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Women's Lives: A Psychological Exploration
Claire A. Etaugh and Judith S. Bridges
Book
This cutting-edge and comprehensive fourth edition of Women's Lives: A Psychological Perspective...
WL
Women's Lives: A Psychological Exploration
Claire A. Etaugh and Judith S. Bridges
Book
This cutting-edge and comprehensive fourth edition of Women's Lives: A Psychological Perspective...
Matthew Krueger (10051 KP) rated Lights Out (2016) in Movies
Oct 31, 2020
When The Lights Are Off
Lights Out- is a scary movie. Its terrorfying, horrorfying, suspenseful and twisted.
The plot: When Rebecca (Teresa Palmer) left home, she thought that her childhood fears were behind her. As a young girl growing up, she was never really sure of what was real when the lights went out at night. Now, her little brother Martin (Gabriel Bateman) is experiencing the same unexplained and terrifying events that jeopardized her safety and sanity. Holding a mysterious attachment to their mother (Maria Bello), a supernatural entity has returned with a vengeance to torment the entire family.
is based on Sandberg's 2013 short film of the same name and features Lotta Losten, who starred in the short.
Special effects of having the ghost appear and disappear were mostly done by using a split-screen technique as also used in the short. Sandberg said "Whenever she's in frame with another character, it's basically just a split screen. So you shoot it with her and without her. You turn the camera on with her, you turn it off and she walks off, and then you turn it on again. It's super simple, actually." Sandberg also made a list of what he called the "light gags", or different ways to create light sources from flashlights to cell phones and gunfire. In the scene when Diana appears in Rebecca's room, James Wan suggested replacing passing car headlights in an early treatment with the flashing neon sign that appears in the final film.
Sandberg originally based the character of Rebecca on a real girl that he knew who was suffering from depression, and who was engaging in self-harm, which is why Rebecca has scars on her arms, but the development of the film made it less about depression and more of a ghost story in which Diana would have been the real person who died and became a ghost. Wan came up with the idea of making Diana the ghost. Rebecca's boyfriend was also given a twist of being a rocker, but is actually committed and responsible, even driving a safe car like a Volvo. Another twist Sandberg liked was making the imaginary friend for the mother rather than the trope of having the friend be for the child
Its a excellent supernatural movie.
The plot: When Rebecca (Teresa Palmer) left home, she thought that her childhood fears were behind her. As a young girl growing up, she was never really sure of what was real when the lights went out at night. Now, her little brother Martin (Gabriel Bateman) is experiencing the same unexplained and terrifying events that jeopardized her safety and sanity. Holding a mysterious attachment to their mother (Maria Bello), a supernatural entity has returned with a vengeance to torment the entire family.
is based on Sandberg's 2013 short film of the same name and features Lotta Losten, who starred in the short.
Special effects of having the ghost appear and disappear were mostly done by using a split-screen technique as also used in the short. Sandberg said "Whenever she's in frame with another character, it's basically just a split screen. So you shoot it with her and without her. You turn the camera on with her, you turn it off and she walks off, and then you turn it on again. It's super simple, actually." Sandberg also made a list of what he called the "light gags", or different ways to create light sources from flashlights to cell phones and gunfire. In the scene when Diana appears in Rebecca's room, James Wan suggested replacing passing car headlights in an early treatment with the flashing neon sign that appears in the final film.
Sandberg originally based the character of Rebecca on a real girl that he knew who was suffering from depression, and who was engaging in self-harm, which is why Rebecca has scars on her arms, but the development of the film made it less about depression and more of a ghost story in which Diana would have been the real person who died and became a ghost. Wan came up with the idea of making Diana the ghost. Rebecca's boyfriend was also given a twist of being a rocker, but is actually committed and responsible, even driving a safe car like a Volvo. Another twist Sandberg liked was making the imaginary friend for the mother rather than the trope of having the friend be for the child
Its a excellent supernatural movie.
