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Brumpolarbears (22 KP) rated The Old Hellfire Club in Tabletop Games
Jun 18, 2019
UK Games Expo 2018 was every boardgame fan’s dream. From party games and family favourites to elaborate miniatures and fantasy RPGs. The credit card certainly took a bashing that weekend, but there was one game which we weren’t able to purchase (due to it not actually being out), yet it left a rather lasting impression.
In The Old Hellfire Club two to six players take on the roles of the destitute final members of an ancient aristocratic secret society as they recount the tales of their greatest adventures to the patrons of the shadiest public houses of Old London Town. Drawing on the cards in their hands for inspiration, players weave an ever more elaborate (although far from honest) tale of daring and adventure in the hope that the drinking den’s patrons will offer them a penny for their woes. As competition for the pennies on offer increases, so too do the exaggerations and outright lies players tell about their role in the story in the hope of making themselves seem more deserving. At any time, a player can challenge anothers versions of the story by playing a less impressive card from their own hand, thereby revealing the exaggeration and taking the rewards for the story. When the tale reaches its climax, whoever has been given the most pennies wins the game.
You can win pennies by getting away with telling extravagant lies about the adventures you had (by playing
high value Boast Cards without being successfully challenged by other players), through the charity of
strangers (by meeting the conditions set out on certain Patron Cards), and by satisfying the predilections of
the mysterious benefactors lurking in the audience (by successfully playing the most cards from a particular
suit over the course of the game).
While there’s still some time until you can physically purchase The Old Hellfire Club, which launches on Kickstarter on 9 April 2019, the developers have launched a free….yes free….print and play version of the game, meaning you can print your own copies of the cards and play with friends.
You can download a copy of the file by visiting The Old Hellfire Club’s profile on Boardgame Geek. I cannot rate this game highly enough. While I was sceptical at first because, in all honesty, I’m not that great at creating stories on the spot, especially those set in Victorian England, The Old Hellfire Club was incredibly quick to pick up. During the preview at UK Games Expo there were quite a few laughs, particularly when I joined Karl Marx for a gin or two. Who knows where future tales may lead.
In The Old Hellfire Club two to six players take on the roles of the destitute final members of an ancient aristocratic secret society as they recount the tales of their greatest adventures to the patrons of the shadiest public houses of Old London Town. Drawing on the cards in their hands for inspiration, players weave an ever more elaborate (although far from honest) tale of daring and adventure in the hope that the drinking den’s patrons will offer them a penny for their woes. As competition for the pennies on offer increases, so too do the exaggerations and outright lies players tell about their role in the story in the hope of making themselves seem more deserving. At any time, a player can challenge anothers versions of the story by playing a less impressive card from their own hand, thereby revealing the exaggeration and taking the rewards for the story. When the tale reaches its climax, whoever has been given the most pennies wins the game.
You can win pennies by getting away with telling extravagant lies about the adventures you had (by playing
high value Boast Cards without being successfully challenged by other players), through the charity of
strangers (by meeting the conditions set out on certain Patron Cards), and by satisfying the predilections of
the mysterious benefactors lurking in the audience (by successfully playing the most cards from a particular
suit over the course of the game).
While there’s still some time until you can physically purchase The Old Hellfire Club, which launches on Kickstarter on 9 April 2019, the developers have launched a free….yes free….print and play version of the game, meaning you can print your own copies of the cards and play with friends.
You can download a copy of the file by visiting The Old Hellfire Club’s profile on Boardgame Geek. I cannot rate this game highly enough. While I was sceptical at first because, in all honesty, I’m not that great at creating stories on the spot, especially those set in Victorian England, The Old Hellfire Club was incredibly quick to pick up. During the preview at UK Games Expo there were quite a few laughs, particularly when I joined Karl Marx for a gin or two. Who knows where future tales may lead.
BookwormMama14 (18 KP) rated In the Company of Secrets (Postcards from Pullman #1) in Books
Jan 2, 2019
(There are some spoilers in this review)
What happens when you build an entire life on a foundation of lies? Consequences!
Olivia travels to Pullman, Illinois from England with the Lady Charlotte. Charlotte is unmarried and pregnant. In order to be hired for a position as the assistant chef at the Hotel and to protect Charlotte's honor, they fabricate a pack of lies and stories about who they are. As time progresses, Olivia's closest friends Fred and his mother, Mrs. DeVault, as well as her cousin Albert and his girlfriend Martha are all deceived by who they are. In the end Olivia realizes the importance of honesty and seeks the Lord's forgiveness for what she has done. She tries to begin a fresh in her walk with the Lord. However, she keeps the truth about the lies hidden. She is eventually found out and has to face the consequences.
