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Darren (1599 KP) rated From Russia With Love (1964) in Movies
Nov 7, 2019
Characters – James Bond is forced into his next mission which includes seducing a spy that is wanting to turn on Russia, he shows us again just how skilled he is when it comes to dealing with life and death situations and his awareness of dangers around him. Tatiana Romanova is the Russian spy that has offered to give up information for safety to England, she might not be as true as James is told about, even though we know she is being forced into this mission. Rosa Klebb is the one that is recruiting the agents with Tatiana and Grant being her picks to help SPECTRE eliminate James Bond. Grant is the newest recruit assassin, hard as nails, resourceful and everything James will find difficult to beat in a fight.
Performances – Sean Connery has grown into this role being even better than the first film, he become the superstar name after this outing. Daniela Bianchi is good for a Bond girl, she is stronger than the first one and now we know what type of women will get in this role. Robert Shaw as the villain is great, he looks cold calculated through every single scene.
Story – The story here is a lot more interesting than the first film, we learn early on about the SPECTRE plan which shows us how we have a growing villainous threat for Bond to tackle. This helps make the franchise even more enjoyable because it isn’t just Bond solving a case, it is him trying to stay ahead while we know the twists coming. The story leaves us open to learn more about SPECTRE in future film which again is a pleasure for the audience to be seeing. How everything unfolds well we know Bond can solve the problems he is facing and we get to see the start of the infamous gadgets.
Action/Adventure – The action in the film is bigger, the fights last longer and the adventure that Bond must go on is showing us just how big the terrorist battle will be.
Settings – The film takes place for the most part in Turkey, which shows us another neutral country in the middle of the battle, the train sequences could be argued to be the most enjoyable though.
Scene of the Movie – The gadgets being introduced.
That Moment That Annoyed Me – James Bond attitude toward women.
Final Thoughts – This is a wonderful second instalment in the franchise, it gives us a bigger threat for long term villains in SPECTRE and does have big action throughout.
Overall: The sequel that makes things bigger.
Performances – Sean Connery has grown into this role being even better than the first film, he become the superstar name after this outing. Daniela Bianchi is good for a Bond girl, she is stronger than the first one and now we know what type of women will get in this role. Robert Shaw as the villain is great, he looks cold calculated through every single scene.
Story – The story here is a lot more interesting than the first film, we learn early on about the SPECTRE plan which shows us how we have a growing villainous threat for Bond to tackle. This helps make the franchise even more enjoyable because it isn’t just Bond solving a case, it is him trying to stay ahead while we know the twists coming. The story leaves us open to learn more about SPECTRE in future film which again is a pleasure for the audience to be seeing. How everything unfolds well we know Bond can solve the problems he is facing and we get to see the start of the infamous gadgets.
Action/Adventure – The action in the film is bigger, the fights last longer and the adventure that Bond must go on is showing us just how big the terrorist battle will be.
Settings – The film takes place for the most part in Turkey, which shows us another neutral country in the middle of the battle, the train sequences could be argued to be the most enjoyable though.
Scene of the Movie – The gadgets being introduced.
That Moment That Annoyed Me – James Bond attitude toward women.
Final Thoughts – This is a wonderful second instalment in the franchise, it gives us a bigger threat for long term villains in SPECTRE and does have big action throughout.
Overall: The sequel that makes things bigger.
Kristy H (1252 KP) rated Little Wonders in Books
Mar 19, 2020
Quinn Barrett's mantra is about being perfect. But that all crumbles when she's caught on camera at the Little Wonders Preschool Halloween parade screaming at her young son, Hamilton, and destroying his (you guessed it) perfectly-created spaceship costume. As president of the Little Wonders board, a perfect mom, and a designer, Quinn supposedly has it all together. But when fellow Little Wonders mom Daisy McGulch captures her meltdown on her phone and it goes viral, Quinn's perfect life is over. As for Daisy, she's terrified that Quinn (and the other Little Wonders parents) will find out she's responsible for the video. She's having a hard enough time fitting in the posh New England town and Little Wonders world. Daisy, with her tattoos, blue hair, and love of cosplay, isn't exactly like the other moms. But then Daisy and Quinn find themselves thrust together--and soon--maybe even friends. What will happen if Quinn finds out what Daisy did?