Melanie Caldicott (6 KP) rated Afterlove in Books
Apr 29, 2021
*thank you to NetGalley for providing an eArc in exchange for an honest review* You can also read my review at my blog - roamingthroughbooks@wordpress.com" rel="nofollow noopener" target="_blank">https://roamingthroughbooks@wordpress.com
Afterlove is the story of Ash and Poppy and so powerful is their love for each other that it can transcend everything, even death!
I have mixed feelings about this book.
Ash and Poppy were likeable characters who Byrne depicts authentically with gorgeous, small details which helped to bring them to life. However, there were aspects of them that were opaque and I felt that some of the events they shared needed to be explored in more depth as sometimes I felt it made them seem a little shallow. For example, their family lives are explored in certain parts of the book but it felt to me like they were ignored when it was convenient for the author.
Their relationship was at times beautifully depicted, yet I also felt it had a tinge of Romeo and Juliet to it where it felt a little bit too all-consuming, too tragic and didn't reflect the other parts of who Ash and Poppy really were. I think love stories that constrict the meaning of a person's life to this one relationship can feel a little unrealistic and over-simplistic. I would have preferred to have the complexity of the grief the characters must have felt for the the loss of life explored more broadly than just how it related to the love of each other.
It was obvious that Byrne had a lot to say about grief and loss in this book and this was handled well, exploring their pain with tenderness and the emptiness loss leaves with hope. However, whilst the device of Ash becoming a grim reaper was novel I felt it left me a little dry and, along with the conclusion of the novel it did not adequately cover the depths of loss or what it can feel like to be left alone when someone dies.
I'm sure that there are many readers who will enjoy this YA book both for its exploration of teenage lesbian romance and for the way it grapples with grief and loss. Overall, I found the book enjoyable and engaging, but with a few flaws which led to the plot not quite melding with the themes it was trying to explore.
You can also read my review and others at https://roamingthroughbooks.wordpress.com/
Afterlove is the story of Ash and Poppy and so powerful is their love for each other that it can transcend everything, even death!
I have mixed feelings about this book.
Ash and Poppy were likeable characters who Byrne depicts authentically with gorgeous, small details which helped to bring them to life. However, there were aspects of them that were opaque and I felt that some of the events they shared needed to be explored in more depth as sometimes I felt it made them seem a little shallow. For example, their family lives are explored in certain parts of the book but it felt to me like they were ignored when it was convenient for the author.
Their relationship was at times beautifully depicted, yet I also felt it had a tinge of Romeo and Juliet to it where it felt a little bit too all-consuming, too tragic and didn't reflect the other parts of who Ash and Poppy really were. I think love stories that constrict the meaning of a person's life to this one relationship can feel a little unrealistic and over-simplistic. I would have preferred to have the complexity of the grief the characters must have felt for the the loss of life explored more broadly than just how it related to the love of each other.
It was obvious that Byrne had a lot to say about grief and loss in this book and this was handled well, exploring their pain with tenderness and the emptiness loss leaves with hope. However, whilst the device of Ash becoming a grim reaper was novel I felt it left me a little dry and, along with the conclusion of the novel it did not adequately cover the depths of loss or what it can feel like to be left alone when someone dies.
I'm sure that there are many readers who will enjoy this YA book both for its exploration of teenage lesbian romance and for the way it grapples with grief and loss. Overall, I found the book enjoyable and engaging, but with a few flaws which led to the plot not quite melding with the themes it was trying to explore.
You can also read my review and others at https://roamingthroughbooks.wordpress.com/
Kristy H (1252 KP) rated Under Currents in Books
Apr 1, 2021
A tense yet romantic read
This is the twenty-first book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
To an outsider, the Bigelows look like a perfect family: loving parents, two kids, beautiful home. But elder son Zane knows better, as he suffers verbal and physical abuse at the hands of his father, a surgeon. The family keeps their secrets close until one evening when everything comes out in the open and all changes. Years later, Zane returns to his hometown, determined to put the past behind him. He meets a landscape artist, Darby McCray, who has her own dark past. Together, the two must figure out if they are able to leave their secrets and horrible memories behind and forge a life together.