I am very baffled by this book. It drove me crazy at parts and I wanted to stop reading it, but I was also intrigued to see how it would all play out. I was disappointed in the end that the loose ends were not tied up. I understand that it is a series, however it felt very confusing at the close of the book. The two main characters were the reasons why I wanted to put the book down. Charlotte has her baby and neglects him and eventually abandons him. I know that this happens in the real world, but Charlotte's snobbery is the main reason behind her poor attitude towards the baby. Being a mother of 2 small children, this made me quite upset. Olivia is extremely naive when it comes to men and seems to be quite spineless when it comes to standing up for herself. She constantly lets herself get walked over and lives in complete fear that someone will find her out. I read for enjoyment and I prefer to read about women who are strong, truthful and stand up for what is right. I did enjoy the historical side of this book. Although, I am not quite sure where the "Postcards" come into play, learning a little about Pullman and the railworks in 1892 was quite interesting.
Even though I have conflicting feelings regarding this book, I am curious to see how Olivia's character progresses. Seeing as how the library does not yet have this series in electronic form though, I will not be continuing. I was able to purchase this book for free at Barnes & Noble.
Bethany House Publishers
What happens when you build an entire life on a foundation of lies? Consequences!
Olivia travels to Pullman, Illinois from England with the Lady Charlotte. Charlotte is unmarried and pregnant. In order to be hired for a position as the assistant chef at the Hotel and to protect Charlotte's honor, they fabricate a pack of lies and stories about who they are. As time progresses, Olivia's closest friends Fred and his mother, Mrs. DeVault, as well as her cousin Albert and his girlfriend Martha are all deceived by who they are. In the end Olivia realizes the importance of honesty and seeks the Lord's forgiveness for what she has done. She tries to begin a fresh in her walk with the Lord. However, she keeps the truth about the lies hidden. She is eventually found out and has to face the consequences.
I am very baffled by this book. It drove me crazy at parts and I wanted to stop reading it, but I was also intrigued to see how it would all play out. I was disappointed in the end that the loose ends were not tied up. I understand that it is a series, however it felt very confusing at the close of the book. The two main characters were the reasons why I wanted to put the book down. Charlotte has her baby and neglects him and eventually abandons him. I know that this happens in the real world, but Charlotte's snobbery is the main reason behind her poor attitude towards the baby. Being a mother of 2 small children, this made me quite upset. Olivia is extremely naive when it comes to men and seems to be quite spineless when it comes to standing up for herself. She constantly lets herself get walked over and lives in complete fear that someone will find her out. I read for enjoyment and I prefer to read about women who are strong, truthful and stand up for what is right. I did enjoy the historical side of this book. Although, I am not quite sure where the "Postcards" come into play, learning a little about Pullman and the railworks in 1892 was quite interesting.
Even though I have conflicting feelings regarding this book, I am curious to see how Olivia's character progresses. Seeing as how the library does not yet have this series in electronic form though, I will not be continuing. I was able to purchase this book for free at Barnes & Noble.
Bethany House Publishers
<i>I received this book for free through Goodreads First Reads.</i>
<i>Wake</i> is a historical, debut novel by the British author, Anna Hope. Set in 1920 the story spans itself over five days, from Sunday 7th November until Thursday 11th November – Armistice Day. It is a story about the aftermath of the First World War and how individuals deal with the loss of loved ones, as well as their relationships with those around them.
The novel tells the story of three different women. None of them know of each other, nor even meet during the course of the narrative. However, they are connected through relationships and acquaintances with other people. There is Hettie, a young woman who works as a dance instructress at the Hammersmith Palais. Her brother fought in and survived the war only to return shell shocked and unable to cope. Evelyn, just short of 30, lost someone dear to her. Her brother, however, survived but he is also greatly affected by what he has done. Finally, there is Ada, a mother of a soldier who died from his wounds. Unable to let go of tragedy she is slowly, unknowingly, pushing her husband away.
The title of the novel initially gives an indication of what the story may contain. The most common definition is about waking up – emerging from sleep. There is slightly less focus on this meaning, nevertheless, toward the end of the book Ada is, in a way, waking up out of the past and concentrating on the here and now. Wake is also the term for a ritual of the dead. The story takes place in the days leading up to Armistice Day, the day when the Unknown Warrior was brought to England and buried in London. The final meaning, and most important in terms of this novel’s content, is consequence or aftermath. Every character, not just the three women, is dealing with the repercussions of war.
