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Reiko LJ (126 KP) rated The Psychology of Time Travel in Books
Aug 13, 2018
Engaging, fully formed world (1 more)
Complex female characters
This book had my interest on the premise alone, enough to give it a shot - but I didn't expect it to be such an enjoyable ride.
Usually when fiction tackles time travel concepts you get glaring paradoxes, intentional blurring of details or overdone tropes but this book actually pulled it off well. Rather than focusing on the usual quandaries faced by time travelling instead we had a plethora of content I'd never even considered before!
From the humble beginnings of the four 'pioneers' in the '60s (which most books would have kept focus on) we jump forwards to the modern era and have what happened between was filled in through very natural exposition and character discovery. The result is a rich and vast world I wanted to know more and more about. What a fantastic concept to show modern day Britain with a history knocked off course by the creation of the conclave and decades of shared knowledge.
I was repeatedly impressed by the level of detail that Mascarenhas took things to (the time travel terminology/slang definitely being one of them!) and the areas she covered.
Over the course of reading this book I found myself bringing up the book in conversation at work and home. I couldn't help but talk about it. It was also at this point, in describing the book, that I suddenly realised there were no male characters of note in the book at all. This absolutely took nothing away from the story. The women in this story were fully formed and real enough to be flawed. Such a refreshing experience in sci-fi! I was pleasantly surprised by the romantic sub-plot between two women as well. This was such a natural progression of the story, with no fan-fare or overdue focus - it was just right and wonderfully depicted.
The themes covered by the book are equal parts beautiful and painful - just like life itself. What an incredible debut novel from a voice I am keen to hear more from.
----
Thank you to NetGalley and Head of Zeus for an ARC of this book in in exchange for an honest review
Usually when fiction tackles time travel concepts you get glaring paradoxes, intentional blurring of details or overdone tropes but this book actually pulled it off well. Rather than focusing on the usual quandaries faced by time travelling instead we had a plethora of content I'd never even considered before!
From the humble beginnings of the four 'pioneers' in the '60s (which most books would have kept focus on) we jump forwards to the modern era and have what happened between was filled in through very natural exposition and character discovery. The result is a rich and vast world I wanted to know more and more about. What a fantastic concept to show modern day Britain with a history knocked off course by the creation of the conclave and decades of shared knowledge.
I was repeatedly impressed by the level of detail that Mascarenhas took things to (the time travel terminology/slang definitely being one of them!) and the areas she covered.
Over the course of reading this book I found myself bringing up the book in conversation at work and home. I couldn't help but talk about it. It was also at this point, in describing the book, that I suddenly realised there were no male characters of note in the book at all. This absolutely took nothing away from the story. The women in this story were fully formed and real enough to be flawed. Such a refreshing experience in sci-fi! I was pleasantly surprised by the romantic sub-plot between two women as well. This was such a natural progression of the story, with no fan-fare or overdue focus - it was just right and wonderfully depicted.
The themes covered by the book are equal parts beautiful and painful - just like life itself. What an incredible debut novel from a voice I am keen to hear more from.
----
Thank you to NetGalley and Head of Zeus for an ARC of this book in in exchange for an honest review
Sheridan (209 KP) rated the Xbox One version of Shadow Of The Tomb Raider in Video Games
Sep 27, 2018
Graphics are incredible (2 more)
Gameplay is flawless
Story is engaging and interesting
A Visual Masterpiece
I'll do my best not to gush too much, but holy mother of - this game, you guys - this game is utterly phenominal. The graphics, oh wow! The trees, the water, Lara's hair! It's all totally on point. Amazing all round, I spent the first ten minutes just looking around because let me tell you the graphics are just beautiful. The gameplay is similar to the other two Tomb Raider games but with a few new interesting ideas, the skill tree gives you a bunch of great perks that *really* help when you get further into the story. The collectibles are interesting and at some stages challenging to find, I honestly can't remember whether or not Rise of the Tomb Raider had the GPS caches but they've done away with that idea in SotTR and gone with Survival caches which are great for upgrading. They've also got a new idea where you find monoliths which give you a rare survival caches if you can solve the riddle ;) Another new feature are Crypts which are like mini challenge tombs, once you complete it you recieve an outfit which you restore at your base camps, and wearing those gives you extra game perks (they're also pretty which is fun too). The challenge tombs are great fun and give you perks in your skill tree, you can't get unless you complete them, so it's worthwhile doing them. Once you've finished the game, you have the option to have another crack at it in New Game +, you keep all your skills, outfits and weapons (at the moment I'm a bit of the way through this with the game on 'One with the Jungle' which is the hard setting). The story is really interesting and based on Mayan legends, which I won't spoil for you, needless to say it's fantastic :) TL;DR: It's f**king phenominal, get it, you won't be disappointed :)
Kelly (279 KP) rated The Magicians: Book 1 in Books
Nov 22, 2018
Harry Potter for grown ups
Contains spoilers, click to show
I was a fan of this book long before the TV series of the same name, and a firm believer that the book in this case is better than the screen. Unlike the TV series, the book comes across more intelligently and the characters are a lot more relatable. Lev Grossman uses popular fantasy books such as The Chronicles of Narnia and the Harry Potter series for ideas for this novel, but adapts these childhood fantasies to an adult level.