I'm honestly not sure if I've read a Nora Roberts book before, but picked this off my shelves for my A to Z challenge. It was one of those slightly over-the-top yet engaging books that sucks you in quickly with its story. It begins when Zane and his sister, Britt, are kids and moves on from there. It's a bit long--as it moved from section to section I was surprised there was more to keep going. A lot of that is due to descriptions of the North Carolina town, pontificating about landscaping, etc.
But it's still a book that held my interest. There's a crackling tension in the early piece, when Zane is merciless at the hands of his horrible, abusive father. As he ages, the tension recedes somewhat, but the book is still full of violent episodes. In fact, I would wonder if the town was cursed, based on how much brutality occurs in such a short period of time, but perhaps that's just me. Still, you can't help but be swept up in the various dramas, as well as Zane and Darby's relationship. The supporting cast is excellent as well, especially Zane's aunt, Emily; the local police chief; and some of Zane's friends.
Overall, a heartbreaking yet powerful read. It ended a bit abruptly for my taste, but I liked the characters and intensity of the story. (Please note: trigger warnings for sexual assault, spousal abuse/familial abuse, gay slurs.)
To an outsider, the Bigelows look like a perfect family: loving parents, two kids, beautiful home. But elder son Zane knows better, as he suffers verbal and physical abuse at the hands of his father, a surgeon. The family keeps their secrets close until one evening when everything comes out in the open and all changes. Years later, Zane returns to his hometown, determined to put the past behind him. He meets a landscape artist, Darby McCray, who has her own dark past. Together, the two must figure out if they are able to leave their secrets and horrible memories behind and forge a life together.
I'm honestly not sure if I've read a Nora Roberts book before, but picked this off my shelves for my A to Z challenge. It was one of those slightly over-the-top yet engaging books that sucks you in quickly with its story. It begins when Zane and his sister, Britt, are kids and moves on from there. It's a bit long--as it moved from section to section I was surprised there was more to keep going. A lot of that is due to descriptions of the North Carolina town, pontificating about landscaping, etc.
But it's still a book that held my interest. There's a crackling tension in the early piece, when Zane is merciless at the hands of his horrible, abusive father. As he ages, the tension recedes somewhat, but the book is still full of violent episodes. In fact, I would wonder if the town was cursed, based on how much brutality occurs in such a short period of time, but perhaps that's just me. Still, you can't help but be swept up in the various dramas, as well as Zane and Darby's relationship. The supporting cast is excellent as well, especially Zane's aunt, Emily; the local police chief; and some of Zane's friends.
Overall, a heartbreaking yet powerful read. It ended a bit abruptly for my taste, but I liked the characters and intensity of the story. (Please note: trigger warnings for sexual assault, spousal abuse/familial abuse, gay slurs.)
Kristy H (1252 KP) rated Skye Falling in Books
Jul 1, 2021
Unique look at the complexities of family and race
Skye travels for a living--nearly a nomad at forty--touching down in her hometown of Philadelphia only occasionally and staying at her friend's bed and breakfast. It's on one of those visits home that a twelve-year-old girl approaches Skye and tells her that she's her "egg." Years ago, Skye donated eggs to a friend for money, and now Vicky is here as a result. Skye soon realizes that Vicky's aunt Faye is the woman she tried to pick up in a record store the other day. And, she's starting to come to the understanding that being responsible, even tangentially, for another human means she might have to finally grow up herself.
This book was lovely and took me by surprise: in all the good ways. I loved Skye--her anti-social ways, her awkwardness, and her cynicism. She's a true mess, with a mom and dad who left her hurting and afraid to love or trust--but McKenzie captures Skye's voice so perfectly that it's hard to resist her. This is an honest and emotional book, written in a way of addressing the reader directly. It's different at times and might take some getting used to, but I loved the whole thing.