"In dark moments, when Quinn Barrett looked back and analyzed what caused the destruction of her entire life, she should have known it would happen at the Little Wonders Preschool Happy Halloween Costume Parade (and Dance Party)"
This book started off incredibly slow for me. Though, in its defense, I was reading it while sick with the flu and not exactly in the reading mood (or in the mood for anything, really). It took me a long time to warm to Quinn and Daisy--they just weren't the type of characters you (well, me) immediately take to. And, really, I'm a tough sell on these "mom" type books. I know these horrible type of parents exist--and these snotty schools--but some of these people and their actions just seemed so over-the-top.
I'm glad I kept reading, though, because eventually Daisy and Quinn grew into full-fledged characters, even if some of the other parents remained crazy caricatures and stereotypes. Daisy is sweet and funny, with her love of pop culture, and Quinn is relatable, with her flaws and desire for perfection. The book captures a lot of the difficult elements of parenting; what parent hasn't felt alone and out of their depth at points?
There are some really humorous moments, and I liked Daisy and Quinn's friendship a lot. Some of the events seemed a bit transparent, but Daisy and Quinn's eventual growth and my need to root for them turned this into a 3.5-star read.
"In dark moments, when Quinn Barrett looked back and analyzed what caused the destruction of her entire life, she should have known it would happen at the Little Wonders Preschool Happy Halloween Costume Parade (and Dance Party)"
This book started off incredibly slow for me. Though, in its defense, I was reading it while sick with the flu and not exactly in the reading mood (or in the mood for anything, really). It took me a long time to warm to Quinn and Daisy--they just weren't the type of characters you (well, me) immediately take to. And, really, I'm a tough sell on these "mom" type books. I know these horrible type of parents exist--and these snotty schools--but some of these people and their actions just seemed so over-the-top.
I'm glad I kept reading, though, because eventually Daisy and Quinn grew into full-fledged characters, even if some of the other parents remained crazy caricatures and stereotypes. Daisy is sweet and funny, with her love of pop culture, and Quinn is relatable, with her flaws and desire for perfection. The book captures a lot of the difficult elements of parenting; what parent hasn't felt alone and out of their depth at points?
There are some really humorous moments, and I liked Daisy and Quinn's friendship a lot. Some of the events seemed a bit transparent, but Daisy and Quinn's eventual growth and my need to root for them turned this into a 3.5-star read.
Guy Garvey recommended Catalpa by Jolie Holland in Music (curated)
Gareth von Kallenbach (980 KP) rated Free Fire (2017) in Movies
Jul 11, 2019
At a rundown warehouse in 1970’s Boston, Justine (Brie Larson) and Ord (Armie Hammer) are brokering a deal between a South African arms dealer (Sharlto Copley) and members of the IRA (Cillian Murphy & Michael Smiley). Tensions flare almost immediately between the two sides and an inevitable battle of wills and gunplay ensues when two members of their entourage take decisive action on a fresh grudge from the night before.
It may say Scorsese’s producing, but Free Fire definitely smacks more of a Tarantino-influenced affair and I can think of no better example, in recent years anyway, that proves the lasting legacy of his still awe-inspiring debut, Reservoir Dogs. After years of making deliberately obtuse films (High Rise, A Field in England), Ben Wheatley has finally made something accessible, but unfortunately, Free Fire can’t pack the same visceral punch and narrative competence as the films that it takes influence from. I’m having flashbacks to about this time last year when I reviewed another film from A24, Green Room. I walked out of Free Fire in much the same manner; on a high, feeling satisfied from what appeared to be something unique and notable. As the hours have passed and I’m preparing my summation, the sentiment has all but vanished and I’m wanting of something with a little more substance. Granted, an 90 minute runtime can only accommodate so much, but I have to ask: could all that time spent crawling around in the dust and the rubble, as realistic a light that it may or may not shine on the authenticity of an actual shootout, have been used instead to get inside our characters motivations, driving us to really care about their fates? There’s no doubt that from its style and attitude, there was the potential for this to be the Reservoir Dogs for a new generation, but ultimately it’s just not a very memorable experience.