Hope has conducted in-depth research with the result that <i>Wake</i> gives a powerful insight into the lives of Londoners at that difficult time. It shocks the reader by revealing the awfulness and pain – emotionally and physically – people went through. As well as war, the book heavily focuses on family and romantic relationships, and even encompasses a hint of mystery, not in the crime thriller sense, but enough to keep the reader engaged and eager to discover the truth.
Admittedly, the beginning did not appear to have a clear plot line, but once the secrets and revelations begin cropping up, the book takes off and becomes an enjoyable read.
<i>Wake</i> is a historical, debut novel by the British author, Anna Hope. Set in 1920 the story spans itself over five days, from Sunday 7th November until Thursday 11th November – Armistice Day. It is a story about the aftermath of the First World War and how individuals deal with the loss of loved ones, as well as their relationships with those around them.
The novel tells the story of three different women. None of them know of each other, nor even meet during the course of the narrative. However, they are connected through relationships and acquaintances with other people. There is Hettie, a young woman who works as a dance instructress at the Hammersmith Palais. Her brother fought in and survived the war only to return shell shocked and unable to cope. Evelyn, just short of 30, lost someone dear to her. Her brother, however, survived but he is also greatly affected by what he has done. Finally, there is Ada, a mother of a soldier who died from his wounds. Unable to let go of tragedy she is slowly, unknowingly, pushing her husband away.
The title of the novel initially gives an indication of what the story may contain. The most common definition is about waking up – emerging from sleep. There is slightly less focus on this meaning, nevertheless, toward the end of the book Ada is, in a way, waking up out of the past and concentrating on the here and now. Wake is also the term for a ritual of the dead. The story takes place in the days leading up to Armistice Day, the day when the Unknown Warrior was brought to England and buried in London. The final meaning, and most important in terms of this novel’s content, is consequence or aftermath. Every character, not just the three women, is dealing with the repercussions of war.
Hope has conducted in-depth research with the result that <i>Wake</i> gives a powerful insight into the lives of Londoners at that difficult time. It shocks the reader by revealing the awfulness and pain – emotionally and physically – people went through. As well as war, the book heavily focuses on family and romantic relationships, and even encompasses a hint of mystery, not in the crime thriller sense, but enough to keep the reader engaged and eager to discover the truth.
Admittedly, the beginning did not appear to have a clear plot line, but once the secrets and revelations begin cropping up, the book takes off and becomes an enjoyable read.
Hazel (1853 KP) rated Oh Dear Silvia in Books
Dec 14, 2018
<i>Oh Dear Silvia</i> is a contemporary, somewhat humorous, novel by British comedian, Dawn French. Set in England it focuses on a sixty-year-old woman, Silvia Shute, who has fallen from a balcony, sustaining a serious head injury that has left her in a coma.
Knowing this you cannot help wondering how you do write a book where the main character is unconscious and how would this affect the narrative? This is how. Although Silvia is indeed the main character, the tale is actually told through observing family members and friends when they visit her in hospital. The entire book plays out in Silvia’s hospital room, Suite 5, but each character brings something else to story through their thoughts, feelings and actions.
Ed, Silvia’s ex husband, provides details of what has happened since their divorce. Jo, her older sister, reminisces about their childhood whist trying and failing to use a number of New Age ideas to wake Silvia up. There is Cat, her best friend, through who we discover what actually happened to Silvia, whilst, Tia, her cleaner is bringing in her favourite foods and updating her on the various goings on in the celebrity world. Cassie, her daughter however, portrays Silvia in a different light that makes us question what kind of person Silvia really was. And finally there is Winnie, a nurse at the hospital. Winnie’s accounts provide the reader with an extra storyline that is nothing to do with Silvia and her accident.
The story being told in this way gives the reader a chance to learn about who Silvia was which causes us to think different things about her which we would not have had the opportunity to feel had Silvia been able to tell the story herself. Firstly we feel worry for her, but then we begin to hate her particularly with the help of Cassie as well as Ed, who admits that had Silvia been conscious he would not have been visiting. Finally we get to a stage of understanding. Understanding who Silvia was, understanding why she did what she did, understanding what has happened to her.
The book takes on many themes: drama, mystery… and humour. Well, it is meant to be humour. I can understand the funny parts but personally it was not my type of humour. Too much swearing in my opinion. But then if you enjoy that type of thing, <i>Oh Dear Silvia</i> has the potential to be a really funny book.