The story here is so interesting and might sound off-putting: Vicky discovers Faye, who donated her eggs years ago to Vicky's mom. Skye has a crush on Vicky's aunt. In the background, Skye is floundering--she's a great businesswoman but she has a terrible relationship with her brother and her mother, who is ill. She also has tumultuous and dramatic friendships.
The city of Philly is a character in itself here too--it stands vibrant and buoyant in McKenzie's hands, as she pens an ode to the city and its black community. There are excellent and timely discussions of race, including a strong side plot featuring Vicky and Faye's neighbor. But best of all is the existence of Skye, Faye, and Vicky themselves--strong black women finding their way in the world. They completely grow on you as you read this outstanding book.
Overall, this is an excellent read. It's funny, heartfelt, and completely engaging. This authentic cast of characters will steal your heart.
I received a copy of this book from Netgalley and Random House Publishing Group in return for an unbiased review. 4.5 stars.
This book was lovely and took me by surprise: in all the good ways. I loved Skye--her anti-social ways, her awkwardness, and her cynicism. She's a true mess, with a mom and dad who left her hurting and afraid to love or trust--but McKenzie captures Skye's voice so perfectly that it's hard to resist her. This is an honest and emotional book, written in a way of addressing the reader directly. It's different at times and might take some getting used to, but I loved the whole thing.
The story here is so interesting and might sound off-putting: Vicky discovers Faye, who donated her eggs years ago to Vicky's mom. Skye has a crush on Vicky's aunt. In the background, Skye is floundering--she's a great businesswoman but she has a terrible relationship with her brother and her mother, who is ill. She also has tumultuous and dramatic friendships.
The city of Philly is a character in itself here too--it stands vibrant and buoyant in McKenzie's hands, as she pens an ode to the city and its black community. There are excellent and timely discussions of race, including a strong side plot featuring Vicky and Faye's neighbor. But best of all is the existence of Skye, Faye, and Vicky themselves--strong black women finding their way in the world. They completely grow on you as you read this outstanding book.
Overall, this is an excellent read. It's funny, heartfelt, and completely engaging. This authentic cast of characters will steal your heart.
I received a copy of this book from Netgalley and Random House Publishing Group in return for an unbiased review. 4.5 stars.
Kristy H (1252 KP) rated Imperfect Women in Books
Sep 17, 2020
An engaging and suspenseful look into the power of secrets
Eleanor, Nancy, and Mary have been best friends since they met at Oxford. But then Nancy is murdered, leaving behind an adoring husband and a daughter. Her life, from the outside, was seemingly perfect. But Eleanor knows that the night Nancy died, she was going to meet her lover, hoping to break it off. And as the investigation into Nancy's death continues, both Eleanor and Mary struggle with their grief, the memories they have of their friend, and what her death means for those left behind.
"Eleanor felt a jolt of terror pass through her as she realized that everything about Nancy's death was worse than any other death anywhere. They would all suffer, and nothing would ever be the same again."
This was a truly fascinating book: it's part character-driven mystery and part insightful look at the role of women in society. It's told from the point of view of the three friends, but not the usual quick back and forth: we get large chunks of the story told from one woman at a time. Truths unfold slowly, as we learn bits and pieces about Eleanor, Nancy, and Mary--from themselves and each other.
The focal point of the story is Nancy's rather gruesome murder, but Hall fills her tale with thoughts and ruminations on women and how they are seen in society--and how they feel they are perceived. In some ways, it felt like a bunch broad generalizations applied to women, yet as I read, I found that most of them really rang true. I was furiously highlighting passages, nodding my head yes!
At times, it was hard to see where this book was going. Murder? Deep thoughts? It certainly straddled the line on both. In terms of Nancy's murder, I had a good chunk figured out early on, but the story certainly kept me engaged, reading and wondering if I was right. All three flawed (imperfect, indeed) women were interesting in their own way, and I liked each woman's section. I found this to be a very well-written book, but it's not a snappy thriller.