Quentin, the main character within the novel is not your usual hero, being the high achieving teenager who could never quite best his peers, is fixated by a Narnia style story from his child hood (Fillory), which he could never quite overcome. The narrative shares Quentins journey from joining a magical college, making friends to early adulthood and finding that Fillory is real.
Despite the obvious links to other stories, Lev Grossman intelligently uses his story to explore a range of issues such as sexuality and depression, making his characters more relatable to the reader. The villains and events in the story are a lot more sinister than you might expect from a tale that combines so many of our childhood favourites, demonstrating Grossmans clever use in adult emotions. All of this succeeds in engaging the reader even further.
Although this was a book I enjoyed reading from start to finish, I did find the pace was a little fast at times, speeding from one time period in Quentins life to another. I realise that this is because Lev Grossman is portraying the events happening over the course of Quentins late teens and early twenties, but It did become a little frustrating as a reader.
The end of the plot was bitter sweet and did not follow the typical ‘all live happily ever after’ ending that you would expect from this type of tale. Ultimately the book ends on a cliff hanger and left me wanting to know more about what happened next. To me this makes the book a success.
Quentin, the main character within the novel is not your usual hero, being the high achieving teenager who could never quite best his peers, is fixated by a Narnia style story from his child hood (Fillory), which he could never quite overcome. The narrative shares Quentins journey from joining a magical college, making friends to early adulthood and finding that Fillory is real.
Despite the obvious links to other stories, Lev Grossman intelligently uses his story to explore a range of issues such as sexuality and depression, making his characters more relatable to the reader. The villains and events in the story are a lot more sinister than you might expect from a tale that combines so many of our childhood favourites, demonstrating Grossmans clever use in adult emotions. All of this succeeds in engaging the reader even further.
Although this was a book I enjoyed reading from start to finish, I did find the pace was a little fast at times, speeding from one time period in Quentins life to another. I realise that this is because Lev Grossman is portraying the events happening over the course of Quentins late teens and early twenties, but It did become a little frustrating as a reader.
The end of the plot was bitter sweet and did not follow the typical ‘all live happily ever after’ ending that you would expect from this type of tale. Ultimately the book ends on a cliff hanger and left me wanting to know more about what happened next. To me this makes the book a success.
Jessica - Where the Book Ends (15 KP) rated The Apocalypse of Elena Mendoza in Books
Jan 30, 2019
Lately I’ve been doing a lot of reading, but the books haven’t been grabbing and holding my attention, and always left me wanting more. Then I saw a BookTuber that was raving about how excited she was to read The Apocalypse of Elena Mendoza. She showed her ARC and talked all about the premise of the book and I know immediately that I had to read it. I had never read anything by Shaun David Hutchinson before, but now I definitely know I need to read more of his work.
Hutchinson doesn’t take long to get into the action of the book and the pace doesn’t slow down until it’s over. In the beginning, we met Elena and she explains all about how she was born of a virgin birth. She works at Starbucks and on the day, she is going to finally talk to her crush Freddie everything goes downhill. See, Freddie gets shot by David Combs and Elena heals Freddie and saves her life. At the same time a beam of light comes down from the sky and David Combs disappears. Coincidence? I’ll never tell… You need to read the book to find out.
The characters were phenomenal and relatable. I don’t have anything directly in common with any of the characters, but I loved them so much. They were quirky, genuine, and loveable. The character development throughout the book helped to move the story along and unravel all the pieces. Each of the characters were critical to the story in their own way. They didn’t always seem like they were playing a roll, but it was mandatory for each of them to be there. Each character also learned a lesson which is amazing to see in YA fiction, as I feel it’s something that seems to be lacking lately.