Knowing this you cannot help wondering how you do write a book where the main character is unconscious and how would this affect the narrative? This is how. Although Silvia is indeed the main character, the tale is actually told through observing family members and friends when they visit her in hospital. The entire book plays out in Silvia’s hospital room, Suite 5, but each character brings something else to story through their thoughts, feelings and actions.
Ed, Silvia’s ex husband, provides details of what has happened since their divorce. Jo, her older sister, reminisces about their childhood whist trying and failing to use a number of New Age ideas to wake Silvia up. There is Cat, her best friend, through who we discover what actually happened to Silvia, whilst, Tia, her cleaner is bringing in her favourite foods and updating her on the various goings on in the celebrity world. Cassie, her daughter however, portrays Silvia in a different light that makes us question what kind of person Silvia really was. And finally there is Winnie, a nurse at the hospital. Winnie’s accounts provide the reader with an extra storyline that is nothing to do with Silvia and her accident.
The story being told in this way gives the reader a chance to learn about who Silvia was which causes us to think different things about her which we would not have had the opportunity to feel had Silvia been able to tell the story herself. Firstly we feel worry for her, but then we begin to hate her particularly with the help of Cassie as well as Ed, who admits that had Silvia been conscious he would not have been visiting. Finally we get to a stage of understanding. Understanding who Silvia was, understanding why she did what she did, understanding what has happened to her.
The book takes on many themes: drama, mystery… and humour. Well, it is meant to be humour. I can understand the funny parts but personally it was not my type of humour. Too much swearing in my opinion. But then if you enjoy that type of thing, <i>Oh Dear Silvia</i> has the potential to be a really funny book.
Hazel (1853 KP) rated The Moon Field in Books
Dec 17, 2018
<b>My rating: 3.5</b>
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Moon Field</i> is an historical romance novel set during the First World War. It focuses mainly on two people: George and Violet, although there is a wide range of characters.
Split into three parts the novel begins with George, an 18 year old postman planning on telling Miss Violet of his feelings for her, only to find out that she is already engaged. He runs off feeling jealous and ends up enlisting for the army. At first I thought the description of George made him seem more like a child than a young adult and this annoyed me a little, however this helped to emphasise the changes he undergoes as a result of the war.
Part two is mostly set in Flanders where George is involved in the fighting resulting in deaths of certain other characters for which George blames himself despite it not really being his fault. This section ends with George being hurt himself and part three begins with him being returned to a hospital in England where he begins to recover although is now deformed. Throughout this final part George suffers with depression and thinks that he is now a freak. He has to deal with lots of rejection but, thankfully, the novel ends with a more positive outlook for his future.
Knowing in advance that romance was to be involved, it appeared at first that there might be some romantic attachment developed between George and Violet. From the very beginning I personally did not want this to happen. It did not feel right particularly as they were of different social classes, which at that time was quite important. Fortunately this did not happen and I was fairly pleased with the ending.
I think that Allnatt’s writing is extremely good and reflects the time period well. I quite often find when reading historical novels that authors use words or phrases that are too modern to have actually been said at that time. There was none of that problem with <i>The Moon Field</i>. Allnatt had also researched extremely well to get across the experiences of the soldiers on the Western Front. She mentions in her acknowledgements that she read many soldiers accounts of their experiences in the Great War. All her research defiantly paid off!
All in all it is a great historical novel.
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Moon Field</i> is an historical romance novel set during the First World War. It focuses mainly on two people: George and Violet, although there is a wide range of characters.
Split into three parts the novel begins with George, an 18 year old postman planning on telling Miss Violet of his feelings for her, only to find out that she is already engaged. He runs off feeling jealous and ends up enlisting for the army. At first I thought the description of George made him seem more like a child than a young adult and this annoyed me a little, however this helped to emphasise the changes he undergoes as a result of the war.
Part two is mostly set in Flanders where George is involved in the fighting resulting in deaths of certain other characters for which George blames himself despite it not really being his fault. This section ends with George being hurt himself and part three begins with him being returned to a hospital in England where he begins to recover although is now deformed. Throughout this final part George suffers with depression and thinks that he is now a freak. He has to deal with lots of rejection but, thankfully, the novel ends with a more positive outlook for his future.