If you want a fast whodunit, this isn't for you. But if you want a well-done and thoughtful read, I recommend Hall's latest. It's a suspenseful and insightful look at love, marriage, and friendship. 4 stars.
"Eleanor felt a jolt of terror pass through her as she realized that everything about Nancy's death was worse than any other death anywhere. They would all suffer, and nothing would ever be the same again."
This was a truly fascinating book: it's part character-driven mystery and part insightful look at the role of women in society. It's told from the point of view of the three friends, but not the usual quick back and forth: we get large chunks of the story told from one woman at a time. Truths unfold slowly, as we learn bits and pieces about Eleanor, Nancy, and Mary--from themselves and each other.
The focal point of the story is Nancy's rather gruesome murder, but Hall fills her tale with thoughts and ruminations on women and how they are seen in society--and how they feel they are perceived. In some ways, it felt like a bunch broad generalizations applied to women, yet as I read, I found that most of them really rang true. I was furiously highlighting passages, nodding my head yes!
At times, it was hard to see where this book was going. Murder? Deep thoughts? It certainly straddled the line on both. In terms of Nancy's murder, I had a good chunk figured out early on, but the story certainly kept me engaged, reading and wondering if I was right. All three flawed (imperfect, indeed) women were interesting in their own way, and I liked each woman's section. I found this to be a very well-written book, but it's not a snappy thriller.
If you want a fast whodunit, this isn't for you. But if you want a well-done and thoughtful read, I recommend Hall's latest. It's a suspenseful and insightful look at love, marriage, and friendship. 4 stars.
Gareth von Kallenbach (980 KP) rated Vader Immortal VR in Video Games
Oct 8, 2020
The classic V.R. Series Star Wars: Vader Immortal has finally arrived for the Playstation V.R. and it is without a doubt the most immersive Star Wars experience available short of taking a trip to Star Wars: Galaxy’s Edge.
From the opening moments where players have to make the jump to Hyperspace I was hooked Flipping the switches and using the lever to make the jump was like a dream come true for someone who grew up on the original films in an era when Star Wars gaming was not really an option due to the technology of the time.
Players end up in Mustafar where they encounter Vader and must escape from Imperial detention. Along the way players will obtain a Lightsaber which will come in handy for defense as well as helping with various obstacles.
Players will have to climb, manipulate objects, hack, and fight I a fully immersive V.R. setting. Aside from stunning visuals the game also features an engaging original storyline which sets the stage for the next two chapters of the series and also keeps players immersed in the action and lore.
While it did at times take some getting used to in terms of navigation as my Droid companion had an issue with blocking my view at times in dark areas or various objects taking some work to get close enough to manipulate; I was hooked from the start.
Using the Lightsaber to deflect bolts back at Imperial Stormtroopers was great fun as was exploring the Star Wars universe in a new way. I do not want to spoil more about the game but let me just say it is fantastic and gives players new looks at Vader as well as the Star Wars Universe as a whole.
I played the game with the Playstation earbuds that came with the PSVR and had fantastic sound quality to go with the eye-popping visuals. I was delayed in my review as one of our Playstation Move controls malfunctioned and I had to wait for Sony to exchange it but once that was done I was back in the game and could not get enough.
The game is a must own for Star Wars fans and a great example of V.R. gaming done right.
From the opening moments where players have to make the jump to Hyperspace I was hooked Flipping the switches and using the lever to make the jump was like a dream come true for someone who grew up on the original films in an era when Star Wars gaming was not really an option due to the technology of the time.
Players end up in Mustafar where they encounter Vader and must escape from Imperial detention. Along the way players will obtain a Lightsaber which will come in handy for defense as well as helping with various obstacles.
