glass slipper. All on the instructions of her mother. Isabelle is a strong character who feels hemmed in by her mother and the restrictions that society has thrust upon her. Her worth is dictated by her looks - something which she falls short on, as does her sister. Instead of the soft mannered, beautiful, obedient girls that society wants, the sisters are clever, resourceful and regrettably ugly. Maman tries to marry them off to the Prince in any way that she can - even making them mutilate themselves. When Cinderella leaves to marry her Prince and the locals discover how she was treated, Isabelle, Tavi and Maman are both ostracised and vilified. Isabelle truly regrets the way that she treated Cinderella, but doesn’t know how she can put right what she did. However, both Fate and Chance have now got an influence over her life, a vested interest, and they have opposing opinions on how Isabelle’s life should play out.
I thought this feminist slant on the after-story of Cinderella was really engaging. I loved it, and if I had a daughter I’d be passing it on to her to read next!
Many thanks to Readers First for my copy of this book.
Isabelle and Tavi are the ugly sisters, left behind with their unhinged mother, after Cinderella has left with her Prince. The ‘ugly’ sisters actions aren’t excused, in fact they are left to live and struggle with the consequences of their actions. Isabelle has a permanent limp where she sliced off her toes in the hope that she would be able to fit in to the glass slipper. All on the instructions of her mother. Isabelle is a strong character who feels hemmed in by her mother and the restrictions that society has thrust upon her. Her worth is dictated by her looks - something which she falls short on, as does her sister. Instead of the soft mannered, beautiful, obedient girls that society wants, the sisters are clever, resourceful and regrettably ugly. Maman tries to marry them off to the Prince in any way that she can - even making them mutilate themselves. When Cinderella leaves to marry her Prince and the locals discover how she was treated, Isabelle, Tavi and Maman are both ostracised and vilified. Isabelle truly regrets the way that she treated Cinderella, but doesn’t know how she can put right what she did. However, both Fate and Chance have now got an influence over her life, a vested interest, and they have opposing opinions on how Isabelle’s life should play out.
I thought this feminist slant on the after-story of Cinderella was really engaging. I loved it, and if I had a daughter I’d be passing it on to her to read next!
Many thanks to Readers First for my copy of this book.
BookishWoo (317 KP) rated Lost in Plain Sight in Books
Jun 3, 2020
I freaking loved this! Yes you heard right, if I could sum my review up in 4 simple words that would be exactly what I would write!
So what made this so good I hear you ask?
For starters, Alan managed to bring 2 of my favourite genres together and it just worked, so well. From the 1st page I was sold, it reeled me in and didn’t let go. This was a book I could really sink my teeth into.
Told in multiple POV’s, which trust me when I say it doesn’t always work and you can easily get lost and have to go back on yourself, I can honestly say this flowed with absolute ease. Each Chapter is told by a one of the main Character’s and you know straight away whose POV you are reading as it’s a chapter heading. The main characters are relatable, quirky and I loved getting to know them.
This was really was well written and Alan is very descriptive when setting a scene. As this is not set in a fictitious world and set in Brighton, you can truly imagine yourself there, especially if you know the area well. This is one of the main reasons I loved this so much. As a fantasy lover, I am used to world building and imaginary places, but having the story set in a actual place with the fantasy element running alongside, was refreshing. Everything is there for fantasy fans…..magic, demons, fae folk, The list goes on. For thriller fans there is murder, mystery and an engaging plot.
All in all this had everything to keep me enthralled and not forgetting it had me laughing out loud in places, Alan clearly has a wicked sense of humour which clearly shines through in his writing.
I received Lost In Plain Sight by Alan Camrose for free in exchange for an honest review as part of a blog tour for Love Books Tours
So what made this so good I hear you ask?
For starters, Alan managed to bring 2 of my favourite genres together and it just worked, so well. From the 1st page I was sold, it reeled me in and didn’t let go. This was a book I could really sink my teeth into.
Told in multiple POV’s, which trust me when I say it doesn’t always work and you can easily get lost and have to go back on yourself, I can honestly say this flowed with absolute ease. Each Chapter is told by a one of the main Character’s and you know straight away whose POV you are reading as it’s a chapter heading. The main characters are relatable, quirky and I loved getting to know them.
This was really was well written and Alan is very descriptive when setting a scene. As this is not set in a fictitious world and set in Brighton, you can truly imagine yourself there, especially if you know the area well. This is one of the main reasons I loved this so much. As a fantasy lover, I am used to world building and imaginary places, but having the story set in a actual place with the fantasy element running alongside, was refreshing. Everything is there for fantasy fans…..magic, demons, fae folk, The list goes on. For thriller fans there is murder, mystery and an engaging plot.
All in all this had everything to keep me enthralled and not forgetting it had me laughing out loud in places, Alan clearly has a wicked sense of humour which clearly shines through in his writing.
I received Lost In Plain Sight by Alan Camrose for free in exchange for an honest review as part of a blog tour for Love Books Tours