Shaun David Hutchinson is an absolutely amazing writer and the way he weaves a story with the written word makes your want to curl up in his books and become one of his characters. His writing style is delightful, thought provoking, and engaging. I can’t wait to read more of his books and look forward to seeing what the future holds for such a talented individual.
Hutchinson doesn’t take long to get into the action of the book and the pace doesn’t slow down until it’s over. In the beginning, we met Elena and she explains all about how she was born of a virgin birth. She works at Starbucks and on the day, she is going to finally talk to her crush Freddie everything goes downhill. See, Freddie gets shot by David Combs and Elena heals Freddie and saves her life. At the same time a beam of light comes down from the sky and David Combs disappears. Coincidence? I’ll never tell… You need to read the book to find out.
The characters were phenomenal and relatable. I don’t have anything directly in common with any of the characters, but I loved them so much. They were quirky, genuine, and loveable. The character development throughout the book helped to move the story along and unravel all the pieces. Each of the characters were critical to the story in their own way. They didn’t always seem like they were playing a roll, but it was mandatory for each of them to be there. Each character also learned a lesson which is amazing to see in YA fiction, as I feel it’s something that seems to be lacking lately.
Shaun David Hutchinson is an absolutely amazing writer and the way he weaves a story with the written word makes your want to curl up in his books and become one of his characters. His writing style is delightful, thought provoking, and engaging. I can’t wait to read more of his books and look forward to seeing what the future holds for such a talented individual.
Chris Sawin (602 KP) rated 127 Hours (2010) in Movies
Jun 23, 2019
127 Hours is based on the true story of Aron Ralston, a mountain climber who was trapped under a rock for five days only to amputate his own arm to survive. Directed by Danny Boyle (Slumdog Millionaire, 28 Days Later) and starring James Franco (Pineapple Express, Spider-Man), 127 Hours sucker punches you with its ability to be both absorbing and compelling.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
Gareth von Kallenbach (980 KP) rated The Karate Kid (2010) in Movies
Aug 8, 2019
It may not be “use the force”, but the phrase “wax on, wax off” has stood the test of time in popular culture and cinematic fame. Would the newest Karate Kid film do the same? Could I stomach another ghastly remake in a year that seems endlessly full of them? Well, I am happy to report that I didn’t have to.
Jaden Smith crafts an engaging portrayal of the lead character, Dre Parker, a kid trying to fit in and make friends as an African-American in China. Equally impressive was Jackie Chan as maintenance man by day, Kung Fu master by night, Mr. Han. Chan’s performance was surprisingly dramatic and, for once, did not entirely center on his undeniable martial arts appeal. Don’t get me wrong, the martial arts are in there but for Chan this film displays his tenure as a veteran of the big screen.
It seems there is only one thing that could have been better: Tarji P. Hensen who played Dre’s dopey mom, Sherry Parker. No parent could seem this self-absorbed and unaware of a situation yet maintain wholesome parental figure status, and the acting was poor to boot. Overshadowing Hensen’s lame interjections was Dre’s adorable love interest, Meiying (played by Wenwen Han). The performance of Meiying managed to captured not only Dre’s heart but also that of the entire audience while staying on the film’s well-plotted course.
“The Karate Kid” is emotionally charged and action packed, there is really no denying it. And so what if the whole thing also looks a lot like a tourist film for China, the great landscapes and classic shots only add to the imagery.
Film buffs and fans of the original Karate Kid series will enjoy the mix of subtly-placed and more blatant references to the original films. Better yet it quickly becomes clear that Jackie Chan is not trying to top the legendary performance of Pat Morita but manages to prove that the story we all got so wrapped up in 1984 is still relevant in today’s modern world.
Jaden Smith crafts an engaging portrayal of the lead character, Dre Parker, a kid trying to fit in and make friends as an African-American in China. Equally impressive was Jackie Chan as maintenance man by day, Kung Fu master by night, Mr. Han. Chan’s performance was surprisingly dramatic and, for once, did not entirely center on his undeniable martial arts appeal. Don’t get me wrong, the martial arts are in there but for Chan this film displays his tenure as a veteran of the big screen.
It seems there is only one thing that could have been better: Tarji P. Hensen who played Dre’s dopey mom, Sherry Parker. No parent could seem this self-absorbed and unaware of a situation yet maintain wholesome parental figure status, and the acting was poor to boot. Overshadowing Hensen’s lame interjections was Dre’s adorable love interest, Meiying (played by Wenwen Han). The performance of Meiying managed to captured not only Dre’s heart but also that of the entire audience while staying on the film’s well-plotted course.