Players will have to climb, manipulate objects, hack, and fight I a fully immersive V.R. setting. Aside from stunning visuals the game also features an engaging original storyline which sets the stage for the next two chapters of the series and also keeps players immersed in the action and lore.
While it did at times take some getting used to in terms of navigation as my Droid companion had an issue with blocking my view at times in dark areas or various objects taking some work to get close enough to manipulate; I was hooked from the start.
Using the Lightsaber to deflect bolts back at Imperial Stormtroopers was great fun as was exploring the Star Wars universe in a new way. I do not want to spoil more about the game but let me just say it is fantastic and gives players new looks at Vader as well as the Star Wars Universe as a whole.
I played the game with the Playstation earbuds that came with the PSVR and had fantastic sound quality to go with the eye-popping visuals. I was delayed in my review as one of our Playstation Move controls malfunctioned and I had to wait for Sony to exchange it but once that was done I was back in the game and could not get enough.
The game is a must own for Star Wars fans and a great example of V.R. gaming done right.
LeftSideCut (3776 KP) rated The Thing (2011) in Movies
Jan 10, 2021
This one is pretty straightforward - The Thing (2011) is an ok film that is completely dwarfed by The Thing (1982) - honestly, fuck knows why it doesn't have a different title.
This prequel to the iconic John Carpenter movie does have some decent aspects to it - it has a mostly agreeable cast and a good screenplay that's engaging, although a vast majority of the characters are hugely forgettable, and not a patch on the crew of protagonists from the 82 film. Mary Elizabeth Winstead is a perfectly likable leading lady, but everyone else is just kind of there. Even Joel Edgerton blends in with the furniture.
I also think it has good pacing for the most part - the opening third builds things up nicely, and when things finally kick off, it feels earned.
The attention to detail is admirable as well, with various objects and hints of past chaos found by Kurt Russell and co in the 82 film being placed perfectly.
Unfortunately, the end project suffers from a couple of things. Most infamously, the CGI is ropey, and is an ill advised addition considering the 82 film boasts some of the best practical effects in cinema history. This is made even worse by the fact that practical effects and animatronics were initially used before being smothered in digital effects to the point where it actively makes the whole movie less enjoyable. The narrative also apes the Carpenter classic a little too often for my taste, and serves more of a reminder of that film, rather than feeling like a homage.
The final act is just silly as well. After a strong build up, the climax snowballs into uninteresting bad-Predator-sequel-esque nonsense, and even saves the most laughable digital effects for last, just for good measure.
I did like the very last scene though, which genuinely ties nicely into the start of the 82 film.
Messing with such an iconic horror heavyweight comes with huge risks, and ultimately, The Thing (still really hate that they didn't use a different title) isn't the car crash that it easily could have been, but it does fall flat on really important aspects, resulting in a film that is average to the casual movie goer, and is thoroughly underwhelming for fans of its far superior predecessor.
This prequel to the iconic John Carpenter movie does have some decent aspects to it - it has a mostly agreeable cast and a good screenplay that's engaging, although a vast majority of the characters are hugely forgettable, and not a patch on the crew of protagonists from the 82 film. Mary Elizabeth Winstead is a perfectly likable leading lady, but everyone else is just kind of there. Even Joel Edgerton blends in with the furniture.
I also think it has good pacing for the most part - the opening third builds things up nicely, and when things finally kick off, it feels earned.
The attention to detail is admirable as well, with various objects and hints of past chaos found by Kurt Russell and co in the 82 film being placed perfectly.
Unfortunately, the end project suffers from a couple of things. Most infamously, the CGI is ropey, and is an ill advised addition considering the 82 film boasts some of the best practical effects in cinema history. This is made even worse by the fact that practical effects and animatronics were initially used before being smothered in digital effects to the point where it actively makes the whole movie less enjoyable. The narrative also apes the Carpenter classic a little too often for my taste, and serves more of a reminder of that film, rather than feeling like a homage.