What will save Free Fire from obscurity is a cast that, despite having little plot to work with, is firing on all cylinders. An exemplary job is done from Oscar winners on down to character actors whose faces you know, but names you don’t. There isn’t one weak link in the chain and their performances have an excellent balance of toughness and levity that grounds them just enough to allow for suspension of disbelief. I might chastise Ben Wheatley as a storyteller, but there’s no doubt that he has an ear for great dialogue and fine judgement on the performers to deliver it.
It may say Scorsese’s producing, but Free Fire definitely smacks more of a Tarantino-influenced affair and I can think of no better example, in recent years anyway, that proves the lasting legacy of his still awe-inspiring debut, Reservoir Dogs. After years of making deliberately obtuse films (High Rise, A Field in England), Ben Wheatley has finally made something accessible, but unfortunately, Free Fire can’t pack the same visceral punch and narrative competence as the films that it takes influence from. I’m having flashbacks to about this time last year when I reviewed another film from A24, Green Room. I walked out of Free Fire in much the same manner; on a high, feeling satisfied from what appeared to be something unique and notable. As the hours have passed and I’m preparing my summation, the sentiment has all but vanished and I’m wanting of something with a little more substance. Granted, an 90 minute runtime can only accommodate so much, but I have to ask: could all that time spent crawling around in the dust and the rubble, as realistic a light that it may or may not shine on the authenticity of an actual shootout, have been used instead to get inside our characters motivations, driving us to really care about their fates? There’s no doubt that from its style and attitude, there was the potential for this to be the Reservoir Dogs for a new generation, but ultimately it’s just not a very memorable experience.
What will save Free Fire from obscurity is a cast that, despite having little plot to work with, is firing on all cylinders. An exemplary job is done from Oscar winners on down to character actors whose faces you know, but names you don’t. There isn’t one weak link in the chain and their performances have an excellent balance of toughness and levity that grounds them just enough to allow for suspension of disbelief. I might chastise Ben Wheatley as a storyteller, but there’s no doubt that he has an ear for great dialogue and fine judgement on the performers to deliver it.
LeftSideCut (3776 KP) rated Last Night in Soho (2021) in Movies
Dec 1, 2021
Straight off the bat, there is a whole lot to love about Last Night in Soho. It's a modern-London thriller with a dashing of supernatural horror. It's a modern horror with lashings of giallo. It's a giallo that is also a murder mystery. It bursting with colour, and has two exceptionally talented actors at it's helm.
I enjoy Anya Taylor-Joy in pretty much anything she's in, and the same applies here, stealing most of the scenes that she's in. Thomasin McKenzie is an infectiously likable protagonist, whether she's battling seedy-men ghosts, or the struggles of going to University in England (the scene near the beginning where she's stuck at a dorm party is a literal nightmare put straight onto the screen if you ask me). She's fantastic here as she was in Jojo Rabbit.
It boasts a strong supporting cast as well. Matt Smith plays a convincing shit-bag, and is quite clearly having a ball shouting in a cockney accent. It's always a pleasure to see Terence Stamp, and of course, Diana Rigg was one of the best in the game, and her performance here in her final role is testament to that.
LNIS is dripping with style, which is to be expected from Edgar Wright, but it's more subtle than a lot of his other works, substituting clever edits, cuts, and comedy for a film that's visual crack with a more serious tone. The vibrancy of its colour pallettes, both in the modern and 60s settings are as important as any character. Every frame feels like it's been lovingly poured over and is cinematic in every sense of the word. It also boasts a stellar soundtrack. I didn't realise how much I fucking love a bit of Cilla Black but here we are.