“The Karate Kid” is emotionally charged and action packed, there is really no denying it. And so what if the whole thing also looks a lot like a tourist film for China, the great landscapes and classic shots only add to the imagery.
Film buffs and fans of the original Karate Kid series will enjoy the mix of subtly-placed and more blatant references to the original films. Better yet it quickly becomes clear that Jackie Chan is not trying to top the legendary performance of Pat Morita but manages to prove that the story we all got so wrapped up in 1984 is still relevant in today’s modern world.
Gareth von Kallenbach (980 KP) rated G-Force (2009) in Movies
Aug 9, 2019
A 3-D film about Guinea Pigs who help the government using advanced super small technology, at least I knew I wasn’t going to be bored. Was “G-Force” going to be so over the top that even children would find it ridiculous? Maybe it was going to hit big with that famous Disney magic. Suffice to say I entered the film with no expectations.
“G-Force” is the story of a team of unlikely heroes; guinea pigs, a mole, and a fly, who through the aid of special government technology, are completing spy missions with the dream of FBI acceptance. On their first mission out the team lead by the appropriately named guinea pig, Darwin (voiced by Sam Rockwell) discover that the world’s largest electrical device manufacturer has an evil plot for world domination. Attempting to expose the plan, our non-traditional protagonists encounter a numerous obstacles ranging from a lack of government acceptance to rodent chasing dogs.
The plotline in classic Disney fashion is filled with a strong moral under tone specifically concentrated on importance of family and belief in oneself. The film does manage to get these points a crossed while entertaining children who will love the popular culture references and the speed at which the action occurs.
All of the creature’s characterizations are amusing and engaging from the layer cake obsessed long-haired guinea pig, Hurley, (voice by Jon Favreau) to mice who get excited about absolutely everything. Also worth noting was the interesting casting of Zach Galifianakis (most recently of “The Hangover” success) who plays the not so mad scientist, Ben, creator of the multi-faceted “G-Force” technology and animal special task force idea.
The special effects are superb. The 3-D futuristic spy technology at the beginning was so excellent it had me wondering when I will see the medium in action flicks.
The downsides were simple; sometimes-obvious one-liners, which the kid-filled audience seemed to enjoy, and an unnecessary maybe love triangle between three of the heroes.
Not as over the top as expected with plenty of funny moments and fun heartfelt adventure “G-Force” is a worthwhile film for kids and adults alike.
“G-Force” is the story of a team of unlikely heroes; guinea pigs, a mole, and a fly, who through the aid of special government technology, are completing spy missions with the dream of FBI acceptance. On their first mission out the team lead by the appropriately named guinea pig, Darwin (voiced by Sam Rockwell) discover that the world’s largest electrical device manufacturer has an evil plot for world domination. Attempting to expose the plan, our non-traditional protagonists encounter a numerous obstacles ranging from a lack of government acceptance to rodent chasing dogs.
The plotline in classic Disney fashion is filled with a strong moral under tone specifically concentrated on importance of family and belief in oneself. The film does manage to get these points a crossed while entertaining children who will love the popular culture references and the speed at which the action occurs.
All of the creature’s characterizations are amusing and engaging from the layer cake obsessed long-haired guinea pig, Hurley, (voice by Jon Favreau) to mice who get excited about absolutely everything. Also worth noting was the interesting casting of Zach Galifianakis (most recently of “The Hangover” success) who plays the not so mad scientist, Ben, creator of the multi-faceted “G-Force” technology and animal special task force idea.
The special effects are superb. The 3-D futuristic spy technology at the beginning was so excellent it had me wondering when I will see the medium in action flicks.
The downsides were simple; sometimes-obvious one-liners, which the kid-filled audience seemed to enjoy, and an unnecessary maybe love triangle between three of the heroes.
Not as over the top as expected with plenty of funny moments and fun heartfelt adventure “G-Force” is a worthwhile film for kids and adults alike.
LeftSideCut (3776 KP) rated Stranger Things - Season 2 in TV
Jul 6, 2019 (Updated Jul 7, 2019)
Back into the Upside Down
The second season of Stranger Things wisely doesn't steer too far away from what made the first season so great.
We're swiftly re-introduced to all the engaging characters from before, all living a pretty normal life since the events of season one, but of course it doesn't take too long for weird shit to start kicking off.
From the moment poor Will (again) starts having visions in episode 2 - its business as usual, and I was caught up once again in the mystery and intrigue of what was plaguing Hawkins.