Knowing in advance that romance was to be involved, it appeared at first that there might be some romantic attachment developed between George and Violet. From the very beginning I personally did not want this to happen. It did not feel right particularly as they were of different social classes, which at that time was quite important. Fortunately this did not happen and I was fairly pleased with the ending.
I think that Allnatt’s writing is extremely good and reflects the time period well. I quite often find when reading historical novels that authors use words or phrases that are too modern to have actually been said at that time. There was none of that problem with <i>The Moon Field</i>. Allnatt had also researched extremely well to get across the experiences of the soldiers on the Western Front. She mentions in her acknowledgements that she read many soldiers accounts of their experiences in the Great War. All her research defiantly paid off!
All in all it is a great historical novel.
There's plenty of letters and journals preserved regarding royalty, aristocrats and other rich and famous people but less about more ordinary people. OK, so most of ancestors would have been peasants/yeomen who would have been unlikely to be able to read, but every so often something does turn up which throws some light on our understanding of what we might consider to be more ordinary people. The Paston letters are one famous example and the story presented in the book is another discovery along the same sort of lines.
Our story begins in India, with William Jackson, who will be the father of our 'profligate son'. It is while in India that he meets his future wife and several other influential connections. A major incident here also has an impact on this William's future. The Profligate Son of the title is the son of this William Jackson, also called William Jackson, just to confuse the issue! Jackson senior had returned to England and was a reasonably wealthy man of the new middle classes. He had, however, made his fortune in trade and was keen for his only son to receive a good education and go into the law - one of the gentlemanly occupations at this time.
Unfortunately, William was not particularly interested in a good education, but far more interested in pursuing what he considered 'gentlemanly' pursuits - being idle and frivolous, drinking conspicuous amounts and consorting with women of easy virtue! In spite of the admonitions of his father and the pleadings of his affectionate mother, William continued into a downward spiral - resorting to forgery and deception to gain what it really seems he believes he was entitled to. The Georgian world, in some ways not dissimilar to modern days, was largely built upon trades-persons extending credit, which allowed William to get away with so much. We follow our anti-hero through various prisons and courts until he is finally transported to Australia. I find it most amazing that he never seems to repent of what he has done and really seems to believe that there has been a miscarriage of justice against him!
This story has been preserved through the writings of Mr Jackson, the father, and the letters between various family members which have been preserved for all this time. an interesting insight into the seamier side of Georgian life - and perhaps a lesson for people in these times who are too apt to live upon credit!
Our story begins in India, with William Jackson, who will be the father of our 'profligate son'. It is while in India that he meets his future wife and several other influential connections. A major incident here also has an impact on this William's future. The Profligate Son of the title is the son of this William Jackson, also called William Jackson, just to confuse the issue! Jackson senior had returned to England and was a reasonably wealthy man of the new middle classes. He had, however, made his fortune in trade and was keen for his only son to receive a good education and go into the law - one of the gentlemanly occupations at this time.
Unfortunately, William was not particularly interested in a good education, but far more interested in pursuing what he considered 'gentlemanly' pursuits - being idle and frivolous, drinking conspicuous amounts and consorting with women of easy virtue! In spite of the admonitions of his father and the pleadings of his affectionate mother, William continued into a downward spiral - resorting to forgery and deception to gain what it really seems he believes he was entitled to. The Georgian world, in some ways not dissimilar to modern days, was largely built upon trades-persons extending credit, which allowed William to get away with so much. We follow our anti-hero through various prisons and courts until he is finally transported to Australia. I find it most amazing that he never seems to repent of what he has done and really seems to believe that there has been a miscarriage of justice against him!
This story has been preserved through the writings of Mr Jackson, the father, and the letters between various family members which have been preserved for all this time. an interesting insight into the seamier side of Georgian life - and perhaps a lesson for people in these times who are too apt to live upon credit!
Deborah (162 KP) rated Six Tudor Queens: Katherine of Aragon, the True Queen: Six Tudor Queens 1 in Books
Dec 19, 2018
Weir again goes from traditionalist historian to historical novelist, but she can't seem to leave the historian bit behind. Much as I dislike wholesale abandonment of historical accuracy and the flagrant sensationalism of Phillipa Gregory and her Ilk, I really found this book over long and tedious - I could quite cheerfully have done some poisoning myself just to get the book over and done with! It feels like Weir has looked up every single historical quote she could find from people in the period and tried to squeeze them into the book. I had read biographies of the period that are more enlightening that this and do more to bring the people and period to life.