The only minor gripes I have is that it does drag ever so slightly during the final third. At one point it feels like a natural resolve is near, but then the narrative continues for a while longer before the twists and turns land. It also goes a little slasher-y at one point, which isn't necessarily an issue, but it feels a bit alien to the rest of the vibe (still manages to be a visually striking moment though!)
Overall though, Last Night in Soho is an incredibly engaging and enjoyable thriller, and is a proud addition to both Wright's filmography, and the modern resurgence of top quality horror.
I enjoy Anya Taylor-Joy in pretty much anything she's in, and the same applies here, stealing most of the scenes that she's in. Thomasin McKenzie is an infectiously likable protagonist, whether she's battling seedy-men ghosts, or the struggles of going to University in England (the scene near the beginning where she's stuck at a dorm party is a literal nightmare put straight onto the screen if you ask me). She's fantastic here as she was in Jojo Rabbit.
It boasts a strong supporting cast as well. Matt Smith plays a convincing shit-bag, and is quite clearly having a ball shouting in a cockney accent. It's always a pleasure to see Terence Stamp, and of course, Diana Rigg was one of the best in the game, and her performance here in her final role is testament to that.
LNIS is dripping with style, which is to be expected from Edgar Wright, but it's more subtle than a lot of his other works, substituting clever edits, cuts, and comedy for a film that's visual crack with a more serious tone. The vibrancy of its colour pallettes, both in the modern and 60s settings are as important as any character. Every frame feels like it's been lovingly poured over and is cinematic in every sense of the word. It also boasts a stellar soundtrack. I didn't realise how much I fucking love a bit of Cilla Black but here we are.
The only minor gripes I have is that it does drag ever so slightly during the final third. At one point it feels like a natural resolve is near, but then the narrative continues for a while longer before the twists and turns land. It also goes a little slasher-y at one point, which isn't necessarily an issue, but it feels a bit alien to the rest of the vibe (still manages to be a visually striking moment though!)
Overall though, Last Night in Soho is an incredibly engaging and enjoyable thriller, and is a proud addition to both Wright's filmography, and the modern resurgence of top quality horror.
BankofMarquis (1832 KP) rated Belfast (2021) in Movies
Nov 21, 2021
Underwhelming
The trouble with hearing that a film is a “shoo-in” Oscar film is that I go in with expectations and, sometimes, there is no way the film can live up to the expectations that I have for it.
Such is the case with the new film Written and Directed by Kenneth Branagh, his personal remembrance BELFAST.
Professionally made, with a strong cast and some decent dialogue, BELFAST tells the tale of a young boy growing up in Ireland when “the troubles” (the Irish Civil War between Protestants and Catholics of the late 1960’s) erupts and the family must turn against friends and neighbors and make the difficult decision as to what side of the conflict they should be one - and whether they should stay in Ireland or move to England.
We see this world through the eyes of 9 year old Buddy (Jude Hill). Consequently, we only gets bit and pieces of the story as he starts to understand what is going on. And that is part of the problem with this film. We receive the information in bits and pieces on the level of a child. And the premise just doesn’t work, for his parents and grandparents constantly attempt to shield the child from the goings-on in the world (and thus shield the audience).
Branagh’s script is underwritten and slight - but he turns it over to some tremendous performers who elevate it to something better than it is.
Veteran actors Dame Judi Dench and Ciaran Hinds are fine comic relief in this film as the Grandparents who are wise and seeing that the world that they once knew is changing. These two aging thespians bring a spark to this film, for it is pretty limp otherwise.
The conflict between Pa (Jamie Doran - 50 SHADES OF GREY) and Ma (Citrione Balfe - OUTLANDER) over the families’ reaction to the events outside of their home never really crescendoes with any power. Again, I blame the writing. The conflict between these two is just not interesting enough. So, if I don’t blame the writing, I’ll blame the Directing - which is also by Branagh.
Balfe is being touted as a Best Actress Oscar contender, and I can see how she might get one, as she does have “the Oscar Speech”, but there is not much more to recommend here.
This film is professionally done and acted well enough - there just needed to be more “there” there.