We are introduced to several new characters - Max fits in naturally alongside the other younger actors, and her older brother Billy - what a jackass. But one that you love to hate, and on the rare occasion, even feel sympathy towards.
And of course, Sean Astin is a welcome face as Bob (Super Bob to you and me).
The plot itself takes a little while to get going, but once it does, it's a whirlwind. At the end of episode 6, I found myself physically exhaling in exhaustion once the credits started rolling - which brings me to the one big faceplant of season 2.
After the crazy cliffhanger of episode 6, episode 7 takes a real left turn.
A whole episode takes place outside of Hawkins, with a completely different cast (to the point that if you skipped this episode entirely, it wouldn't matter to the rest of the plot)
It's easy to see what the writers we're trying to do here - introducing us to others who have powers not to dissimilar to Eleven, she's not alone in the world.
But the characters are hugely unlikable, and so so cringey, it took a lot of effort to get through the whole episode.
It's plain to see that the writers we're almost testing the waters for a potential spin off, buts it's an idea that I really hope doesn't happen, and I really really hope we don't get more of these characters in future seasons.
The last two episodes are back in Hawkins and are pretty solid!
Overall, another fantastic series, worth your time and attention (just skip episode 7!)
We're swiftly re-introduced to all the engaging characters from before, all living a pretty normal life since the events of season one, but of course it doesn't take too long for weird shit to start kicking off.
From the moment poor Will (again) starts having visions in episode 2 - its business as usual, and I was caught up once again in the mystery and intrigue of what was plaguing Hawkins.
We are introduced to several new characters - Max fits in naturally alongside the other younger actors, and her older brother Billy - what a jackass. But one that you love to hate, and on the rare occasion, even feel sympathy towards.
And of course, Sean Astin is a welcome face as Bob (Super Bob to you and me).
The plot itself takes a little while to get going, but once it does, it's a whirlwind. At the end of episode 6, I found myself physically exhaling in exhaustion once the credits started rolling - which brings me to the one big faceplant of season 2.
After the crazy cliffhanger of episode 6, episode 7 takes a real left turn.
A whole episode takes place outside of Hawkins, with a completely different cast (to the point that if you skipped this episode entirely, it wouldn't matter to the rest of the plot)
It's easy to see what the writers we're trying to do here - introducing us to others who have powers not to dissimilar to Eleven, she's not alone in the world.
But the characters are hugely unlikable, and so so cringey, it took a lot of effort to get through the whole episode.
It's plain to see that the writers we're almost testing the waters for a potential spin off, buts it's an idea that I really hope doesn't happen, and I really really hope we don't get more of these characters in future seasons.
The last two episodes are back in Hawkins and are pretty solid!
Overall, another fantastic series, worth your time and attention (just skip episode 7!)
Caffeinated Fae (464 KP) rated Hook in Books
Nov 11, 2019
Characters (1 more)
Action Packed
Heartbreaking & beautiful.
Trigger Warning: Sexual Assault, Child Abuse, Murder, Abuse, Angst, Drug Use
As many of you know, I've been waiting anxiously for Hook to come out! I was one of the lucky bloggers that Gina gave a copy to in exchange for an honest review. I read Pan earlier this year and fell completely head over heels for Gina's writing, and I've been shoving Pan down everyone's throats because it is that amazing! Now, full disclosure, I have only read one other M/M romance, so I wasn't sure what to expect. All I knew was that I couldn't wait to fly into Neverland again.
I built Hook up in my head so much that at times I was worried it wouldn't live up to the hype. Luckily, Hook was everything I wanted and more. This book follows Hook & John's story. The chemistry between them was out of this world. It was fun to see the anger, the angst, and the fire between the two of them. The characters as always were well written and thoroughly entertaining. I laughed, I cried, and I had to put my book down a few times, so I didn't throw my kindle.
The plotline was one of the shining stars of this book. It was action-packed, intense, and extremely engaging. I never wanted to put the book down, yet I enjoyed it so much I never wanted it to end. I loved the undercover aspect of the book, and it makes me want to reread some of my favorite romantic suspense. I was always on the edge of my seat and couldn't wait to see how everything unfolded.
All in all, I LOVED this book. It lived up to the hype that I had in my head, and I cannot wait to read the next book in this series when it comes out. If you enjoy angst-filled bad boys with a heart of gold, this is the book for you. Gina truly knows how to write angst in a way that everyone can enjoy.