During the third quarter of the book, we get a lot of Henry coming in to visit Katherine, giving us a bit of plot exposition and then having a strop and stomping out like a child having a tantrum. After about the tenth occurrence this gets rather tedious and doesn't feel altogether likely.
I was slightly weirded by the implication that Katherine on arrival quite fancied the ten year old Henry and the bit in the Tower with the 'ghost lady' and the shivers down the spine in Peterborough cathedral seemed out of place and both only really play off if you have a knowledge of the period already, in which case you really don't need to be reading this.
Finally, for all the historical stuff Weir has stuffed in there, she really does need to pay better attention to her geography. I know Ampthill isn't that far from Dunstable, but I think I little effort would inform her that it's more like 14 miles and not the 4 she has in the book!
While the writing isn't awful, it's just not engaging and the book is far too long and becomes tedious. Does Weir really believe that Katherine believed that, after everything that he had done, Henry would meekly accept the Pope's vastly overdue ruling, put Anne and Elizabeth and the change of a male heir aside along with his leadership of the Church of England? hindsight is a wonderful thing, but I find it hard to beleive that Katherine was as stupid and naive as she comes across here. She says she still loves Henry and wouldn't do anything against him, yet writes to the Pope and the Emperor with a clear intention of inciting war! I think Weir means to make her sympathetic, but I just found her exasperating. I would recommend some good non-fiction book on the period ahead of this.
During the third quarter of the book, we get a lot of Henry coming in to visit Katherine, giving us a bit of plot exposition and then having a strop and stomping out like a child having a tantrum. After about the tenth occurrence this gets rather tedious and doesn't feel altogether likely.
I was slightly weirded by the implication that Katherine on arrival quite fancied the ten year old Henry and the bit in the Tower with the 'ghost lady' and the shivers down the spine in Peterborough cathedral seemed out of place and both only really play off if you have a knowledge of the period already, in which case you really don't need to be reading this.
Finally, for all the historical stuff Weir has stuffed in there, she really does need to pay better attention to her geography. I know Ampthill isn't that far from Dunstable, but I think I little effort would inform her that it's more like 14 miles and not the 4 she has in the book!
While the writing isn't awful, it's just not engaging and the book is far too long and becomes tedious. Does Weir really believe that Katherine believed that, after everything that he had done, Henry would meekly accept the Pope's vastly overdue ruling, put Anne and Elizabeth and the change of a male heir aside along with his leadership of the Church of England? hindsight is a wonderful thing, but I find it hard to beleive that Katherine was as stupid and naive as she comes across here. She says she still loves Henry and wouldn't do anything against him, yet writes to the Pope and the Emperor with a clear intention of inciting war! I think Weir means to make her sympathetic, but I just found her exasperating. I would recommend some good non-fiction book on the period ahead of this.
BankofMarquis (1832 KP) rated The Favourite (2018) in Movies
Jan 24, 2019
Quirky and original with strong performances and direction
Greek Director Yorgos Lanthimos is the director of such quirky, bizarre comedy/dramas as DOGTOOTH, THE LOBSTER and KILLING OF A SACRED DEER and his latest, THE FAVOURITE is no different, so when it was nominated for 10 Oscars, I thought I'd better go see what all the fuss was all about.
And I'm glad I did for THE FAVOURITE is a biting, funny, sarcastic, bizarre, intense and interesting Royal Court drama about the inner workings, back channel dealings and backstabbing social climbing in Queen Anne's court in England in the early 18th Century as seen through Lanthimos' camera lens - a lens that is different indeed.
Starring Oscar winners Rachel Weisz (THE CONSTANT GARDNER) and Emma Stone (LA LA LAND) in their Oscar nominated turns as cousins who vie for the attentions of Queen Anne (Olivia Colman, also Oscar nominated), it is the rare film that features 3 strong women who play off each other well and where each one is a full character in and of themselves - all 3 with strengths and weaknesses that make them real and compelling and performed by 3 strong actresses. Needless to say that each Oscar nod is well deserved.
But the real star of this film is the sensibilities and camera work of Lanthimos. He uses unusual camera angles, unusual angles and bizarre imagery to show the unreality of the court in relation to the real world around them and is a commentary on these people as much as it shows the action on the screen. This film is an artist with a true, unique vision and is one that, while not for everyone, is one that worked for me.
Lanthimos layers on a rich tapestry of story (by Oscar nominated Screenplay writers Deborah Davis and Tony McNamara) locations (by Oscar nominated Production Designers Fijona Crombie and Alice Felton), Costumes (by Oscar nominated costumer Sandy Powell) , editing (by Oscar nominated Yorgos Mavropsaridis), Cinematography (by Oscar nominated Robbie Ryan) and performances, direction and film.