Letter Grade B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with the new film Written and Directed by Kenneth Branagh, his personal remembrance BELFAST.
Professionally made, with a strong cast and some decent dialogue, BELFAST tells the tale of a young boy growing up in Ireland when “the troubles” (the Irish Civil War between Protestants and Catholics of the late 1960’s) erupts and the family must turn against friends and neighbors and make the difficult decision as to what side of the conflict they should be one - and whether they should stay in Ireland or move to England.
We see this world through the eyes of 9 year old Buddy (Jude Hill). Consequently, we only gets bit and pieces of the story as he starts to understand what is going on. And that is part of the problem with this film. We receive the information in bits and pieces on the level of a child. And the premise just doesn’t work, for his parents and grandparents constantly attempt to shield the child from the goings-on in the world (and thus shield the audience).
Branagh’s script is underwritten and slight - but he turns it over to some tremendous performers who elevate it to something better than it is.
Veteran actors Dame Judi Dench and Ciaran Hinds are fine comic relief in this film as the Grandparents who are wise and seeing that the world that they once knew is changing. These two aging thespians bring a spark to this film, for it is pretty limp otherwise.
The conflict between Pa (Jamie Doran - 50 SHADES OF GREY) and Ma (Citrione Balfe - OUTLANDER) over the families’ reaction to the events outside of their home never really crescendoes with any power. Again, I blame the writing. The conflict between these two is just not interesting enough. So, if I don’t blame the writing, I’ll blame the Directing - which is also by Branagh.
Balfe is being touted as a Best Actress Oscar contender, and I can see how she might get one, as she does have “the Oscar Speech”, but there is not much more to recommend here.
This film is professionally done and acted well enough - there just needed to be more “there” there.
Letter Grade B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Rachel King (13 KP) rated Confessions of an Ugly Stepsister in Books
Feb 11, 2019
I have been meaning to read this book for some time, simply because I loved Gregory Maguire's Wicked so much. This book I read considerably slower than I expected, though I still found the plot compelling. In this retelling of Cinderella, the reader follows the viewpoint of Iris, one of the "stepsisters" of the original tale. Iris is smart and artistic, but plain-looking -- a fact her mother never fails to point out endlessly. Iris's older sister, Ruth, is dumb and mute, which makes life at times both interesting and difficult for Iris and their mother, Margarethe.
The trio flee England for Margarethe's homeland of Holland -- the reasons for which remaining a mystery for most of the book -- and are forced to beg for shelter and work before falling under the mercy of a local painter. This is where Clara, the blonde changeling girl standing in the place of "Cinderella," is introduced. Her beauty is so ethereal that she lives a reclusive, sheltered existence under the extreme protection of her mother. Strangely, Clara and Iris seem to make up two sides of the same coin -- where one lacks the other excels in. Where Clara hides from strangers, Iris is adept at social interaction. Iris's vivid imagination makes up for Clara's lack of intelligence.
Margarethe's machinations first get her and her daughters into the same household under Clara's parents, as their servants. Then when Clara's mother dies through mysterious circumstances, Margarethe maneuvers them to become Clara's step-family, effectively pushing Clara's father almost completely out of the picture. Ironically, a picture is what serves as the glue for almost the entire plot, motivating all of the main characters to a particular behavior.
Clara is almost the complete opposite of what one would expect from the image of "Cinderella." She is spoiled, rich, obstinate, paranoid, reclusive, delusional, confrontational, and quite childish even in adulthood. Margarethe is a villain that is relate-able, as her choices throughout the book stem from an obsessive need to both survive and thrive. Though at times I intensely dislike the things that she spouts, I cannot hate her due to the suffering she endures from a certain ironic malady that befalls her.
The ending that is so familiar to the original tale seems to happen almost by accident -- and how easily Iris could have taken Clara's place makes me a bit sad for Iris. The ending to the book is also a nice surprise, causing me to rethink many of the scenes and the thoughts that could have been occurring to one of the central characters. Indeed, the ending makes the book almost worth a re-read.