As many of you know, I've been waiting anxiously for Hook to come out! I was one of the lucky bloggers that Gina gave a copy to in exchange for an honest review. I read Pan earlier this year and fell completely head over heels for Gina's writing, and I've been shoving Pan down everyone's throats because it is that amazing! Now, full disclosure, I have only read one other M/M romance, so I wasn't sure what to expect. All I knew was that I couldn't wait to fly into Neverland again.
I built Hook up in my head so much that at times I was worried it wouldn't live up to the hype. Luckily, Hook was everything I wanted and more. This book follows Hook & John's story. The chemistry between them was out of this world. It was fun to see the anger, the angst, and the fire between the two of them. The characters as always were well written and thoroughly entertaining. I laughed, I cried, and I had to put my book down a few times, so I didn't throw my kindle.
The plotline was one of the shining stars of this book. It was action-packed, intense, and extremely engaging. I never wanted to put the book down, yet I enjoyed it so much I never wanted it to end. I loved the undercover aspect of the book, and it makes me want to reread some of my favorite romantic suspense. I was always on the edge of my seat and couldn't wait to see how everything unfolded.
All in all, I LOVED this book. It lived up to the hype that I had in my head, and I cannot wait to read the next book in this series when it comes out. If you enjoy angst-filled bad boys with a heart of gold, this is the book for you. Gina truly knows how to write angst in a way that everyone can enjoy.
LeftSideCut (3776 KP) rated American Horror Story - Season 5 in TV
Dec 5, 2019
AHS season 5 - subtitled 'Hotel' - is a real mixture of genres. It's part vampire dram, part crime-mystery thriller, part haunted house... It's ambitious to say the least.
A lot of people took issue with Hotel before it even aired, mainly due the absence of series favourite Jessica Lange, but in all honesty, as much as I like her, I didn't find myself missing her all that much, and the same goes for subsequent entries!
The season this time around is headed by Lady Gaga, who plays a pretty decent psuedo-villain - The Countess is unnerving, relatable, creepy, and tragic all at the same time, and is the beating heart of Hotel.
Not far behind is Evan Peters Mr March. I personally found this character a bit too cartoony at times, but he's still an important character, especially pulling strings behind everyone else back.
I also loved Kathy Bates and Denis O'Hare in this season, and their characters, and especially their devotion to The Countess, make the Hotel Cortez and oddly alluring place to be.
Wes Bentley gets a starring turn this time around after a bit part in Freak Show, and I actually enjoyed his character arc after not particularly caring to begin with.
Once again, I liked most if the cast, I just found it a shame that Sarah Paulson didn't get much to do here!
The plot itself is pretty thick in Hotel, lots of twists and turns, lots of different time periods being visited, and it's quite disorientating to begin with. It's a less accessible season than before but once you get into it, it's a great supernatural mystery horror ride with some inspiration from The Shining and Twin Peaks thrown in for good measure.
Just to top it off, we even get an appearance from Queenie, creating a direct connection to Coven and the wider AHS universe, an aspect of this show that I truly enjoy.
It's not my favourite season of AHS, (that Devil's Night episode was annoyingly cringey) but all in all, Hotel is pretty engaging television.
A lot of people took issue with Hotel before it even aired, mainly due the absence of series favourite Jessica Lange, but in all honesty, as much as I like her, I didn't find myself missing her all that much, and the same goes for subsequent entries!
The season this time around is headed by Lady Gaga, who plays a pretty decent psuedo-villain - The Countess is unnerving, relatable, creepy, and tragic all at the same time, and is the beating heart of Hotel.
Not far behind is Evan Peters Mr March. I personally found this character a bit too cartoony at times, but he's still an important character, especially pulling strings behind everyone else back.
I also loved Kathy Bates and Denis O'Hare in this season, and their characters, and especially their devotion to The Countess, make the Hotel Cortez and oddly alluring place to be.
Wes Bentley gets a starring turn this time around after a bit part in Freak Show, and I actually enjoyed his character arc after not particularly caring to begin with.
Once again, I liked most if the cast, I just found it a shame that Sarah Paulson didn't get much to do here!
The plot itself is pretty thick in Hotel, lots of twists and turns, lots of different time periods being visited, and it's quite disorientating to begin with. It's a less accessible season than before but once you get into it, it's a great supernatural mystery horror ride with some inspiration from The Shining and Twin Peaks thrown in for good measure.
Just to top it off, we even get an appearance from Queenie, creating a direct connection to Coven and the wider AHS universe, an aspect of this show that I truly enjoy.
It's not my favourite season of AHS, (that Devil's Night episode was annoyingly cringey) but all in all, Hotel is pretty engaging television.