I think you get the point - this film has become (rightfully so) a darling of the Awards season and is well worth checking out - while this film is not entirely successful in what it attempts to do, it is fun to watch the attempt and the strong performances, characters, direction, costumes, cinematography, etc...which more than makes up for any shortcomings in the story (especially the final act of the film).
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(OfMarquis)
And I'm glad I did for THE FAVOURITE is a biting, funny, sarcastic, bizarre, intense and interesting Royal Court drama about the inner workings, back channel dealings and backstabbing social climbing in Queen Anne's court in England in the early 18th Century as seen through Lanthimos' camera lens - a lens that is different indeed.
Starring Oscar winners Rachel Weisz (THE CONSTANT GARDNER) and Emma Stone (LA LA LAND) in their Oscar nominated turns as cousins who vie for the attentions of Queen Anne (Olivia Colman, also Oscar nominated), it is the rare film that features 3 strong women who play off each other well and where each one is a full character in and of themselves - all 3 with strengths and weaknesses that make them real and compelling and performed by 3 strong actresses. Needless to say that each Oscar nod is well deserved.
But the real star of this film is the sensibilities and camera work of Lanthimos. He uses unusual camera angles, unusual angles and bizarre imagery to show the unreality of the court in relation to the real world around them and is a commentary on these people as much as it shows the action on the screen. This film is an artist with a true, unique vision and is one that, while not for everyone, is one that worked for me.
Lanthimos layers on a rich tapestry of story (by Oscar nominated Screenplay writers Deborah Davis and Tony McNamara) locations (by Oscar nominated Production Designers Fijona Crombie and Alice Felton), Costumes (by Oscar nominated costumer Sandy Powell) , editing (by Oscar nominated Yorgos Mavropsaridis), Cinematography (by Oscar nominated Robbie Ryan) and performances, direction and film.
I think you get the point - this film has become (rightfully so) a darling of the Awards season and is well worth checking out - while this film is not entirely successful in what it attempts to do, it is fun to watch the attempt and the strong performances, characters, direction, costumes, cinematography, etc...which more than makes up for any shortcomings in the story (especially the final act of the film).
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(OfMarquis)
Darren (1599 KP) rated From Russia With Love (1964) in Movies
Nov 7, 2019
Characters – James Bond is forced into his next mission which includes seducing a spy that is wanting to turn on Russia, he shows us again just how skilled he is when it comes to dealing with life and death situations and his awareness of dangers around him. Tatiana Romanova is the Russian spy that has offered to give up information for safety to England, she might not be as true as James is told about, even though we know she is being forced into this mission. Rosa Klebb is the one that is recruiting the agents with Tatiana and Grant being her picks to help SPECTRE eliminate James Bond. Grant is the newest recruit assassin, hard as nails, resourceful and everything James will find difficult to beat in a fight.
Performances – Sean Connery has grown into this role being even better than the first film, he become the superstar name after this outing. Daniela Bianchi is good for a Bond girl, she is stronger than the first one and now we know what type of women will get in this role. Robert Shaw as the villain is great, he looks cold calculated through every single scene.
Story – The story here is a lot more interesting than the first film, we learn early on about the SPECTRE plan which shows us how we have a growing villainous threat for Bond to tackle. This helps make the franchise even more enjoyable because it isn’t just Bond solving a case, it is him trying to stay ahead while we know the twists coming. The story leaves us open to learn more about SPECTRE in future film which again is a pleasure for the audience to be seeing. How everything unfolds well we know Bond can solve the problems he is facing and we get to see the start of the infamous gadgets.
Action/Adventure – The action in the film is bigger, the fights last longer and the adventure that Bond must go on is showing us just how big the terrorist battle will be.
Settings – The film takes place for the most part in Turkey, which shows us another neutral country in the middle of the battle, the train sequences could be argued to be the most enjoyable though.
Scene of the Movie – The gadgets being introduced.
That Moment That Annoyed Me – James Bond attitude toward women.
Final Thoughts – This is a wonderful second instalment in the franchise, it gives us a bigger threat for long term villains in SPECTRE and does have big action throughout.
Overall: The sequel that makes things bigger.
Performances – Sean Connery has grown into this role being even better than the first film, he become the superstar name after this outing. Daniela Bianchi is good for a Bond girl, she is stronger than the first one and now we know what type of women will get in this role. Robert Shaw as the villain is great, he looks cold calculated through every single scene.