The trio flee England for Margarethe's homeland of Holland -- the reasons for which remaining a mystery for most of the book -- and are forced to beg for shelter and work before falling under the mercy of a local painter. This is where Clara, the blonde changeling girl standing in the place of "Cinderella," is introduced. Her beauty is so ethereal that she lives a reclusive, sheltered existence under the extreme protection of her mother. Strangely, Clara and Iris seem to make up two sides of the same coin -- where one lacks the other excels in. Where Clara hides from strangers, Iris is adept at social interaction. Iris's vivid imagination makes up for Clara's lack of intelligence.
Margarethe's machinations first get her and her daughters into the same household under Clara's parents, as their servants. Then when Clara's mother dies through mysterious circumstances, Margarethe maneuvers them to become Clara's step-family, effectively pushing Clara's father almost completely out of the picture. Ironically, a picture is what serves as the glue for almost the entire plot, motivating all of the main characters to a particular behavior.
Clara is almost the complete opposite of what one would expect from the image of "Cinderella." She is spoiled, rich, obstinate, paranoid, reclusive, delusional, confrontational, and quite childish even in adulthood. Margarethe is a villain that is relate-able, as her choices throughout the book stem from an obsessive need to both survive and thrive. Though at times I intensely dislike the things that she spouts, I cannot hate her due to the suffering she endures from a certain ironic malady that befalls her.
The ending that is so familiar to the original tale seems to happen almost by accident -- and how easily Iris could have taken Clara's place makes me a bit sad for Iris. The ending to the book is also a nice surprise, causing me to rethink many of the scenes and the thoughts that could have been occurring to one of the central characters. Indeed, the ending makes the book almost worth a re-read.
MaryAnn (14 KP) rated A Rumored Fortune in Books
Mar 5, 2019
Tressa Harlowe's father did not trust banks, but neither did he trust his greedy extended family. He kept his vast fortune hidden somewhere on his estate in the south of England and died suddenly, without telling anyone where he had concealed it. Tressa and her ailing mother are left with a mansion and an immense vineyard and no money to run it. It doesn't take long for a bevy of opportunists to flock to the estate under the guise of offering condolences. Tressa knows what they're really up to. She'll have to work with the rough and rusticated vineyard manager to keep the laborers content without pay and discover the key to finding her father's fortune--before someone else finds it first.
My Thoughts: This is the second novel for Author Joanna Davidson Politano and her books only get better and better! A story of intrigue, suspense, love, and lessons to be learned. Tressa and her mother are summoned home early from a trip abroad. Assuming that her father has called them home, Tressa is excited to see him again. When they do finally get home, she is met by a handsome stranger who comes to her aid and brings her to the castle only to find that her father has died. As she learns that Trevelyan has run into money problems she quickly starts searching for the hidden treasure; the only thing is, is that she isn't the only one. At the world of her father's death, everyone wants a piece of the treasure.
This is a gripping story that keeps the reader entertained throughout. It is full of twists and turns, that keeps the reader on edge wondering what will happen next.
The characters are well developed and very believable, as they interact with one another through the story-line,
At the beginning of each chapter, there is a nugget of wisdom that deals with horticulture and raising grapes but it also has a deeper meaning for what goes on in life. The characters also supported a great faith in God which is a good example for us in our own times of despair.
Tressa is a loveable character, and well portrayed in the novel. I can't imagine how hard it would be to trust in a time when it seems all people wanted was money. I think that she did an amazing job, with a few lessons learned.
I highly recommend this novel. I will certainly be looking for more from this author.
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
My Thoughts: This is the second novel for Author Joanna Davidson Politano and her books only get better and better! A story of intrigue, suspense, love, and lessons to be learned. Tressa and her mother are summoned home early from a trip abroad. Assuming that her father has called them home, Tressa is excited to see him again. When they do finally get home, she is met by a handsome stranger who comes to her aid and brings her to the castle only to find that her father has died. As she learns that Trevelyan has run into money problems she quickly starts searching for the hidden treasure; the only thing is, is that she isn't the only one. At the world of her father's death, everyone wants a piece of the treasure.