The final act is just silly as well. After a strong build up, the climax snowballs into uninteresting bad-Predator-sequel-esque nonsense, and even saves the most laughable digital effects for last, just for good measure.
I did like the very last scene though, which genuinely ties nicely into the start of the 82 film.
Messing with such an iconic horror heavyweight comes with huge risks, and ultimately, The Thing (still really hate that they didn't use a different title) isn't the car crash that it easily could have been, but it does fall flat on really important aspects, resulting in a film that is average to the casual movie goer, and is thoroughly underwhelming for fans of its far superior predecessor.
Gareth von Kallenbach (980 KP) rated The Marksman (2021) in Movies
Jan 12, 2021
Liam Neeson is back in “The Marksman” and despite some flaws; the film provides what his fans want and is an engaging and topical film.
Neeson plays Jim; a widower who spends his time on a tiny and struggling ranch in Arizona near the border. Jim is facing foreclosure from the bank after dealing with devastating medical bills for his late wife and feels that as a former Marine he has been given a bad deal by the system.
Jim often drives along the border fence and radios in suspected crossings but is willing to provide aid to those who finds in distress.
When Jim encounters a young woman and her son Miguel (Jacob Perez); he is drawn into conflict when they are pursued by some dangerous people which forces Jim to shoot when weapons are drawn killing one of the group in the process as well as the boy’s mother.
Jim turns the boy over to the Border Patrol where his daughter Sarah (Katheryn Winnick), is in charge of the local office and is concerned when he learns the boy is to be sent back to family. Seeing the individuals he had previously had a gunfight with waiting for Miguel to cross; Jim decides to honor the dying wish of Miguel’s mother to take him to family in Chicago; even when that means abducting Miguel from custody.
The trip not only puts Jim at odds with his daughter but as well as Miguel who wants to return home and causes the dangerous individuals to cross into the U.S. to ruthlessly track Jim and Miguel to exact their revenge.
The film moves at a steady and deliberate pace until the finale gives fans a taste of the action that they would come to expect. It does take some patience as I saw numerous opportunities for a person of Jim’s skill to attempt to set an ambush, trap, or counter the dangers facing them but the final resolutions are enjoyable and satisfying.
While the film does not have the action and intensity of some of Neeson’s recent works; it does provide enough entertainment to make it worth a watch and does contain content based on some very volatile and controversial topics which would spur intense debate.
3 stars out of 5
Neeson plays Jim; a widower who spends his time on a tiny and struggling ranch in Arizona near the border. Jim is facing foreclosure from the bank after dealing with devastating medical bills for his late wife and feels that as a former Marine he has been given a bad deal by the system.
Jim often drives along the border fence and radios in suspected crossings but is willing to provide aid to those who finds in distress.
When Jim encounters a young woman and her son Miguel (Jacob Perez); he is drawn into conflict when they are pursued by some dangerous people which forces Jim to shoot when weapons are drawn killing one of the group in the process as well as the boy’s mother.
Jim turns the boy over to the Border Patrol where his daughter Sarah (Katheryn Winnick), is in charge of the local office and is concerned when he learns the boy is to be sent back to family. Seeing the individuals he had previously had a gunfight with waiting for Miguel to cross; Jim decides to honor the dying wish of Miguel’s mother to take him to family in Chicago; even when that means abducting Miguel from custody.
The trip not only puts Jim at odds with his daughter but as well as Miguel who wants to return home and causes the dangerous individuals to cross into the U.S. to ruthlessly track Jim and Miguel to exact their revenge.
The film moves at a steady and deliberate pace until the finale gives fans a taste of the action that they would come to expect. It does take some patience as I saw numerous opportunities for a person of Jim’s skill to attempt to set an ambush, trap, or counter the dangers facing them but the final resolutions are enjoyable and satisfying.
While the film does not have the action and intensity of some of Neeson’s recent works; it does provide enough entertainment to make it worth a watch and does contain content based on some very volatile and controversial topics which would spur intense debate.
3 stars out of 5