Story – The story here is a lot more interesting than the first film, we learn early on about the SPECTRE plan which shows us how we have a growing villainous threat for Bond to tackle. This helps make the franchise even more enjoyable because it isn’t just Bond solving a case, it is him trying to stay ahead while we know the twists coming. The story leaves us open to learn more about SPECTRE in future film which again is a pleasure for the audience to be seeing. How everything unfolds well we know Bond can solve the problems he is facing and we get to see the start of the infamous gadgets.
Action/Adventure – The action in the film is bigger, the fights last longer and the adventure that Bond must go on is showing us just how big the terrorist battle will be.
Settings – The film takes place for the most part in Turkey, which shows us another neutral country in the middle of the battle, the train sequences could be argued to be the most enjoyable though.
Scene of the Movie – The gadgets being introduced.
That Moment That Annoyed Me – James Bond attitude toward women.
Final Thoughts – This is a wonderful second instalment in the franchise, it gives us a bigger threat for long term villains in SPECTRE and does have big action throughout.
Overall: The sequel that makes things bigger.
Kristy H (1252 KP) rated Little Wonders in Books
Mar 19, 2020
Quinn Barrett's mantra is about being perfect. But that all crumbles when she's caught on camera at the Little Wonders Preschool Halloween parade screaming at her young son, Hamilton, and destroying his (you guessed it) perfectly-created spaceship costume. As president of the Little Wonders board, a perfect mom, and a designer, Quinn supposedly has it all together. But when fellow Little Wonders mom Daisy McGulch captures her meltdown on her phone and it goes viral, Quinn's perfect life is over. As for Daisy, she's terrified that Quinn (and the other Little Wonders parents) will find out she's responsible for the video. She's having a hard enough time fitting in the posh New England town and Little Wonders world. Daisy, with her tattoos, blue hair, and love of cosplay, isn't exactly like the other moms. But then Daisy and Quinn find themselves thrust together--and soon--maybe even friends. What will happen if Quinn finds out what Daisy did?
"In dark moments, when Quinn Barrett looked back and analyzed what caused the destruction of her entire life, she should have known it would happen at the Little Wonders Preschool Happy Halloween Costume Parade (and Dance Party)"
This book started off incredibly slow for me. Though, in its defense, I was reading it while sick with the flu and not exactly in the reading mood (or in the mood for anything, really). It took me a long time to warm to Quinn and Daisy--they just weren't the type of characters you (well, me) immediately take to. And, really, I'm a tough sell on these "mom" type books. I know these horrible type of parents exist--and these snotty schools--but some of these people and their actions just seemed so over-the-top.
I'm glad I kept reading, though, because eventually Daisy and Quinn grew into full-fledged characters, even if some of the other parents remained crazy caricatures and stereotypes. Daisy is sweet and funny, with her love of pop culture, and Quinn is relatable, with her flaws and desire for perfection. The book captures a lot of the difficult elements of parenting; what parent hasn't felt alone and out of their depth at points?
There are some really humorous moments, and I liked Daisy and Quinn's friendship a lot. Some of the events seemed a bit transparent, but Daisy and Quinn's eventual growth and my need to root for them turned this into a 3.5-star read.
"In dark moments, when Quinn Barrett looked back and analyzed what caused the destruction of her entire life, she should have known it would happen at the Little Wonders Preschool Happy Halloween Costume Parade (and Dance Party)"
This book started off incredibly slow for me. Though, in its defense, I was reading it while sick with the flu and not exactly in the reading mood (or in the mood for anything, really). It took me a long time to warm to Quinn and Daisy--they just weren't the type of characters you (well, me) immediately take to. And, really, I'm a tough sell on these "mom" type books. I know these horrible type of parents exist--and these snotty schools--but some of these people and their actions just seemed so over-the-top.
I'm glad I kept reading, though, because eventually Daisy and Quinn grew into full-fledged characters, even if some of the other parents remained crazy caricatures and stereotypes. Daisy is sweet and funny, with her love of pop culture, and Quinn is relatable, with her flaws and desire for perfection. The book captures a lot of the difficult elements of parenting; what parent hasn't felt alone and out of their depth at points?
There are some really humorous moments, and I liked Daisy and Quinn's friendship a lot. Some of the events seemed a bit transparent, but Daisy and Quinn's eventual growth and my need to root for them turned this into a 3.5-star read.