This is a gripping story that keeps the reader entertained throughout. It is full of twists and turns, that keeps the reader on edge wondering what will happen next.
The characters are well developed and very believable, as they interact with one another through the story-line,
At the beginning of each chapter, there is a nugget of wisdom that deals with horticulture and raising grapes but it also has a deeper meaning for what goes on in life. The characters also supported a great faith in God which is a good example for us in our own times of despair.
Tressa is a loveable character, and well portrayed in the novel. I can't imagine how hard it would be to trust in a time when it seems all people wanted was money. I think that she did an amazing job, with a few lessons learned.
I highly recommend this novel. I will certainly be looking for more from this author.
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
Ivana A. | Diary of Difference (1171 KP) rated Coming Home in Books
Aug 21, 2018
Read my full review on: diaryofdifference.com/2018/04/27/coming-home-fern-britton-book-review/
<img id="coverImage" alt="Coming Home" src="https://images.gr-assets.com/books/1511803698l/30407364.jpg">;
I had the pleasure to receive a copy of this book from GoodReads and HarperCollins. This was the first book I have read from Fern Britton, and I know it won’t be my last for sure!
Coming Home is based in Cornwall, England, a beautiful seaside area with loads of fisherman around. The author describes the place so well, that it made me want to go there, just to see it and be close to the characters. It reminds me of South Shields very much as well.
This is a story of one family, three generations and their difficult lives entwined with love, pain, leaving and coming back home.
Sennen is a woman that leaves her hometown, her parents and her two little children (Ella and Henry) at 17-years-old because life gets too hard to handle.
Ella and Henry are raised by their grandparents and live their whole life without their mother in their lives - until one day, Sennen comes back and wants to be a part of their lives. But are they ready for it?
We see the story through the eyes of Sennen, Ella and Henry and the grandparents. We travel from one generation to the other through the years, and we learn a lot for each of the characters. It is so well-written, that I wasn’t confused at all. Usually I get confused when authors try to do this in other books, but this one was definitely not the case.
This is one of those books that will hook you from the very first pages! The characters are so warm and close to the heart, that I felt like I have known them forever. I felt close to them and their feelings and thoughts, that I could have easily gone out and have a conversation with them. It is one of those books that fills you with anticipation, then gives you a back-story, and just when you thought things will happen as you thought, you will discover a surprise.
Wonderful plot and beautifully written - this is a book of love, family, broken and fixed hearts. This is a book that will make you cry while waiting for a train, and laugh out loud while drinking a hot chocolate in a coffee shop.
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<img id="coverImage" alt="Coming Home" src="https://images.gr-assets.com/books/1511803698l/30407364.jpg">;
I had the pleasure to receive a copy of this book from GoodReads and HarperCollins. This was the first book I have read from Fern Britton, and I know it won’t be my last for sure!
Coming Home is based in Cornwall, England, a beautiful seaside area with loads of fisherman around. The author describes the place so well, that it made me want to go there, just to see it and be close to the characters. It reminds me of South Shields very much as well.
This is a story of one family, three generations and their difficult lives entwined with love, pain, leaving and coming back home.
Sennen is a woman that leaves her hometown, her parents and her two little children (Ella and Henry) at 17-years-old because life gets too hard to handle.
Ella and Henry are raised by their grandparents and live their whole life without their mother in their lives - until one day, Sennen comes back and wants to be a part of their lives. But are they ready for it?
We see the story through the eyes of Sennen, Ella and Henry and the grandparents. We travel from one generation to the other through the years, and we learn a lot for each of the characters. It is so well-written, that I wasn’t confused at all. Usually I get confused when authors try to do this in other books, but this one was definitely not the case.
This is one of those books that will hook you from the very first pages! The characters are so warm and close to the heart, that I felt like I have known them forever. I felt close to them and their feelings and thoughts, that I could have easily gone out and have a conversation with them. It is one of those books that fills you with anticipation, then gives you a back-story, and just when you thought things will happen as you thought, you will discover a surprise.
