Action Research: A Guide for the Teacher Researcher
Book
A main text for courses in action research or a supplement to courses in research methods in...
Applied Multivariate Statistical Concepts
Book
More comprehensive than other texts, this new book covers the classic and cutting edge multivariate...
Introduction to the New Statistics: Estimation, Open Science, and Beyond
Geoff Cumming and Robert Calin-Jageman
Book
This is the first introductory statistics text to use an estimation approach from the start to help...
Teaching Creative Thinking: Developing Learners Who Think Critically and Can Solve Problems
Book
Teaching Creative Thinking is action-oriented and research-led and is packed with examples and case...
Plato, Derrida, and Writing
Book
Achieving the remarkable feat of linking composition theory, deconstruction, and classical rhetoric,...
Sexagon: Muslims, France, and the Sexualization of National Culture
Book
In contemporary France, particularly in the banlieues of Paris, the figure of the young, virile,...
Women's Lives: A Psychological Exploration
Claire A. Etaugh and Judith S. Bridges
Book
This cutting-edge and comprehensive fourth edition of Women's Lives: A Psychological Perspective...
Women's Lives: A Psychological Exploration
Claire A. Etaugh and Judith S. Bridges
Book
This cutting-edge and comprehensive fourth edition of Women's Lives: A Psychological Perspective...
Matthew Krueger (10051 KP) rated Lights Out (2016) in Movies
Oct 31, 2020
The plot: When Rebecca (Teresa Palmer) left home, she thought that her childhood fears were behind her. As a young girl growing up, she was never really sure of what was real when the lights went out at night. Now, her little brother Martin (Gabriel Bateman) is experiencing the same unexplained and terrifying events that jeopardized her safety and sanity. Holding a mysterious attachment to their mother (Maria Bello), a supernatural entity has returned with a vengeance to torment the entire family.
is based on Sandberg's 2013 short film of the same name and features Lotta Losten, who starred in the short.
Special effects of having the ghost appear and disappear were mostly done by using a split-screen technique as also used in the short. Sandberg said "Whenever she's in frame with another character, it's basically just a split screen. So you shoot it with her and without her. You turn the camera on with her, you turn it off and she walks off, and then you turn it on again. It's super simple, actually." Sandberg also made a list of what he called the "light gags", or different ways to create light sources from flashlights to cell phones and gunfire. In the scene when Diana appears in Rebecca's room, James Wan suggested replacing passing car headlights in an early treatment with the flashing neon sign that appears in the final film.
Sandberg originally based the character of Rebecca on a real girl that he knew who was suffering from depression, and who was engaging in self-harm, which is why Rebecca has scars on her arms, but the development of the film made it less about depression and more of a ghost story in which Diana would have been the real person who died and became a ghost. Wan came up with the idea of making Diana the ghost. Rebecca's boyfriend was also given a twist of being a rocker, but is actually committed and responsible, even driving a safe car like a Volvo. Another twist Sandberg liked was making the imaginary friend for the mother rather than the trope of having the friend be for the child
Its a excellent supernatural movie.
Melanie Caldicott (6 KP) rated Afterlove in Books
Apr 29, 2021
Afterlove is the story of Ash and Poppy and so powerful is their love for each other that it can transcend everything, even death!
I have mixed feelings about this book.
Ash and Poppy were likeable characters who Byrne depicts authentically with gorgeous, small details which helped to bring them to life. However, there were aspects of them that were opaque and I felt that some of the events they shared needed to be explored in more depth as sometimes I felt it made them seem a little shallow. For example, their family lives are explored in certain parts of the book but it felt to me like they were ignored when it was convenient for the author.
Their relationship was at times beautifully depicted, yet I also felt it had a tinge of Romeo and Juliet to it where it felt a little bit too all-consuming, too tragic and didn't reflect the other parts of who Ash and Poppy really were. I think love stories that constrict the meaning of a person's life to this one relationship can feel a little unrealistic and over-simplistic. I would have preferred to have the complexity of the grief the characters must have felt for the the loss of life explored more broadly than just how it related to the love of each other.
It was obvious that Byrne had a lot to say about grief and loss in this book and this was handled well, exploring their pain with tenderness and the emptiness loss leaves with hope. However, whilst the device of Ash becoming a grim reaper was novel I felt it left me a little dry and, along with the conclusion of the novel it did not adequately cover the depths of loss or what it can feel like to be left alone when someone dies.
I'm sure that there are many readers who will enjoy this YA book both for its exploration of teenage lesbian romance and for the way it grapples with grief and loss. Overall, I found the book enjoyable and engaging, but with a few flaws which led to the plot not quite melding with the themes it was trying to explore.
You can also read my review and others at https://roamingthroughbooks.wordpress.com/