Wonderful plot and beautifully written - this is a book of love, family, broken and fixed hearts. This is a book that will make you cry while waiting for a train, and laugh out loud while drinking a hot chocolate in a coffee shop.
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Lee (2222 KP) rated A Discovery of Witches - Season 1 in TV
Nov 8, 2018 (Updated Nov 8, 2018)
Bit of a slow burn, some good potential though.
A Discovery of Witches is based on the first book of the 'All Souls Trilogy', by Deborah Harkness. We're in a world where witches, vampires and demons all live among us, carrying out normal human jobs and duties. Obviously these creatures are all aware of each other, and it becomes clear that there is a long, complex and very tense history between them all. While us humans remain blissfully unaware.
The show begins in Oxford, England with Diana Bishop (Teresa Palmer), a witch working as a historian. While carrying out research in the local library she discovers a book which had long been considered missing, and mysteriously only shows itself to Diana. It's return triggers a lot of interest within the supernatural community and she finds herself attracting a lot of unwanted attention, beginning with Matthew Clairmont (Matthew Goode), a local geneticist and vampire. They eventually forge a romantic relationship and begin working together to try and solve the mysteries within the book.
My wife absolutely loves this show and looking at some of the reviews for it on IMDB I know I'm in the minority here, but I mostly found A Discovery Of Witches to be a bit dull. The whole thing is very stylishly done, highlighting Oxford as the beautiful city it is, and we also spend a lot of time in Venice, and various other exotic international locations. But it's the slow burn and the characters themselves that didn't really do it for me. The vampires are mostly moody, throwing their weight around and showing off their lightning speed and reactions along with their heightened senses. The witches are generally wise and supposedly more powerful, but rarely exhibit any more power than setting something on fire, rattling something, or making it a bit windy to the point where people get knocked off their feet. And the demons... well, the demons don't really seem to do anything at all, acting and appearing just like normal humans throughout the entire show. There's a lot of dodgy acting, and as much as I've loved Teresa Palmer in other roles prior to this, I don't really feel she's well suited here. It's all just slow burn and forbidden love. Twilight, but with grown-ups and less special effects.
It's just been granted another two seasons, so I'm definitely in the minority with my opinions. To be fair though, there have been some enjoyable moments, and I'm certainly interested in the direction the show appeared to be heading in. The finale cliffhanger definitely opened up some fun and interesting potential for next season too.
The show begins in Oxford, England with Diana Bishop (Teresa Palmer), a witch working as a historian. While carrying out research in the local library she discovers a book which had long been considered missing, and mysteriously only shows itself to Diana. It's return triggers a lot of interest within the supernatural community and she finds herself attracting a lot of unwanted attention, beginning with Matthew Clairmont (Matthew Goode), a local geneticist and vampire. They eventually forge a romantic relationship and begin working together to try and solve the mysteries within the book.
My wife absolutely loves this show and looking at some of the reviews for it on IMDB I know I'm in the minority here, but I mostly found A Discovery Of Witches to be a bit dull. The whole thing is very stylishly done, highlighting Oxford as the beautiful city it is, and we also spend a lot of time in Venice, and various other exotic international locations. But it's the slow burn and the characters themselves that didn't really do it for me. The vampires are mostly moody, throwing their weight around and showing off their lightning speed and reactions along with their heightened senses. The witches are generally wise and supposedly more powerful, but rarely exhibit any more power than setting something on fire, rattling something, or making it a bit windy to the point where people get knocked off their feet. And the demons... well, the demons don't really seem to do anything at all, acting and appearing just like normal humans throughout the entire show. There's a lot of dodgy acting, and as much as I've loved Teresa Palmer in other roles prior to this, I don't really feel she's well suited here. It's all just slow burn and forbidden love. Twilight, but with grown-ups and less special effects.
It's just been granted another two seasons, so I'm definitely in the minority with my opinions. To be fair though, there have been some enjoyable moments, and I'm certainly interested in the direction the show appeared to be heading in. The finale cliffhanger definitely opened up some fun and interesting potential for next season too.
